The purpose of art…

©Angela Porter | Artwyrd.com

I often wonder about the purpose of art, the purpose of my art, and can never find the words or ideas to express. So, I’ve fallen back on a favourite quote of mine from Picasso.

It embodies how I feel about creating art. Being creative helps me to dust myself off, find myself back in the present, and to find my sense of balance and contentment. Being creative is so important to me each and every day, more so during the Covid-19 crisis and lock down.

I unashamedly make art that is a reflection of what makes my heart sing – line, pattern, abstract shapes, stylised forms, colour, intricacy. I soak up inspiration from all kinds of things and process it all unconsciously and intuitively to draw and paint things that are pretty and show what I find fascinating visually and that give me a sense of wonder and awe.

My art is, and will always be, a reflection of my heart, soul and mind.

I do, however, sometimes worry that my art hasn’t anything to say about the world, that makes people think about things. That my art is just … pretty.

What the world needs now, however, is some prettiness and beauty in it to dilute the worry and fear and ugliness that abounds. I’d like to think that my art helps in that process just a little.

Today’s mandala and typography were created digitally. I usually use a background from one of the collections I’ve purchased online, but today I used one I created. I used Affinity Publisher to produce the typography and Autodesk Sketchbook Pro for the artwork. My tools are by Microsoft – Surface Slim Pen and Surface Studio.

Another new facebook banner

Facebook banner ©Angela Porter

This morning, I thought I’d play around with some digital art, and this is the result.

I drew the motif on the left entirely in grey-scale. I then went to create the background before adding colour to the grey-scale design. I had a chance to play with different types of layers, brushes and effects too.

I got to the point where the design was enough as it was and I knew some words were needed. So, I chose two important messages for people during the coronavirus crisis.

Today, I started to create with just the idea of trying out greyscale and adding colour, with no idea where it would lead me. I’m quite pleased with the result, though I may have been heavy handed with the contrast and not lightened it where highlights would be needed.

The background I am pleased with. It has that grungy, distressed feel to it, yet the colours and nice and ‘clean’. I’ll definitely be doing more backgrounds like this one. In fact, I think I’ll spend some time today doing just that! I can never have enough backgrounds to draw upon – figuratively and literally! It’ll be a nice way to spend some time on what is a somewhat overcast and cooler day today.

Digital art resources : Autodesk Sketchbook Pro, Microsoft Surface Studio, Microsoft Surface Slim Pen.

#Inktober52 Week 7 – Dinner

#Inktober52 Week 7 – Dinner ©Angela Porter | Artwyrd.com

The art…

What else could I do for dinner other than have the etymology of the word along with a collage of just a few of my favourite foods! And I do mean only some.

I looked up the etymology of ‘dinner’ on Etymology Online, did a little bit of typography using Affinity Publisher.

I then drew the foods on Claire Fontaine dot grid paper using an 0.8 Uniball Unipin pen.

I scanned the drawing in and removed the dot grid and removed smudges and so on in Autodesk Sketchbook Pro.

My next step was to add a coloured background and some colour to some of the drawings. Only to some, as this was a ‘for fun’ project as part of the #Inktober52 challenge organised by Jake Parker, the founder of Inktober.

Missing in action…

It’s been a couple of days since my last blog. It seems that life and demands on me have taken over arty pursuits. And when I wasn’t seeing to the life demands, I was taking some time out by needlefelting.

I managed to needlefelt a cute rabbit and owl over the last two or three days. I’ll post pictures of them in another post.

Kindness

Kindness © Angela Porter | Artwyrd.com

I’m really not sure the colours work.

The border was a design I drew back in January using Uniball Unipin and/or Sakura Pigma micron pens on dot grid paper. I’ve added colour and texture digitally, as well as the typography.

Lalochezia

Lalochezia © Angela Porter | Artwyrd.com

I have a life-long fascination with words and facts that appeal to my curious, squirrel-y mind. I like unusual words. I also like etymology – the origins of words.

Since my first episode of severe mental ill-health due to burnout and cPTSD, I’ve found it difficult to read and retain information as I once used to as well as to recall information that was once on the tips of my neurons.

I’m finding it much easier to read and retain some of what I’ve read, thank goodness! And with that comes a desire to seek out interesting words and facts once again.

Lalochezia comes from the Greek ‘lalia’, meaning speech, and the Latin ‘chezo’, meaning to relieve oneself.

I admit, quite freely, to lalochezia. Not just for physical pain, but emotional pain too. There’s nothing quite like a swear word full of hard consonants to express the pain, frustration or upset verbally.

A friend of mine is constantly amused by my use of swear words even though I sound ‘quite posh’, according to her anyway. I thought of her when I found this particular word and just knew I had to use it for one of my ‘quote’ artworks.

The floral motif is influenced by Art Nouveau. It is highly stylised but there’s also the influence of Celtic knotwork in the way the foliage intertwines and overlaps.

The typography was completed using Affinity Publisher. The artwork was completed in Autodesk Sketchbook Pro. In both cases I used a Microsoft Surface Studio and Microsoft Surface Pen.

Art Quote

Artwork (c) Angela Porter | Artwyrd.com

This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.

I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.

I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.

I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.

I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.

After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.

I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.

My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.

My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.

I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.

By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.

This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.

Flowery

Flowery© Angela Porter | Artwyrd.com

Today, I’ve been drawing little flower motifs and borders to go along with a lovely quote about flowers and hope.

The line art was drawn using Tombow Fudenosuke pens on ClaireFontaine dot grid paper. Colour, typography and background texture have been added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

Flowers are some of my favourite things to draw, whether they be highly stylised or more realistic.

My snowdrops and crocus have the feel of being wood cut or lino cut and printed, that kind of vintage feel. The flexible nibs on the Fudenosuke pens help me achieve this look. Also, the fairly simple colouring and addition of texture help too.

I’ve left the colouring as is, maybe for now. However, I now have these motifs ready to use in other projects, as they occur to me. Colour certainly helps to lift them off the background and bring them to life.