Inktober 2018 Day 17 ‘Swollen’

Angela Porter Inktober 2018 Day 17 Swollen coloured

The first thing that popped into my weird head when I read the prompt ‘swollen’ was a puffer fish! I know … weird is the right word.

So, I had to draw one of my entangled drawings incorporating a puffer fish, lots of coral reef and sea inspired images, and a few cute monsters and critters – including a white cat and a pink badger (don’t ask!).

It took a couple of hours to draw the outline using a Faber-Castell broadpen on Rhodia dot grid paper.

I scanned the drawing into GiMP, removed the dot grid and created a transparent background.

The final step, which has taken around 4 hours, is to digitally colour the image.

It’s certainly bright and colourful, though if it wasn’t an Inktober challenge I’d want to go back and add some added textures and shadows to the image. But it’ll do for now as it is.

I also would like to add some patterns in black pen to some of the more ‘flat’ areas of the design, such as the bodies of the sea anemones.

I used Autodesk Sketchbook Pro, a Microsoft Surface pen and a Microsoft Surface Studio to colour the image.

#created on surface #autodesksketchbookpro #inktober #inktober2018

Inktober 2018 Day 15 Weak

Angela Porter Inktober 2018 Day 15 Weak

Another day in Inktober and another hand lettered and illustrated quote.

My hand lettering really does need work/practice!

I just had to include a rude little monster tucked away in the intricate pattern around the quote.

I drew this on dot grid paper using Faber Castell Broadline and Fineline pens. I then scanned it in, removed the dot grid and created a transparent background in GiMP. I then used Autodesk Sketchbook to add a colour background and my watermark.

The drawing took a couple of pleasurable hours to do; it is smaller than my previous ones,being a round 17cm x 17cm in size (the overspills make it awkward to measure!

The design reminds me of the work I used to do before I became so immersed in coloring book design. I know this creeps out from time to time, and when I get a chance to do it I really enjoy drawing this kind of detail.

One thing I’d do, perhaps, if I were to go back and do this again I would definitely pay more attention to the hand lettering and I’d add some shadows to the line art to add some more depth/dimension to the design.

 

 

Inktober 2018 Day 11 ‘Cruel’

Angela Porter Inktober 2018 Day 11 Cruel

Another day, another drawing!

I couldn’t draw anything cruel – not in my nature to do so, it upsets me so much. So, I chose to go with a quote about ‘cruel’ that is a positive one:

‘Having a soft heart in a cruel world is courage, not weakness.’ – Katherine Henson

I see too much cruelty in this world and I really do not want to add to it.

So, I drew something pretty, with whimsically cute critters and monsters and design elements and patterns that make me smile.

I drew this design on Frisk Bristol board using Faber-Castell Broadline and Fineline pens, scanned it in and then just added a background gradient in Autodesk Sketchbook Pro. I’ll get around to colouring it in properly later, I hope…

I really do need to spend some time today on the Entangled coloring book that I’m a little more than half-way through.

Doing these Inktober challenges is helping remind me of where I think some of my drawing skills and my style or ‘voice’ lies. I hope I can translate this into some templates for the coloring book in progress. I can’t work in the cute critters/monsters as I have in this and some other previous Inktober challenges, but I can work with the other elements I’m sure.

I’m also feeling more confident with my line drawing skills after feeling distinctly wobbly and out of practice after a week away without any drawing being done.

I’m also a little less emotionally tired today. I’m surprised yet not surprised at how much the anti-stigma talk and EMDR therapy drained me this week.

 

Abstract botanical 13 September 2018

Angela Porter 13 September

I managed to finish colouring my WIP from yesterday. I have changed the colours of some elements and darkened the background.

Now, I’m working on the drawing for the next one.

One day, I’ll work on completing one or more of these with just colour and not black outlines, maybe.

Line art drawn with Sakura Micron pens on paper.

Scanned art coloured using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

#wednesdaywisdom

Angela Porter 5 September 2018 small watermarked

Another Goethe quote today, this time hand-lettered.

The design was drawn using Sakura Pigma Micron pens, and then scanned in and the black and white line drawing altered to this.

Bookmarks

Angela Porter 25 August 2018

I’ve been playing around with a different kind of material and techniques and created these bookmarks. I’ve had a bit of fun doing them, something different, the same kind of drawings but different techniques.

I’ve used parchment paper and various ball tools to draw the images and Tombow Dual Brush markers to colour them.

I like the one on the left a lot. Surprisingly, the more muted, pastel tones really appeal to me.

I do have other bits and bobs of parchment here that I’ve tried things out on, and there’s some skills to develop for sure; but it’s a nice way of working, to draw in white on white then add texture and colour. I don’t think the textures show well on the photos though.

A nice way to spend a Bank Holiday Saturday – being quietly creative and learning new stuff at the same time.

 

Abstract Botanical 22 August 2018

Angela Porter 22 August 2018

Another day, another drawing/artwork/illustration/design. This one is only a little one; it’s approximately A5 in size.

I used some new watercolour paper from Canson – Moulin du Roy. It’s smooth, slightly off-white, pure cotton mould made and seems to work nicely with Intense pencils and a waterbrush.

I’m waiting for some metallic paints to arrive so I can add some highlights to this – there are places where a dot of gold will really work nicely, but not too many places methinks.

Also, I chose just seven colours to be my palette – sherbert lemon, apple green, iron green, lagoon, violet, red-violet and sienna gold. I thought that a smaller number of colours could result in a more cohesive feel to the design, and I think that it may have done so!

For this one, I drew the design first in pen then added colour.

When I draw first I do tend to fill the space with drawings. When I add colour shapes first I end up with more white space and a more random ‘edge’ to the design.

Why that is, I don’t know, other than it may have something to do with me filling spaces in with pen and ink habitually.

A habit I need to modify I think.

All the same, it’s nice to do little designs. I already have another drawn out waiting for colour!