A video experiment…

I woke this morning and something had filtered through my unconscious mind about why I couldn’t get the record screen app in Movavi to work. I had to set my computer into tablet mode. And all worked well, including recording my voice as I worked.

I was a bit flustered and more than usually waffly, but if you’d like to see how I add colour digitally, then you can see the screen, and hopefully the ‘mouse’ pointer.

I can now calm down that I know I can do this!

If you watch the video and enjoy it, like and subscribe.
If there’s any helpful advice you can give, or suggestions for future projects, then please leave a comment with them.

Video Friday

This week, I finish this particular drawing, apart from a few bits and bobs.

Partway through the video, the microphone just stopped recording. I have no idea why. So, for the last part of the video, I’ve sped my drawing up 5x and just put some music to go with it.

Guess I’m going to have to learn to do voice-overs as well as learning the new digital art stuff!

I’d appreciate likes for this video, as well as new subscriptions to my channel.

Serendipity Part 3 – a video

Friday is YouTube video day for me. Before I’d even had breakfast, I was filming the next part of this video series. I did get myself a mug of mocha first, in an insulated mug so it stayed nice and hot throughout the filming.

I changed the pen I used today. I’d bought a couple of Faber-Castell Grip 2010 fineliner pens to see what they’re like. I like them. They’re refillable and the ink is document safe but not waterproof I will use them for art that I’m planning to scan in. Oh, I’m not being paid or sponsored in anyway to mention this pen.

Anyway, the video is nearly an hour long and I chat away as I draw, particularly about Romanesque architecture/sculpture and it’s influence on me, along with mentions of La Tene/Iron Age/Celtic art and others.

March’s Color Palette Challenge

At the start of March, we launched the first month-long colour palette challenge for the members of the Angela Porter’s Coloring Book Fans facebook group. I also posted a template that could be used for those who have access to a printer (or any template from any of my books if not).

Here is my coloured version of the template.

I like working with limited palettes. I don’t find limited choices confining or a challenge. Instead I find myself liberated from the choice of colours to use when completing an artwork. I end up with a more coherent/cohesive artwork than if I’m allowed to play in the sweetie-shop of the limitless colours of the digital realms. The limited palette makes me focus on the work in a different way, usually on shadow and highlight, as shades of these colours are always allowed!

In hindsight, these colours wouldn’t be a natural choice for me to use. I chose colours that reminded me of spring-time flowers and leaves and the lovely clear blue skies we ca get. Black and white are there, of course, for various shades, shadows and highlights.

So, tomorrow there’ll not only be a new template, but a new color palette challenge. I already have the template drawn and good to go, I just have to choose the colours to use.

Sunday drawing

I started this drawing yesterday evening. It’s not finished yet and, as always, I’m not entirely sure where it’s going. Intuitive art is me it seems!

This is being drawn on A4 marker paper with a Fountain Pentel pen – which is a disposable fountain pen with a plastic nib that allows different thicknesses of lines to be drawn. It’s actually rather nice to draw with.

I’ve added a light creamy-brown background digitally.

Entangled roses? WIP

Yes, another WIP (work in progress). I’m fairly happy with the drawing, and I may re-draw it with less detail for this week’s coloring template. I’ll see how I get along.

This one is vexing me in terms of adding colour. I think that because elements of this are far less abstract my brain kicks into making things like life. I think I need to find a way to kick my brain into using shadow and light to bring dimension rather than focusing on colour.

This frustration may be because I’m feeling more than a little anxious and a bit like a startled rabbit. I have an appointment in a short while, and that means going into the world where there are people.

Design drawn on A4 heavyweight cartridge paper with Unipin pens.
Background and colour added digitally.

Purpose and passion…

What to do with an entangled design that seems to want to take up just one side of a page? Add a quote!

The design was drawn on Bristol Board with a fine Uniball ‘eye’ gel pen and a 01 Unipin pen for the fine lines. The quote was added in Affinity Designer.

It was a quote that just ‘spoke’ to me this morning. Art is one of my passions and something I indulge myself in daily, whether for work or pleasure. I’m so grateful I can combine my work with my passion. Not only that, my coloring templates and books allow others to share in my passion and expressing theirs through colour.

I do get disheartened at times. I doubt myself often. I often judge myself very harshly, especially if I compare my work to others. It’s not always plain sailing. But, I’ve learned that if I persevere, I end up with work that I’m happy with, including this one.

Template Thursday

Thursday seems to come around both quickly and as if it’s been an age since last Thursday. As it’s Thursday, that means it’s time for a new colouring template /coloring page for the members of Angela Porter’s Coloring Book Fans facebook group.

This week’s template is a typically ‘Angela’ entangled style drawing. A stylised dragonfly floats above an entangled background containing arches and seed pods, flowers and foliage, along with various patterns and an intricate border.

I’ve chosen to part colour the template in a monochrome scheme of greens. I don’t really pay attention to light source much. mostly I use light and shadow as part of the patterns and a way to introduce a sense of depth and dimension to my art. This is something I realised only recently.

Trying out Vintage Gel Pens from Arteza

All my life, I’ve had a love of bright colours. I’ve shied away from the more earthy, natural or vintage tones. Recently, however, I’ve been using a lot of brown and more subdued colours in my art. When I saw Arteza had a box of vintage coloured gel pens, I thought I’d give them a go! So, I got out a sheet of bristol board and started to draw with the Vintage Grape Purple and Ginger pens.

Usually, I have huge problems with gel pens. The ink doesn’t flow smoothly due to the way I hold the pen (very upright) and it tends to blob. The pen soon stops working as well – and I don’t choose cheap pens. However, I was very pleasantly surprised at how smoothly the ink flows from these pens. No globs. It dries quickly. I can colour small areas smoothly. And the colours are rich. A bonus is I’m able to get the pen to produce thinner lines when I ‘flick’ the pen to add hatching lines.

Normally, I’d only draw in black. However, the darker tones of these pens may very well change my mind, for some projects any way.

The pens are non-toxic and acid-free. They are definitely smooth writing – the first gel pens I can say that work that way for me. And they do dry quickly, so no smudging!

So, one happy artsy me today. Always nice to have new pens that play nicely with me!