Illustrated Quote 9 July 2018

 

Angela Porter 9 July 2018

This is the fruit of my Sunday ‘labours’, and I’m quite pleased with it, truth to be told. Now that’s not something I say about all my works. However I am, quite pleased with it.

I’ve been playing around with hand lettering and design for a while now. From placing the words on curvy lines to straight lines. Trying having the word(s) sit above the drawing with white space above and using them to split the drawing, as in this case.

I’ve used simple hand lettering, like here, and a bit more ornate.

It has been a bit of an adventure, with some successes, some not quite so. With this one, though, I think I’ve found my kind of ‘style’ for it. I like the way the flowery ‘poles’ join the top and bottom part of the design. I really like the jewel-rich tones of reds and blues that I’ve used.

If there’s one thing I wanted to do, and forgot about until now, it was to use a metallic gold pen to add dots to the centres of the circles in the bushes at the bottom. Also, maybe tiny gold dots to the centres of those little purple flowers. It’s that inner raven that loves sparkle having an influence yet again.

I like my quirky hand lettering. It may not be the best, it may not be the most precise or even. If I wanted that, then using something like Publisher or the text tool in Autodesk Sketchbook would or could work. Or I could select and move individual words, or even letters around, in Sketchbook. That, however, would remove the imprecision that gives the art a ‘human’ touch.

To create this, I used a Pentel Energel 0.5 pen to draw the design and do the hand lettering. My Copic Ciao’s were used to colour the image in, and I added white dots with white Sakura pens – Souffle and Gelly Roll 08, both of which worked well over the Copics.

I enjoyed using the Energel pen. The line is consistent in width and intensity, and my heavy hand doesn’t wreck the tip within a short space of time. I also tried out a Uniball Eye Needle point 05 pen for some of the fine details, but it didn’t seem to like writing over the paper that had been coloured with the Copics. It does, however, write smoothly on plain paper, whether that’s Bristol board or Heavy weight cartridge paper. The solvents in the Copics changes the surface structure of the paper; the Uniball Eye didn’t write smoothly on it, and it also bled into the paper, which it doesn’t do on un-Copic-coloured Bristol board.

Hand lettering and entangled drawing

Angela Porter 14 June 2018 watermarked

This morning I finished the coloring templates for Entangled Butterflies. I do have to edit some of them, but I decided to take a break for the rest of the day and work on some ideas that flashed in my mind. These two drawings/illustrations are the result.

I like the abundance one very much. Daisies seem to be my thing at the moment. The inspire one was much better until I added shading to the banner, and then the yellow. It’s all a case of learning for the future.

Both hand drawn using a Sakura Micron PN pen, and colour added using Faber Castell Pitt Artist brush pens.

Wednesday Wisdom 13 June 2018

Angela Porter 13 June 2018 watermarked

#wednesdaywisdom

A strange bouquet or a weird tree, with a wise quote above it. I really shouldn’t have continued to add elements to the drawing once I’d added the quote, but it is as the quote says, small steps in the right direction of learning.

It’s #wipwednesday over on the Angela Porter’s Coloring Book Fans facebook group.

‘Believe’ bookmark

Angela Porter believe bookmark 15April2018Believe … in yourself.

I thought I’d spend sometime today finishing off this bookmark design.

I’m not too happy with the colours, a bit too dark, but I can always re-colour at some point.

Digitally drawn and coloured, though I did sketch the writing out and scan it in to help me write it on my Microsoft Surface book with my Microsoft Surface pen.

#fundaysunday #sundayfunday #weekendvibes

 

WIP Wednesday

Angela Porter Wednesday 11 April 2018 This is my current work in progress, with a little bit of wisdom thrown in.

I planned the lettering out on Rhodia dot grid paper before scanning it in. I then re-drew the letters digitally.

I did a blog post with tips for hand lettering  yesterday, but there’s also some in my upcoming book A Dangle A Day, available for pre-order.

The patterns around the quote were also drawn digitally, using my faithful Microsoft Surface pen, along with my Microsoft Surface Book and Autodesk Sketchbook Pro.

I’ve started to add colour, though there’s quite a lot to do, including adding textures. It’s a pleasant way to spend time.

What I’m quite pleased with is the stone background behind the letters.  It’s not perfect, but I got my head around how I could achieve this.  Working in layers means I can do things I can’t do with traditional media, try as I might, but it involves working out how I can use layers to do different things as well as becoming aware of what I could use layers for.

Yes, I could watch and read tutorials, but there’s something satisfying about working out for yourself how to do things, and creating things in your own way.  That’s the sheer bloody-minded independence I have at times.

Perhaps I could learn quicker with tutorials, but I also know I can become quickly overloaded with information and instructions and ideas (something that frustrates me as before my two episodes of severe depression and anxiety I had no trouble at all…) so bit by bit I discover what I need to be able to do at any one time. Then practice using it until it’s easy to do and natural.

I do love how I can flip-flop between traditional media and digital work, as well as combining the two, whether it be a sketch that is then worked on digitally or using traditional media backgrounds to draw upon digitally. It also takes me a little bit out of my ‘comfort zone’ too, but in an enjoyable way.

Monday motivation

Angela Porter 8 April 2018

#motivationmonday #mondaymotivation

Sunday funday

experiment 8april 2018 angela porter It’s Sunday, so that means it must be #fundaySunday #Sundayfunday.

This was my bit of fun for the day.  I created a background using Distress Inks, a mini-blending tool and a stencil.

After scanning it into my Microsoft Surface Book, I imported it into AutodeskSketchbook Pro and started to draw entangled patterns on the top of it.

It was just an experiment to see how it worked out, including the use of colour gradient fills for the entangled patterns.

I think it worked out ok.  I think there’s some more things I’d like to try out using this method; scanning backgrounds and then working on them digitally opens a new world of possibilities for me, as well as keeping me playing with more traditional media.  I do love the mix of the old with the new.

Of course, drawing on my Surface with the Surface pen is a lot like drawing with pen and ink on paper but with more possibilities…