Inktober Tangles 2021 | Day 6 “Brrst”

Oh, I enjoyed creating this page so much! I absolutely love botanical patterns, but I also have great affection for grid-based, repeating, symmetrical patterns.

Brrst, by Kelly Barone CZT, is one of those grid-based patterns. It’s based on a square ‘fragment’ that is rotated around a central point. The final pattern has so many possibilities for adding shadow and highlight.

I used the original Brrst in a ‘crazy’, assymetrical grid, which was a lot of fun to do.

However, what I loved the most was playing with the basic idea and modifying, exploring the possibilities. The ones I like best are where I’ve added spirals in the ‘tucked under’ circular area.

I think the triangular variations could be interesting to work with, but I’m not at all fussed on the circular ones.

My internal debate is whether I go back to sleep, or whether I work on this week’s coloring template. I’ve been awake since before 4am (it is Wednesday, so my grocery delivery arrives around 5am most weeks!), so it won’t be long before I can’t keep my eyes open.

I do know that this sketchbook page is all I’ll do today for the Inktober Tangles 2021 challenge. I think I’ll be putting aside the official Inktober challenge for now. I find I’m enjoy the Tangle challenge far more. Also, I do need to turn my attention soon to the templates for the Adorable Dogs book for Creative Haven, due out April 2022.

Template Thursday…on a Wednesday?

Here’s the link to a timelapse video of the drawing of this template on YouTube.

It’s Wednesday and that means it’s time for the sneak peek of Thursday’s coloring template for the members of the Angela Porter’s Coloring Book Fans facebook group.

I’m still on a mushroom kick, so this template is full of marvellous mushrooms. Indeed, it could be said to be a fantastic, fabulous fungi fest!

I had a lot of fun drawing this template. It took well over two hours to do so, and so I’ve added a timelapse of the process to my YouTube channel.

I’ve added some colour using Arteza Ever Blend markers.

Mandala Tile

As I was coming around from yesterday’s headache, I plopped yesterday’s drawing into Repper to see what geometric patterns and tiles I could create.

Repper is a browser app that is great fun to play around with and makes the creation of tiling patterns from my artwork so simple.

Rather than save the patterns, I saved the tiles as so many of them looked like perfect inspiration for mandalas.

So, I chose one design, popped it into Autodesk Sketchbook Pro, and used it to inspire this particular pattern.

I chose a colour palette of soft pinks and greens, colours that are related to self-love, self-care, balance and harmony. Perfect for how I was feeling yesterday!

Today, I’m still feeling somewhat tired and fragile. That’s mainly due to a really poor night’s sleep. Emotionally, however, I feel a lot better than I have the past few days. There was an emotional storm brewing and it the headache was the torrential downpour that was needed to clear the skies by forcing me to take care and shelter myself.

So, the rest of today is going to be a quiet. nurturing kind of time to shake off the lingering wisps of stormy clouds.

Entangled Art – almost finished!

It is almost finished too. I’m dithering about the un-shaded arcs, and whether gold and /or white gel pens need to be used to add small accents and highlights. I can also see places where colour/shading is needed. However, there is no rush for it to be done!

The paper is 12″ x 9″, so I can’t scan it in one image. It’s Daler-Rowney Murano paper for chalk pastels and coloured pencils. So, as well as having fun just filling the page with shapes and patterns, I took the opportunity to try different kinds of pencils to add colour, shadow and highlight. I certainly enjoyed experimenting with gel pens and various kinds of pencils to create this drawing.

It looks a lot better in the photo than in real life, even with the weird banded light on the photo.

Sunday Work In Progress

This is one of a couple of drawings I have on the go at the moment. The scan has washed out and altered the colours a tad. The gradations of colour are a lot smoother too. But I think you get the idea.

This was was drawn with Copic Multiliners on heavy smooth cartridge paper by Daler Rowney. I’m using Staedtler and Chameleon fineliners to add texture/pattern to the drawing. The larger areas of colour were achieved with Carbothello pastel pencils and a paper tortillon.

I was going to stick to a monochrome colour scheme, but some of those tendrils, fronds and leaves just needed a touch of a muted green. And then that led me to including that central ‘orb’ of turquoise (which isn’t as pale or lacking gradient as it appears).

I’m getting to the point where I need to decide how much white space to leave in the design, and where I’m going to add colour and/or texture and pattern. I also need to think about whether some of those coloured spaces need either more shadow or lightening up a bit. That means it’s time for me to take a break from this particular artwork and go and do another or something else completely different!

Before that, there are elements in this design that I really like – the strange columns/antenna at the top and bottom left, the organic trellis of fronds in the largest part of the design. That horizontal bar towards the top. however, just jars with the rest of th design.

Entanglement – 19 Feb ’21

Yesterday’s coloring template for the Angela Porter’s Coloring Book Fans facebook group all coloured and shaded. I used Chameleon alcohol markers to add the colour and some shading. I also used a graphite pencil and a tortillon to darken the shading and add shadow to the lighter areas. It’s turned out OK.

Template Thursday

This week, I decided to create a coloring page / template that is in the ‘Angela’ Entangled style, similar to yesterday’s artwork.

I made the motifs bigger and less patterned for the coloring template, however. To add colour to my version of the template I used a mixture of brown fineliners by Staedtler and Stabilo. Instead of solid colour, I used patterns and textures to add colour and complexity. I did use a pale grey fineliner to add details to the snowdrops and leaves, but the scanner didn’t pick it up. Ho hum.

After I’ve had lunch, I may return to the drawing to add shadows to bring out some dimension and depth. I’m not sure what medium I’ll use, though alcohol makers may be the best option, perhaps. I’ll see how I feel when I get to it.

Of course this is the template of the week for the members of the Angela Porter’s coloring book fans facebook group. And this week there’s a challenge to colour this template, or another of their choice, in a monochrome colour scheme.

If you’d like to print the template and join in with the challenge then just pop along to the group!

Insomniac Art 20 Jan 2021

It was one of those nights. I woke way too early feeling way too hot, even though the windows were open in the Welsh Winter. Hot flashes, again. So, the only thing to do was to draw until I was cool enough to get back to sleep. That took until nearly 8 am, GMT.

These are the little drawings I completed during my insomniac hours. My Sakura Pigma Sensei 04 pen is nearly done – either the nib is too worn to work properly or the ink is mostly gone, I’m not entirely sure which. I know I have a heavy hand with pens and tend to wreck them before all the ink has gone.

Anyway, I witter. I’m still trying to figure out how to add words into my drawings. I’m not entirely sure I’m being successful in this. No doubt I’ll keep on trying though!

These were drawn on A4 acid-free cartridge paper in one of my current sketchbooks. I added the background colour digitally.

Sketchbook flip-through

I’ve been busy indulging myself in comfort art over the past couple of weeks. So, I thought I’d share some of the pages in one of my A4 sketchbooks that relate to zentangle.

I’m no photographer, just saying!

I used a whole host of different media to complete the drawings
-pens, including Pigma Micron, Unipin, Uni Emott, Chameleon Fineliners, Pitt Artist Pens, Staedtler Triplus fineliners, Tombow Fudenosuke and a Zebra fudenosuke
-a range of pencils including Prisma Ebony graphite, Daler-Rowney sketching pencils, white graphite pencil, Derwent coloured drawing pencils and ordinary drawing pencils and a ruler to give guidelines for dividing the pages up
– tortillons and paper stumps, along with sandpaper to clean the tips!
– Inktense, Tombow Dualbrush pens, Faber Castell Pitt artist pens and a waterbrush for the more intensely coloured patterns

Some of the work has been done on days where I just needed to lose myself in something familiar, comforting. The rest of it during my nights of broken sleep.

The newest stuff are the pages of ’embedded’ letters – the monograms. Definitely a tad on the weird side as I’ve not found my way with this idea. But I will persevere over time.