Entangled Fantastic Fungi – coloured

Entangled Fantastic Fungi © Angela Porter 2019 - Artwyrd.com
Entangled Fantastic Fungi © Angela Porter 2019 – Artwyrd.com

Yesterday, I took some time to finish colouring my ‘Entangled Fantastic Fungi’ drawing from the other day.

I’ve said it before and, no doubt, I’ll say it again: colour brings my drawings to life. It also takes me a lot, lot longer to colour the artwork than it does to draw it! I think it would’ve been quicker with traditional media, such as Chameleon marker pens. However, I like using digital tools for coloring and I use opportunities like this to explore the different settings and various brushes so that I can add to my range of techniques I like to use and the effects I can get.

It’s a slow process for me, and it can be both enjoyable, satisfying and rather frustrating! However, I think I’m making some progress in finding my way through the plethora of options available and gaining some understanding of what they do and how to make them work the way I’d like them to work for me.

I also am enjoying drawing on paper with these Tombow Fudenosuke pens. Using Autodesk Sketchbook Pro to add colour to my drawings is me having the best of both words for sure!

There’s also the addition of a background texture, which, I think, makes all the difference. The pale grey tone of the background helps to tone down the brighter colours in the image, enhancing that kind of vintage kind of vibe I was going for.

Of course, it goes without saying that I used my Microsoft Surface Pen and Surface Studio to colour the image. Being able to use the pen on the screen, just like pen or brush or pencil on paper, is fantastic! I’m finally getting to grips with making use of the pressure sensitivity of the pen and exploring ways in which I can use it, as well as setting up brushes to suit my needs.

When I think back to when I bought my Surface Book, my aim was to draw templates for coloring books digitally so I didn’t have to scan in paper. It was also to make it easier to clean up the images. I had no intention of colouring the images digitally.

I think I’ve come a fair distance since those early days. I’m still surprised at how the ability to create digital art by using a Surface Pen on the screen of the Surface Studio as if the screen was paper, has opened doors to creative expression for me.

Entangled garden

Entangled Garden ©Angela Porter 2019 - Artwyrd.com
Entangled Garden ©Angela Porter 2019 – Artwyrd.com

Drawn with a Tombow Fudenosuke (hard) pen on A4 11¾” x 8¼” Winsor and Newton Bristol Board.

I worked on this one over three days, both to get used to working with the Fudenosuke pen but also for some self-soothing self-care.

It does need some colour and I think I may try a more vintage/distressed/grungy color palette with it, once I get round to adding color.

At the moment, my focus is on colouring the sample colored templates for my latest book for Dover Publications Creative Haven Series –Entangled Christmas.

I’m feeling more content today and less exhausted too, which is a good thing after this weeks rather intense EMDR session.

Entangled fantastic fungi

Entangled Fantastic Fungi © Angela Porter 2019 at Artwyrd.com
Entangled Fantastic Fungi © Angela Porter 2019 at Artwyrd.com

I’ve had a lovely, quiet Sunday and I’m glad to say my emotional wellbeing is better than yesterday. Still a bit fragile, but there’s that hint of contentment that has been lacking over the past few days.

I’ve even had my oompf back to draw. This took the guise of adding patterns and outline drawings to my visual reference journal, and then using some of these ideas, plus some old favourites, in this drawing. I even added some dangles in places. Just little, delicate dangles, but still there’s dangles there.

For the drawing, I used a hard nib Tombow Fudenosuke pen. This has a flexible nib, not overly flexible, and so I could vary line weight while drawing.

I was inspired to try the Fudenosuke pen again after my experiments with digital brushes that vary line width with pressure and found that so much fun.

I found it much easier to use the Fudenosuke pen after my experience with digital brushes; it turns out working digitally does influence my work in traditional media and helps me gain new skills or confidence in new media.

I drew this design on an A5 piece of Winsor and Newton Bristol Board which is white and very smooth. Then, scanned it in and digitally added a background texture and some colour, along with my watermarks.

The drawing was mainly to try out the Fudenosuke pen, but also a bit of quiet self-care too. I’m quite happy with it, especially as it’s main purpose was to explore using the pen for drawing with.

I’ve relied on line weight to add some dimension to the drawing, though some colour and/or shading could help a lot. Maybe that’ll be my next task with this – to colour it either digitally or to use my Chameleon DuoTone and Color Tops marker pens after I print the image out.

Magical landscape mandala

Magical landscape mandala © Angela Porter 2019 - Artwyrd.com
Magical landscape mandala © Angela Porter 2019 – Artwyrd.com

Creating this mandala has had me smiling. Gentle smiles on my face and in my heart. There’s something about the graphic black and white, the grey foliage in the background and the mystical, magical moonlight illuminating the design. I look at it and I feel a sense of achievement and satisfaction with this one. It’s not perfect. There’s things I want to do with it, and working digitally allows me to do that. However, for now, it’s more than good enough. I need more tea and a bit of a break from it.

I have to say that it looks really nice in just black and white. but, the simple gradient background really sets the atmosphere for the design. I did use a gradient fill tool to create the coloured background, but I do want to go back and create one that I can have a bit more control over for sure, maybe using watercolour brushes to do that, and adding spots of glow too.

I’m really pleased with the lighter foliage in the background, adding depth and dimension to the design, adding interest. It’s delicate and ephemeral, misty too.

I want to try not letting the background colour the motifs. That’ll involve me adding white to the white spaces. For some reason I created them with transparent ink.! No great problem to go back and sort that out though.

I also want to try working on a landscape that isn’t a mandala, using the same kind of style of drawing and adding magical, mystical coloured backgrounds.

But overall, I’m pleased with this and I’m pleased with the progress I seem to be making in both digital art and in developing my art ‘voice’.

There’s been quite a few pieces of art I’ve created that have made me smile recently – many of my mandalas and entangled drawings, my cute kitty ‘cartoons’ spring to mind, especially one I did of the pink anti-stigma badger as a Jedi knight!

I can honestly say that this mandala, and my previous one, have made me smile more than most.

Inktober 2018 Day 31 ‘Slice’ and Happy All Hallows’ Eve!

Angela Porter Inktober 2018 Day 31 Slice

It’s All Hallows Eve, or Hallowe’en or Samhain as you prefer. It’s also the last day of Inktober 2018. Here is my offering based on the prompt of ‘slice’

Well, it had to be a celebratory slice of cake, complete with a pumpkin candle and all kinds of cutely spooky monsters and critters and so on.

This was, as all have been, fun to do. I quite like the grungy look I’ve achieved with the use of texture brushes and slightly duller colours along with black as a component of the gradients.

I sketched this in pencil on dot grid paper, scanned it in and used Autodesk Sketchbook Pro to draw and colour this dangle design.

Yes, it just had to be a dangle design to round off the month of Inktober!

My Microsoft Surface Studio and Microsoft Surface Pens were my magic tools to help me create this.

Now I see it in a smaller size, I can see where some highlights and lowlights would help to increase dimension in places. However, it’ll do as it is as I do have to finish the templates for my new book Entangled Forests. Yes, the cat is out of the bag on the theme of this coloring book for Creative Haven by Dover Publications. You can pre-order it on Amazon and it’s due for release in July of 2019. I should have all the templates completed today, then it’s just colouring a couple of them as examples in the book.

Before this book, Entangled Butterflies is due out in November 2018 and A Dangle a Day in January 2019.

I said (typed?) it yesterday – I’ve enjoyed Inktober, for many reasons, and I hope you’ve enjoyed seeing what I’ve created using the daily prompts.

Oh, as it’s Hallowe’en, there’s a little event going on over on the Angela Porter’s Coloring Book Fans facebook group. I provided a hallowe’en themed coloring template at the start of this month and asked everyone to hold off posting their finished versions until today. I’m hoping for a flurry of postings throughout the day to give a lovely, cutely spooky feel to the group throughout this day! I have my own version of the template to post there in a short while too, and I’ll post it here later on today as well.

However you spend your All Hallows’ Eve, have fun and keep safe too!

Inktober 2018 Day 18 ‘Bottle’

Angela Porter Inktober 2018 Day 18 Bottle

Not just one bottle, but several!

This was a fun one to draw – Faber-Castell Broad pen on paper. Scanned in to the Surface Studio to clean it up and print it out so I could colour it using Chameleon Color Tone and Color Tops marker pens.

I added some highlights with a white Sakura Gelly Roll pen.

I’m a bit later than usual posting the Inktober image today. I had quite a few errands to run today, including a slightly worrying recall to the opticians for photographs or my eyes, even though I only had them done around 4 weeks ago. It wasn’t pictures of my retina and optic nerve the optician wanted – it was images of the front of my eyes due to me having a wobbling blood vessel in one.

I had planned on popping into the opticians as I’d managed to drop one pair of distance glasses on a tarmac floor and had chipped the lenses (which I’d had for less than a week!) and so needed to have replacement lenses. That was the easy part…

They had trouble getting the camera to work to take pictures of the front of my eyes, so I have to have the process done on Saturday when I pick up my glasses with the new lenses in as the optician will have set the camera up. If it still won’t work, she’ll inspect my eyes with a ‘slit test’ I think it was.

I’ve never had such thorough eye tests/examinations before. I’m well impressed! And it’s with Specsavers! I’ve never had an optician comment on my differently pigmented eyes before either – one eye is mostly a light brownish-green with a small wedge of brown, the other is about half brown and the rest the same light brownish-green  as t’other eye.

Someone I met a long time ago described me as having ‘mutant eyes’ and asked if he could use them for a character in a sci-fi book he was writing. I didn’t have a problem with that!

Oh, they have no effect on my vision at all. It’s just a different level of pigmentation that has been, as far as I know, always there.

I also found out this time that my optic nerves are tilted a bit more upwards than is usual but it doesn’t affect my vision, just something noted of curiosity.

Perhaps this is why there’s an eyeball or two appearing in my latest drawings!

Anyways, my eyesight functions very well, apart from the need for glasses as I’ve aged. I’m sure the wobbling blood vessel isn’t anything to worry about either.

I’ve also ordered some beaded ‘chains’ to attach to my glasses so they don’t fall off my nose when I’m looking down again!

So, an unexpectedly extended visit to the opticians along with some shopping in the local town put me all out of sync today, but if nothing else I got my Inktober challenge of the day done!

Inktober 2018 Day 11 ‘Cruel’

Angela Porter Inktober 2018 Day 11 Cruel

Another day, another drawing!

I couldn’t draw anything cruel – not in my nature to do so, it upsets me so much. So, I chose to go with a quote about ‘cruel’ that is a positive one:

‘Having a soft heart in a cruel world is courage, not weakness.’ – Katherine Henson

I see too much cruelty in this world and I really do not want to add to it.

So, I drew something pretty, with whimsically cute critters and monsters and design elements and patterns that make me smile.

I drew this design on Frisk Bristol board using Faber-Castell Broadline and Fineline pens, scanned it in and then just added a background gradient in Autodesk Sketchbook Pro. I’ll get around to colouring it in properly later, I hope…

I really do need to spend some time today on the Entangled coloring book that I’m a little more than half-way through.

Doing these Inktober challenges is helping remind me of where I think some of my drawing skills and my style or ‘voice’ lies. I hope I can translate this into some templates for the coloring book in progress. I can’t work in the cute critters/monsters as I have in this and some other previous Inktober challenges, but I can work with the other elements I’m sure.

I’m also feeling more confident with my line drawing skills after feeling distinctly wobbly and out of practice after a week away without any drawing being done.

I’m also a little less emotionally tired today. I’m surprised yet not surprised at how much the anti-stigma talk and EMDR therapy drained me this week.