I created this mandala a year ago, and the quote on it seems most appropriate for the year since I posted it.
A bit of abstract art, along with a quote today.
The patterns here remind me of the folds of fabric in Romanesque sculpture. The memories of visiting Romanesque churches, cathedrals and abbeys are filled with the sense of awe and wonder at the beauty of the sculpture, as well being fascinated, contented and happy.
The smooth curving forms, the play of light and shadow – these are things I love to play with in my work, whether pure abstract or with coloring templates.
The quote is how I feel about what I create. I know I put more of myself into my art than I realise, but creating beauty, allowing others to share in what I find to be beautiful and fascinating is what I do. And there is nothing wrong with that.
When I create, I carve out time to find a space of peace, calm, contentment in my life. Creating art is my sanctuary, a time and place where I can forget about the pressures of life, the pains of the past, and worry about the future for a while. If viewing my art, or colouring my colouring pages, even for a moment, gives another person a sanctuary from the pressures upon them, then that is a good thing.
A quick drawing along with a quote that spoke to my artsy, creative heart.
I used a mixture of Sakura Gelly Roll metallic and stardust pens to draw the border on some 7″ x 7″acid-free black card. The typography was done in Affinity Publisher.
A small drawing/painting, repeated to make a simple border for one of my favourite Kandinsky quotes. Kandinsky is one of my favourite artists, not just his art but his philosophy of art.
All artists and creatives put something of ourselves into our creations, whether we are aware of it or not. Colours, words, shapes, lines, textures, tools, media, and more are how we express our uniqueness – both in how we create our work and how we relate to the world that surrounds us, but also to our inner worlds of imagination, thoughts, dreams, emotions, and our subconscious minds.
Everytime an artist or creative creates, they share something of themselves with others. What that something is, is there for those who take the time to look for it.
I started my arty day with this little drawing. It’s echoing the kind of drawing that’s happening in my sketchbook, but drawn digitally making use of symmetry tools.
As I made it as a border for a quote, I had to find a quote. And I did.
Another ‘pen went for a walk drawing’ along with a quote today.
After I’d exhausted my creativity for coloring templates yesterday, I switched to playing around with digital art for a short while to create this border.
To go with it, I chose a quote from Hundertwasser.
I remember reading somewhere, somewhen, that the intricate swirls and abstract patterns of prehistoric rock art may have been representations of those shapes and patterns we see when we close our eyes, when we fall asleep. Or even what is seen in psychedelic visions.
So, this quote about dreams seemed to fit just nicely with the design I created yesterday.
The colour I chose for the artwork reminds me of verdigris – the dusty surface that copper or bronze gets when it’s weathered and aged. It’s a calming, soothing, peaceful kind of colour, and that is the mood I am reflecting through my art at the moment.
In the evening, I sat with sketchbook and pens/pencils and just drew abstract patterns. I really enjoyed using pencil to draw with. I all too often draw directly with pen and I forget how pleasant and ‘soft’ working with pencil feels.
If the quote applies, I have no idea what my morning drawing says about what my art says about the world! Perhaps it says more about my inner world – imagination and emotions. I’ll let you decide that one.
All I know is that my Tuesday morning art has been influenced by the drawing I’ve been doing for the coloring book I’m currently working on. Cute. Doodle-y. Fun. Using colour for the sake of colour. Lots of colour.
I drew the design with an 0.5 Rotring Rapidograph pen on Rhodia dot grid paper. Next, I scanned it in, cleaned the drawing up and added colour digitally. Finally, background, texture and quote were added.
A nice way to spend the first three hours or so of my day before I turn to other things, like breakfast, shower and maybe even a walk if the weather keeps dry.
How true those words are. How I look forward to a walk where trees are dressed in their fiery autumn finery. How much the colours glow in sunlight and against a leaden grey sky. They lift my heart and fill my mind with warm memories to last the long, dark nights of winter. The bright colours are a reminder from nature that spring will return again, after the well-deserved rest over winter.
My clunky arty design today is just that – clunky. Awkward. But it will do for now.
Wednesday is a day when I’m up extra early for an organic food delivery. I usually spend the time awaiting the knock at the door drawing. Today was no different.
I had an idea to try to work in layers of patterns and to add a quote to one side. The first layer contained some ammonite-style shells, surrounded by little bubbles that could represent the sediment.
The next layer has seed pods, but the pattern they create reminds me of the fossilised stems of plants found in the carboniferous coal of the South Wales coalfield.
The third layer reminds me of the limestone beds exposed on the Glamorganshire Heritage Coast, particularly Southerndown and Nash Point.
The fourth layer reminds me of some kind of fossils or sea plants, the name of which I just can’t bring to mind.
I thought a quote about fossils would finish this off nicely.
Drawn with 05 Pentel Energel and 0.38 Uni-ball Signo DX pens on marker paper. Background, shadows and quote added digitally.
Over the past couple of days I’ve started work on the next monogram. I took a fancy to a lower case ‘a’, so that’s what I’ve gone with!
Instead of working on the Claire-Fontaine Paint-On mixed media paper, which wrecks the nibs of my UniPin pens, I’m using some Daler-Rowney Marker paper. It has a smooth, soft texture and the pens glide over it and it’s a joy to use. The ink seems a lot darker on this paper, probably because of the way it’s treated to work well with marker pens and stop them bleeding. The paper is also quite thin and this makes it translucent enough that I can easily see the letter template below.
I’m trying to use some different motifs in this template instead of my go-to ones. Of course I’m still going to use some of my favourites, but it’s nice to branch out too.
It’s going to take me a while to get this one done in between contract work. But I will get it done.