World Kindness Day 2018

Angela Porter 13 November 2018 International Kindness Day

I started drawing this yesterday when I was feeling emotional. I was even more so during and after EMDR therapy and woke this morning with an emotional ‘hangover’. Some painkillers for this headache and a couple of hours later and I finished this off with a quote about kindness from the Dalai Lama when I found out today is World Kindness Day.

Be kind whenever possible. It is always possible.

I think it needs to be World Kindness Day every single day.  I can’t find the words to express myself why I think this, I just know if everyone on this planet was kinder and had more empathy not just for friends and family, but for others, no matter of their social status or religious, ethnic, cultural background or nationality it could help to bring a better understanding which could lead to a kinder world for us all.

And of course there’s the animals and plants that we share this planet with, along with the ecosystems they co-inhabit with us. There’s too much animal cruelty, damage to the environment going on, and we are dependent on a healthy global ecosystem and need to be a lot kinder to the world around us.

There’s feelings and thoughts drifting around my head here that just can’t find their way out of the maze of the lingering pain and fuzziness from the headache that characterises my emotional ‘hangover’. Still, some words did appear.

I used Pigma micron pens, some circle stencils to draw the design on dot grid paper. That meant I needed to scan it into my Microsoft Surface Studio so I could use GiMP to remove the dot grid and create a transparent background.

My next step was to add the hand lettered quote. I used my Microsoft Surface Pen in Autodesk Sketchbook Pro to do this.

The final step was to add the watermarks and a gentle pink gradient background colour.

I can see how I could add some shading to intensify the 3D illusion of the design elements, as well as adding some more pen details. However, it will do as it is…for now.

Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.

Sunday funday

experiment 8april 2018 angela porter It’s Sunday, so that means it must be #fundaySunday #Sundayfunday.

This was my bit of fun for the day.  I created a background using Distress Inks, a mini-blending tool and a stencil.

After scanning it into my Microsoft Surface Book, I imported it into AutodeskSketchbook Pro and started to draw entangled patterns on the top of it.

It was just an experiment to see how it worked out, including the use of colour gradient fills for the entangled patterns.

I think it worked out ok.  I think there’s some more things I’d like to try out using this method; scanning backgrounds and then working on them digitally opens a new world of possibilities for me, as well as keeping me playing with more traditional media.  I do love the mix of the old with the new.

Of course, drawing on my Surface with the Surface pen is a lot like drawing with pen and ink on paper but with more possibilities…

Entangled zendoodle

Angela Porter Artwyrd 26 March 2018

I’ve just finished this drawing; the first zendoodle/zentagle type drawing I’ve done in a while.  I enjoyed drawing it – drawing always is an enjoyment.

I’ve temporarily coloured the background; I will be colouring it in ‘properly’ as time goes along.

Materials used :

  • Claire Fontaine Dot grid paper
  • Unipin pens
  • Pencil and eraser

I have scanned it in and cleaned the image up and created a transparent file I can work on digitally.