I’m still on the mushroom kick it seems. Today’s sketches/drawings for Sketchtember feature some mushrooms. One is a typically, perhaps, entangled style of art. The other is much more of a pen and ink drawing, making use of stippling and cross-hatching to add shadow and a sense of volume.
I used a Uniball Eye micro pen to draw on a piece of Distress Ink coloured mixed media paper from Claire Fontaine for the entangled drawing on the left.
For the drawing on the right, I used a Tombow Fudenosuke pen on a piece of Ohuhu marker paper. This paper is surprisingly nice to draw on.
I’ve yet to decide if I’m going to add colour to these drawings. I have scanned them in so that I have a record of them as they are.
Saturday is here again. So, over on my little corner of the YouTube universe, I do a flip-through of this week’s arty projects, and a bit of a chat about stuff at the same time.
Here, above, is my sketchbook page for Sketchtember 2021. For day 18, I’ve chosen to draw plants in pots, mostly cups, mugs, teapots and jugs it seems. They’re still plants in pots. They’re all drawn from my memory and/or imagination.
After completing the pen sketches, I added colour using Ecoline Brush Pens and a Water brush. I had to try to mix colours too, particularly varieties of green. I may have done OK with some of them. Others are abject disasters, such as the succulent style plant with red tips to it’s leaves. Ho hum.
Everything is a bit wonky, but perhaps that is no bad thing at all. A lot of my artwork is a tad wonky, and that’s part of my signature style, probably.
I’ve also used a clear Glaze pen, a gold sparkle Signo gel pen and a clear Star Sakura Gelly roll pen to add shiny highlights. A white Sakura Soufflé pen added highlights to some of the areas too.
This, like yesterday’s buttons, has been a fun project. This time, though, I’ve completed adding colour, which has surprised me no end. I suspect that increasing familiarity with Ecoline watercolour inks and how I like to apply them has helped greatly with this.
Trying to work in a more ‘illustrative’ and a bit expressive way of adding colour is helping too. It’s a work in progress, but I may just get there!
Now, all I have to work out is what to do with the rest of Saturday!
My art of the previous day or so. More seed pods for Sketchtember, this time colour’s been added with Ecoline Brush pens. Just for a bit of a change from alcohol markers!
There’s also some Zentangle-style drawings, small ’tiles’ approx 3.5″ x 3.5″ in size.
The green one has been coloured with Color Soft pencils. The peachy background ones are still works in progress, but fixed into my sketchbook.
You may notice patterns upon the backgrounds in some of these images. I spent some time yesterday using some stencils from my stash to add texture to the Distress Ink coloured pages. I wanted some subtle pattern/texture, so chose colours that toned in with the background.
It’s actually quite fun to draw on these papers. Leaving ‘windows’ to let the background pattern show through is rather fun and a bit of a challenge.
Yes, I’m dabbling in Zentangle again, which is a sign all is not well with me emotionally. I’ve been rather stressed the last couple of days. Nowt serious, just organising some health check-ups and becoming overwhelmed with information and making myself understood, both to myself and the receptionist. All’s sorted now, well the appointments anyway. But I’m still stressed!
It takes a few days for the stress hormones to leach from my body; about four or five based on my reckoning. I have the appointments later on this week, so the current high stress levels won’t have vanished before then. So, I guess I’ll be partaking of ‘comfort art’ for a while yet!
It’s Day 13 of Sketchtember, and another seed pod style drawing, with lots of variations today. But there’s also a Zentangle style drawing using one of these seed pod variants.
Drawing the more traditional kind of Zentangle of design was actually fun to do. It helped it was on a smaller scale, I think.
I used it as an opportunity to play with a dimensional feel to the design, using black and white drawing pencils and a tortillon. The paper was already coloured; it’s a small piece of the Faber-Castell Toned Drawing Paper, which is really robust as it has 15% cotton in it.
I messed up in the bottom right area and tried a fix. Ho hum, I tried. I know ‘there’s no mistakes in Zentangle’, but it was irking me I’d messed up on the repetition of the patterns.. Still, it’s in a sketchbook and so is a reminder to me to pay a bit more attention in future.
I do need to bring out the layers by adding some more shadow. I may do that with either alcohol markers or Pitt Artist Pens. The graphite pencil really isn’t dark enough, even though I added layers of it.
Nevertheless, it’s all a valuable experience and opportunities to learn, grow, develop and practice my artistic voice.
I wonder what will appear from the tip of my pen tomorrow – day 14 of Sketchtember.
This week, I ran with a kind of request from a member and created two drawings which feature a rectangular area into which a photobooth photo would fit. Or anything else you can think of putting there – a precious button or coin mounted on card, a single earring kept for sentimental value, a ticket, a clipping from a magazine or newspaper, a tiny piece of embroidery, or needlefelting, or polymerclay, or fossil, or a tiny envelope containing a precious note/letter, or, or, or. You’re only limited by your creativity, and the sizes of the nested rectangles!
I’m going to be intrigued to see what people produce with these. I can be tagged in posts as @Artwyrd on Instagram or Twitter. And as Angela Porter on Facebook.
I’ve also added a geometrical pattern in the middle of the sets of nested rectangles if you don’t want to add anything to this space.
Both images would fit on an A5 card (metric/UK size), or a folded letter sized sheet of card for those of you in the US. They also could be mounted on card and framed if wished.
I’ved used Arteza Ever Blend markers from the Gray Tones set to add colour to the designs. And, for the design on the left, I’ve added white highlights with a Sakura Soufflé pen.
In today’s vlog on Youtube, I talk about the designs, and add the highlights to the left hand design.
This week is another page that is different. Someone said that they’d love it if I could create a drawing with a space for a photobooth image. So, I’m creating two such designs, in my signature Entangled art style.
I only have photobooth images from the Tim Holtz Idea-ology range, which I have in my stash. I’ve looked on Amazon Uk, and there are a few sets left, but not the pack I have. I think I’m going to have to trim the photo of the bloke down a bit.
Of course, if you don’t have photobooth images, you can use other photos, trimmed down, magazine or book images, stickers, or even buttons, coins, jewellery, and more attached to a sturdy piece of card sized to fit the frame. I’ll show some ideas, hopefully, in tomorrow’s video.
Adding more colour to the entangled drawing on the left has taken quite a bit of time this morning. As well as using the Arteza Ever Blend markers, I used some of my Chameleon Color Tones pens too. There were some colours that I wanted to use that aren’t in the Arteza set.
It’s going to take quite a few hours more to finish adding colour to this drawing. That bright green section in the bottom left is going to need toning down! But that’s easy enough to do by ‘glazing’ with a duller colour. I also went over the pods on the bottom right with the colours again to intensify them a little, and added some deeper shadows as I did so.
It’s coming along nicely, apart from that bright green! Ho hum, I really do need to pay more attention to which colour I’ve actually picked up to use rather than just assuming it’s the colour I wanted to use.
Sketchtember Days 7 to 16
Yesterday evening and this morning, I spent time drawing small drawings featuring various seed pods. I’ve decided to take a different direction for Sketchtember and abandon the prompt list I’ve been following.
Why? I was a bit bored with drawing leaves, the occasional whole plant, the odd flower and various enlarged views of the various parts of flowers.
I love plants. I do. But I really love capsules, pods and seeds! So, I went with this idea
After splitting the large 9″ x 12″ sheet of Arteza marker paper up into smaller rectangles and squares, I used Copic Multiliner, Tombow fudenosuke and Uniball Unipin pens to draw the designs.
When the drawings were complete, I went to scan the sheet in and realised it wouldn’t fit on the glass plate of my A4 scanner/printer! Duh! But not a problem, I just split the page up into smaller pieces.
Next, I spent some time adding colour to a couple of the designs using the Arteza Ever Blend markers to test out the Arteza marker paper.
This paper is noticeably thicker than the Canson XL marker paper I’ve been using. But it works just as well with markers. It’s also as nice to draw on with the various pens I used.
The only thing I wished is that I’d remembered my scanner takes paper that is a little bigger than A4, but not this big! Not a problem though.
This morning has been an arty filled one. I woke around 5am and have been artsy-busy since then, apart from when having breakfast!
I spent time in bed drawing this design and listening to podcasts. An 0.5 Copic Multiliner on a sheet of Canson XL marker paper were used.
Next, it was time for some breakfast. Then, fuelled up, I did some pen sketches of bay leaves for Sketchtember Day 7. You can see this page in today’s vlog.
Yesterday, I had a delivery of Arteza Ever Blend Architectural Tones marker set. I bought these markers with my own money. I’m not paid, gifted anything nor sponsored by any product/company I mention. Just dropping that in here!
Anyways, I started by doing a swatch of the colours before starting to make today’s vlog.
This set appealed to me because of the more earthy, muted, vintage-y colours in the set. They were affordable, and so I bought the set, thinking that it could be useful for pens to add to an out and about sketching kit.
I had hummed and hahhed about getting the set for a while. After all I have a set of Chameleon color tones (and the color tops). And a set of Copic Ciao markers. Did I really need any more markers?
Well, the Chameleons are my favourites, but they don’t have many earthy colours. It seemed to me that these would fill in the gaps in my Chameleons.
I’m no expert on marker pens, nor in assessing their quality and so on. But they seem to work well on marker paper. They blend well, either on the paper or in the ‘tip to tip’ method.
I have no idea how long they’ll last in terms of ink. Unlike the Chameleons and Copics, they aren’t presently refillable, even though replacement nibs can be bought. Maybe that is something that Arteza is thinking about in the future.
The other thing that I’d like is a brush nib instead of the chisel nib. A brush nib that is more like the ones on Copics than the Chameleon so that I can get into teeny-tiny spaces in my artwork. The fine/bullet nib is OK for this, but won’t work on the tiniest spaces in my art.
Other than that, they do what they’re supposed to do! Color, blend well, and have a nice range of colours, apart from R13 Red which is glaringly bright against the other pens in the set. Personally, I would’ve liked another muted orange, or perhaps a soft greyish mauve or lavender.
Another bit of nit-picky-ness; a colourless blend would’ve been nice in the set. I find them useful, especially if I want to fade a colour out to practically colourless. That is something that is really easy to do with the Chameleons. No doubt I’ll try this out with a tip-to-tip experiment with either a Copic or Chameleon colourless blender to see how things go.
Oh, the pens have a triangular barrel, which means they don’t roll around the desk. My small hands do find it a bit chunky and a bit awkward to hold. That’s only because I’m used to slimmer barrels on pens/pencils/brushes/digital pens that I do most of my work with.
So, overall I’m really pleased with the pens for the price I paid. I’m sure I’ll use them an awful lot, as much as the Chameleons and Copics no doubt, especially as I’ve rediscovered markers and how much I enjoy adding colour to them.
This week, I was asked to create a mandala by Brett, who runs the group. So I did. And this one has a very autumnal theme to it. It is the first day of September and summer is waning away with autumn starting to make it’s way from the wings.
I’ve chosen a rather subdued palette for today’s addition of colour. No doubt I’ll have a different version for tomorrow’s posting!