I had so much fun making these little abstract art creations! They really do go back to my roots, but in the way I like to create now.
To give you an idea of size, the purple one is 3″ x 4″, the other two are 2½” x 4″ in size. I have mounted them on cards that are 4½” x 5″ in size, made from some white Daler-Rowney mixed media paper, and I love how they look!
I started by creating the backgrounds using Distress Inks, a mini foam blending tool and a spritz of water.
Then, I painted on some basic shapes using a brush, water and either colour from Zig Clean Real Brush pens or Distress Inks, followed by some splatters of colour.
The the real fun began. Taking some things I really wasn’t happy with and adding line and pattern to them to give them form, definition, and some dimension.
I used Sakura Pigma Micron pens (05 and 02). I also used a glass pen and gold ink in the top right design. For all designs, I used a gold Sakura Gelly Roll pen to add gold highlights, which haven’t shown up well in the scans.
There was something so satisfying and pleasing in working with vague shapes and patterns, the random nature of the background, and using them to inform how my art would develop in each case.
I really, really enjoyed creating these, and I will do more in the future.
I’m not sure how I could create similar digitally – the randomness of wet media isn’t something I’ve worked out how to do…yet. Maybe I never will. Maybe it’s the case of me creating the backgrounds separately using traditional media, then adding the lines digitally. I don’t know yet, however. It may be that this is something I reserve solely for traditional media.
What I do know, is that each design is a work of art in it’s own right and these would look fab framed. In fact, I had a huge inner smile as I mounted them on the card blanks, giving them a simple frame, and saw how finished they then looked. Teeny, tiny pieces of art, by me, Angela.
This week, my offering harks back to my ‘Entangled’ style of drawing – abstract, with swirling lines, spirals and organic motifs. And fairly detailed with zero or little white space. It’s still a style I like to return to; it’s one of my comfort drawing styles.
For this one, I worked digitally – Autodesk Sketchbook Pro with a Surface Slim Pen and Surface Studio, both by Microsoft.
I started to add colour to it, and the colours are softer, more muted than is usually the case for me. I think those represent my mood at the moment, as well as it being spring time.
If you’d like to download a copy and colour this template, then you do need to become a member of the Angela Porter’s Coloring Book Fans facebook group. It’s free and all I ask is that you follow a few reasonable terms and conditions for use! I’d love to see how you’d colour this one in.
I’ve been awake way too long already today. I just couldn’t settle to get back to sleep when I woke around 4am. I gave up trying just before 6am and thought I’d do some drawing to see if it would settle me.
The soothing style of choice at the moment is zentangle, so I made use of some of the coloured ’tiles’ I made yesterday, and these are the result. I’ve yet to decide whether I will actually turn them into cards, or whether I’ll just keep them as references for the future.
I thought plain black line looked a bit ‘flat’. That may be a consequence of me working digitally so much and the way I achieve dimensionality in my art.
So, in the top design, I used brush, water and some colour from Zig Clean Colour Real Brush Pens by Kuretake. I enjoyed adding shading with colour, though it was hard work with the fine brush I’d chosen, especially when I turned my attention to the one on the bottom left. So, I used a Tombow Blender pen with the colour for the third card on the bottom right. I’m much happier with the smoothness of the gradients here, compared to the other two.
What I’m not happy with is the way the pigment from the black lines seems to move, particularly when I used the brush. I’m not sure whether this is a result of me drawing on top of the distress ink coloured paper, or whether it’s to do with the friction of brush on the lines. I did get a little bit of movement of the pigment with the Tombow blender pen, but not so much it seems.
As I’m digging into my stash of media from past times, I remembered I had some Nuvo Drops from Tonic. So, instead of using a metallic gel pen to add some embellishments, I added some of these drops.
I’m not entirely sure they work. I think I’ll have to look at these cards again after I’ve had a good sleep and a break from them
I am glad I tried adding more saturated colour to the designs to give that illusion of dimension, even though I had to rediscover the joys of using a blender pen. I do find pens so much easier to work with than brushes, that’s for sure. That may be a knock on effect of me using pen ‘brushes’ so much in digital art.
I’m exhausted now, but I won’t go back to bed until my grocery deliveries have arrived.
Another day on lock-down, and I started the day by colouring a Strathmore Bristol Board tile with Distress Inks, then drawing. You can see the result above, sorry for the poor photo.
The random generated tangle pattern for today is ‘BB‘, and it’s the wavy set of blocks across the middle of the design. The rest of the design is made up from some of my favourite patterns and motifs, as well as a few dangle designs.
The overall design doesn’t feel as if it flows. That may be a reflection of my emotional state, which is a mixture of anxiety, fear, being overwhelmed and exhausted.
So, self-care is in order. So that’s doing things that won’t frustrate me, or that won’t having me feel that whatever I do is rubbish.
Yesterday, I spent some time creating some backgrounds digitally. So, I decided to use one of those and to tangle digitally too. This is the result.
It took me a lot longer to finish than if I’d drawn with pen on paper. Mainly because I spent time adding shading and highlights to the image. That let me play around with different kinds of layers and brush effects yet again. Bit by bit I’m learning how I can make them work for me.
I need a break from this for a while. But I can see how I need to add more shadow/depth to the background patterns.
So, Angela, how’re you doing today?
I’ve suddenly come over all tired. My sleep is all over the place. Despite me feeling content, there’s still a deep seated anxiety about the pandemic and how life is at the moment. That anxiety is draining me emotionally. I feel emotionally out of sorts today, even though I can still feel that contented touchstone inside me.
I’m surprised I settled to do some drawing this morning. Yesterday, I had trouble settling to anything to the point I was going to throw out my yarn stash. Whatever I’ve tried in terms of knitting or crochet has just frustrated the heck out of me rather than settled me down.
I found myself swearing at my phone yesterday as it pinged with alerts. I’ve now put my phone on silent. I will check in on messages etc in a short while, but they are going to be silenced until I am no longer getting so angry I’m swearing and shouting at the phone. I’ve never done that before and it’s a sign of how much on edge I am, even though I feel content.
Yesterday and today I’ve not known what to do with myself. I’ve not felt that way for a long while for such an extended period of time. There was a time when I’d be like this for days or months. I’ve not often felt this way in the past year or two as my healing from cPTSD has really kicked in.
Still, I will be kind to myself about this as these are unusual times; unfamiliar with increased fear, anxiety and uncertainty. The last day or two my usual coping strategies haven’t helped me to distance myself from the overwhelming pervasiveness of constant news and articles, posts and memes about the Covid-19 pandemic.
It’s not just a break from my phone I need; it’s a break from the news and views too. A retreat from the world and everything is needed. For a while at least.
This morning, I used the random tangle pattern generator and it came up with ‘Tripoli’. This is a tangle pattern I’ve had trouble with so often in the past. For some reason I find it awkward to draw the triangular motifs that make up this pattern in a way that I find pleasing. I almost clicked the button to generate another tangle pattern. Instead, I chose to work with Tripoli and this is the result.
I used one of the tiles I’d coloured with Distress Inks at the weekend, along with Unipin Uniball pens. No pencil ‘string’ or guidelines. I also chose to use a variation of the classic Tripoli pattern (see it on Tangle Patterns or here).
It was an enjoyable and relaxing process to draw this 5½” x 5½” tile.
I’ve been ‘zentangling’ long before Zentangle was a thing. I love pattern. I love stylised motifs. I draw inspiration from architecture, nature, Prehistoric art, pottery, Celtic and La Tene, illuminated manuscripts, and more.
I’ve always been fascinated with deconstructing patterns in order to replicate them in my own way.
Well being check in…
Today I’m tired. I look like I have a pair of black eyes. I really didn’t sleep well last night, again. I may well nap this afternoon; I’m finding it hard to keep my eyes open even as I write this blog.
Even though I’m tired, more than bone tired, the sunshine and warmth of the rays of light finding their way to me through the windows really lifts my spirits.
As I went to put some recycling out this morning, a neighbour’s cat came to say hello. He’s a strange kitty, likes a fuss, but not too much and only in very specific places on his body, but he’s a friendly chap. It was nice to make a fuss of him in the sunshine, his black fur soft, silky and warm from absorbing infrared light.
I had two deliveries today. One an organic fruit and veg box along with some other goodies. Some things weren’t available though, but it’ll be just fine I’m sure. The other was a box containing some tea bags – English Breakfast tea bags containing rolled leaves of tea in biodegradable mesh. And a rather nifty tin to keep them in!
Tea, twice and thrice blessed tea! Always a pleasure and always one to look forward to.
Little things to be grateful for even when limited to home for the foreseeable future.