Today’s Entangled doodle

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This is today’s little piece of art; it’s 14cm x 10cm, drawn on natural coloured mixed media paper from Claire Fontaine.  I used a mixture of Sakura Micron and Uniball UniPin pens, along with a white Sakura Gelly Roll pen, a brown Kuretake Zig Clean Colour Brush Pen with a damp paint brush, and some dots of metallic copper paint.

Happy Coloring Day 2017!

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Have a wonderful day, and find even a few minutes to colour, relax, unwind and calm!

Here’s my finished version of my Coloring Day Template 2017.  I’ve enjoyed colouring it, muchly, but now need to turn my attention back to drawing eerie lineart for Dover Publications.

Oh, I coloured it using my Microsoft Surface Pen and Microsoft Surface Book in Autodesk Sketchbook Pro.  It took around 15 hours or so to complete, I think; I lost time while doing it!

Coloring Day – 2 August 2017

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The day be soon upon us!  National Coloring day in the USA, but that can apply to the whole world!

In celebration, I’ve created a free coloring template, a partly coloured version of which you can see above.  You can get the template by visiting my facebook page, just click on this link to go directly to the post – Angela Porter Illustrator.

Have fun! I have been – lost several hours colouring in the template, and it’s only about half done, if that!  Yes, I’ve been doing this one digitally, well partly.  The mandala was drawn using Autodesk Sketchbook Pro, printed out, and then the doodles and zentangles and so on were drawn using a Sakura Micron Pen.  Scanned the finished image in, cleaned it up in Sketchbook Pro, then started to colour it digitally, and I actually like how the colouring is turning out.  I’m finally getting to a stage where I can say I like what I’m doing … for this style of drawing at least.  Somehow, I think that bold, bright colours with high contrast shadows and highlights to create a strong illusion of depth/dimension is me, and I perhaps need to forgo the desire to do ‘watercolours’…we’ll see in the fullness of time!

Doodles and zentangles…not digital!

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That’s right!  Not digital, but drawn using Pitt Artist Pens from Faber-Castell.

Something inside me told me I needed a break from playing around with digital art, and that my pen wielding skills needed a bit of a dusting off.

If anything, drawing digitally has resulted in me being a bit more confident and fluid with my pen strokes.  I also realised that it’s a lot easier for me to work out designs on paper (though I’m not happy with all of the drawings above – a bit out of practice, maybe).

I’m  my latest drawings for the Dover Publications project, I have been drawing out the bare bones of a sketch on paper, scanning in and then working on it digitally.  That has helped me with size and layout of the design for sure.

This makes me hanker after a Surface Studio even more, as I’d be able to work on a digital image at a 1:1 scale for A4 drawings at the very least.

It’s not easy for me, it seems, to get my brain around the the fluidity of scale of drawing digitally as compared to the fixed scale on paper.

All the same, I really enjoyed wielding a pen with creativity on paper rather than screen.  It has it’s own pleasures, and challenges, including having to work with the mark you make when you put ink directly on paper; there’s no easy ‘erase button’ to be used!  So, it’s more about going with the flow and the creative opportunities that the permanency of ink results in (creative opportunities being the positive way to view ‘mistakes’; as I was once told, there’s no mistakes in art, only happy accidents!).

Oh, the boxes on the images.  Well, I do intend to scan these in individually and create files for printing out, the boxes being there where a greeting or message or quote can be placed.

Also, each drawing is approx. 4″ x 4″ (10cm x 10cm)

Butterflies

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I used Autodesk Sketchbook Pro on my Microsoft Surface Book along with my Surface Pen to add patterns and shading to two of the butterfly outline designs I drew yesterday.  I’m happy with the results.

Today I’ve also created two more dot mandalas, each around 5″ in diameter.  I added some gems to those, as well as to the small dot mandalas I created over the last couple of days.  The sparkle really adds something special to them, and helps to emphasise the circularity of mandala designs.

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Artistic journeys…

Mixed media

IMG_0650My previous blog post about a mixed media work in progress is still on hold, although I have added a crackle paint to it in places, which has added some texture to it.  I’m pleased with the result, but I still am not sure what else to do to complete it.

I have completed a very textured background for some mixed media work; you can see it above.  What I’m going to do with it I’m not quite sure, but I’m sure it will all come together at the right time.

Abstract Line Art

I’ve been drawing more ‘Doodle Worlds’ images from time to time and now need to gather them together to see if there’s enough for another ‘book’ for the Colorist app.

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I also turned my attention to colour and pattern and the two images above are the results of around three to four days work.

I used A4 300g/m² smooth watercolour paper and applied distress inks to create the coloured areas.  I wanted to create the illusion of shadow and light in these areas.  Next, I used various drawing pens to add the patterns.  On the green piece, I’ve added copper and gold coloured metallic highlights.  The pink one isn’t quite finished yet.

Sketchbooks and my artistic journey

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As the days are becoming lighter and warmer, my thoughts are going to getting out to visit places and to do some sketching/drawing (intense anxiety and intense self-consciousness allowing).

With this in mind, I’ve prepared pages in an A5 and an A4 sketchbook.  I’ve used Distress and Distress Oxide Inks.

The image above shows the first page in my A4 sketchbook, a page full of daisies, worked using different media, trying out different styles and degrees of detail.

I like to work on a coloured background, I don’t know why, I just do.  I think it may be that I like to add shadows and highlights to create and image from the colour on the page.

I’ve not done much in the way of sketchbook work for a long while, but the need to revisit and to continue to explore different ways of expressing myself artistically has surfaced.  I think this is a much over-due response to the surfeit of work on colouring books in the past three or so years, as well as the struggle I’ve had with my mental health.

My energy, when mentally able, has been focused on completing the work I was contracted for with various publishers.  I enjoyed the work, the subject matter pushed my boundaries in the subjects I tackled.  I’m so grateful for that work as well as it allowed me to make changes in my working life that helps me to take care of my mental health.  It was/is also an activity that helps me manage my mood.  I lose myself in drawing/creating, finding myself ‘in the flow’ where my mind stills, or, rather, where I no longer pay attention to the inner critic.

However, the colouring book work was the focus of my artistic energies for much of that time, and I had little energy left to explore other areas of artistic expression.  I didn’t mind that at all, as I’ve said, I enjoyed all the work I did, and I will continue to create templates.  However, that is not all I want to do or to create.

I now have time to revisit ways of artistic expression I put to one side in my focus on the work for publishers, and I have the chance to see how my skills and expression have developed/changed.  I also get the chance to explore and discover new ways of expressing myself, using new media.

In this way I can continue to discover, practice and refine my artistic voice and vocabulary.  I still feel like a toddler in the world of art.  I wonder if I’ll ever progress from that state.

The biggest obstacle to me doing this is the lack of belief and confidence I have in myself and my artistic abilities.  I also have a problem in deciding on what to draw.  Then, there’s also the issue of finding themes/styles/media to explore that will challenge me just enough that I feel I can make a good attempt at them and gain confidence in them, but not so much that it overwhelms me and I fail before even trying.

The most important thing for me, however, is to enjoy my artistic journey, no matter where it leads me.  The pleasure and peace I get from creating will be something that will serve me extremely well throughout the rest of my days on this planet.

 

Poppy capsules mixed media

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I’ve decided to do my best to be brave and confident and use my own drawings and designs in my mixed media work.  The poppy seed heads and the ‘zentangle’ patterns are drawn by myself.

The inchie with the quote on – creative journey – is milky as the Glossy Accents on the tile hasn’t dried yet, but it will dry clear and glossy.

Here’s a list of the media I used:

  • Papers – 300gsm watercolour paper, cream paper for pencil and pastel work, marker paper, kraft card, mixed media paper
  • Paints – Paperartsy Fresco paints, Liquitex copper paint, Cosmic Shimmer copper iridescent watercolour paint
  • Pens and pencils – Faber-Castell Pitt artist pens, Derwent Inktense
  • Leafy and flower stencils
  • Sizzix Big Shot and dies for cutting some of the gears and an embossing folder to add texture to one of the background papers
  • Metal gears and keys
  • Glossy Accents
  • Cosmic Shimmer acrylic glue
  • Archival Ink in black and sepia
  • Distress inks
  • Spray bottles – one filled with plain water, the other filled with water and copper Perfect Pearl
  • Gems
  • Wow Holographic Sparkle embossing powder and a Versamark pen
  • Cut and dry foam
  • Various brushes