Coloring Page / Template

Colouring page / template

It’s Thursday. The pandemic is still in action. That means it’s time for a new coloring page or template for members of the Angela Porter’s Coloring Book Fans facebook group.

It’s free to join the group, and the template is a freebie for members of the group.

This week, I created a mandala design with a background of geometric, repeating patterns.

I’m still recovering from the stress of my first trip out since March 2020. Drawing (and colouring) mandalas is an incredibly peaceful, relaxing and mindful activity. So, it was natural that I drew one.

The mandala design is based on some of the abstract art I’ve been doing of late. It’s a bit unusual for my mandalas, but I really do like the organic flow of the lines.

Even though the design is abstract, the repeating symmetry of a mandala bring some structure to the design. I am looking forward to seeing how members of the group add colour to the design.

The geometric patterns in the background also result in a soothing, repetitive rhythm for colouring; a rhythm that results in soothing and calming ones mind and emotions.

De-stressing

I have been totally shaken by the level of anxiety/stress that resulted from my trip out on Tuesday. I am beginning to feel more my contented and calm self. However, I find I’m still irritable and grumpy and have withdrawn from social media and the like for most of the day.

It was a sobering thought when I realised I’d lived most of my life constantly at elevated stress levels, often as higher than what I experienced in the past couple of days.

It’s also a wonderful realisation that I can recognise this now, and I also am able to allow myself self-care time to let all the stress hormones leach from my body. It’s been a long time since they peaked in this way.

It makes me extremely grateful to my therapist for her years of patient work with me. Experiences like the Tuesday Trip remind me of how I used to be and show me how far I have come in recovery from cPTSD.

Yesterday, after my social media post, I binged watched the Harry Potter films from The Order of the Phoenix. I found I was irritated by crochet. I tried cross-stitch, which irritated me too. Eventually, I settled on knitting, which, oddly, soothed me. I think it’s because I could knit and watch the film. Knitting allowed me to channel my irritability into something creative. As I can knit without looking at the knitting, I could also watch and immerse myself in the films at the same time.

My fingers are itching to knit again, now I’ve thought about it.

Even though I slept well last night, I’m still feeling really tired today. This happens as part of the post-stress come-down. It can last a few days. I’ll not be rushing to nap, however. Napping has a knock-on effect on my ability to sleep at night when I’m like this. My naps tend to end up as periods of deep sleep, so I try not to take them unless it’s absolutely necessary.

Summer Solstice 2020

Tonight, at 10:43 BST, the Sun appears to enter Cancer, as viewed from the Earth. Of course, it’s the Earth that is moving around the Sun. Today, marks the official start of summer, but it also marks the time when we have the days of most light here in the Northern Hemisphere, and we’ll soon notice there’s not quite so much daylight at the end of our days.

This year, English Heritage are live-streaming the solstice sunrise tomorrow morning on their facebook page. You’ll have to be up early (or just not go to bed!) as they start streaming from 04:07BST, with sunrise at 04:52BST. I’m certainly going to do my best to watch it. This is one of the good things to come out of the pandemic. The live stream hasn’t been done before. I would never go to Stonehenge on either Solstice as there would be too many people and far too much noise and bustle for me, but this is a nice way to see it as it happens, not recorded and shown after the fact.

I’ve always felt an affinity with the cycle of the seasons and marking the solstices and equinoxes has felt far more natural to me than any religious celebrations. The scientist in me appreciates the facts around these dates in the calendar, my heart and soul appreciate them in different ways that are personal to me.

I found this quote about the solstices, and it sums up a little bit about how I feel about them.

The artwork shows a lot more about how I’m feeling today – not quite with it, spaced out, emotional and well out of sorts. I had an idea in mind, but I just couldn’t execute it to my satisfaction today. It looks like I need another self-care day. Which is fine. I’ve learned that sometimes it’s best to go slow in order to go fast. By taking time out from commitments, I return to them in a better frame of mind and emotional state and I’m more able to fulfil them to my satisfaction for sure.

Watercolor Greeting Cards

About the artwork

I needed a quiet morning, again, today. So, I thought I’d dig out my Caran D’Ache Supracolor Soft watercolour pencils and try some stuff with them.

I wanted to use them to draw a flower, or two, and then use water to create a watercolour effect. The result you can see on the left-hand side card. I’ve left loads of white space on this card, which is unusual for me. I couldn’t resist, however, adding some gold dots around the flowers. The colour of the petals was so delicate that I used a 2H 3mm pencil to outline them and the leaves. Just for info, the piece of watercolour paper measures 4″ x 4″.

For the other cards, I just wanted to work with the pencils to create gradients and abstract patterns in colour. I drew on the little panels using a 0.25 Copic Multiliner SP pen and added some lines and details with metallic gold watercolour. These cards are approx 3″ x 4″ in size.

Watercolor pencils are nice to use when it comes to drawing in colour with them, then activiating the colour with water. They really glow on 100% cotton rag paper (bottom right) compared to the other cellulose papers.

Cute and whimsical cards, some very detailed, one not quite so. But a nice way to spend my morning.

Self-care time, again.

There’s a situation going on around me that is draining my emotions greatly at this time. I’m doing my best to not become overly emotionally involved in it, but it’s difficult when it’s to do with people you care about.

It all has a knock on effect with me. I’m anxious, tired verging on exhausted, really grumpy, irritable, and lacking patience at this time. I’m also not able to concentrate too well. These are all behaviours I could do without in dealing with this situation. Yet I’m exhausted by it.

I have been meditating, making sure I take time to do self-calming and self-soothing activities, such as my morning art, Though I have work to do for contracts, I need to take a day away from everything, if I can.

I know there are lessons for me to learn about myself in how I’m reacting ot the situation, stuff from my past that wasn’t processed during my EMDR therapy. If I can work out what it is, I can work through it myself now. Organising EMDR therapy isn’t possible at this time, with lockdown still very much in operation and me being very nervous of going out into the world as well.

So, I’m going to make time today to drink tea, meditate, journal and try to get to the bottom of my own issues and start doing what I can to work through them and heal the past traumas that are causing my reactions at this time.

I think I’ll also take time to crochet (I started a mosaic blanket earlier this week) and watch films or crafting shows on the TV. Eat healthily – I have a yearning for brussel sprouts, of all things! And take time away from social media and news. I may even pick up my flute and play it, for the first time in months and months.

Template Thursday

Another week has gone by, so it’s time for a new template for members of the Angela Porter’s Coloring Book Fans facebook group.

This week, it’s another of my collections of little windows. Yesterday was a day where I needed to draw a template that wouldn’t overwhelm me, and a collection of tiny drawings and patterns is a way to break the task down into bite-size, cute, whimsical pieces. As I result, I enjoyed the process and found some contentment and peace too.

In fact, some of the colorists in the group have told me that the really like the way the page is broken down into pieces that can be finished quickly if they are limited for time. The different sizes allow them to choose something that can be coloured in the time they have available. That part can then be left finished, freeing them of the worry of leaving something unfinished.

Coloring, like any creative activity, can help calm, relax, soothe and give a break from negative self-talk, to name a few of the benefits. I know that scientific studies have shown this to be the case and that losing yourself in coloring has a similar effect on brain activity as mindfulness meditation.

I use art to help me with times when my emotional weather is stormy, dull, unsettled. As I said earlier, drawing a collection of small designs was far less overwhelming than drawing a full page illustration yesterday. Yet, I still end up with a full page of mini-templates to colour.

I feel I struggle with colours. I tend to try to put all colours available to me into one template. Every now and then I do work with a limited palette, which also has it’s own problems. My window templates take away any pressure I put on myself regarding colour. Each window is a unique image in it’s own right and I can use whatever colours I wish in it without worrying about the overall cohesiveness of the project.

These window templates are also great fun for trying out different colour combinations, for blending colours, and even for trying out new techniques. You could make notes on the template, or cut out the pictures you want to keep and start an art journal where you note down the media, colours and techniques used to get the effects/blends you like. No longer any need to remember what they are, just refer to the journal!

Talking of cutting the designs out, that is a perfect way to make use of a finished coloring page like this one. The individual images, or groups of them, can be used to make greeting cards, bookmarks or to embellish art journals, journals, scrapbooks, diaries, planners and bullet journals!

As always, I love to see what people create using my templates – share with and/or tag me on social media :
f: @artwyrd
t: @artwyrd
i: @artwyrd

Template Thursday

This week’s coloring template is a series of bookmarks. A member of the Angela Porter’s Coloring Book Fans facebook group said they’d like some designs that could be used as bookmarks, and so I went with the suggestion.

The designs are typically ‘Angela’ and ‘entangled’. I used a Tombow Fudenosuke along with an 04 Pigma Sakura Sensei pen to draw the designs. After scanning and cleaning up, I’ve partially coloured the designs, as well as adding a pale kraft paper background.

To use them as bookmarks, I suggest printing them on some card. If that’s not possible, then gluing the whole sheet to some card and then cutting out the book marks would make them sturdier. Of course, a laminator could prove most useful in preserving your beautiful coloring, as well as making really long lasting book marks that could be given as beautiful gifts, or used to mark the coloring page you’re working on too.

Journal Ephemera

This morning, I woke early-ish and thought I’d spend a little time on my journal.

On page 2 I’ve added one of my silhouette irises backed onto some pearlescent card that i coloured with Chameleon Color Top marker pens. I’ll be adding a quote beside the flower, when I find the perfect quote to go there!

Above the flower you can see a little tag with a semi-circular bottom that has a little pocket in it. The tag will flip up so I can hide some journaling or quote or something pretty and surprising behind it.

On both pages you can see paperclips that have inchies embellishing them. This is a fab way for me to use my inchies in a practical way.

Finally, you can see three mini paintings – two floral, one abstract – that I can use in future pages.

Unusually for me I started by painting the basic shapes of flowers and leaves. Then, I added stems and details using various colours of fineliner pens as well as a white Sakura Gelly Roll pen. I added some sparkly dot details with Sakura Stardust and Uniball Signo glitter gel pens.

For the abstract pattern, I painted arcs on the watercolour paper and when they were dried I added curved lines using a white Sakura Gelly Roll pen and a gold glitter Uniball Signo pen.

I’m not at all sure how I’ll use these, other than the colours of the three cards go really well together so they’ll help me with the colour scheme for another pair of pages further on in the journal, as well as making other ephemera and so on for it.

I do like relatively straight edges, neatly regimented bits and bobs in my journal. I’m not one for lace and frills and frothy additions. It’s not completely clean and simple; I do like old book paper that’s been torn. It’s like I need to control shapes and positions and arrange things ‘just so’, neat and tidy like. That may very well be my way with journal creation, which is in juxtaposition with those I see on youtube.

Being confident with something new, like making my own journal, is something that takes time, perseverance and patience – the patience mostly being with myself until I gain enough confidence.

It’s also the confidence that doing something different to others is perfectly fine.

Yesterday

I was missing in action yesterday. I was unsettled, dissatisfied with anything I tried to do, and needing a lot of sleep it seems. I kept away from the ‘puter and social media. So, no art was done (other than a couple of templates for Entangled Gardens) and no blog post was written (nor any other social media).

One lesson I have learned from my time in counselling/therapy was the importance of knowing when to exercise self-care. I try my best to do this, though sometimes it’s difficult as I know there are expectations and pressures I place on myself.

However, I have learned that if I try to push myself to do things when I’m just not in the right place to do them, I just get more and more frustrated and fed up. If I give myself the time and space to do what I need to do to take care of my emotional and mental health, when I settle down to work, the work flows more easily and I’m more satisfied with what I create.

Although I did draw two templates yesterday, I started three or four others and just threw them as I really wasn’t at all happy with them, and they really were nonredeemable.

Once those two were complete, I felt better about my deadline for the book, a bit more settled in myself. However, any other artistic things I tried I was just frustrated with. So, a complete break away was needed. So, it was crochet while binge watching American Gods on Amazon Prime Video.

I don’t know if I’m feeling any better today as far as art goes, I do know I need breakfast before I consider doing any!

Journal Making – 16 May 2020

The Cover

On waking this morning, I wanted to work on the cover of my journal.

Yesterday evening, I managed to get a coat of gesso on to the cover and painted edge closest to the wire binding with gold. In hindsight, that may not have been the best idea.

I knew I wanted to use my silhouette iris drawing on the cover. Irises are my favourite flowers. Also, my aim for my journal is to use my own art as much as possible.

So, I printed out an arrangement of three irises, tore them out and coloured the paper with Distress Inks.

For the background, I used a piece of Claire Fontaine mixed media paper. I coloured it with Distress Inks – Old Paper, Tea Dye, a touch of Iced Spruce and a dusting of Vintage Photo around the edges and here and there on the main sheet.

This I adhered to the cover. I’d cut it narrower than the cover so that I didn’t have to butt it up against the wire binding. That’s why I wanted a gold border there.

Anyway, I decided to put some old book paper behind the irises. I added some ink to the edges of this paper too. I then glued them in place, along with the flowers.

I drew a border around this page with a copper-coloured Sakura Metallic gelly roll pen. Then, I used a gold glitter Uniball Signo pen to fill the background with tiny spirals.

I wanted to add the definition of ‘journal’ to the front cover. So, I did the typography in Affinity Publisher and printed it. After tearing the meaning out, I used Old Paper and Tea Dye Distress Inks to colour the paper, followed by Vintage Photo to ink the edge.

I then glued this to an old book page, tore that out and edged the paper with ink once again.

Before adhering the page to the cover, edged the paper with Ground Espresso Distress Ink as I didn’t think the edge was dark enough. I also coloured the edge of the journal cover with the same ink to hide the white.

An application of Distress Micro-glaze to seal the page and I could stick it to the cover.

I love the subtle sparkle of the spiral pattern on the cover. The micro-glaze picked up some of the fine glitter. It also makes the cover sheet feel very smooth.

I’m not happy with the gold edge to the journal, but I will, no doubt, find a way to make it look much better. Otherwise, I’m quite happy with the cover. I think it needs something else there, but I’ll work out what that is in the fullness of time.

The first three pages.

Page 1 I’ve shown before, and it’s now complete (apart from me adding journaling to the envelopes and other spaces.)

On page 2, I’ve added an experiment I did with Tombow Dual Brush Pens and a blender pen to draw designs on paper. I have some ATC cards coloured in the same blues/purples as the background of this page, so I’ll be finding a way to display them on the page when I’ve finished them.

Page 3 is a tiered series of simple pockets. I made them by tearing the paper of each page and layering them to create the pockets. The inserts are pieces of Claire Fontaine Mixed media paper that have been coloured in the same colours of Distress Inks as the pockets have been. I used Distress Oxide Inks for the pockets.

I’m not really sure what I’m going to do with the third page, yet. It will come to me, I’m sure!

Adobe Spark

I thought that I’d use Adobe Spark to make a short video rather than posting a montage of photos. I uploaded it to my channel on youtube so I could share it via social media more easily.

Adobe Spark is straightforward to use, and it does have a free option, though I pay about £10 per month for it. It makes creating simple content for social media really easy.

How am I feeling

I’m feeling much better today. The headache and light-headed/dizzy/drowsy feelings were with me for the whole day, including upset tummy and digestive system. I had weird pains in my right eye too. I slept a lot during the day, and just took it easy when I was awake. I wanted to crochet in the evening but found it hard to do even something familiar to me.

My digestive system is still uncomfortable and not quite right today, and I’m now beginning to feel rather tired. Like I’ve already done too much today. So, I’m going to be taking it easy for the rest of the day.

Ephemera

Ephemera ©Angela Porter |Artwyrd.com

I woke this morning with the desire to make a little box to store ephemera in. So I did.

I used a video from PootlesPaperCraft to help me make the box, which is 4″ square with a depth of 2″, so sizeable enough for some of my smaller ephemera such as inchies and little shrink plastic charms (you can just see them peeking out from under the envelopes to the left of the photo).

I used plain, white card for the box base, which I coloured with Tea Dye, Rusty Hinge and Vintage Photo Distress Inks. For the top, I used a piece of Tim Holtz card from my stash that I’ve had for a number of years. This I grunged up with Vintage Photo and Rusty Hinge Distress Inks.

Once I made the box up, I used Aged Mahogany to distress the edges of the box.

I coloured a square piece of white card with Aged Mahogany and Rusty Hinge Distress Inks and then used a light brown pen to draw a zentangle design on it. This panel was layered on a piece of the same Tim Holtz card I used to make the lid, and then I adhered it to the box.

The box really needed a label to identify it’s contents. Now, I could’ve printed the label out, but I thought this would be an opportunity to practice my hand lettering, which I did.

Then, I aged the label with Aged Mahogany Distress Ink, applied lightly over the face and a bit darker around the edges. Next, I layered the label on another piece of the Tim Holtz paper. Before adhering the label to the box lid, I edged the panel with some Rich Gold Starlights paint from Imagination Crafts.

It’s been a long time since I made any boxes, but they really are easy enough to do. I need to make a longer, thinner box to store tags and other bits and bobs in, once I work out the size I need to make.

Art Journal – Page 01

©Angela Porter | Artwyrd.com

Yesterday I got lost in finishing the first page in my new A5 journal. I’ve put together three photos that show how the page looks as the tags are folded in and as each is opened out.

Every image, pattern, coloured paper, inchie, panel, envelope and tag have been made by myself. Drawing and colouring my own bits of ephemera and the pattern on the page background tool quite a bit of time, but it’s my own work.

I could’ve chosen to use paper from old books, commercially produced designer series paper or digital downloads. Those would’ve saved a lot of time, for sure. The end result would have been my own way of using them. However, I got a lot of pleasure, contentment, peace and calm from creating my own.

I made a note along the edge of the page showing which Distress Oxide inks I’d used to colour the page so that I could use the same for the other elements. Well, mostly the same Distress Ink colours; I did vary them in other places. However, this resulted in a coherent feel to this page – it feels like everything there belongs there!

I also noted on the background what pens I’d used to add the zentangle-style pattern. I then used Distress Inks and a brush and water to bring out that pattern.

Yes, I realise I could’ve used stamps, embossing ink and embossing powder to do something similar. I didn’t want to. I wanted my own, personal touch to this.

I really like how little pretties are hidden behind the tags and only get fully revealed as they are opened. The same is true for the items tucked in the pockets on the backs of the tags. I will replace the pieces of paper with journaling paper or other things as time goes on.

I may very well add danglies to the tops of the tags, possibly little tabs on their sides to help open them.

I’m quietly pleased with this page. It is very much “Angela” in style and feel. I’m feeling a bit more confident about this now, and I’m sure that I will really develop my own style as I go forward.

I really got a a sense of satisfaction and pleasure from creating every little element for this page. When I had it finished (mostly) I knew I’d worked out just how I want to create art journals going forward.

What I do need to remind myself, however, is that I can add to them when I want to – they’re not a full time project. What I could do is combine journaling with them, especially if I include elements that are specifically for journaling.

I do have some other bits and bobs to try making for the journal – little booklets, decorated paper-clips, tabbed cards to fit in pockets (or tabbed booklets, maybe). I certainly want to add quotes, notes, memories and more. And I think I need to work on my hand lettering to do such things as well.

I do plan to build up a library of digital designs I can use for inchies, twinchies, tea-cards, ATCs, panels, quotes, and more. Also, blank ‘templates’ for them, maybe.

Perhaps I should scan the backgrounds in before I add to them so I can use them in my digital art too. I shall think about that going forward. For this page, I really wasn’t sure if my idea of adding the pattern would work. I was pleased it did, I really am. I’m sure to do similar things with the following pages, and now I know what I do like, I can always replicate the background on this particular page, and the notes of which Distress Oxide Inks I used will help me in doing this for sure.

For the rest of today, however, I will be mostly doing other art rather than working on my art journal. I do have some coloring book projects that need some serious attention for starters.

Mandala Monday

©Angela Porter | Artwyrd.com

It’s a lovely sunshiny day, so a sunshiny mandala seemed an appropriate design to create today.

The background is one of my Distress Oxides ones, though I’ve recoloured it to reflect the sunshiny nature of my mandala.

I drew the mandala digitally using Autodesk Sketchbook Pro.

This was a really nice exercise for me. It’s been a few days since I’ve done much in the way of digital art. I’ve been so focused on stuff for my art journal that I’ve had an unplanned break from it.

I must say that I rather like not having a bit of a mess around me, albeit a bit of a pretty mess. Digital art is very clean, tidy, and that suits my creative inclinations quite a bit.

Talking of my art journal, my A5 mixed media sketchbook arrived yesterday. Actually, a pack of three from Arteza did. So, I started by colouring three of the pages last night. I also drew some patterns on the first page to try some ideas out. I’ll show these another time.

This morning, I affixed some tags to the first page. I hinged them so I could have some tuck-spots on the back of them. I also drew some designs and painted/coloured them. And, I finished off some more inchies!

I’ve had quite a busy arty morning!

So far, the A5 sized journal seems to be working out so much better for me than the A4 one. The smaller sized pages means I can’t put so many items on a page, not without layers anyway. That seems to make it easier for me to achieve a pleasing arrangement of elements. Only time will show if it actually does work out well for me.

The mixed media paper in the Artezea sketchbook is rather rough and very different in texture to the ClaireFontaine one I usually use. However, as it’s likely to be covered with tags, pockets, envelopes and so on then it won’t be too much of an issue.