Fifty-something, quirky, arty wordsmith (wyrdsmith). I live in South Wales, UK.
Illustrator for Color Me Calm and Color Me Happy, released Nov 2014, and many more since then.
Freelance artist, digital artist. Available for commissions.
I’ve spent this morning, around four or five hours, creating art to go with a quote by Rumi :
“There is a voice that doesn’t use words. Listen.” Rumi
Art is one such voice, and the voice belongs to the artist that creates the art.
My style of art flows from my heart, my soul. I work intuitively, often with very little plan, and I just let it happen as it needs to.
Abstract and stylised are two other features of my art, along with line and pattern. I draw inspiration for these from all kinds of places – nature, architecture, jewellery, pottery to name but a few. Whatever pleases my soul inspires me.
And I recognise that I need to stand by my style, my art-voice as it a true expression of me, of how I absorb influences from around me and then find a way to combine them into a response that is uniquely mine – one rich in detail and colour.
My artistic voice tells you a lot about me, if you but listen to it. It tells a story about me, what fascinates and inspires me, what I’m curious about, what catches my attention, and what makes my heart sing with joy. Creativity gives me a way to share these things with others, with you. It allows me to speak one of my truths, a truth that doesn’t have words.
I often wonder about the purpose of art, the purpose of my art, and can never find the words or ideas to express. So, I’ve fallen back on a favourite quote of mine from Picasso.
It embodies how I feel about creating art. Being creative helps me to dust myself off, find myself back in the present, and to find my sense of balance and contentment. Being creative is so important to me each and every day, more so during the Covid-19 crisis and lock down.
I unashamedly make art that is a reflection of what makes my heart sing – line, pattern, abstract shapes, stylised forms, colour, intricacy. I soak up inspiration from all kinds of things and process it all unconsciously and intuitively to draw and paint things that are pretty and show what I find fascinating visually and that give me a sense of wonder and awe.
My art is, and will always be, a reflection of my heart, soul and mind.
I do, however, sometimes worry that my art hasn’t anything to say about the world, that makes people think about things. That my art is just … pretty.
What the world needs now, however, is some prettiness and beauty in it to dilute the worry and fear and ugliness that abounds. I’d like to think that my art helps in that process just a little.
Today’s mandala and typography were created digitally. I usually use a background from one of the collections I’ve purchased online, but today I used one I created. I used Affinity Publisher to produce the typography and Autodesk Sketchbook Pro for the artwork. My tools are by Microsoft – Surface Slim Pen and Surface Studio.
I’ve been working at this mandala intermittently over the past week or so. I was determined to stick to a limited colour palette of three colours, though a fourth one crept in to the outer ‘ring’ of the design.
Also, I wanted to use a lower contrast betwixt the edges of the various sections, something that I think I’ve mostly managed to do. It still has that illusion of dimensionality.
It was nice to work on something digital this morning. I’ve been focused on more traditional drawing over the past few days. I knew I had this mandala to finish, and I think it now is. I may very well spend some more time today playing around with digital art. I’ll see. I also have a hankering to knit or crochet, or both, but not at the same time.
I had so much fun making these little abstract art creations! They really do go back to my roots, but in the way I like to create now.
To give you an idea of size, the purple one is 3″ x 4″, the other two are 2½” x 4″ in size. I have mounted them on cards that are 4½” x 5″ in size, made from some white Daler-Rowney mixed media paper, and I love how they look!
I started by creating the backgrounds using Distress Inks, a mini foam blending tool and a spritz of water.
Then, I painted on some basic shapes using a brush, water and either colour from Zig Clean Real Brush pens or Distress Inks, followed by some splatters of colour.
The the real fun began. Taking some things I really wasn’t happy with and adding line and pattern to them to give them form, definition, and some dimension.
I used Sakura Pigma Micron pens (05 and 02). I also used a glass pen and gold ink in the top right design. For all designs, I used a gold Sakura Gelly Roll pen to add gold highlights, which haven’t shown up well in the scans.
There was something so satisfying and pleasing in working with vague shapes and patterns, the random nature of the background, and using them to inform how my art would develop in each case.
I really, really enjoyed creating these, and I will do more in the future.
I’m not sure how I could create similar digitally – the randomness of wet media isn’t something I’ve worked out how to do…yet. Maybe I never will. Maybe it’s the case of me creating the backgrounds separately using traditional media, then adding the lines digitally. I don’t know yet, however. It may be that this is something I reserve solely for traditional media.
What I do know, is that each design is a work of art in it’s own right and these would look fab framed. In fact, I had a huge inner smile as I mounted them on the card blanks, giving them a simple frame, and saw how finished they then looked. Teeny, tiny pieces of art, by me, Angela.
Yet again I woke with my mind swimming with an idea I wanted to try out. I’d had a problem when I was trying to add colour to drawings I’d done on distress ink backgrounds. Whether I used water and a brush or a Tombow Blender pen, the pigment from the Sakura Micron and Uniball Unipin pens bled, and I really wasn’t happy with that.
I spent some time yesterday trying different pens out, with no luck in finding any that didn’t smear/bleed. So, I put this to one side until I had a chance to think about it.
I slept on it and woke with an idea to try.
Why not use the Tombow blender to draw the basic shapes of my design in colour and then add black lines afterwards. Seed pods seem to be my default design when I’m experimenting, but I’m fine with that.
So that’s what I did. And this card is the result.
As I was starting to add the black lines to the design I thought I’d made a horrible mistake, had a bad idea. However, as I added more and more detail, I realised it would work out, and I think it did.
I added some gold to the seeds in the seed pod with a glitter gel pen. I also splattered some gold watercolour paint over the design.
The envelope is really simple; three seed pods, black line art with golden seeds.
Not a unique artistic approach, but it is something that has never worked for me before.
It’s not a dissimilar approach I take to my digital art, where I start with the basic shapes and then add shading and detail. I do use line art as a guide for my design, and that is an approach I can apply to traditional art in that I may need to pencil in the design, then colour, then add the line art.
Who would’ve thought it – working digitally is helping me develop my traditional art methods and skills.