Watching some arty videos yesterday, I stumbled upon one that involved creating “Polaroid Pops”, part of a challenge hosted by AALL and Create back in January 2022. In this challenge, you had to create mixed media polaroid ‘photos’ using stamps by a specific artist in the AALL and Create range.
I really liked the format of the images created and thought it could be fun to try this for myself!
Polaroid photos have the following dimensions: The image is 3.1″ x 3.1″ (approx. 8cm x 8cm) The whole photo is 3.5″ x 4.2″ (approx 9cm x 11cm).
So, yesterday I cut up some of my Neocolour II backgrounds to 8cm x 8cm and got to drawing on them!
I really like the square format. At 3.1″ x 3.1″ (8cm x 8cm), they’re only a wee bit smaller than a standard Zentangle tile. And they do look fab when mounted on the white card to create the polaroid.
After drawing a kind of botanical scene in silhouette (not quite my thing, but you have to try, you know.), I tried popping a hand-lettered monogram into the square and using Zentangle patterns to fill in the negative space.
That was much more ‘me’. And in today’s video, I continue with the letter B, though it looks like an R because I deliberately drew it as bigger than the ‘photo’. Duh, didn’t check for it looking weird before inking it in. Luckily, there’s space on the white background to write in what it is!
While the video was uploading and processing, I drew the ‘H’.
I think I may make an alphabet collection for future reference and inspiration! So, if you fancy having a go take a look at today’s video on YouTube.
I’ve been busy indulging myself in comfort art over the past couple of weeks. So, I thought I’d share some of the pages in one of my A4 sketchbooks that relate to zentangle.
I’m no photographer, just saying!
I used a whole host of different media to complete the drawings -pens, including Pigma Micron, Unipin, Uni Emott, Chameleon Fineliners, Pitt Artist Pens, Staedtler Triplus fineliners, Tombow Fudenosuke and a Zebra fudenosuke -a range of pencils including Prisma Ebony graphite, Daler-Rowney sketching pencils, white graphite pencil, Derwent coloured drawing pencils and ordinary drawing pencils and a ruler to give guidelines for dividing the pages up – tortillons and paper stumps, along with sandpaper to clean the tips! – Inktense, Tombow Dualbrush pens, Faber Castell Pitt artist pens and a waterbrush for the more intensely coloured patterns
Some of the work has been done on days where I just needed to lose myself in something familiar, comforting. The rest of it during my nights of broken sleep.
The newest stuff are the pages of ’embedded’ letters – the monograms. Definitely a tad on the weird side as I’ve not found my way with this idea. But I will persevere over time.
Over the past couple of days I’ve been playing around with watercolours. Apart from fun, it’s trying to work out how I can get them to work for me, and here you can see some of my experiments.
As well as continuing with the Domestika course, I found a book on my Kindle called “The Art of Creating Watercolor : Inspiration & Techniques for Imaginative Drawing and Painting” by Danielle Donaldson.
I’d forgotten I’d bought this, but on rediscovering it and looking at it I found it inspired me, particularly when it comes to drawing people.
What was reassuring, is that Danielle Donaldson is someone else who likes to work on a small scale! She also uses a very fin (0.3mm) pencil to draw with, but also to add line and pattern to her drawings instead of pen. I wanted to try that out.
I also really like the whimsical nature of her art, and her people inspired me to have a go. The three people in the collection of images above are inspired by her work, one more than the others. The one that is most directly like Danielle’s work is the person to the right of the trio. I used a pencil to draw the design as well as outline it after it was painted.
With the other two, I used a very fine Pitt Artist pen to outline them once the paint was dry.
Looking at them all together, I quite like the softer quality of the pencil line.
Oh, these trio are also my way of developing a version of myself. Unfortunately I look pregnant in the middle one (I’m not!), though I rather like my hair in this one – I wish my own hair was as thick and long! I really need to work on feet and foot positions.
Watercolours have vexed me, and continue to do so though I will persevere with them. Drawing people has vexed me for longer!
I’m not entirely sure that watercolour will be the best medium for me to use…I’ll try others, including digital, to see what I can get to work for me and is in my style.
I also spent sometime experimenting with monograms and botanical themes. I really like the blue foliage, and the cute tree too.
Yesterday my art and other stuff was put on hold for much of the day; I woke with a migraine and couldn’t do much until painkillers had kicked in and I could sleep away the remnants of it. Once I woke, that’s when I found the book and did some art inspired by it.
I slept quite well last night, and woke just fine and dandy today.
All these bits of art will find my way into the journal I’m making, including notes and reflections on them.
That’s right, there’s an annual day to celebrate coloring books and to indulge yourself in the relaxing, calming, stress-busting activity of coloring, no matter your age or gender!
As you can see if you browse this blog, I do a lot of art. Whether drawing, colouring, or other forms of creativity in art it really does relax, calm and soothe me when I need it.
And there are times when I really do need calming and relaxing. It’s no secret to anyone who has followed my blog for a while that I have complex PTSD (CPTSD) and I am slowly recovering from it with the help of EMDR therapy. On the days where I have low mood or anxiety or I’ve been startled into hyper-vigilance, art really helps to soothe my jarred emotions and calm me until the stress hormones leach from my body returning to their normal level for me. That is still an elevated level, but a level that has always been there in my life.
It’s not just me saying this. Research has shown that spending time colouring has a similar effect on the brain as mindfulness meditation.
There are so many coloring books available as well as colouring pages, you can find just about anything to suit your tastes. Also, I have many colouring books available (I think it’s around 20 now) – have peek at at my Angela Porter Amazon author page.
If you like to draw your own designs to colour and are looking for something new and a little different, then you may like to take a look at my book ‘A Dangle A Day’. In the book I show you what dangles are, how to draw them and use them with hand lettered sentiments and monograms. They’re fun to draw, simple, and there are many ways to use them such as in bullet journals (BuJos), planners, journals, scrapbooks, greetingscards, note cards, bookmarks and more.
Also, I gift an exclusive template to the Angela Porter’s Coloring Book Fans facebook group at least once a month. They’re free to members and shouldn’t be available anywhere else, though intellectual theft isn’t unknown in the realms of the internet.
The image above is the August template for the facebook group. I coloured it digitally using gradient tools for some speed. It would take me weeks to do the way I’ve been creating digital art of late!
No matter what you use to colour – digital or traditional media – I’d love to see how you’ve brought my line art to life, whether from one of my books or from one of the templates available in the facebook group. There’s also some templates available on my angela porter illustrator facebook page too.
Here’s the tags you can use to connect with me on the social media platforms that I use:
Another lovely day or so spent hand lettering and drawing the etntangled designs around the monograms.
I used Tombow Fudenosuke, Uniball Unipin and Sakura Pigma Sensei pens on 15cm x 15cm pieces of Winsor and Newton Bristol Board.
The Tombow Fudenosuke pens are giving me a much thicker line than I’d usually use, along with variable line width too. I must admit I rather like the bolder lines as they really define the designs. What do you think about my use of bolder line?
I have scanned these, and yesterday’s A and B monograms, so I can add colour digitally, should I choose to do so. At the moment I’m really just enjoying the graphic quality of the black and white line art.
Today is EMDR therapy day for me. My appointment is mid-afternoon and it’s been almost a fortnight since my last one as there’s been a Bank Holiday in between.
I must say that I’ve had quite a contented fortnight. The last session was rather disturbing and distressing and though I was absolutely exhausted emotionally, mentally and physically after it for the rest of the day and part of the next, I think I found my balance much quicker than I expected.
I’ve had my moments, hours, mind you. Often when I’m tired and need a nap. So, I take a nap if I can. That’s one of the fab things about being a self-employed/freelancing artist/illustrator/author. It’s a lot easier to do self-care things when self-care is needed. If I need a nap, I can often take a nap. If I need a day or three to recover from EMDR I can take that time, or at least break the time up so I have chunks of self-care in amongst the work I need to do to fulfil contracts.
I really am grateful for this flexibility, a flexibility that is in sharp contrast with the very structured, timetabled, hamster-wheel existence of my life as a teacher.
Flexibility and freedom – a double edged sword
It’s really difficult for me to make full use of the flexibility and freedom I have. I often have an urge to go out somewhere, but I can never decide on where to go, or when to go, or whether I should even bother going as really, what do I want to go there for. Telling myself it’s to sketch, draw, photograph, gain inspiration, for the experience, because I like to walk when I do go and walk, because being in nature is good for my emotional and mental wellbeing, or just because I CAN just doesn’t cut it with the problems that arise from the CPTSD, especially anxiety and social anxiety that forms part of the experience of being a survivor of trauma.
Sometimes I manage to sneak up on myself and surprise myself and get out and about and visit somewhere either familiar or new to me.
More often than not the inner critic manages to talk me out of it.
I think I need to make a list of places close to me, and a bit further away, that I’d like to visit. A list that contains both familiar and unfamiliar places.
Familiar places are less stressful for me to visit on my own. Knowing my way around, knowing where I can enjoy lunch or tea, knowing where I can park my car and knowing I can find my way back to the car, and so on and so forth makes it a much easier experience for me.
Going somewhere unfamiliar increases stress for me as simple things like going into an unfamiliar cafe for some tea or lunch causes me huge anxiety when I’m by myself. The worry about not being able to find my way back to my car is another added source of anxiety too. Even going into unfamiliar shops, cathedrals, museums and so on provokes anxiety in me.
It’s that old fear from being a bullied, abused child that rises up where I worry if I’ll get hurtful comments from people, if I’ll make a fool of myself in some way and people will laugh, if they’ll pass comment about my choice of food or tea.
None of these things have happened to me as an adult, yet the anxiety that lurks within me rises up and tells me again and again that these things may happen. The voice of my anxiety, of my inner critic, can paralyse me or cause me to flee back home without even getting out of my car, that’s if I even manage to drive to where I’d like to go.
If I have company I’m really brave. I’m often the first to enter a cafe or similar and ask for a table and so on. I’m the one who will bravely explore a new cathedral or museum or place quite eagerly.
On my own though, the inner critic is way too strong as I feel vulnerable. As vulnerable as I did when I was a child and all the way through my adult life.
I can overcome this vulnerability, the anxiety, if there is a purpose to my trip, such as giving an anti-stigma talk for Time to Change Wales. I do it because I don’t want to let others down (as well as because I believe in the mission of Time to Change Wales).
Part of my anxiety is that I never, or rarely, ask anyone to go out with me (not go out in a romantic sense, just go out as in a jolly day out visiting somewhere of mutual interest and enjoying pleasant company). The fear of rejection is still too huge. I’m also very much aware that people I’d call friends and family are busy with their own family and work and so on, and I never, ever, want to become a burden to anyone.
That’s something that I learned early in my life – not to bother anyone with my needs or problems or issues. It’s something as an adult I’ve not gotten over yet.
I also am aware that there are trips I need to make solo. I like to sit and draw and write in places I visit. I can lose myself in this for a long time, I can take as much time as I need to look at . If I’m with someone I don’t want to spoil their day by indulging myself in such an activity. If I’m by myself I don’t have to worry about them not enjoying themselves as much as they could, so I tend to put my needs completely to one side to make sure they’re happy.
Being a people pleaser is part of the CPTSD. It’s what I did to try to gain approval of people who would never approve of anything I did or said or how I looked. Rejection, ridicule, being put down was par for the course no matter what I did. That didn’t stop me trying to please others, to make sure they were happy as if they were happy then perhaps I’d have an easier time of it and wouldn’t be pushed away yet again.
CPTSD sure messes a person up.
I know that there are plenty of people who experience anxiety who are able to do these simple, everyday, taken for granted things like going into a cafe for a cup of tea. They’re able to overcome that anxiety and don’t buy into it’s messages.
I’ve not learned to overcome it or have disempowered the inner critic enough that I can do these simple everyday things, well not yet. I think the critic has a way to go to be disempowered first.
Still, there are days when I’ll be able to sneak up on myself and head out and actually visit places, sketchbook and visual BuJo in my bag, and take that time and will wonder at how I don’t do things like that more often as it’s really not that bad.
I hope those days will eventually outweigh the days where the inner critic wins out.
Until that days comes I just need to be kind to myself and not beat myself up about giving in to the inner critic once again and remind myself a day will soon come where through sneakery or just disempowering the inner critic enough that I can go out.
One of the things that is really nice about being between contracts is the opportunity to create art just for the fun of creating art and not having to stay within the limits of the contract. Not that drawing to fulfil contracts isn’t fun, it is. It’s just that I have to work within the remit of the contract.
Yesterday evening and this morning I’ve been having a contented time creating some entangled monograms. I’ve cut some Winsor and Newton Bristol Board down to approx 15cm x 15cm (approx 5.75″ x 5.75″).
I penciled in some guidelines for the edges of the artwork and for the position of the monogram.
First job was to hand letter the monogram. I did start with pencil guidelines for each letter, then used a hard Tombow Fudenosuke pen to ink them in.
Then, the real fun begins, which is the entangling of the space around the monogram. I used the Fudenosuke pen along with a Sakura Pigma Sensei 04 and Uniball Unipin 0.2 and 0.1 pens.
All done in plain black and white, with just the weight and concentration of lines adding depth and dimension to the finished design.
I do want to add colour to these at some point. I love pure black and white artwork, but colour can bring them to life as well. Digital colouring is my favourite way of adding colour these days, but I may print copies out on to marker friendly paper and then use Chameleon Duotones and Color Tops to add colour. I’ll see how I feel about that.
As is my wont, I had no preconceptions of how the entangling would unfold. I just let it flow. Some of my favourite motifs and patterns have been used. I did refer to my visual BuJo for ideas/inspiration from time to time too.
Yes, a visual BuJo (bullet journal). Or, rather, it’s a collection of motifs and patterns that are being organised using ideas from the Bullet Journal system of keeping a journal. It works for me. I have a way to help me find continuations of collections, or to start a new one, and not worry about a collection being on consecutive pages.
My visual BuJo is an A5 sized, dot grid notebook from Claire Fontaine. It’s a soft back one so isn’t quite as weighty as Leuchtturms and the like. It is also a little less bulky in size, which helps when I want to travel light on a day out.
Mind you, when fill this present visual BuJo I may use a Leuchtturm for my next one. We’ll see…
It is also something that encourages me to seek out new patterns and motifs to add to it, as if I didn’t have enough already! Doing this is a good way to just practice my drawing skills and observation skills, as well as analysing a motif or pattern, breaking it down into simple shapes and steps to draw a stylised version.
I do tend to favour more stylised motifs and patterns in my art, that’s for sure.
So, I now no longer feel the need to try new ideas out for keeping my reference material, constantly redrawing them again and again. The visual BuJo is working for me for sure.
When I’m having a tough time emotionally/mentally with my CPTSD and/or EMDR it can be soothing, comforting for me to use the familiar, and of course I can still do that. I just don’t need to spend a lot of time drawing and redrawing and redrawing again the same things in my search for a perfect record keeping system for patterns and motifs.
The BuJo inspired system may not be perfect, but it works for me.
One other positive that has come from me using a BuJo is that I’ve had to learn to let mistakes go and just leave them in the notebook. The mistakes are what I need to make in order to understand how to draw a pattern or motif. Sometimes, though, a new pattern or motif arises from the mistakes.
Something else I’m starting to do is to make notes alongside the patterns with where to start, the order in which to draw the parts of the pattern or motif, and ideas for varying it.
Yesterday was a day where I was out of sorts for some unspecified reason. Drawing little, intricate bits of art was the only thing that helped to soothe me and calm me. Along with comfort eating, which was not good way to cope.
I get days like this. I have no idea what triggered this response. It may have been a visit to my accountant on Tuesday and the tax bill to pay – I have absolutely nothing to worry about with either, but dealing with finances is a trigger for the anxiety and depression that are part of my cPTSD.
I know I was on edge about the meeting, even though I knew there would be nothing to worry about. The anxiety had been gradually growing through the previous few days. This anxiety provoked the warning signs of an incipient migraine/stress headache on Tuesday morning. Luckily I caught it in time with painkillers so that it didn’t develop into a full blown migraine and after the meeting I was left tired but feeling more at ease.
Yesterday, the anxiety ramped up again as I went to get the paperwork and bank card to make the payments. So, yesterday I needed to manage my anxiety and tiny, intricate drawings were what was needed.
Today, I know I have to do these things, and I will. I don’t have the anxiety I had about them yesterday. I think yesterday was just too close to a few days of spiralling anxiety as accounts day approached closer and closer.
cPTSD can make doing the simple things in life far more difficult to do. I do get things done, though I do have to be kind to myself at times, making sure I have plenty of time before the deadline.
I used fountain pens on white paper to draw the designs. The M is on paper that is around 4″ x 4″, the G is a little narrower than 4″ for some reason.
After scanning them in, I did a bit of digital wizardry to fill the letters with a gold foil texture, just to see what it would look like, and they look OK to me. I’m not too keen on the black line around the G though. I do like the contrast of the golden letters and the black and white designs around them.
Today, I have to colour the cover for my next book for Dover Publications Creative Haven series. And keep warm and safe. I woke up to a lovely sunrise with a frosty world – everything was covered with white. I know the temperature was down to -3ºC last night as I came home around 10:30 pm, and it would only have got colder as the skies were clear and starry. It’s beginning to go now, but clouds have covered the sky.
The frost is beginning to disappear now, but clouds have covered the blue skies. Snow is forecast for a bit later on today. I like to see snow. I like the way the world falls silent in heavy snow as it seems to muffle the usual background noise of modern times. I’m wise enough to know that for me to go out in snow is never a wise idea; I tend to slip and slide and fall and hurt myself. So, as I have nothing pressing that requires me to leave home, I’ll be staying safe and warm indoors! Once the cover is coloured, my attention will go to February’s templates for the Angela Porter’s Coloring Book Fans Facebook group. Someone there has asked for some simpler templates like my dangle designs, so I think that’s exactly what I’m going to do!
Yesterday’s black and white, graphic monograms of the letter R now coloured, with added lines and metallic highlights.
For all of the letters I used a combination of Copic markers and Chameleon Color Tones colored pencils to add the colours.
I chose Copics over Chameleon Markers as I really wanted soft, gentle, almost pastel colours for these letters. The only way to get these with the Chameleon markers is through gradients with the colourless blending chambers. I wasn’t at all confident I could get the soft, gentle colours with slight blending. So, I went with something I knew that would work for me – Copic Markers with Chameleon Color Blends pencils .
I think I got way too fancy with the added lines on the lower letter R, but it’s all a learning process.
I am really pleased with the others. The colours I chose or, rather, the pastel nature of the the colours, isn’t characteristic of me, but I think they work really well here.
Of course I had to add some metallic highlights. For the smaller Rs I used Uniball Signo metallic gold and silver gel pens.
I woke way too early this morning after not getting to sleep until around 3am.
On looking at the monogram K I posted earlier with slightly rested eyes and mind, I’ve decided to leave it as it is. For now at least. I may try to add a dangle design to it in the coming days.
So, I thought I’d post my page of various hand lettered styles of the letter K. I used a 0.4 Sakura Pigma Sensei pen to draw them. No pencil lines were used for any of these letters, just the dot grid to help me keep things vaguely organised and vertical where they need to be.
I like the 0.4 Pigma Sensei pens. You may notice that I do tend to vacillate in my choices of pens – I just like to change things around from time to time! The Pigma Sensei 0.4 has a solid plastic tip, a bit like the Pigma PN pens. That means it’s not quite so easy for heavy handed me to wreck the nib as quickly as I do on the Sakura Microns or Uniball Unipins or Faber-Castell Pitt artist pens or the Copic Multiliners.
That doesn’t mean I’ve managed to use them until the ink runs out – the nib gets wrecked long before then – but they do seem to last longer.
I’ve spent the 3 hours or so that I’ve been up adding patterns/motifs to my lovely new A4 Leuchtturm dot grid ‘Master’ notebook. It’s a rather comforting activity for me. I don’t know how many times I’ve tried to do this in various formats in order to create my own reference book of patterns/designs/motifs and so on. However, realising that my use of a bullet journal is working for me on a more or less daily basis, at least as far as organising myself and making notes ot what to do, what’s been done and so on, I wanted to use a very, very basic form for this visual reference for me.
The A4 notebook will also take up a lot less space than the ring binder I’m currently using. It is a bit cumbersome working in the hardback notebook compared to loose leaf paper, but it should help to keep things all in one place. It’s the method of tracking collections in a index in bullet journal fashion that will make it most useful for me.
So, this morning I’ve started to add my small collection of medieval motifs inspired by jewellery and floor tiles.
I suspect I’ll be having a bit of a quietish day today. I’m practically nodding off here as I type! Maybe a short nap later will help me a bit – but not too long otherwise I’ll be up at stupid o’clock once again!
I decided to use mongrams with dangles to form today’s prompt ‘Jolt’ for Inktober 2018. I also wanted to use a bright colour scheme to jolt eyes awake, perhaps.
I started by sketching the design out on Clairefontaine Grafit dot grid paper. I scanned the sketch in then inked it in and coloured it digitally using my trusty trio of Microsoft Surface Studio, Microsoft Surface Pen and Autodesk Sketchbook Pro.
I have absolutely no idea what the designs in the dangles have to do with the prompt ‘jolt’. They just came to me as I was drawing them out, and today that’s good enough for me!
Inktober 2018 is almost over and it’s perhaps time to reflect on it all.
It’s the first time I’ve taken up any art challenge, apart from contracts for work that is. I thought it could be a bit of an onerous thing to do, time consuming and so on. Well there have been days where it has been a bit like that, but I’ve also had days where it’s been a relatively quick process too.
I have enjoyed having a daily prompt to get the creative juices flowing and to encourage me to draw every day. Not that I don’t draw everyday. However drawing with a prompt is different for me.
Well, I do draw with a theme, such as when working on a book. But that theme is the overarching focus for a series of illustrations. To have a different prompt each day and without the drawings having to fit to a particular size or format and just for fun is something that is different.
It’s had me thinking outside of my artsy box at times, at others it has let me draw styles that don’t usually make it into my books. With that, my mind is working on what I can do with these kinds of images. My mind is working on that…slowly.
I have been wondering if I’m going to take up another challenge in the coming month(s) and I’m not sure about that at the moment. If anyone has any suggestions, please feel free to leave a comment!
I certainly have some ideas listed in my BuJo to think about and work on in the coming days/weeks/months.
It’s been a good thing to do, this Inktober thing, and part of me is sad to see it come to an end.
Will I do Inktober 2019? I don’t know. It will all depend on what’s going on in my life in a year’s time, but if possible I think I will.#
Just a reminder, my book about how to design and draw dangle designs and monograms – ‘A Dangle A Day’ – is available for preorder