Mandala Tile

As I was coming around from yesterday’s headache, I plopped yesterday’s drawing into Repper to see what geometric patterns and tiles I could create.

Repper is a browser app that is great fun to play around with and makes the creation of tiling patterns from my artwork so simple.

Rather than save the patterns, I saved the tiles as so many of them looked like perfect inspiration for mandalas.

So, I chose one design, popped it into Autodesk Sketchbook Pro, and used it to inspire this particular pattern.

I chose a colour palette of soft pinks and greens, colours that are related to self-love, self-care, balance and harmony. Perfect for how I was feeling yesterday!

Today, I’m still feeling somewhat tired and fragile. That’s mainly due to a really poor night’s sleep. Emotionally, however, I feel a lot better than I have the past few days. There was an emotional storm brewing and it the headache was the torrential downpour that was needed to clear the skies by forcing me to take care and shelter myself.

So, the rest of today is going to be a quiet. nurturing kind of time to shake off the lingering wisps of stormy clouds.

Entangled Art – almost finished!

It is almost finished too. I’m dithering about the un-shaded arcs, and whether gold and /or white gel pens need to be used to add small accents and highlights. I can also see places where colour/shading is needed. However, there is no rush for it to be done!

The paper is 12″ x 9″, so I can’t scan it in one image. It’s Daler-Rowney Murano paper for chalk pastels and coloured pencils. So, as well as having fun just filling the page with shapes and patterns, I took the opportunity to try different kinds of pencils to add colour, shadow and highlight. I certainly enjoyed experimenting with gel pens and various kinds of pencils to create this drawing.

It looks a lot better in the photo than in real life, even with the weird banded light on the photo.

Sunday Work In Progress

This is one of a couple of drawings I have on the go at the moment. The scan has washed out and altered the colours a tad. The gradations of colour are a lot smoother too. But I think you get the idea.

This was was drawn with Copic Multiliners on heavy smooth cartridge paper by Daler Rowney. I’m using Staedtler and Chameleon fineliners to add texture/pattern to the drawing. The larger areas of colour were achieved with Carbothello pastel pencils and a paper tortillon.

I was going to stick to a monochrome colour scheme, but some of those tendrils, fronds and leaves just needed a touch of a muted green. And then that led me to including that central ‘orb’ of turquoise (which isn’t as pale or lacking gradient as it appears).

I’m getting to the point where I need to decide how much white space to leave in the design, and where I’m going to add colour and/or texture and pattern. I also need to think about whether some of those coloured spaces need either more shadow or lightening up a bit. That means it’s time for me to take a break from this particular artwork and go and do another or something else completely different!

Before that, there are elements in this design that I really like – the strange columns/antenna at the top and bottom left, the organic trellis of fronds in the largest part of the design. That horizontal bar towards the top. however, just jars with the rest of th design.

Entanglement – 19 Feb ’21

Yesterday’s coloring template for the Angela Porter’s Coloring Book Fans facebook group all coloured and shaded. I used Chameleon alcohol markers to add the colour and some shading. I also used a graphite pencil and a tortillon to darken the shading and add shadow to the lighter areas. It’s turned out OK.

Template Thursday

This week, I decided to create a coloring page / template that is in the ‘Angela’ Entangled style, similar to yesterday’s artwork.

I made the motifs bigger and less patterned for the coloring template, however. To add colour to my version of the template I used a mixture of brown fineliners by Staedtler and Stabilo. Instead of solid colour, I used patterns and textures to add colour and complexity. I did use a pale grey fineliner to add details to the snowdrops and leaves, but the scanner didn’t pick it up. Ho hum.

After I’ve had lunch, I may return to the drawing to add shadows to bring out some dimension and depth. I’m not sure what medium I’ll use, though alcohol makers may be the best option, perhaps. I’ll see how I feel when I get to it.

Of course this is the template of the week for the members of the Angela Porter’s coloring book fans facebook group. And this week there’s a challenge to colour this template, or another of their choice, in a monochrome colour scheme.

If you’d like to print the template and join in with the challenge then just pop along to the group!

Insomniac Art 20 Jan 2021

It was one of those nights. I woke way too early feeling way too hot, even though the windows were open in the Welsh Winter. Hot flashes, again. So, the only thing to do was to draw until I was cool enough to get back to sleep. That took until nearly 8 am, GMT.

These are the little drawings I completed during my insomniac hours. My Sakura Pigma Sensei 04 pen is nearly done – either the nib is too worn to work properly or the ink is mostly gone, I’m not entirely sure which. I know I have a heavy hand with pens and tend to wreck them before all the ink has gone.

Anyway, I witter. I’m still trying to figure out how to add words into my drawings. I’m not entirely sure I’m being successful in this. No doubt I’ll keep on trying though!

These were drawn on A4 acid-free cartridge paper in one of my current sketchbooks. I added the background colour digitally.

Sketchbook flip-through

I’ve been busy indulging myself in comfort art over the past couple of weeks. So, I thought I’d share some of the pages in one of my A4 sketchbooks that relate to zentangle.

I’m no photographer, just saying!

I used a whole host of different media to complete the drawings
-pens, including Pigma Micron, Unipin, Uni Emott, Chameleon Fineliners, Pitt Artist Pens, Staedtler Triplus fineliners, Tombow Fudenosuke and a Zebra fudenosuke
-a range of pencils including Prisma Ebony graphite, Daler-Rowney sketching pencils, white graphite pencil, Derwent coloured drawing pencils and ordinary drawing pencils and a ruler to give guidelines for dividing the pages up
– tortillons and paper stumps, along with sandpaper to clean the tips!
– Inktense, Tombow Dualbrush pens, Faber Castell Pitt artist pens and a waterbrush for the more intensely coloured patterns

Some of the work has been done on days where I just needed to lose myself in something familiar, comforting. The rest of it during my nights of broken sleep.

The newest stuff are the pages of ’embedded’ letters – the monograms. Definitely a tad on the weird side as I’ve not found my way with this idea. But I will persevere over time.

Sunday…

A little drawing I’ve been working on this morning. The paper tile is 5″ square. Sakura Pigma Micron 05 and Faber Castell Pitt Artist pen 1.5 were used, as well as some digital stuff to add the star, which doesn’t quite work.

The black square resulted from a whole host of mistakes made in that little section. I was deeply unhappy about what I’d drawn there. So, out came the thicker black pen and I covered it up.

I thought It would be fun to add something gold there. I’ve tried lots of different motifs, but stuck with this one. I have very little sense of scale when I draw digitally, and this golden star is a classic example of that!

The rest of the design I’m quite happy with. Shadow and highlight are needed to bring it to life as it looks just so flat.

But I’m tired again and don’t have the energy or desire to sort out that bleedin’ star nor the shadow/highlight and/or colour at the moment. I need to snuggle up with a warm and cuddly blanket, mocha and films that lift my spirits. I sense a Star Wars marathon in the offing…

Entangled Assemblage #01

I’ve finished it! Well, I think I have. One crazy assemblage of all kinds of bits and bobs. I will look at it again in a few days and see if I want to add anything to balance the design. Fresh eyes are always a help in this. I’ll also decide if I want to add shadow and light to bring out more of a sense of dimension.

I really, really enjoyed doing this drawing. It’s my favourite style of drawing, yet different to things done in the past.

To complete the drawing I used a 0.25 Rotring Rapidograph pen, which is the same thickness as the Pilot G-Tech-C4 pen I drew the first part of this design with. The difference is that the Rotring pen’s ink flowed more freely onto the paper.

I didn’t realise it until last night, but the sketchbook I’m using is one by Sea White. The acid-free cartridge paper is sized so that it is more robust with wet media. That causes problems for pens, however, as the size tends to clog the nib/point/ball up. The Rotring pen seemed to have fewer problems.

Also, I found the larger barrel of the Rotring pen easier and more pleasurable to hold and draw with. I need to dig out some pen grips to use with the Pilot pens.

Saturday morning art

A different work in progress today. I started this one late last night and continued for a while after breakfast this morning. I used a Pilot G-Tec C4 pen, which has a very fine tip, on white acid-free cartridge paper (the camera flash has turned it a creamy colour, I have no idea why!).

It is always a pleasurable experience to draw with such a fine pen and to created such detailed and intricate designs. No real thought or planning, just trusting my intuitive creative instincts.

Purely abstract drawing, using my favourite shapes, motifs and texture patterns, along with a few new motifs that have developed as I’ve drawn this. It looks like a weird assemblage of bits and pieces, mechanical and sculptural, botanical and textural.

Assemblage is a fairly good way to describe my signature style of drawing. There are layers of all kinds of bits and pieces – flowers, mechanical tubes and pieces, textural areas, pipes, sculptural bits and bobs, seeds or berries and curls.

What is hidden beneath the various layers? Where did all the bits and pieces come from? What was disassembled or broken to liberate the pieces? Who or what did the disassembling, and why? What new things could they be assembled into? What dream fragments, story parts of my unconscious mind do they represent?

I can spot various influences in the bits and bobs present in the drawing – Mayan sculpture, dials and mechanical levers, pipes and conduits, discs and berry lights, flowers and seeds, textures and patterns, arches and columns, rocks and strata.

What do you see in this drawing? Leave me a comment, I would be intrigued to know!