Entangled Art

Entangled Art © Angela Porter | Artwyrd.com

Last night, I carried on with the Domestika Course – Modern Watercolor Techniques by Ana Victoria Calderon. The last sections are all about painting ‘galaxy’ style backgrounds. Scientific pedantry here – they’re not really ‘galaxies’, more nebulae. Just had to say that and get it off my chest.

I painted along with her, and the first background I created was really not at all good, perhaps. I used White Knights watercolours, Cosmic Shimmer metallic gold watercolour and salt. Way too much salt and probably way too much water, and trying to work how someone else does. Still, you learn by doing, even if it doesn’t work out as you’d want it to.

I let the paper dry, did my best to remove the salt and then decided to use a 0.1 Sakura Pigma Micron pen to draw on the background.

I allowed the shape and flow of patterns in the colour to inform me as to how I could draw shapes and patterns, and the end result is today’s image!

As disappointing as my first attempt at a ‘galaxy’ background was, I actually rather like the end product that includes drawing, a typically ‘Angela’ entangled design.

What I am also kind of pleased with, is that I chose to leave some areas of colour without any drawing on them. That is something unusual for me to do.

I started with the floral motifs and let the rest of the design flow from there. As it flowed, the patterns became more and more of an abstract nature.

What you can’t see in the scan, are the subtle areas of gold shimmer that resulted from the spreading of the Cosmic Shimmer metallic watercolour paint. It gives a very subtle sheen in some areas.

While the first background was drying, I had a go at creating another, using what I’d learned from creating the first. Instead of the White Knights, I used Kuretake Gansai Tambi watercolours and I had a bit more success. I’m not entirely happy with the overall balance of the colour areas, but when I’ve decided what to do with it, I’ll share it.

Entangled Borders

Entangled Borders ©Angela Porter | Artwyrd.com

I’ve enjoyed creating this sketchbook sampler page. I drew the designs with a mixture of Uniball Unipin pens, Faber-Castell Pitt Artist pens, a medium nib Schaeffer fountain pen, and an extra-fine nib Faber Castell fountain pen. I used dot grid paper from Claire Fontaine.

After scanning the page in, I removed the dot grid and added a grungy paper background. I then decided I’d like to add some colour and shadow/light to the designs. To do this, I used a messy chalk brush, so my colouring isn’t as precise as I usually like it. However, it’s loosened up my expectations of myself as I went with it.

Pastel colours were my palette of choice as I like the way they seem to almost glow against the grungy kraft background. I also like the way they help to enhance the 3-D appearance of the designs. I do enjoy playing with shadow and light.

Some of the designs are examples of my organic, entangled style of drawing. Others are repeating, geometric zentangle-style patterns. And then there’s some inspired by Medieval illuminated manuscripts.

I also enjoy working within a clear border. I like the sense of structure it brings to my work. It also satisfies some kind of aesthetic need within me. Every now and then I try work without a border, but the artwork I produce just never feels quite right to me. So, it’s time for me to accept the need for borders is part of my artistic voice.

There is a purpose for me creating these borders. I’m building up a library of them that I can use to embellish quotes and other projects.

Some of these borders would look fab as greeting cards note cards, bookmarks, and to use in other paper craft projects. They’d also work well as embellishments for BuJo, planner, diary, scrapbook and journal pages.

Others would be a great foundation for dangle designs (my book “A Dangle A Day” is a good place to start drawing dangle designs).

What I do know, is that I find drawing soothing and relaxing. So, I’m going to be spending the rest of my Sunday drawing more borders.

Art washes…

©Angela Porter | Artwyrd.com

Art really does wash the dust of everyday life from my soul. That’s why it’s something I do nearly every day. Creating art soothes my soul, my emotions, my mind. It helps me find balance when life has me all topsy-turvy. It helps me find the touchstone of contentment that now resides inside my chest, within my heart. I know that if I can’t settle to doing something artsy, then I’m seriously out of kilter.

I finished this drawing this morning. I think it’s taken me around 6 hours to do, give or take an hour or so. It’s a little smaller than A4 in size (6.75″ x 10.25″). The design was drawn with Faber-Castell Pitt Artist pens (F and S). I added shadows with grey Pitt Artist Brush pens.

I was rather clumsy with the shading in some places, so I took advantage of digital tools to smooth and blend the grey out.

My final digital task was to add a background texture to the artwork, which also added some colour. I do have a bit of a thing for grungy, distressed backgrounds.

On the whole, I’m pleased with this, though I must admit I didn’t think I was going to be so, especially with the heavy-handed shading really bothering me.

Copper complexity

Copper Complexity © Angela Porter | Artwyrd.com

Seven plane symmetry, using a flexible nib pen to carve through black to reveal the design in copper. Done digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Surface Studio.

I really have been enjoying creating this kind of design lately and I make no apologies for showing so many that seem to be similar. I find creating these so soothing and calming.

Here, I wanted to see how a metallic background texture would work, and it does really well, just not on WordPress and how the website shows images. The colours never seem to be as vibrant as they do elsewhere.

What I love about this process is that I have no idea of what the end product will be. It’s all about being in the flow, working intuitively, and trusting my skills and creativity.

Often, I’m so zoomed in to the section I’m drawing I’m not aware of how the overall design is looking and working. That means I really do have to trust my instincts, and trust that it will all fit together to create a satisfying end result, and I am happy with it.

“Words may lie…” quote

Words may lie … Artwork ©Angela Porter | Artwyrd.com

I had some arty fun creating a similar, but different background for a quote. This time I went for a blue-grey background with the patterned border in fiery shades of red, orange and yellow.

Rather than hand letter the quote, I chose to use fonts.

I’m not sure I’e developed this particular style of creating abstract patterns much, but I do like the results.

Truth – A quote by Einstein

Truth . Artwork ©Angela Porter |Artwyrd.com

I woke up this morning with an idea for a background for quotes, and this is the result!

I thought the kind of abstract, organic, swirling patterns I’ve been drawing would work well as a border, and I’m happy with what I’ve created. However, I do think there’s just too much purple, perhaps.

In hindsight, I wish I’d taken a bit more care with the laying out of the quote. I would like to emphasise the key words and phrases. Maybe, if I have time later I’ll do just that.

Sometimes, maybe often, I don’t really see the flaws in my work until I’m writing my blog. A lesson to be learned here I think. Today, however, I am under a lot of time pressure and I feel I may have spent too much time on this already.

However, despite the flaws I can see in my work, particularly the typography/hand-lettering, this is good enough for now.

Inktober 2019 – Day 18

Inktober 2019 – Day 18 ©Angela Porter | Artwyrd.com

Something a bit different from me today. It took me a lot of fiddling and faffing around to decide on the blue colour scheme for the intricate drawing that envelopes the crocodile skull.

My natural instinct is to use black for such drawings. However, black looked a bit too stark and dominant; the skull felt lost amongst the drawing. So, I tried out shades of blue and white, making the fill colours transparent so that they faded into the background a little and giving the ‘feel’ of water plants.

Overall I’m pleased with this, though I’m not sure I’ve got the colours for the line art right. Still, I’ve not really done anything quite like this before and it is something I want to do again in the future. Maybe with tomorrows Inktober prompts.

Today’s prompts were a crocodile skull and slime mould from Inktober lists by Instagrammers @book_polygamist and @nyan_sun respective.

One more piece of mail art.

One more piece of mail art ©Angela Porter
One more piece of mail art ©Angela Porter

This could be the last piece of mail art from me for a few days. I need to get focused on art that is ‘work’ rather than just ‘for fun’. I enjoy my art, no matter what it is, but I can be easily distracted by the metaphorical shiny, bright new toy.

Mind you, once I’ve spent time doing art ‘for fun’, the commissioned work then feels like fun. A change is as good as a rest for sure. Different styles and methods of working keep everything fresh for me.

Here’s a brief outline of how I created the card:

  1. Distress Ink background on watercolour paper. Use torn paper to use as a mask for the landscape. Use a circular mask for the sun.
  2. Spray with a mixture of Perfect Pearls and water.
  3. Use Faber-Castell Pitt Artist Pens to draw the design.
  4. Add metallic highlights using a fine brush and Cosmic Shimmer Iridescent Shimmering Watercolour paints.
  5. Add a distress ink ‘frame’ to the image.
  6. Mount the design on black card. Attach the black card to the 6″ x 6″ card blank.
  7. Use a gold glitter Uniball Signo gel pen to outline the top panel and black panel.

And here’s a brief outline of how I created the envelope:

  1. Use a white Sakura Glaze pen to draw the flower motifs.
  2. Use a fine paintbrush to add Cosmic Shimmer Iridescent Shimmering Watercolour paints.

For the envelope, I used a rainbow of colours for the flowers.

I like using Sakura Glaze pens to draw motifs when I’m adding watercolour; the ink dries to give a raised line that is waterproof. The thicker line width can also give stained glass feel to the artwork; this is particularly true for the black Glaze pens.

More mail art

More Mail Art © Angela Porter | Artwyrd.com
More Mail Art © Angela Porter | Artwyrd.com

After a very late night talking to a friend and not enough sleep, today is a self-care day. I’m going to go back to bed soon and try to sleep some more before driving for four hours tonight.

While waiting for sleep to catch up with me again, I thought I’d make some mail art. The photo isn’t the best; I’ve said it before, I’m not a brilliant photographer. However, I’m sure you get the idea. Also, I wanted to catch a glimpse of the metallic highlights I’ve added to this card, so the angle of the photography was just plain weird!

My brain seemed to have ticked over some ideas while I was asleep and I woke with some things I thought I could try out. This card is the result of some of them.

I started by using a 4″ x 4″ piece of watercolour paper and applying Distress inks to it to create a background.

I used a torn piece of paper to mask off the bottom of the panel so that could use an ink blending tool to apply Pine Needles and Crushed Olive Distress inks to create some land.

A sky was required, so I used Broken China Distress ink to create it so that it faded from top to the land.

I then sprayed the background with a mixture of gold Perfect Pearls and water to create a less perfect appearance.

While this was drying, I flipped through my Zibladone (visual dictionary) and found some motifs I liked. I used Pitt Artist pens from Faber-Castell to draw the motifs on the panel. I chose these pens because they’re waterproof when dry and I knew I wanted to add colour and sparkle to them later on.

To give a sense of dimension, I used black pens for the foreground motifs and a grey brush pen to create the foliage in the background.

To help the seed pods stand out, I used washes of Dusty Concorde and Seedless Preserves Distress inks. Then, I used some Cosmic Shimmer gold iridescent watercolour paint to add the gold highlights.

Once everything was dry, I used a piece of Cut’n’Dry foam to edge the panel with Dusty Concorde Distress Ink. The design was framed nicely by this edging; it also added a sense of dimensionality.

Next, I mounted the panel on a piece of black card and then adhered these layers to a 6″ x 6″ blank Kraft card, all done with Tombow Mono glue.

Finally, I carefully used a gold glitter Uniball Signo gel pen to add lines around the edge of the design panel and also the black mat.

I then turned my attention to the envelope. I drew some more of the seed pods before adding a light wash of Dusty Concorde and Seedless Preserves Distress Inks, being careful not to overwet the envelope. I added dots of gold watercolour paint to the seed pods and the space around them too, making sure I left enough space to write the name and address of the eventual recipient.

I’m quite pleased with the card. I’ve done this style of drawing digitally in the form of a mandala, but never like this. However, as I look at the card, it seems to need a focal motif in the space between the seedpods. I may be wrong; it may just be my constant need to fill up space with line and pattern and the difficulty I have in leaving white space in a design.

I shall let the card ‘sit’ for a while before making my mind up on that issue.

“Happy Birthday Brett” – An Entangled Design

"Happy Birthday Brett" An Entangled Design ©Angela Porter 2019
“Happy Birthday Brett” An Entangled Design ©Angela Porter 2019

Happy Birthday Brett!

Today is Brett’s birthday. Brett is a lovely person who works hard with the Angela Porter’s Coloring Book Fans facebook group.

So, I thought I’d design an entangled design for her birthday and ask members of the group to colouring using some or a lot of pink and shower the facebook group with pink in the coming hours and days (Brett loves pink!). I will be adding colour to the design in the coming day or two as well, to join in the colourful coloring celebration!

If you’d like to join in, just pop over and sign up to the group – you’ll be made most welcome there!

Dangle design

As it’s Friday it’s also dangle day and I sneaked a couple of dangles into the design, just for a bit of fun and also to make sure there’s some white space.

My tutorial book “A Dangle A Day” shows you how, step by step, to draw your own dangle designs.

To draw this design I used a 0.8 Uniball Unipin pen and an A4 sheet of Winsor and Newton Bristol board. I added the colour gradient digitally.

So, how are you today Angela?

My day started off rather flat and a tad ‘meh’ as I woke. It was raining-pouring and the skies were dark and leaden. The clouds have now broken and some sunshine is streaming through. As the sun has shone my mood has improved to a fairly content status.

I think I’ve confirmed what I finally noticed earlier this week – the weather really does affect my mood. I may have to get some lamp bulbs that mimic the qualities of sunlight for gloomy days to prevent gloomy moods.

Off I go now to add some colour to the design above!