One of the members suggested a Christmas in July template, so that’s what I did. A page full of iconic Christmas motifs, admittedly not all of them, but a fair selection.
If you fancy printing this template off, all you need to do is join the group! It’s completely free, as are all the templates I design for the group. All I ask is that you follow the terms and condtions of use.
I drew these little designs on Rhodia dot grid paper with a Tombow Fudenosuke (hard) pen. I cleaned the drawing up in Autodesk Sketchbook Pro, then digitally added colour. Some are in the more traditional Christmas colours, others are less so. No rules for colouring! Whatever makes you happy or peaceful is fine! The most important thing is to have fun and enjoy what you do.
As for me, today I’m taking a break from the typographic portrait of Nye Bevan that I shared yesterday. My artistic intuition needs some time to work out what to do with it, both to complete the blank areas and to edit places that aren’t working.
I need to pop out for a walk too. I’ve been sat down, focused on art too much over the past couple of days. It’s overcast and there’s a stiff breeze, so it’s perfect for me!
It’s #TemplateThursday when I create and post a colouring template to the Angela Porter’s Coloring Book Fans facebook group. The template is free to members, though there are a few terms and conditions associated with it’s use. It’s also free to join the group!
This week, I decided to draw some cute and whimsical bugs, each having their very own portrait. Lots of small, individual pictures that a perfect for quick, mindful colouring.
I know I often get overwhelmed by a huge artwork I’m working on and that is most likely to happen when I’m experiencing a lot of anxiety, and I seem to have waves of anxiety the like I haven’t seen for a long time, most related to the pandemic.
When I need to take time out, to do art that will soothe me, calm me, let me relax and find that mindful, content space within myself, I turn to creating small artworks.
I drew this template with a Faber-Castell Pitt Artist pen on ClaireFontaine dot grid paper. Colouring has been done digitally in Autodesk Sketchbook Pro.
This week, it’s another of my collections of little windows. Yesterday was a day where I needed to draw a template that wouldn’t overwhelm me, and a collection of tiny drawings and patterns is a way to break the task down into bite-size, cute, whimsical pieces. As I result, I enjoyed the process and found some contentment and peace too.
In fact, some of the colorists in the group have told me that the really like the way the page is broken down into pieces that can be finished quickly if they are limited for time. The different sizes allow them to choose something that can be coloured in the time they have available. That part can then be left finished, freeing them of the worry of leaving something unfinished.
Coloring, like any creative activity, can help calm, relax, soothe and give a break from negative self-talk, to name a few of the benefits. I know that scientific studies have shown this to be the case and that losing yourself in coloring has a similar effect on brain activity as mindfulness meditation.
I use art to help me with times when my emotional weather is stormy, dull, unsettled. As I said earlier, drawing a collection of small designs was far less overwhelming than drawing a full page illustration yesterday. Yet, I still end up with a full page of mini-templates to colour.
I feel I struggle with colours. I tend to try to put all colours available to me into one template. Every now and then I do work with a limited palette, which also has it’s own problems. My window templates take away any pressure I put on myself regarding colour. Each window is a unique image in it’s own right and I can use whatever colours I wish in it without worrying about the overall cohesiveness of the project.
These window templates are also great fun for trying out different colour combinations, for blending colours, and even for trying out new techniques. You could make notes on the template, or cut out the pictures you want to keep and start an art journal where you note down the media, colours and techniques used to get the effects/blends you like. No longer any need to remember what they are, just refer to the journal!
Talking of cutting the designs out, that is a perfect way to make use of a finished coloring page like this one. The individual images, or groups of them, can be used to make greeting cards, bookmarks or to embellish art journals, journals, scrapbooks, diaries, planners and bullet journals!
As always, I love to see what people create using my templates – share with and/or tag me on social media : f: @artwyrd t: @artwyrd i: @artwyrd
Another week in lock-down has passed us by here in the UK, as well as many places around the world. That means it’s time for another weekly coloring template.
This week, the inspiration for this template has come from the pages full of capsules, pods and seeds in my sketchbook. Lots of opportunity to experiment with colour, but also adding little details to each tiny picture.
Drawn using Sakura Pigma micron pens (05 and 01) on ClaireFontaine dot grid paper. Clean up of drawing, colouring and typography done digitally using Autodesk Sketchbook Pro along with a Microsoft Surface Studio and Microsoft Surface Slim Pen.
Yet again I woke with my mind swimming with an idea I wanted to try out. I’d had a problem when I was trying to add colour to drawings I’d done on distress ink backgrounds. Whether I used water and a brush or a Tombow Blender pen, the pigment from the Sakura Micron and Uniball Unipin pens bled, and I really wasn’t happy with that.
I spent some time yesterday trying different pens out, with no luck in finding any that didn’t smear/bleed. So, I put this to one side until I had a chance to think about it.
I slept on it and woke with an idea to try.
Why not use the Tombow blender to draw the basic shapes of my design in colour and then add black lines afterwards. Seed pods seem to be my default design when I’m experimenting, but I’m fine with that.
So that’s what I did. And this card is the result.
As I was starting to add the black lines to the design I thought I’d made a horrible mistake, had a bad idea. However, as I added more and more detail, I realised it would work out, and I think it did.
I added some gold to the seeds in the seed pod with a glitter gel pen. I also splattered some gold watercolour paint over the design.
The envelope is really simple; three seed pods, black line art with golden seeds.
Not a unique artistic approach, but it is something that has never worked for me before.
It’s not a dissimilar approach I take to my digital art, where I start with the basic shapes and then add shading and detail. I do use line art as a guide for my design, and that is an approach I can apply to traditional art in that I may need to pencil in the design, then colour, then add the line art.
Who would’ve thought it – working digitally is helping me develop my traditional art methods and skills.
I’ve been awake way too long already today. I just couldn’t settle to get back to sleep when I woke around 4am. I gave up trying just before 6am and thought I’d do some drawing to see if it would settle me.
The soothing style of choice at the moment is zentangle, so I made use of some of the coloured ’tiles’ I made yesterday, and these are the result. I’ve yet to decide whether I will actually turn them into cards, or whether I’ll just keep them as references for the future.
I thought plain black line looked a bit ‘flat’. That may be a consequence of me working digitally so much and the way I achieve dimensionality in my art.
So, in the top design, I used brush, water and some colour from Zig Clean Colour Real Brush Pens by Kuretake. I enjoyed adding shading with colour, though it was hard work with the fine brush I’d chosen, especially when I turned my attention to the one on the bottom left. So, I used a Tombow Blender pen with the colour for the third card on the bottom right. I’m much happier with the smoothness of the gradients here, compared to the other two.
What I’m not happy with is the way the pigment from the black lines seems to move, particularly when I used the brush. I’m not sure whether this is a result of me drawing on top of the distress ink coloured paper, or whether it’s to do with the friction of brush on the lines. I did get a little bit of movement of the pigment with the Tombow blender pen, but not so much it seems.
As I’m digging into my stash of media from past times, I remembered I had some Nuvo Drops from Tonic. So, instead of using a metallic gel pen to add some embellishments, I added some of these drops.
I’m not entirely sure they work. I think I’ll have to look at these cards again after I’ve had a good sleep and a break from them
I am glad I tried adding more saturated colour to the designs to give that illusion of dimension, even though I had to rediscover the joys of using a blender pen. I do find pens so much easier to work with than brushes, that’s for sure. That may be a knock on effect of me using pen ‘brushes’ so much in digital art.
I’m exhausted now, but I won’t go back to bed until my grocery deliveries have arrived.
Here is a section of the template, which I’ve been working on colouring. The gold background is just a temporary thing.
I used Affinity Publisher for the typography in the centre of the design. I then used Autodesk Sketchbook Pro to draw the design and to start colouring it. The template is in my entangled signature art style.
I’m enjoying adding colour to this design; this is a good sign that I’m recovering from the tummy bug that has laid me low for the the best part of a week now.
If you’d like to download a copy of the colouring template, you do need to be a member of the facebook group – it’s free to join and the template is free to members!
Of course, I’ll be posting my coloured version of the template to welcome in the new year.
This morning I started to colour the reef illustrations I posted yesterday. I’m using a mixture of Chameleon marker pens and pencils to do this. My photograph of the work in progress isn’t brilliant, but you get the idea I’m sure.
In the larger motifs, I’m using the Chameleon Color Tones markers along with the Color Tops to achieve gradient colouring. Flat colour is added to smaller areas using the pen.
Then, I use Chameleon pencils to add depth and dimension. I’m also adding more depth and dimension by using a white gel pen and a fine Unipin pen to add highlights and texture.
I’m enjoying the process, but I must admit I’m finding it more ‘fussy’ to do than when I digitally colour! Continually swapping pens and pencils is a little frustrating for me.
Maybe that’s just today as I’m tired. I didn’t sleep at all well last night. Stomach cramps were plaguing me throughout the night, though they do seem better today. Painkillers have stopped the pain completely today; yesterday, they merely dulled it.
Also, when I woke, my mind was very active with flashbacks related to my EMDR therapy yesterday. It was a very emotional session, lots of tears and upset. However, my therapist tells me I’m making good progress. I believe her.
Today, everything seems like hard work as I’m so exhausted, not just from the lack of sleep, but emotionally too. These feelings will pass; they always do.
I don’t know how much more I’ll do today. I don’t think I’ll get a lot of colouring done. I do feel I need to draw though, so perhaps I’ll do that after I’ve done some errands today. Typical of ‘adulting’ to get in the way of self-soothing and self-care.
That’s right, there’s an annual day to celebrate coloring books and to indulge yourself in the relaxing, calming, stress-busting activity of coloring, no matter your age or gender!
As you can see if you browse this blog, I do a lot of art. Whether drawing, colouring, or other forms of creativity in art it really does relax, calm and soothe me when I need it.
And there are times when I really do need calming and relaxing. It’s no secret to anyone who has followed my blog for a while that I have complex PTSD (CPTSD) and I am slowly recovering from it with the help of EMDR therapy. On the days where I have low mood or anxiety or I’ve been startled into hyper-vigilance, art really helps to soothe my jarred emotions and calm me until the stress hormones leach from my body returning to their normal level for me. That is still an elevated level, but a level that has always been there in my life.
It’s not just me saying this. Research has shown that spending time colouring has a similar effect on the brain as mindfulness meditation.
There are so many coloring books available as well as colouring pages, you can find just about anything to suit your tastes. Also, I have many colouring books available (I think it’s around 20 now) – have peek at at my Angela Porter Amazon author page.
If you like to draw your own designs to colour and are looking for something new and a little different, then you may like to take a look at my book ‘A Dangle A Day’. In the book I show you what dangles are, how to draw them and use them with hand lettered sentiments and monograms. They’re fun to draw, simple, and there are many ways to use them such as in bullet journals (BuJos), planners, journals, scrapbooks, greetingscards, note cards, bookmarks and more.
Also, I gift an exclusive template to the Angela Porter’s Coloring Book Fans facebook group at least once a month. They’re free to members and shouldn’t be available anywhere else, though intellectual theft isn’t unknown in the realms of the internet.
The image above is the August template for the facebook group. I coloured it digitally using gradient tools for some speed. It would take me weeks to do the way I’ve been creating digital art of late!
No matter what you use to colour – digital or traditional media – I’d love to see how you’ve brought my line art to life, whether from one of my books or from one of the templates available in the facebook group. There’s also some templates available on my angela porter illustrator facebook page too.
Here’s the tags you can use to connect with me on the social media platforms that I use: