It’s my little way of saying thank you for supporting my work. I have also posted a colour palette colouring challenge for the month, which colorists can use with this template or any other template from my books, the choice is entirely theirs.
I had some fun drawing this one. I’ve missed drawing cute fishies and the like. I even sneaked a couple of simple dangles in there too.
You’d be made most welcome if you pop along and join in. It is a friendly group for sure.
I’m looking forward to seeing how people bring this one to life with colour for sure.
I drew this one with Unipin pens from Uniball on Winsor and Newton Bristol Board. Yes, traditional drawing. I did use digital tools to clean up some smudges and where the lines went a little too far into another section, but that was it.
Easy listening playlist on Spotify, creating art. What a lovely way to spend a Saturday morning!
I’ve been working at this monogram now for several days. It is coming along.
It really feels like a an embroidery sampler where the learning embroiderer would try out different patterns and shapes and still create something beautiful.
For me, the sampler is more about out different ideas as they come to me and increasing my knowledge and understanding of the digital art tools available to me in Autodesk Sketchbook Pro.
Of course being able to draw directly on the screen of my Microsoft Surface Studio with a Surface Pen makes creating digital art a dream for me; it’s like working with pens and pencils and so on on paper. However, I’m able to do things I don’t think I’d ever be able to do with traditional media.
I still love working with pen on paper; I currently have one drawing on the go and I may convert it into a digital artwork when it’s done.
Exploring the realms of digital art has opened doors to me that have expanded my creativity in ways I never could have imaged previously.
Yes, I learn by doing myself rather than following tutorials. My experience of watching tutorials is that I end up more confused than I started.
Don’t get me wrong, the ones I watched were excellent. However, they are by people who really know the software and what everything does, and they speak to people who have some idea of it all.
Besides, I want to do art my way, and these artists tend to show how they do things and that often doesn’t make any sense to me.
I’m grateful they share, and one day I may watch some more, but for now the exploration in my own realms of creativity is what is best for me.
As I look at my sampler monogram, I can see how I’m developing my own digital art voice in terms of techniques and effects that suit my style of rather intricate, abstract art based on patterns, curves, swirls and arches, along with a lot of motifs based on nature.
The plain curves in this monogram are adding some much needed scaffolding or girders to support and separate the patterns. Some of the fancily patterned curves are getting lost in the crazy intricacy of adjoining sections.
There are no individual sections that I really don’t like. However, some combinations of sections don’t seem to gel well, at least not to my eye.
What I do love is the layers of diversity of colour and pattern. Each glance reveals something new, whether it’s the way I’ve played with light and shadow, the way patterns look together, or the way colours I’d not normally put together seem to work together.
However, as this is turning out to be a sampler, then that’s fine. It’s all learning for me, and that’s good.
I’ve noticed I’ve not left any white space in this design, so far. I may do that in the area that is left to complete, just to contrast with the pattern-dense areas done so far.
It is a fascinating journey for me, and while this may not be an artwork that I’d offer for sale at redbubble.com or zippi, it’s something that is worth its weight in gold for me in terms of lessons learned and also gaining some confidence in my style of digital art.
This is my way of saying thank you to those who follow my work, particularly the colouring books I have created.
If you’d like to download and colour, you need to be a member of the group and agree to follow the T’s & C’s.
I’m looking forward to seeing what members of the group will do with this one! I love to see the different colour schemes and media that they use to bring the drawing to life with the magic of colour.
To create this template, I started with a sketch on square gridded paper. It was a very basic sketch with just outline shapes, lines and so on. I then scanned it into the Surface Studio and completed this drawing using my Surface Pen along with Autodesk Sketchbook Pro.
I had to include some of my favourite design elements – butterflies, stars, flowers, fungi, seed pods, arches and geometric patterns.
It was fun to draw, even the sketch was as I love to use a Koh-i-Noor Magic pencil to do the sketching with, one that has quite different colours in the lead so that I get a fair rainbow of colours.
I’m warming to sketching things out before drawing them in ink (either traditional ink/pens or digital) to give me a skeleton I can put flesh on in terms of details and patterns.
So Angela Porter, how are you feeling today?
I’m feeling contented. My stomach/digestive system is back to normal. All just in time for today’s EMDR session this afternoon.
That’s all I have to say about that today. I’m sure I’ll have more tomorrow post EMDR.
I drew the design on Winsor and Newton Bristol Board using Unipin pens and then I’ve added colour digitally, as well as a rose gold coloured and textured background.
I chose pink as a fairly dominant colour as Brett loves pink so much.
Oh, to colour I used Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
So Angela, how have you been?
I’ve been quiet on social media over the past few days. I’ve needed some quiet time to myself, which has involved an awful lot of crocheting. I’ve not even done anything much that has been arty either.
The reason for this is that I’ve not been feeling all that well. Nothing serious. just not well. I had a migraine on Sunday that took all day to go and left me exhausted.
Also, I’ve not been feeling right in my digestive system/stomach for a few days. This happens on a fairly regular basis (monthly) but this time it was rather unpleasant.
Last night, it hit new highs as I woke hot, sweaty, nauseous and headachy. Thank goodness it was rather chilly here in the UK and I had the windows open. The cool air was pleasant as I lay uncovered. It all passed eventually without me being sick, however I still feel yeuchy today and very, very tired.
Yesterday I had EMDR and that was an interesting session that left me rather tired later in the day. Another inner child made their presence known and I had help to communicate with them, which was so much easier after last weeks session. This child was all to do with loud voices, arguing voices and being startled and upset by them. So, we did some EMDR work with the emotions that came up from that child. A lot of body work was being done with pains around my body as the trauma was being processed with EMDR. Also, lots of memories of raised voices, harsh voices, argumentative voices…and just noisy environments.
I’ve known for a long while that I can be triggered into startle or panic mode when I hear a sudden loud voice or noise around me. I try to remember to take noise cancelling headphones or earphones with me so I can listen to music and not hear such sounds when I’m out and about, especially when I’m feeling rather fragile.
Saturday I flinched and became a bit panicked as I was talking to someone while waiting for a meeting outside a building in my local town. Sunday evening someone spoke quite harshly to me. I don’t think they realised it, but the response in me was one of upset and to withdraw from the situation, permanently.
So, we work with this in EMDR to heal those traumatised parts of me represented by these children.
Hmm, I wonder if these different aspects of me from times when I’ve been traumatised are coming forward so easily because I have so few concrete memories of events.
Either way, as crazy as it may seem to you, it seems to be helping me, and that is all that matters as far as I’m concerned.
My morning task, afore heading out for my EMDR session later, was to finish this drawing.
I used a combination of a Tombow Fudenosuke pen along with a medium nib Lamy fountain pen on Winsor and Newton Bristol Board, A4 in size, to draw this design and add the hand lettering.
The white space really helps to break up the intricate details; helps to separate out the sections and gives the eyes and brain a bit of a rest from it.
I will add colour to this in the fullness of time, most probably digitally.
So, how are you today Angela?
I’m content. Not quite as smiley happy as yesterday, but content. Calm too, or relatively so. There’s a low level background noise of anxiety there.
I do wonder if the weather affects my moods more than I thought it did. Yesterday was both sunny and rainy – rather heavy spells of rain. The sun and driving in the sun was lovely and helped to lift my spirits somewhat.
Today there’s no sun. Just grey clouds and there’s been rain. I’m not quite as tickettyboo as yesterday.
I think I may need to add a weather tracker to my BuJo alongside my mood tracker to see if there is a correlation.
I have my EMDR session in a couple of hours time. I have no idea how that will affect me at this point in time, nor what memory we’ll work on. I won’t dwell or ruminate on it for now. Just get myself sorted to make the hour-long journey to Neath in a little while. Yes, I think that’s best for now.
I have, finally, finished this particular drawing. I managed to keep to my challenge of leaving some white space in the design. I did let the design spill over the pencil guidelines I’d drawn for the size of artwork. I then digitally trimmed it within those lines before applying the black and white borders. I do like to define the space within which my drawings and designs reside, that’s for sure. It’s like a window into my imagination, my mind, my intuitive creativity, how all the little things I have observed and imagine just blend and meld into a crazily layered, intricately pattern and yet flowing design that is always quite pretty.
You can’t have too much pretty patterns in this world I think.
I think it’s too detailed and fussy as a coloring template, though I may add some colour to it at some point in time. Before I think about doing that, though, I have an idea for another drawing with some hand lettering on it.
The drawing is a little less than A4 in size (US letter). It has been drawn with Tombow Fudenosuke and Uniball Unipin pens on Winsor and Newton Bristol Board.
My mental and emotional health
Monday I spent mostly in tears after the busy week and the emotional upsets of Sunday. In therapy we just talked about what happened and how I was feeling and thinking about myself and that I need to be a lot kinder to and caring of myself. It was also suggested I need to be a lot more accepting of where I am on my healing journey and not beat myself up for not being able to get out and about much by myself, even when I may want to.
I came home and slept until 2am, then went back to sleep a couple of hours later and slept through until mid morning yesterday, which was then followed by a very quiet day at home crocheting and drawing before yet another nap in the afternoon.
I slept for many hours last night too, and I’m still feeling exhausted. With exhaustion I am emotionally fragile and vulnerable too.
So, much of today will be spent quietly. I do have to head up to Hereford this evening, however. I’m debating whether to go a little early so I can spend a little time at Kilpeck church – my favourite church in the whole wide world. A tiny two celled Romanesque church, almost untouched by time. I’ll see how I feel as the day progresses and whether I manage to find a little oompf. After all, the church has been there for nearly one thousand years, I don’t think it’s going to go anywhere soon!