This is the final installment of the frame/background I’ve been creating as my morning warm up art.
Today, I finish adding colour and also apply Distress Microglaze to bring out the colours.
Thanks to everyone who’s taken some time to watch my videos, leave a comment, like the videos and/or subscribe to my YouTube channel.
It’s nice to be able to share my art in process, but also to share insights into myself, my artistic processes. Indeed, giving voice to my thoughts makes me aware of them. As I work, I’m usually oblivious to the thoughts that happen as I create. Either they’re mostly in my subconscious, or so ephemeral and passing that I don’t notice them.
I know, not another video. But yes, another. In this one I start to add colour to my drawing, and chat about my method and what makes me smile in terms of colour, and the struggles I have in coming to terms with that.
I’m going to go and work on a mandala now, for Mandala Monday of course!
This morning, as I had my first hot drink of the day, I wanted to continue drawing the entangled frame. So, I thought I’d better film it, and so there’s yet another video of me drawing and wittering today.
I talk about art, the elegance of limits and how they also encourage creativity. As I talk, I have some ‘ah-ha!’ moments when I realise how my art has developed as it has.
The drawing is now finished. It took just a teeny tiny bit over an hour to do. Now, comes the addition of colour to create shadow and highlights and bring the background to life somewhat. The trick will be to make sure that photo is still very much the focal point, the rest is just a background. Tricky, very tricky!
But before I do that (and I’m likely to film at least some of the process of adding colour), I’m going to scan the entangled artwork into the computer so that if I do mess up, at least I still have a digital version to work with!
I woke this morning and something had filtered through my unconscious mind about why I couldn’t get the record screen app in Movavi to work. I had to set my computer into tablet mode. And all worked well, including recording my voice as I worked.
I was a bit flustered and more than usually waffly, but if you’d like to see how I add colour digitally, then you can see the screen, and hopefully the ‘mouse’ pointer.
I can now calm down that I know I can do this!
If you watch the video and enjoy it, like and subscribe. If there’s any helpful advice you can give, or suggestions for future projects, then please leave a comment with them.
I’ve spent much of the day so far adding colour to my ‘Serendipity’ drawing that I completed yesterday. The whole process of drawing has been videoed and is available on my YouTube channel.
I thought it would be an idea to try to record a timelapse of my process in Clip Studio Paint Pro, which has a tool that does it for you. This just didn’t work, it caused everything to freeze up.
So, I thought I’d try the record screen tool in the Movavi Video Suite. It didn’t let me use my digital pen on the screen. So, I’m going to have to spelunk through the settings to see if I can resolve that issue, and the one with Clip Studio Paint Pro. A couple of things to sort out along with how to add a voice-over to a video!
So, after getting another mug of tea, I settled to starting colouring the image digitally. I wanted to use the rich colour palette I’d used for this week’s ‘Template Thursday’ design.
I’ve only got part of the design done. It’s taking me a little longer to add colour in CSPP (Clip Studio Paint Pro) than in Sketchbook as I’m not familiar with the tool layout yet.
Again, I’m taking this as an opportunity to learn more about CSPP, in very tiny, tiny steps. I seem to have found a watercolour brush I like that adds an interesting texture to the colour. Usually, my work is characterised by rather smooth colour gradients. To have such a textured finish is unusual for me, but I quite like it.
I have a lot more of this particular drawing to do, and as I’m working digitally I can always try a different colour palette or way of working.
I think I’m going to take some time away from the computer now, and return to ‘analog’ forms of art. If you’ve watched my video, I gave a short look at one of my collections of patterns and motifs. That notebook is almost full, so I had a new Leuchtturm1917 A5 notebook delivered yesterday. It turns out I’d managed to order a square grid rather than a dot grid. No problem. If anything it may work out better.
I’m not going to transfer the entirety of the nearly full notebook to this new one, just the motifs/patterns I use the most, and start to add others. They really are books full of inspiration, mostly images but sometimes words/notes too.
It’s Template Thursday once again. This week’s template is an entangled sampler kind of thing. Sometimes, the whole image is overwhelming, or perhaps there’s just not enough time to do a large area. These kinds of samplers have lots of smaller designs within them. Choose one of a size you can manage or for the time you have. Complete it one motif at a time, just as a stitcher would complete a sampler one stitch or motif at a time.
If you’d like to access this template, for free, then you need to be a member of the Angela Porter’s Coloring Book Fans facebook group. The group is free to join and the members are lovely. There’s a monthly color palette challenge and I’m trying to get my head around time zones to organise some get togethers on zoom.
The template was drawn with pen on paper. I’ve added colour digitally.
Nature – an entangled artwork. It looks like batik, silk painting or stained glass!
The design was drawn in pen on bristol board and then coloured digitally in Clip Studio Paint Pro using a textured watercolour brush.
I’m determined to find my way around this piece of software, along with Affinity Designer at some point. The effects are the same as Sketchbook, but just not quite so easy to find the tools I want to use at first. It’s all a case of familiarity and I’m definitely outside of being familiar with the software at the moment.
Having said that, all that I’ve learned about layers, the various effects that can be applied, brush settings and so on, apply to all digital art platforms. It’s just finding my way around the software and learning more about it.
The one thing that’s top of my list at the moment is setting up a custom colour palette.
I’ve discovered that Clip Studio Paint has symmetry tools – phew! And these tools do a thing or two not available in Sketchbook as well as working slightly differently (and making certain things a lot easier for sure.
Well, I pushed on yesterday and finished this particular drawing. Lots of texture/patterning has been added. I’ve also temporarily added a pale grey-blue background until I decide how I want to add shadow/highlight/colour to this particular drawing.
I won’t be doing that today, however. I’m still feeling all out of sorts and I really don’t trust myself with colour, shadow and highlight. I’ll get frustrated and irritated with myself. I also woke with a headache that isn’t clearing up anytime soon it seems.
So, today is likely to be another day of binge watching stuff. Yesterday it was The Killing on Disney+. A dark tale of murder and the crazy awful ways humans tangle their lives with others it seems.
It’s an American version of a Danish noir murder/mystery series. I started watching the Danish version, with subtitles, quite a few years ago, but mislaid the DVDs. It’s full of twists and turns in the story line, and a surprising ending to the first story line – the murder of Rosie Larsen. And it’s nice to be surprised by such a tale for a change.
So, I think I’ll spend a fair amount of today finishing watching season 3 and making a start on season 4, the final season.
Once the headache clears, I may turn my attention to some arty stuff. I’ll see how it goes. Self-care is important, not just physically but emotionally too. I know from bitter past experiences that if I push myself to do things when I’m not up to it, whatever I do usually ends up disastrously. I still feel the guilt of giving myself time and space to return back to a point of balance, but I know that when I do return to that point the guilt will fade away and be replaced with relief and a sense of gratitude that I didn’t give into to the guilt. There’ll also be a touch of pride that I’m strong enough, now, to recognise when I need this time to just lose myself in fiction, do nothing else, and let whatever is the cause of the imbalance work itself through.
I suspect the headache is an expression of that imbalance and is the way my mind, body and soul have of telling me, “Woah there Angela! You have to stop and take a break from this, now! You’ve pushed yourself too far, so I’m going to get you to stop and do other things for a while.”
I am learning to listen to what I need, rather than what I think I should be doing. So, today, I will listen to them.