A colourful, small reef illustration

Reef Illustration ©Angela Porter | Artwyrd.com
Reef Illustration ©Angela Porter | Artwyrd.com

A little reef illustration.

Yesterday, I got round to colouring my little reef drawing. And it is a little drawing – the paper is just 4″ square (10cm square).

To colour it, I used my Chameleon pens – both the Color Tones and Color Tops. I finished the illustration off with some small dots from a white Uniball Signo gel pen.

What I didn’t expect was that the pigment from the Uniball Unipin pens bled somewhat. I don’t remember that happening before. Mind you, I usually scan and print my black and white line art and colour the print. I didn’t do that today — something to remember for future reference. This is why some of the colours look a little dirty.

All the same, it’s a colourful, happy little illustration. I also like the thickness of the main lines with the variation in line thickness in the details. Diversity in line weight is something I need to remember when I draw digitally. Looking at my latest colouring templates, I think I may have used a line that was too fine. Again, this is something that I need to consider in the future.

It’s always lovely to do artwork like this, using traditional media and working in a familiar, comfortable style. It gives me a chance to reflect on what I’m doing elsewhere and to adapt and change what I’m doing to improve it.

Creating this artwork has given me ideas for some projects in the future. More on that when they come to fruition.

So, Angela, how are you doing today?

I’m doing OK. I’m feeling a lot brighter as the aftermath of Monday’s bombshell fades.

I’m aware I really don’t get out of the house and move my body around much. I either get engrossed in art and the day slips past me quite quickly. Or, my anxiety rears up and try as I might to overcome it, I just can’t seem to make it out of the house.

After a conversation with a friend the night before, I remembered that I like to walk around cemeteries and that my local cemetery might be the perfect place to go for a stroll.

And I did. Go for a stroll.

My love affair with cemeteries started when I used to walk to and from school when I was 11 and 12 years old. Walking to school was always a bit of a dash. However, I could take my time on the walk home to wander and explore the cemetery.

Even on the gloomiest, darkest winter afternoons, I never got freaked out by the cemetery. The dead have never scared me. The living, however, are an entirely different matter. The living people around me were the source of my traumas and CPTSD. The dead could do nothing to me that was any worse than the living.

I found the variation in headstone styles fascinating. I found I could chart the change in fashions over time. I also found reading them fascinating as some of them could tell me about the deceased and their families. It was history related to real people and brought them back to life. It wasn’t the dusty, dry, uninteresting facts in the history lessons I had to endure in school.

And so began my love of wandering around cemeteries.

I find them soothing, calm places to be. They’re quiet, not many people visit them. And there’s plenty of wildlife in them if you’re quiet and take the time to look.

Perfect places for me to walk and explore. Even on the days when anxiety stops me going to more people-y places like towns or parks, a cemetery can offer me that quiet space I need to take a walk.

If you’d like to see some photos and read some words about my walk and the cemetery, then please visit my other blog, Curious Stops and Tea Shops.

Self-care

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

I drew this one with Uniball Unipin pens using both black and dark grey pens, though the difference betwixt them hasn’t shown up all that well in the scan and the digital wizardry that followed to add colour, texture and watermarks!

The glyph in the box is the Zibu symbol for ‘self-care’. Most appropriate for me today as I’m reeling more than a tad from yesterday’s EMDR session. I keep thinking I’m ok, then I get overwhelmed by a wave of sadness, despair and such like. The wave eventually passes and I feel ok, but a tad light headed. Then, the wave returns …

I had some appointments this morning and after a quick lunch I thought I’d draw something small and found this blank postcard template in my pile of stuff, with the symbol already drawn upon it.

I’m not entirely sure I’ve done a good job with this one. The overall design has a feeling that it is disjointed, that the parts of it don’t flow from one to another at all easily. It feels stilted and stiff.

Perhaps that is just how I’m feeling at the moment and I’m just projecting it onto my artwork.

As I said the EMDR yesterday had me reeling both yesterday and today. My therapist took up the role of ‘blind therapist’ where I chose a memory that is too difficult for me to speak about, and we just went with the emotions, feelings and thoughts about myself as the EMDR session progressed.

There were some observations made yesterday that were quite upsetting, okay very upsetting to me. They’re not something I can talk about at the moment.

Even though it’s upsetting, I still think progress is being made. That is all that really matters at the moment, I think.

World Kindness Day 2018

Angela Porter 13 November 2018 International Kindness Day

I started drawing this yesterday when I was feeling emotional. I was even more so during and after EMDR therapy and woke this morning with an emotional ‘hangover’. Some painkillers for this headache and a couple of hours later and I finished this off with a quote about kindness from the Dalai Lama when I found out today is World Kindness Day.

Be kind whenever possible. It is always possible.

I think it needs to be World Kindness Day every single day.  I can’t find the words to express myself why I think this, I just know if everyone on this planet was kinder and had more empathy not just for friends and family, but for others, no matter of their social status or religious, ethnic, cultural background or nationality it could help to bring a better understanding which could lead to a kinder world for us all.

And of course there’s the animals and plants that we share this planet with, along with the ecosystems they co-inhabit with us. There’s too much animal cruelty, damage to the environment going on, and we are dependent on a healthy global ecosystem and need to be a lot kinder to the world around us.

There’s feelings and thoughts drifting around my head here that just can’t find their way out of the maze of the lingering pain and fuzziness from the headache that characterises my emotional ‘hangover’. Still, some words did appear.

I used Pigma micron pens, some circle stencils to draw the design on dot grid paper. That meant I needed to scan it into my Microsoft Surface Studio so I could use GiMP to remove the dot grid and create a transparent background.

My next step was to add the hand lettered quote. I used my Microsoft Surface Pen in Autodesk Sketchbook Pro to do this.

The final step was to add the watermarks and a gentle pink gradient background colour.

I can see how I could add some shading to intensify the 3D illusion of the design elements, as well as adding some more pen details. However, it will do as it is…for now.

Inktober 2018 Day 15 Weak

Angela Porter Inktober 2018 Day 15 Weak

Another day in Inktober and another hand lettered and illustrated quote.

My hand lettering really does need work/practice!

I just had to include a rude little monster tucked away in the intricate pattern around the quote.

I drew this on dot grid paper using Faber Castell Broadline and Fineline pens. I then scanned it in, removed the dot grid and created a transparent background in GiMP. I then used Autodesk Sketchbook to add a colour background and my watermark.

The drawing took a couple of pleasurable hours to do; it is smaller than my previous ones,being a round 17cm x 17cm in size (the overspills make it awkward to measure!

The design reminds me of the work I used to do before I became so immersed in coloring book design. I know this creeps out from time to time, and when I get a chance to do it I really enjoy drawing this kind of detail.

One thing I’d do, perhaps, if I were to go back and do this again I would definitely pay more attention to the hand lettering and I’d add some shadows to the line art to add some more depth/dimension to the design.

 

 

Illustrated Quote 9 July 2018

 

Angela Porter 9 July 2018

This is the fruit of my Sunday ‘labours’, and I’m quite pleased with it, truth to be told. Now that’s not something I say about all my works. However I am, quite pleased with it.

I’ve been playing around with hand lettering and design for a while now. From placing the words on curvy lines to straight lines. Trying having the word(s) sit above the drawing with white space above and using them to split the drawing, as in this case.

I’ve used simple hand lettering, like here, and a bit more ornate.

It has been a bit of an adventure, with some successes, some not quite so. With this one, though, I think I’ve found my kind of ‘style’ for it. I like the way the flowery ‘poles’ join the top and bottom part of the design. I really like the jewel-rich tones of reds and blues that I’ve used.

If there’s one thing I wanted to do, and forgot about until now, it was to use a metallic gold pen to add dots to the centres of the circles in the bushes at the bottom. Also, maybe tiny gold dots to the centres of those little purple flowers. It’s that inner raven that loves sparkle having an influence yet again.

I like my quirky hand lettering. It may not be the best, it may not be the most precise or even. If I wanted that, then using something like Publisher or the text tool in Autodesk Sketchbook would or could work. Or I could select and move individual words, or even letters around, in Sketchbook. That, however, would remove the imprecision that gives the art a ‘human’ touch.

To create this, I used a Pentel Energel 0.5 pen to draw the design and do the hand lettering. My Copic Ciao’s were used to colour the image in, and I added white dots with white Sakura pens – Souffle and Gelly Roll 08, both of which worked well over the Copics.

I enjoyed using the Energel pen. The line is consistent in width and intensity, and my heavy hand doesn’t wreck the tip within a short space of time. I also tried out a Uniball Eye Needle point 05 pen for some of the fine details, but it didn’t seem to like writing over the paper that had been coloured with the Copics. It does, however, write smoothly on plain paper, whether that’s Bristol board or Heavy weight cartridge paper. The solvents in the Copics changes the surface structure of the paper; the Uniball Eye didn’t write smoothly on it, and it also bled into the paper, which it doesn’t do on un-Copic-coloured Bristol board.

Hand lettering and entangled drawing

Angela Porter 14 June 2018 watermarked

This morning I finished the coloring templates for Entangled Butterflies. I do have to edit some of them, but I decided to take a break for the rest of the day and work on some ideas that flashed in my mind. These two drawings/illustrations are the result.

I like the abundance one very much. Daisies seem to be my thing at the moment. The inspire one was much better until I added shading to the banner, and then the yellow. It’s all a case of learning for the future.

Both hand drawn using a Sakura Micron PN pen, and colour added using Faber Castell Pitt Artist brush pens.

Wednesday Wisdom 13 June 2018

Angela Porter 13 June 2018 watermarked

#wednesdaywisdom

A strange bouquet or a weird tree, with a wise quote above it. I really shouldn’t have continued to add elements to the drawing once I’d added the quote, but it is as the quote says, small steps in the right direction of learning.

It’s #wipwednesday over on the Angela Porter’s Coloring Book Fans facebook group.