A quiet, contemplative start to the day requires some mandala drawing, and this is today’s offering.
A sunshiny, chill-nip-in-the-air, autumnal morning and starting work on a new entangled art drawing. Not much could be nicer start to the day.
I had a delivery of some new fude brush pens to try out, so this one is being drawn with a Zig Mangaka Flexible pen along with a 02 Unipin pen. I’m drawing on marker paper, so I dug out my cool grey Copic Ciao markers to add some shadow to the image in places.
The nice thing about using marker paper and markers is that the ink stays damp long enough for the blender pen to smooth the edges of the grey inks out a little.
I think I’ve worked on this drawing for around three hours so far, so there’s a lot more to go! I hope I can manage to leave some white space in the design, as well as being mindful of the use of contrast so that different sections feel separate to each other.
I started with the square motifs, which are based on Mayan glyphs, and just let the design flow out intuitively. It never ceases to amaze me how layers and dimension appears. It’s never something that’s planned; it just happens and I sometimes don’t see the effect until someone points it out to me.
No central big motif, such as a moth, with this one. Just pure entangled art.
Finally finished! The moth with mandala and entangled background. A4 in size.
It’s taken quite a few hours work to complete this one, but it’s nice that it is finally done.
Lots and lots of my favourite motifs/patterns used in the entangled background – flowers, seeds, seedpods, leaves, arches, spirals and geometric patterns.
Plenty of line work to add depth and volume to the design.
I like that the white area behind the moth means the moth isn’t lost in the background. There are some areas where the resulting values aren’t sufficiently different, but I can live with that.
No colour (other than my watermark). A very graphic design.
‘Tis coloring template day for members of the Angela Porter’s Coloring Book Fans facebook group. Each Thursday throughout the pandemic, I’ve created a coloring page for members of this facebook group. The template is free to members, and it’s free to become a member!
This week’s features an iteration of one of my moth drawings, this time drawn with colouring books in mind. I just had to pair the moth with a mandala as that’s been my ‘thing’ for a few days now. Naturally, the mandala is less detailed than my drawings and the page is mostly filled with pattern and interest, as is my style for colouring templates.
I have autumn on my mind and in my heart, so the motifs reflect that – acorns, seed pods, berries and leaves. I’ve chosen autumnal colours to partly colour the template, but any colour scheme would work – a good thing for those of you in the southern hemisphere where spring is on it’s way.
A new moth design this morning, with a subtle mandala background. Perhaps a little too subtle when the image is reduced in size and resolution for social media.
The moth is very ‘graphic’ and stands out well against the background, but the background has plenty of interest as well.
I really enjoy adding the glowing centre to the mandala, which also helps the moth to stand out. There’s a feel of the moth having been attracted to the light.
‘Tis the first day of autumn in the northern hemisphere, astronomically speaking. The day started bright and sunny, but the clouds have closed in, the breeze has picked up and the temperature has dropped a little.
Even though today may not be a typically autumn day, today’s arty offering has warm, fiery tones reminiscent of autumn leaves and bonfires. Of course there’s a black and white, graphic moth illustration.
This moth is an iteration of the first moth I drew a few days ago. it’s fun to work with images, alter and change them and create something new and different each time. It’s also a good way for me to experiment with line to achieve volume and texture in the illustration.
Having the mandala of acorns, leaves and berries become a texture upon the background means it doesn’t detract from the moth. It does add interest and another hint that I created this with autumn in mind.
Yet another artwork featuring a moth today.
I re-drew the moth from yesterday to try out some ideas I had when reflecting on the artwork. I’m not entirely sure if it’s an improvement, but it is what it is.
I also have drawn a new mandala-style pattern for the background. This time, I’ve added it as a subtle design. I think it works quite well as the moth really stands out.
Mossy green today, no idea why other than it appealed to me. It may mean a desire to be in nature to have my mood uplifted. I’m not feeling the brightest or upbeat this day. A headache isn’t helping. A walk is required in a while. It’s a sunshiny peri-autumn day, so a good day to walk I think.
Moths are becoming a bit of a thing with me at the moment. They’re great for practicing my line work. They’re also surprisingly cute, in a buggy kind of way.
Of course, I’m still working on the first moth entangled drawing/illustration, so adding a mandala behind this drawing is a quick and easy way of adding to the moth. Mandalas are kind of my thing to do.
Again, I’ve used that spot of highlight behind the moth to draw attention to the centre of the design along with the main motif.
Today, a terracotta background seemed to be just right. Perhaps because it’s quite an autumnal colour. This morning there’s a definite nip in the air that I associate with autumn and we are just a couple of days away from the equinox.
Terracotta is a deeper shade of orange and is comforting in it’s warmth and earthiness. I find it quite soothing.
I’m also enjoying floating the graphic black and white elements of my artwork above a simple coloured background. That way I have some colour in my art, but the colour doesn’t distract from the design elements.
I have been working on the moth drawing from yesterday. It’s a long, laborious, yet enjoyable process. So, this afternoon I thought I’d create a mandala to sit behind my moth illustration.
I’m quietly pleased with this one. I like the choice of colour for the background, even though it’s an unusual choice for me. The central glow and shadow helps to lighten the background a little and brings attention to the moth, which is the main motif in this design.
I decided to use just black and white for the moth and mandala, though there are places in the mandala where I’ve let the background show through.
I will continue to work on the other design, it’s just going to take me a couple, or even a few, days to complete.
This morning, I wanted to start a new entangled drawing. But what to draw? I wasn’t in the mood to do another monogram, especially as there are some ideas on the periphery of my conscious mind about monograms. I thought about drawing a skull, something I find interesting, but that didn’t feel right either. But the idea of a moth flittered into my mind, so that’s what I went with.
I drew the moth digitally, in Autodesk Sketchbook Pro, simply because I wasn’t quite sure how my pen work would work on a moth, and I also like to use the symmetry tool. I’m fairly happy with the results. I started to add my entangled style motifs around the moth, and came up against two issues.
The first issue was that I would lose the detail around the head and antennae and I needed to come up with a way to preserve that. I came up with the idea of a simple circular border below the moth. This will also give me the option of adding colour to the central circle when I’ve finished the artwork.
The second was more of a problem – the sense of proportion. I have no idea why it’s so hard for me to work digitally on entangled drawings like this with a proper sense of proportion compared to the main motif or the printed size.
It has to do, I think, with the ability to zoom in to draw small details, which results in me adding too much detail. The only solution was for me to print the moth and circular border out and then for me to draw on that.
The only thing I wasn’t happy about in doing this is that I have a laser printer. That affects the surface of the paper in a way that my Unipin pens don’t like it. Also, I can’t print on marker paper.
So, I’ve started to add entangled artwork to the design. I can now see that leaving edges of the upper wings white would help them to stand out. That is something I can adjust digitally when the design is finished.
I feel so much happier working on the printed image. I do need to consider changing my printer, however. Though the laser printer is quick and economical, the print quality of line art isn’t the best. There’s also the issue of the way the surface of the paper is changed once it’s been printed on. I shall think on this in the coming weeks and before the toner needs replacing.