Entangled Frame WIP

Having a bit of a break from the weird fish today. Instead, I drew this abstract, entangled frame and started to add some colour to it.

I’m working on A5 Arteza mixed media paper which has been coloured with Aged Mahogany and Rusty Hinge Distress Inks. The pen drawing was completed with a 0.38 Uniball Signo DX pen, which is both a consistent, fine line and is waterproof. I’m adding colour with Inktense pencils ( Red Oxide, Baked Earth, Crimson, Deep Blue and Sienna Gold).

I may add some more pen work as I work out if I’m happy with the inner space; I hope to add quotes to that space once the design is finished.

As far as the weird fish go, I have scanned them in and re-drawn them digitally using the vector drawing option in Clip Studio Paint. I’ve been experimenting with adding the shadows and highlights first then using different layer to add colour to the sections. I’m bumbling around with this at the moment, but I expect I work out how to get it to work in a way I like.

Yes, I know there are going to be tutorials out there that will show me how it can be done, and lots of ways of doing the same thing. However, by me bumbling and bimbling around the software, I’m learning more about it on my own terms.

Oh, I also filmed my drawing and adding colour this morning and the video is below. If you do choose to watch the video, then please choose to view it in YouTube as your view then counts to the channel stats, along with thumbs-ups! Cheers!

Have an open heart – part 2 – adding color

A time lapse video of me adding colour to yesterday’s drawing. Please click on ‘view in YouTube’ so it can count the views! If you like the video, give it a thumbs up and consider subscribing to my channel.

I’m not paid, sponsored nor gifted any product in order to promote or review any product. I show them just in case you’re interested in what I use, that’s all.

Template Thursday

It’s Thursday again, and that makes it #TemplateThursday.

Each Thursday throughout the pandemic, I’ve created a coloring page / coloring template for the members of the Angela Porter’s Coloring Book Fans facebook group.

This week’s offering, is a geometric pattern, which reflects how drawing more geometric, structured work this week has helped me be contented with my artistic efforts. Something in my heart and soul needed the comfort of the repetition and the delight of symmetry. That led me to really feel the touchstone of contentment within me once again.

So, I thought that others might like such a geometric design.

And there’s so much that can be done with it. Color it as it is. Divide some of the smaller spaces with doodles or zentangle patterns. Look for what hidden patterns you can bring out. Play with light and shadow to add dimension to the design.

I’ve deliberately coloured my version in flat, spring-like colours. Maybe I’ll find time over the week to add more detail to it, and to play with shadow and light as I love to do!

Oh, I drew this on dot grid paper with an 05 Sakura Pigma Micron Pen before scanning in, cleaning up and coloring digitally.

Template Thursday

Another week of the Coronavirus Pandemic has passed us by, so it’s time for another colouring template/page for members of the Angela Porter’s Coloring Book Fans facebook group.

This week it’s a mandala. A more traditional kind of mandala at that.

Mandala’s are incredibly calming and soothing to draw and to colour.

Template Thursday

It’s Thursday, so that means it’s time for a new coloring template for the members of the Angela Porter’s Coloring Book Fans facebook group.

One of the members suggested a Christmas in July template, so that’s what I did. A page full of iconic Christmas motifs, admittedly not all of them, but a fair selection.

If you fancy printing this template off, all you need to do is join the group! It’s completely free, as are all the templates I design for the group. All I ask is that you follow the terms and condtions of use.

I drew these little designs on Rhodia dot grid paper with a Tombow Fudenosuke (hard) pen. I cleaned the drawing up in Autodesk Sketchbook Pro, then digitally added colour. Some are in the more traditional Christmas colours, others are less so. No rules for colouring! Whatever makes you happy or peaceful is fine! The most important thing is to have fun and enjoy what you do.

As for me, today I’m taking a break from the typographic portrait of Nye Bevan that I shared yesterday. My artistic intuition needs some time to work out what to do with it, both to complete the blank areas and to edit places that aren’t working.

I need to pop out for a walk too. I’ve been sat down, focused on art too much over the past couple of days. It’s overcast and there’s a stiff breeze, so it’s perfect for me!

Template Thursday

It’s #TemplateThursday when I create and post a colouring template to the Angela Porter’s Coloring Book Fans facebook group. The template is free to members, though there are a few terms and conditions associated with it’s use. It’s also free to join the group!

This week, I decided to draw some cute and whimsical bugs, each having their very own portrait. Lots of small, individual pictures that a perfect for quick, mindful colouring.

I know I often get overwhelmed by a huge artwork I’m working on and that is most likely to happen when I’m experiencing a lot of anxiety, and I seem to have waves of anxiety the like I haven’t seen for a long time, most related to the pandemic.

When I need to take time out, to do art that will soothe me, calm me, let me relax and find that mindful, content space within myself, I turn to creating small artworks.

I drew this template with a Faber-Castell Pitt Artist pen on ClaireFontaine dot grid paper. Colouring has been done digitally in Autodesk Sketchbook Pro.

Template Thursday

Another week has gone by, so it’s time for a new template for members of the Angela Porter’s Coloring Book Fans facebook group.

This week, it’s another of my collections of little windows. Yesterday was a day where I needed to draw a template that wouldn’t overwhelm me, and a collection of tiny drawings and patterns is a way to break the task down into bite-size, cute, whimsical pieces. As I result, I enjoyed the process and found some contentment and peace too.

In fact, some of the colorists in the group have told me that the really like the way the page is broken down into pieces that can be finished quickly if they are limited for time. The different sizes allow them to choose something that can be coloured in the time they have available. That part can then be left finished, freeing them of the worry of leaving something unfinished.

Coloring, like any creative activity, can help calm, relax, soothe and give a break from negative self-talk, to name a few of the benefits. I know that scientific studies have shown this to be the case and that losing yourself in coloring has a similar effect on brain activity as mindfulness meditation.

I use art to help me with times when my emotional weather is stormy, dull, unsettled. As I said earlier, drawing a collection of small designs was far less overwhelming than drawing a full page illustration yesterday. Yet, I still end up with a full page of mini-templates to colour.

I feel I struggle with colours. I tend to try to put all colours available to me into one template. Every now and then I do work with a limited palette, which also has it’s own problems. My window templates take away any pressure I put on myself regarding colour. Each window is a unique image in it’s own right and I can use whatever colours I wish in it without worrying about the overall cohesiveness of the project.

These window templates are also great fun for trying out different colour combinations, for blending colours, and even for trying out new techniques. You could make notes on the template, or cut out the pictures you want to keep and start an art journal where you note down the media, colours and techniques used to get the effects/blends you like. No longer any need to remember what they are, just refer to the journal!

Talking of cutting the designs out, that is a perfect way to make use of a finished coloring page like this one. The individual images, or groups of them, can be used to make greeting cards, bookmarks or to embellish art journals, journals, scrapbooks, diaries, planners and bullet journals!

As always, I love to see what people create using my templates – share with and/or tag me on social media :
f: @artwyrd
t: @artwyrd
i: @artwyrd

Template Thursday

©Angela Porter | Artwyrd.com

Another week in lock-down has passed us by here in the UK, as well as many places around the world. That means it’s time for another weekly coloring template.

This week, the inspiration for this template has come from the pages full of capsules, pods and seeds in my sketchbook. Lots of opportunity to experiment with colour, but also adding little details to each tiny picture.

If you’d like to download and print this template, then pop along to the facebookgroup – Angela Porter’s Coloring Book Fans – and you can do so for free (terms and conditions for use do apply).

Drawn using Sakura Pigma micron pens (05 and 01) on ClaireFontaine dot grid paper.
Clean up of drawing, colouring and typography done digitally using Autodesk Sketchbook Pro along with a Microsoft Surface Studio and Microsoft Surface Slim Pen.

Mail Art

Mail Art ©Angela Porter | Artwyrd.com

Yet again I woke with my mind swimming with an idea I wanted to try out. I’d had a problem when I was trying to add colour to drawings I’d done on distress ink backgrounds. Whether I used water and a brush or a Tombow Blender pen, the pigment from the Sakura Micron and Uniball Unipin pens bled, and I really wasn’t happy with that.

I spent some time yesterday trying different pens out, with no luck in finding any that didn’t smear/bleed. So, I put this to one side until I had a chance to think about it.

I slept on it and woke with an idea to try.

Why not use the Tombow blender to draw the basic shapes of my design in colour and then add black lines afterwards. Seed pods seem to be my default design when I’m experimenting, but I’m fine with that.

So that’s what I did. And this card is the result.

As I was starting to add the black lines to the design I thought I’d made a horrible mistake, had a bad idea. However, as I added more and more detail, I realised it would work out, and I think it did.

I added some gold to the seeds in the seed pod with a glitter gel pen. I also splattered some gold watercolour paint over the design.

The envelope is really simple; three seed pods, black line art with golden seeds.

Not a unique artistic approach, but it is something that has never worked for me before.

It’s not a dissimilar approach I take to my digital art, where I start with the basic shapes and then add shading and detail. I do use line art as a guide for my design, and that is an approach I can apply to traditional art in that I may need to pencil in the design, then colour, then add the line art.

Who would’ve thought it – working digitally is helping me develop my traditional art methods and skills.

Zentangle ‘toppers’ for cards

©Angela Porter | Artwyrd.com

I’ve been awake way too long already today. I just couldn’t settle to get back to sleep when I woke around 4am. I gave up trying just before 6am and thought I’d do some drawing to see if it would settle me.

The soothing style of choice at the moment is zentangle, so I made use of some of the coloured ’tiles’ I made yesterday, and these are the result. I’ve yet to decide whether I will actually turn them into cards, or whether I’ll just keep them as references for the future.

I thought plain black line looked a bit ‘flat’. That may be a consequence of me working digitally so much and the way I achieve dimensionality in my art.

So, in the top design, I used brush, water and some colour from Zig Clean Colour Real Brush Pens by Kuretake. I enjoyed adding shading with colour, though it was hard work with the fine brush I’d chosen, especially when I turned my attention to the one on the bottom left. So, I used a Tombow Blender pen with the colour for the third card on the bottom right. I’m much happier with the smoothness of the gradients here, compared to the other two.

What I’m not happy with is the way the pigment from the black lines seems to move, particularly when I used the brush. I’m not sure whether this is a result of me drawing on top of the distress ink coloured paper, or whether it’s to do with the friction of brush on the lines. I did get a little bit of movement of the pigment with the Tombow blender pen, but not so much it seems.

As I’m digging into my stash of media from past times, I remembered I had some Nuvo Drops from Tonic. So, instead of using a metallic gel pen to add some embellishments, I added some of these drops.

I’m not entirely sure they work. I think I’ll have to look at these cards again after I’ve had a good sleep and a break from them

I am glad I tried adding more saturated colour to the designs to give that illusion of dimension, even though I had to rediscover the joys of using a blender pen. I do find pens so much easier to work with than brushes, that’s for sure. That may be a knock on effect of me using pen ‘brushes’ so much in digital art.

I’m exhausted now, but I won’t go back to bed until my grocery deliveries have arrived.