Entangled tile

Entangled Tile

For the past six or so hours I’ve been busy with various social media video creation for something I’m involved in. I needed a break from it, and that meant some arty stuff.

I had this coloured ’tile’ in my stash. It’s a 4″ x 4″ piece of ClaireFontaine mixed media paper coloured with various green Distress Inks.

I used Faber-Castell Pitt Artist Pens to draw the design to create a border. To add some contrast to the background, I used water, Distress Ink and a brush to add darker shades to the design. I also thought some shimmer and shine was needed on the berries and flowers. So, I used some Perfect Pearls gold spray as well as some gold and silver Cosmic Shimmer Iridescent watercolour paints.

Finally, I added some spatters of the pearlescent colour to distress the background a bit more.

One thing I didn’t do was to add some shadows to lift the border from the background. I often say that I forgot to add shadows. One day I may remember!

All the same, I’m happy with this little design. The space is perfect for a quote or sentiment I think.

Entangled designs

Entangled Designs ©Angela Porter | Artwyrd.com

I’ve had a nice couple of hours this morning playing around with drawing and paper coloured (and not coloured) with Distress Ink.

I started with drawing the border with the flower straight onto the coloured square of mixed media paper (top right).

For the middle design, I cut a rectangular panel of Distress Ink coloured mixed media paper and glued it to another piece of coloured paper. Then, I decorated the panel along with some simple patterns spilling onto the background.

The bottom right design uses a square piece of plain paper with a small rectangle cut from some Distress Inked paper. I used a die with a stitched detail to cut this panel out along with a Sizzix Big Shot die cutting machine.

I’m not at all fussed on the stitched detail in this case. However, I do like the contrast of the coloured panel against the white background.

I do have a fair few pieces of paper coloured with Distress Inks, so I think some fairly quick, simple and soothing designs will be done over the next day or several.

Not sure what I’ll do with them yet. If you have any helpful suggestions, leave a comment! Also, leave a comment to let me know which design is your favourite.

Entangled 3 Dec 2019

Entangled 3 Dec 19 ©Angela Porter | Artwyrd.com

Two photos of the same drawing today.

I started by colouring a 6″ x 6″ piece of Strathmore Bristol paper with various shades of green Distress Ink (Peeled Paint, Shabby Shutters, Crushed Olive, Bundled Sage and Iced Spruce) and edged it with some Aged Mahogany.

Then, I drew the design using a metallic bronze Uniball Signo gel pen. Finally,I added some shading and depth with an olive green Chameleon Fineliner pen.

My photography skills aren’t good, which is why there’s two photos. The top one is a bit truer to and you can see the design more clearly on it. The bottom one shows the shiny bronze ink I used.

I think you’ll get the idea of what I’ve created.

It’s been a busy day here in the Angela studio/office. I’ve been focused on social media stuff for something I’m involved with at the moment. I had to get things done this morning and afternoon, so it wasn’t until quite late in the day I could turn my attention to art.

By then, I just wanted to draw something that was comforting, familiar, soothing. Which is why I ended up with another entangled design.

It did it’s job in soothing and calming me somewhat. Now, I can settle down, after I finish off a couple of things. I think time away from technology is required this evening.

Entangled 02 Dec 19

Entangled 02 Dec 19 © Angela Porter | Artwyrd.com

This morning I thought it would be nice to use some Distress Inks to colour a 6″ x 6″ piece of Strathmore Vellum Bristol Paper and then draw a more traditional kind of zentangle design.

Before drawing on the coloured paper I scanned it in to use as a background for digital art at some point.

Anyway, I used Tattered Rose, Victorian Velvet and Rich Mahogany Distress inks with a foam blender to colour the paper.

Then, I used Pitt artist pens to draw the design. To help parts of the design stand out a bit more, I used some Chameleon coloured pencils to gently shade in the floral elements.

Finally, I couldn’t resist adding a little sparkle to the stamen of the flowers in the top right!

It’s always nice to relax with some familiar styles of art, and this morning I needed a bit of a relaxing time as I have a busy day ahead of me, which I must now go and sort myself out for!

Morning entanglement

30th November 2019 ©Angela Porter 2019

I woke this morning, refreshed after a long, deep sleep, and wanted to draw something relatively simple, something I could work on in the future.

I used a Uniball Vision Elite pen on a sheet of dot grid paper from Claire Fontaine. If you zoom in, you can still see the dots of the dot grid.

I had no idea of what I was going to draw. All I knew was I wanted to draw, and I wanted to start with a flower. Which I did.

I then started to grow the design by adding the swirls. Those swirls had shapes in them perfect to add some round seeds.

Next, I thought a rectangular background panel, filled with a geometric design, would be a good counterpoint to the more organic flower and swirls. So, I did draw in a pencil grid to use as a guide for my inked lines.

After adding a narrow border to the panel, I decided to add some simple dangles to the lower swirls. I thought the design needed to be lengthened a little.

When I’d finished the dangles, I knew the design was complete. I felt no need to add anything more to it, despite having a lot of white space! So, I scanned it in and prepared it for posting to social media.

I’d like to work this one with some colour to the flower and swirls, maybe the dangles too. The geometric pattern I’d like to add shading to bring out a more dimensional appearance to it. I may add that shading as shades of grey, or maybe as lines.

If you’d like more ideas about drawing dangles, then my book “A Dangle A Day” is a good place to start.

That’s where I have to leave it for now as I have a busy day away from home today.

An Entangled Sunday

An Entangled Sunday ©Angela Porter | Artwyrd.com

Yesterday evening, I took a combination of Tombow Fudenosuke, Sakura Pigma Micron and Faber-Castell Pitt Artist pens to a 6″ x 6″ piece of Strathmore vellum surface Bristol Board. I ended up with a black and white entangled drawing. This morning, I scanned the image in and added a kraft paper background and then some subtle shading and highlights in Autodesk Sketchbook Pro.

After Inktober and my focus on digital art, it was nice to draw traditionally for a change. My mood and energy levels were such that I needed to slip back into the familiar, comforting entangled style of art to soothe my emotions once again.

This drawing worked out OK. However, I don’t feel it flows at all well, though that does reflect yesterday’s mood and mindset.

The part I really like is the rectangle towards the bottom left. I’m also fond of the arcs to the right. Actually, I like all the design elements, I’m just not happy with how they’ve been lumped together. Maybe I’m just being overly self-critical here.

It’s a sunny Sunday morning in the Valleys of South Wales. I think it’s going to be a quietly artsy day, with a trip out for some essential groceries in a short while I think.

Inktober 2019 – Day 28

Inktober 2019 Day 28 ©Angela Porter | Artwyrd.com

Iguana skull, ‘Well, well, who’ tangle pattern and an abstract pattern from puffball mushrooms.

Digital drawing using Autodesk Sketchbook Pro and a Microsoft Surface Pen with a Microsoft Surface Studio.

I’m really not at all happy with this one today. The skulls aren’t what I’d want for them. It may be that they are just plain line art, no texture, no depth, no variation of line.

I may revisit this one at some point in the future, but not for a while. My attention must turn to other things.