I got this monogram finished yesterday evening. I think I may have been a bit heavy handed with shading in some places. However, overall I like it and I like the volume or dimension that the shading adds.
I definitely enjoy working in such a detailed, intricate and organically intuitive kind of way. Having the monogram as a design to work around does help quite a bit.
On a kind of related point, I had a new A5 dot grid notebook delivered yesterday so I can start to make a collection of motifs and patterns as I use them or create them. The idea is I can winnow out those that I never/rarely use. The reason for this is that the dot grid notebook I’ve kept as a visual dictionary for the last couple of years is just about full! I will keep it as a reference, but it’s time to start a new, more relevant one I think.
I have a snazzy, teal coloured notebook, covered in vegan faux-leather. It has 218 numbered white pages that are a tad thicker than the usual dot grid notebook pages, The paper is velvety smooth and a pleasure to write/draw on. It’s made by Wordsworth & Black and I came across it on Amazon. Oh, the ink doesn’t feather, bleed through or ghost on the pages. I paid £15 for it and I’m very happy with it so far.
Wednesday is work in progress (WIP) day. So, I thought I’d share my monogram “a” and the progress I’m making on it.
There’s a clutch of pens there! I decided to see if I could add grey to heop areas of the design stand out more, as well as adding some depth and dimension. I figured I had nowt to lose if I tried as the the design was becoming all much of a muchness to my eye. Looking at the image above, it seems to be working well in some areas!
I started using some grey unipin pens to add shades of grey to the design. They worked kind of well enough, but they were picking up pigment from the black and moving it around.
So, I thought I’d see what greys in Pitt Artist Brush pens I had and found some warm greys. They worked better as the colour could be laid down more smoothly.
I do have some new motifs to add to my visual dictionary, a corner of which you can see at the top right of the photo.
I’m not sure if I like adding the greys more than if I don’t add them. I suspect I’ll like them more as I work with them as I love the sense of volume that has appeared in various areas thanks to the contrast they confer on the design.
Wednesday is WIP day! WIP is work in progress, and this is one of my current one.
I’m working on A4 (29.7 cm x 21 cm) Claire Fontaine Paint-On mixed media paper with 05 and 01 Uniball Unipin pens.
It’s taken several hours so far, and there’s several yet to go! I’m enjoying creating such detailed drawing in just black and white. Lots of botanical elements, but there’s also arches and spirals and geometric patterns in there too.
I never have much of a plan in mind when I tackle a drawing like this. I know what patterns I like, and if I lack inspiration I can always refer to my visual dictionary or design motifs and patterns. It’s all about intuition. It’s not entirely mindless. I do make conscious decisions about what design element to use, how to use line and pattern to add volume and contrast.
I sometimes wonder, when I see my work like this, why I try to work with colour. I always feel I struggle with colour, but black and white, with or without grey, always seems to work so well for me.
I love to play with the illusion of volume in a drawing, and whether that is done with density and shape of line/pattern, or with colour (even though I really do feel I struggle with colour).
I will persevere with this illustration, drawing, artwork over the coming days. In fact, I may spend time on it today. I’ve completed my morning errands, so I can remain at home, which is where I need to be. I’m tired today; I didn’t sleep at all well last night, or for the past few nights and my mood and ability to concentrate is suffering as a result.
It’s WIP Wednesday, so here’s a work in progress I started this morning.
I woke thinking it was about time I tackled rendering one of my abstract, stylised, imaginary botanical designs in watercolour.
I think I’ve gained a bit of experience with watercolours, kind of have a feel for them and how I like to work with them. Or so I thought.
Anyways, I started by drawing the design lightly in pencil. I used a 0.5mm mechanical pencil by mistaked; I had intended to use a 0.3 mm one instead. No matter, this is an experiment, a trial in my Arteza watercolour sketchbook.
Once I was happy with the drawing, knowing I can always add more to it or alter it before painting it, I started to add colour.
I started with the bottom right blue seed-poddy/stylised flower motif. I thought I’d use two different shades of blue alternately around it, adding shadow and depth. That didn’t work out too well. I tried dry brushing on the ‘spokes’ of the motif. My reaction was ‘yeuch! Angela what were you thinking???’.
I didn’t give up at this point, though it would’ve been easy to do so. I continued on, reminding me this is an experiment, I’m trying something out that I’ve not had much success with in the past; just keep going.
So I did. And I know I have work to do to recognise when the wet paint has dried enough for a different wet colour to spread nicely, but not too much, when dotted into the first colour.
As time was going on, I was becoming more comfortable with how I was adding colour. I was working out that adding glazes was a way to darken areas, and that I could gently blend the edges out while the glaze layer was still damp so I didn’t get harsh lines.
Slowly but surely I coloured in different motifs, careful not to do wet next to wet.
All in all, I’ve worked on this painting for around three hours. There’s a lot more to do, but I can pick at it from time to time.
What I have noticed is, however, how much I want to add colour in the same way I do when working digitally. An interesting observation, the implications of which I have not even started to unpack yet.
Therapeutic art once again…
Once again, I turn to art to help me manage my unsettled emotions and thoughts. I am so tired, again. The stress of the past week or so has taken it’s toll. However, like the heavy rain and rather windy weather we’re experiencing here in the Valleys of South Wales, these will eventually blow over and I’ll be able to focus on my contracted work.
I’ve learned that when I’m all out of balance, it’s best for me to focus on art that is soothing, that no one expects anything from me, that I don’t have to worry about messing up. If I try to do art that others need to be happy with too, then I get frustrated and negative about myself, doubt myself.
So, for today at least, I will be creative in ways that will give me the time and space to heal my frazzled emotions and gradually work my way back to mental and emotional well-being once again.
After a life-time of putting everyone else’s needs and happiness first, I’m gradually learning to take care of my own needs first.
I felt guilty and selfish to say ‘my own needs first’. But it isn’t selfish to look after myself. It’s a recognition of being responsible for myself and my own needs and well-being.
And so, today I art, for art’s and heart’s sake.
I just wish it wasn’t so darned rainy and blowy. The rain alone I’d be happy to go and walk in, or the wind alone. But not both together. It is forecast to ease off in a couple of hours, so maybe I’ll get a walk this afternoon, with brolly and waterproof jacket. I’d like that. But for now, I’m going to go and drink tea, draw the design for Template Thursday, and have the quiet time I need to heal, recharge and refresh.
This week, I’ve harked back to my Doodleworlds book with cute monsters and critters. I’ve included some family portraits which hang above a background of more monsters and critters and my signature entangled style drawing for coloring books.
I got lost in colouring this template this morning. It was fun to use different styles of digital brushes and colour combinations in this one. Sometimes it’s just nice to do art with no expectations other than enjoyment, relaxation and comfort.
I drew the template with a Pentel 07 Energel pen on Rhodia dot grid paper. I scanned it in to the Surface Studio and cleaned the image up digitally. Then, I partially coloured it digitally in Autodesk Sketchbook Pro, adding a background texture that isn’t present in the downloadable image.
Last night, there was the most amazing lightning storm I think I’ve ever seen. It lasted for more than an hour and there were multiple flashes of lighting most minutes. I really need to learn how to use my camera to take photos of lightning – natures very own fireworks.
Sadly, I haven’t been able to see the Perseid meteor shower this year, and I missed the Neowise comet too. I have seen amazing photos of both, though, and of course the lightning storms of the past few days that have coruscated over the UK.
It’s a little cooler in the house today thanks to the clouds shrouding the sun. It’s humid though as the couple of brief showers last night have been evaporating slowly.
The heat meant I didn’t sleep well again last night. But, waking early meant I had plenty of time to edit the coloring template and add colour to a section of it.
I’m not sure if it’s cool enough to take a walk this afternoon. There seems to be a bit of a breeze picking up from time to time. I really don’t do well in the heat; I wilt very quickly. But I’ll see once I shower what it’s like outside.
Drawing done with Faber-Castell Pitt Artist Pens. Arteza Mixed Media Paper coloured with Distress Oxide Inks (Stormy Skies, Chipped Sapphire, Dusty Concord, edged with Hickory Smoke). Paper measures 3″ x 8.25″ (8.3cm x 21cm).
“I make art to show my soul I am listening.” “This, too, shall pass.”
Art is my solace, my form of expressing my soul, my inner self.
The calendar page turns over and we’re into a new month.
August always heralds the end of summer and start of autumn, my favourite season. It is the last full month of summer here in the Valleys of South Wales. The evenings come noticeably earlier, always a sign that the year is continuing on its endless cycle of seasons.
We have a grey, damp and blustery start to the first day of the month. There are shafts of sunlight finding their way through gaps in the clouds, but there’s a deliciously refreshing snap to the cool and fresh air after the night-time rain.
I thought I’d create a really simple mandala design for the start of this month, one that is full of warm colours, but that hint of autumnal tones in the background.
I kept things simply stylised in the design. If nothing else, working on it made me smile, inwardly as well as on my lips.
I woke early-ish today and did some work on one of the typographic portraits I’ve been doing. Then, in my rush to get to the shower, I clicked the wrong button and lost my work. Thankfully, it’ll be easy enough to do it again. I also think that with the version I’m working on, I’m finding my way with the process. I have a lot of the portrait left to do, but I feel less frustrated with it and have a clearer idea of what I’d like to achieve now I’ve taken a few days break from this kind of work.
Before I settle back to the typography, I am going to take a walk in the fresh air of the morning. Well, after I’ve done my social media posts!
This week, it’s another of my collections of little windows. Yesterday was a day where I needed to draw a template that wouldn’t overwhelm me, and a collection of tiny drawings and patterns is a way to break the task down into bite-size, cute, whimsical pieces. As I result, I enjoyed the process and found some contentment and peace too.
In fact, some of the colorists in the group have told me that the really like the way the page is broken down into pieces that can be finished quickly if they are limited for time. The different sizes allow them to choose something that can be coloured in the time they have available. That part can then be left finished, freeing them of the worry of leaving something unfinished.
Coloring, like any creative activity, can help calm, relax, soothe and give a break from negative self-talk, to name a few of the benefits. I know that scientific studies have shown this to be the case and that losing yourself in coloring has a similar effect on brain activity as mindfulness meditation.
I use art to help me with times when my emotional weather is stormy, dull, unsettled. As I said earlier, drawing a collection of small designs was far less overwhelming than drawing a full page illustration yesterday. Yet, I still end up with a full page of mini-templates to colour.
I feel I struggle with colours. I tend to try to put all colours available to me into one template. Every now and then I do work with a limited palette, which also has it’s own problems. My window templates take away any pressure I put on myself regarding colour. Each window is a unique image in it’s own right and I can use whatever colours I wish in it without worrying about the overall cohesiveness of the project.
These window templates are also great fun for trying out different colour combinations, for blending colours, and even for trying out new techniques. You could make notes on the template, or cut out the pictures you want to keep and start an art journal where you note down the media, colours and techniques used to get the effects/blends you like. No longer any need to remember what they are, just refer to the journal!
Talking of cutting the designs out, that is a perfect way to make use of a finished coloring page like this one. The individual images, or groups of them, can be used to make greeting cards, bookmarks or to embellish art journals, journals, scrapbooks, diaries, planners and bullet journals!
As always, I love to see what people create using my templates – share with and/or tag me on social media : f: @artwyrd t: @artwyrd i: @artwyrd