Today, I’ve been drawing little flower motifs and borders to go along with a lovely quote about flowers and hope.
The line art was drawn using Tombow Fudenosuke pens on ClaireFontaine dot grid paper. Colour, typography and background texture have been added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
Flowers are some of my favourite things to draw, whether they be highly stylised or more realistic.
My snowdrops and crocus have the feel of being wood cut or lino cut and printed, that kind of vintage feel. The flexible nibs on the Fudenosuke pens help me achieve this look. Also, the fairly simple colouring and addition of texture help too.
I’ve left the colouring as is, maybe for now. However, I now have these motifs ready to use in other projects, as they occur to me. Colour certainly helps to lift them off the background and bring them to life.
A simple, monochrome mandala today, using some of my favourite patterns (plus a couple that are entirely mine).
Drawing mandalas is so soothing, mindful, meditative. The repetitive nature of drawing patterns is part of that relaxing experience.
It was also nice to use some of the patterns from my ‘visual dictionary‘ or ‘visual zibladone’ in some art.
I have some new patterns and motifs to add to my visual dictionary; they spontaneously appeared as I was drawing. I like when this happens, when I don’t over-think things and just go with my instincts.
I wanted to add a colour gradient to the mandala. However, when I tried to do so, it just didn’t feel right. So monochrome it is.
Drawn digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
I’ve been awake since way before dawn drawing this mandala to celebrate the Winter Solstice. I’m looking forward to the increased hours of daylight, though it will be a couple of weeks, or so, before there’s any noticeable difference in the length of day.
It’s been a lovely way to spend the hours as night gradually gives way to the sun. Not that I can see the Sun itself; grey skies and patches of rain obscure the golden wonder of that glowing ball of nuclear fusion.
I created the mandala using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
Another mandala today, this time with my favourite Hafiz quote in the centre.
I wanted a mandala that seemed to be almost glowing for this quote. Also, I added a very subtle rainbow colouring to it too. I’m quite happy with this mandala, though some darker shading behind some of the parts, along with some subtle highlights, would’ve helped with the dimensionality of the design.
I didn’t hand-letter the quote; instead I used a clear and simple pair of fonts. I do want to learn how to create circles of typography; I think the quotes would then be more sympathetic to the circular geometry of mandalas. I’ll need a bit of time to play around in Affinity Publisher and Affinity Designer to see if I can achieve this. Mind you, I do need to practice my hand lettering a lot more too.
All the same, I’m still happy with this design. The lettering will do – for now.
I always enjoy drawing mandalas, and it’s nice to revisit the line-art style of mandalas with lots of intricate patterns in them once again. They are so delicate, airy, lacy in feel compared to my more arty, abstract, coloured mandalas. They’re also a lot quicker to create!
Yesterday evening, I took a combination of Tombow Fudenosuke, Sakura Pigma Micron and Faber-Castell Pitt Artist pens to a 6″ x 6″ piece of Strathmore vellum surface Bristol Board. I ended up with a black and white entangled drawing. This morning, I scanned the image in and added a kraft paper background and then some subtle shading and highlights in Autodesk Sketchbook Pro.
After Inktober and my focus on digital art, it was nice to draw traditionally for a change. My mood and energy levels were such that I needed to slip back into the familiar, comforting entangled style of art to soothe my emotions once again.
This drawing worked out OK. However, I don’t feel it flows at all well, though that does reflect yesterday’s mood and mindset.
The part I really like is the rectangle towards the bottom left. I’m also fond of the arcs to the right. Actually, I like all the design elements, I’m just not happy with how they’ve been lumped together. Maybe I’m just being overly self-critical here.
It’s a sunny Sunday morning in the Valleys of South Wales. I think it’s going to be a quietly artsy day, with a trip out for some essential groceries in a short while I think.
I used, mostly, traditional media for the first two days, but today I decided to use digital tools.
My Surface Studio and Pen from Microsoft mean I can draw on my screen just like I do on paper, especially as I have set up pen brushes with lines mimic those left by my favourite fine liner pens.
The added bonus of drawing digitally is that I get to use tools that aren’t available to me when working traditionally. In this case, I made use of the symmetry tool. As my illustration today is rather stylised, perfect symmetry works well in the design.
Stylised, symmetrical designs do make my arty heart and soul smile and sing. Yes, I still like to be challenged from time to time to draw more realistically, however I’ve just realised how much this kind of art really please me.
Yet I still struggle with accepting it as a valid way of producing art – it always seems so simple, like I have no great skill like those who produce wonderfully realistic art, or thought provoking pieces, or abstract wonders. I still struggle to see my style of art, of expression as valid and I think that is why I flip-flop betwixt different styles and media and projects. It’s that lack of self-belief perhaps, or maybe I just have a choir of creative voices in me, each of which need expression in it’s own way.
I think this kind of reflection is part of what Inktober is about.
Anyway, after completing the line art, I added some simple colouring to the image using a marker brush and then an airbrush with the synthetic paint setting, which nicely blends one colour into another.
I am very happy with the stylised skull design, along with the higher contrast colouring that I’ve used for it, which helps it stand out a little from the other coloured elements of the design.
This is, of the three days so far, my favourite Inktober2019 artwork.
It’s my little way of saying thank you for supporting my work. I have also posted a colour palette colouring challenge for the month, which colorists can use with this template or any other template from my books, the choice is entirely theirs.
I had some fun drawing this one. I’ve missed drawing cute fishies and the like. I even sneaked a couple of simple dangles in there too.
You’d be made most welcome if you pop along and join in. It is a friendly group for sure.
I’m looking forward to seeing how people bring this one to life with colour for sure.
I drew this one with Unipin pens from Uniball on Winsor and Newton Bristol Board. Yes, traditional drawing. I did use digital tools to clean up some smudges and where the lines went a little too far into another section, but that was it.