‘Believe’ bookmark

Angela Porter believe bookmark 15April2018Believe … in yourself.

I thought I’d spend sometime today finishing off this bookmark design.

I’m not too happy with the colours, a bit too dark, but I can always re-colour at some point.

Digitally drawn and coloured, though I did sketch the writing out and scan it in to help me write it on my Microsoft Surface book with my Microsoft Surface pen.

#fundaysunday #sundayfunday #weekendvibes

 

WIP Wednesday

Angela Porter Wednesday 11 April 2018 This is my current work in progress, with a little bit of wisdom thrown in.

I planned the lettering out on Rhodia dot grid paper before scanning it in. I then re-drew the letters digitally.

I did a blog post with tips for hand lettering  yesterday, but there’s also some in my upcoming book A Dangle A Day, available for pre-order.

The patterns around the quote were also drawn digitally, using my faithful Microsoft Surface pen, along with my Microsoft Surface Book and Autodesk Sketchbook Pro.

I’ve started to add colour, though there’s quite a lot to do, including adding textures. It’s a pleasant way to spend time.

What I’m quite pleased with is the stone background behind the letters.  It’s not perfect, but I got my head around how I could achieve this.  Working in layers means I can do things I can’t do with traditional media, try as I might, but it involves working out how I can use layers to do different things as well as becoming aware of what I could use layers for.

Yes, I could watch and read tutorials, but there’s something satisfying about working out for yourself how to do things, and creating things in your own way.  That’s the sheer bloody-minded independence I have at times.

Perhaps I could learn quicker with tutorials, but I also know I can become quickly overloaded with information and instructions and ideas (something that frustrates me as before my two episodes of severe depression and anxiety I had no trouble at all…) so bit by bit I discover what I need to be able to do at any one time. Then practice using it until it’s easy to do and natural.

I do love how I can flip-flop between traditional media and digital work, as well as combining the two, whether it be a sketch that is then worked on digitally or using traditional media backgrounds to draw upon digitally. It also takes me a little bit out of my ‘comfort zone’ too, but in an enjoyable way.

Monday motivation

Angela Porter 8 April 2018

#motivationmonday #mondaymotivation

Sunday funday

experiment 8april 2018 angela porter It’s Sunday, so that means it must be #fundaySunday #Sundayfunday.

This was my bit of fun for the day.  I created a background using Distress Inks, a mini-blending tool and a stencil.

After scanning it into my Microsoft Surface Book, I imported it into AutodeskSketchbook Pro and started to draw entangled patterns on the top of it.

It was just an experiment to see how it worked out, including the use of colour gradient fills for the entangled patterns.

I think it worked out ok.  I think there’s some more things I’d like to try out using this method; scanning backgrounds and then working on them digitally opens a new world of possibilities for me, as well as keeping me playing with more traditional media.  I do love the mix of the old with the new.

Of course, drawing on my Surface with the Surface pen is a lot like drawing with pen and ink on paper but with more possibilities…

Entangled 02 Jan 2018

02 Jan 2018 Angela Porter watermarked

Today’s entangled image.  Drawn using a Sakura Micron PN pen on bristol board.  A little less than A4 (Letter) in size.

Entangled 01 Jan 2018

01 Jan 2018 Angela Porter watermarked

I finished this today. Sakura Pigma PN pen in blue on A4 dot grid paper.

Note to self – use a dark coloured pen, not blue, on dot grid paper otherwise it’s going to be a nightmare to remove all the little dots on the drawing!

Intricately Entangled Abstracts

24 Dec 2017 Angelaporter_watermarked25Dec2017_AngelaPorter_Watermarked

Two drawings I did over the Christmas period using my new Sakura Micron PN pens.  These are different to the usual Micron pens as they have a solid, plastic nib, which is a lot more durable in use.

I’m rather heavy handed with pens, and as much as I love Sakura Microns, Uniball’s Unipins and Faber-Castell’s Pitt pens, their nibs don’t last as long with me as their ink supply does.  I end up chucking the pens way before the ink has run out.

Yes, I could use my Rotring Isographs, but the ink takes a while to dry and I tend to smudge my work.

Previously, I’ve found the Sakura Pigma Sensei in 0.4mm to works well for me, and the nibs are similar to the PN.

The big drawback at the moment to both the Sakura Pigma Sensei and the PN is I can’t order them here in the UK, I have to source these pens either from the USA or from Japan/Hong Kong, so it takes a long while for them to get to me, often with a high shipping fee.

The Sakura Micron PNs are definitely on my shopping list when I need more of them!  I’ll stick to the other brands for the finer line work that appears in my pen and ink drawings from time to time.