April Dangle Design

April Dangle Design by Angela Porter 2019
April Dangle Design by Angela Porter 2019

I had a lovely time this morning looking at Arts and Crafts Movement, Rennie Mackintosh and Art Nouveau designs. I’ve always love these styles of art with their organic lines and stylised motifs and it’s certainly influenced my style of art in some little way.

I got inspired as I looked at these styles and decided to use them as a start for my April BuJo page design, which you can see above.

The had lettering is a little heavy handed where the squares are concerned, but over all I’m fairly happy with it.

There’s definitely a touch of the Rennie Mackintosh’s there with the organic motifs and lines contrasted with the graphic squares and diamonds.

I chose warm and sunny yellows with light, fresh greens as they are so dominant in nature this early on in Spring.

A quick sketch on Rhodia Dot Grid paper followed by a scan and I inked it using some of my brushes in Autodesk Sketchbook Pro. Of course I wielded my Microsoft Surface Pen with some happiness on the screen of my Microsoft Surface Studio.

A simple but, I think, and elegant design. One which would look fab for any month in a BuJo (bullet journal), planner, diary, journal or even in a scrapbook. Of course it would make a lovely greetings or note card too. I’m sure there are many more instances of where this design would work beautifully.

Want to know more about creating your own dangle designs? My tutorial book ‘A Dangle A Day’ is now published.

‘Amazing’ – Hand Lettering

© Angela Porter 2019

My morning warm up art session today was this little bit of hand lettering. I had a completely different idea in mind when I started this off but, as often happens, the creative energy flowed in a different direction.

I had wanted to do a monogram, perhaps with a dangle or maybe one set into a pattern border as a drop capital to a quote.

As I worked on first the pencil outline of the A, and then inking it in using fine and extra fine fountain pens filled with black ink, the lines that flowed out dictated the form of the letter rather than me consciously trying to force it into what I thought I wanted to create.

I think I’ve over patterned the inner space of the monogram, or not used the right kind of patterns there. However, it’ll do.

I wanted to use some birdwing copper FW Pearlescent ink from Daler-Rowney to add metallic highlights with a dip pen. I soon found out that dip pens and parchment paper that has been coloured with black ink don’t work well together. So, I ended up with the copper highlights at the bottom of the letters that fade up naturally. Adding dots of metallic colour to the monogram was easier on the unworked parchment. Over the black ink dots it wasn’t so easy. I’m also not sure that the ‘string of beads’ in the monogram actually works but I know it’s missing something. I need some time to reflect on this. As I do about adding any more copper highlights to it. I may yet decide to add some dangles to the word.

On the whole, I’m quite happy with how this turned out. I could add ‘You are’ in small letters above the letters. Either way, I think this would make a lovely notecard. I also think it could be used in a bujo, planner, journal, scrapbook or as framed art. I think I need to review the card making and mixed media techniques I once knew and have sidelined to focus on other aspects of art and adapt them to my current needs/ideas.

A Dangle A Day

Today’s the day! A Dangle A Day is published in the US. Thursday is the day for the UK. It’s my very first tutorial book and the reviews I’ve seen so far are lovely!

Well over 100 dangle designs in the book with step by step instructions for each. Simple steps leading to even quite complex designs. Whimsical, cute charms. Funky monogram dangles. Plenty for each season and most occasions. I’ve also written encouraging words as everyone can draw dangles and they are perfectly imperfect which is what makes them personal and unique!

I’d love to see what dangles you create and how you use them – in your bujo, planner, journal, diary, scrapbook, or as greeting cards, note cards, book marks, gift bags, envelopes, framed art, or any other way you can think of! Tag me on twitter, instagram or facebook!

Naturally, I have a stinking, streaming cold and I feel rough as anything. I don’t think I’ll get much in the way of art done today. Coughing, sneezing, runny eyes and a thumping headache don’t do much for focus.

Hello January! A Dangle Design

©Angela Porter 2019

What a bright, sunshiny morning it is here in South Wales in the UK. The first sunshine of the new calendar!

I’ve been up for around 3 hours and have had a fairly artsy time.

My first job was to print out the lineart for this dangle design, which is one of many in my book ‘A Dangle A Day’ which is due for release on 8 January 2019 – just a week away!

In the book, I take you through how to draw this design, one step at a time. Not only this design, but well over 100 more – designs for all seasons and many, many celebrations and occasions.

This design I drew in Autodesk Sketchbook Pro using a Microsoft Surface Pen and Microsoft Surface Book. For the book, I coloured it digitally. Today, I printed out my black and white lineart and then coloured it using Chameleon Color Tones and Color Tops marker pens. I also added some details to some elements of the design using a 08 Uniball Unipin pen and a white Sakura Gelly Roll Pen.

Yesterday, I said I need to to spelunking through my stash of mixed media and cardmaking supplies to find forgotten supplies I could use to embellish my designs.

This dangle design would make a lovely monthly cover page for a BuJo (bullet journal), planner, diary or journal. It would also make a pretty greetings card or notecard to drop a line to a friend wishing them a wonderful January. Change the words and colours to suit the occasion or recipient! It would also be a lovely, whimsical, cute design for a winter party invitation.

I realised then that my old watermark wouldn’t do for this year. So I hand lettered a new one. I made my symbol, the one I hide away in my artwork, part of the design, along with a little intricate but simple geometric pattern around it. A little touch of the uncials for my blog address, along with a typed copyright statement and it’s done and saved! I may end up changing it a little, or having variations on the theme, as time goes on. But I’m fairly happy with it.

So, I’ve already had a productive morning! It may be a Bank Holiday in the UK, but I really do need to focus on those templates that need colouring for Entangled Forests…and I may venture forth into the peopley world later on today, maybe.

Lots of K’s…

©Angela Porter 2018

I woke way too early this morning after not getting to sleep until around 3am.

© Angela Porter 2018

On looking at the monogram K I posted earlier with slightly rested eyes and mind, I’ve decided to leave it as it is. For now at least. I may try to add a dangle design to it in the coming days.

So, I thought I’d post my page of various hand lettered styles of the letter K. I used a 0.4 Sakura Pigma Sensei pen to draw them. No pencil lines were used for any of these letters, just the dot grid to help me keep things vaguely organised and vertical where they need to be.

I like the 0.4 Pigma Sensei pens. You may notice that I do tend to vacillate in my choices of pens – I just like to change things around from time to time! The Pigma Sensei 0.4 has a solid plastic tip, a bit like the Pigma PN pens. That means it’s not quite so easy for heavy handed me to wreck the nib as quickly as I do on the Sakura Microns or Uniball Unipins or Faber-Castell Pitt artist pens or the Copic Multiliners.

That doesn’t mean I’ve managed to use them until the ink runs out – the nib gets wrecked long before then – but they do seem to last longer.

I’ve spent the 3 hours or so that I’ve been up adding patterns/motifs to my lovely new A4 Leuchtturm dot grid ‘Master’ notebook. It’s a rather comforting activity for me. I don’t know how many times I’ve tried to do this in various formats in order to create my own reference book of patterns/designs/motifs and so on. However, realising that my use of a bullet journal is working for me on a more or less daily basis, at least as far as organising myself and making notes ot what to do, what’s been done and so on, I wanted to use a very, very basic form for this visual reference for me.

The A4 notebook will also take up a lot less space than the ring binder I’m currently using. It is a bit cumbersome working in the hardback notebook compared to loose leaf paper, but it should help to keep things all in one place. It’s the method of tracking collections in a index in bullet journal fashion that will make it most useful for me.

So, this morning I’ve started to add my small collection of medieval motifs inspired by jewellery and floor tiles.

I suspect I’ll be having a bit of a quietish day today. I’m practically nodding off here as I type! Maybe a short nap later will help me a bit – but not too long otherwise I’ll be up at stupid o’clock once again!

Hand lettering practice

©Angela Porter 2018

Today has been a bit of a busy day. I woke still drained from yesterday’s EMDR therapy session. No EMDR though as I was just too emotional and ‘raw’ to go through it, so it was a lot of talking around how one trigger event had caused several trauma ‘streams’ to rise and flood and confluence. I was stuck at that confluence where white water rapids had formed and I was being buffeted about in the eddies and currents and waves.

So, it was self-care last night when I got home, which involved a bag of chips from a local chippy, with curry sauce, Harry Potter and the Goblet of Fire and starting to crochet an amigurumi ‘dumpling cat’ from a new book that was delivered yesterday. Then, there was the journal writing before I went to bed.

This morning I had to be up early to go give an anti-stigma talk to a group of police officers. That drained me emotionally once again. However, it was a good thing to do as they all found my talk really interesting and useful. My Time To Change Wales champions hat was polished up a little bit once again.

I came home and finally had some breakfast and ended up in bed to sleep. That’s one of my coping strategies when I’m so emotionally drained. I still feel dazed and dazzled by it all, but am on a bit of a more even keel now.

I didn’t want to let the day pass without doing something with pen and paper or screen. Hand lettering seems to be my thing at the moment so I thought I’d have a go at hand lettering some of the days of the week.

For reference I used the Lombardic Capitals set in ‘Decorated Lettering’ by Jan Pickett. 

They appeal to me partly because the space inside the letters lends itself so much to adding patterns, but because of their oldy-worldy nature. I love Anglo-Saxon, Celtic and Medieval illuminated manuscripts and this style of lettering, in a slightly more modern form, appeals to me.

I discovered it’s a lot easier to form the letters when you draw them big – hence why their size increased from Monday to Wednesday.

Dot grid paper is a godsend as it helps with the consistency of size of the letters, though I suspect that as I become more comfortable with my skills that I may experiment more with that.

A nice way to spend an hour or so this afternoon, and I have the rest of the days to look forward to doing, along with adding patterns to the open letters.

Mind you, the letters without patterns would look lovely just coloured with colour  gradients, and I’d love to add metallic highlights/accents too.

First, I need to get a bit more proficient at hand lettering and working on plain paper.

Of course, I can always scan my lettering in and remove the background and dotgrid so I can print it out on paper suitable for a colouring medium such as watercolours and metallic paints.

Cheating? No. I don’t think so. I would’ve already done the work in the first place. Printing and colouring is, to me, perfectly acceptable.

But that’s for another day. For now, I had to get myself sorted to pop out for the evening.

I’m also musing about adding some dangles to the letters – dangles with charms that are reminiscent of medieval ornament or jewellery, for example.

Monday – a dangle design

©Angela Porter 2018

A quiet start to Monday morning here with a spot of hand lettering and dangle drawing.

This is my first draft of a design, which is a bit wobbly in places and there are some ink smudges too.

I pencilled in the basic shapes of the letters, inked in the outlines and then added the inner decoration.

The dangles were drawn with pen directly on paper. The use of dot grid paper helps to keep things vaguely level usually, but this morning that’s not quite gone to plan. Of course as it’s December I’ve gone with December themed charms and a Moon for Moonday Monday!

I have a few tasks to do and then I may just re-draw this, or at least colour it in. Colour makes all the difference.

This could be a bit of a big dangle design to use in a BuJo, but just the word with one dangle to the left would make a charming header with dangle for a day. The beauty of dangles is that you can just add to them as you go through the day. If the charms are small enough you could even add ones that will go with your BuJo entries – event, note, task and so on.

I think that would work well for a big and busy day.

A Dangle A Day is released on 8th January 2019.

©Angela Porter 2018

I did go away and create this sample BuJo page showing the kind of thing I meant above. The hand lettering has worked out a lot better. I also like the blue gradient I’ve used to colour the letters with. A grey shadow was added to the left and bottom of the letters too. I also like the cute little date box. The ornate ends on the bar through it give it a ‘feel’ that goes with the lettering.

I did have fun doing this. It’s maybe not something I’d do everyday in my BuJo. My BuJo is very much a working one, with lots of mistakes and rubbishy writing going on as I scribble down things. However, I do enjoy hand lettering, especially more so as I’m beginning to accept that I have to accept my own way of forming letters is perfectly acceptable and that I can work with that.

I have to remember that others don’t see my hand lettering (or art) as I do. They see it with fresh eyes, without the close up work that goes into it, without the small flaws that I see and are magnified by my inner critic into hideous blemishes and fatal errors in the work.

I can quieten the crtiic when it comes to my drawings/art, mostly. Except on any bad days I have in terms of my mental and emotional health. Because hand lettering is something that is a new focus for me, the inner critic feels it’s empowered to be hypercritical of anything I do. It’s only by doing, by doing what I can not to ignore the critic, but to check what it’s telling me as being valid or invalid and learning what I can from the valid points to improve in the future.