I was without broadband from early Thursday morning until late yesterday afternoon. Hence the reason why this is late and I’ve not posted for a couple of days.
I did have internet access via my mobile phone and I used a mobile-hotspot so I could get online on my ‘puter. But, even on 4G, it was a tad slow on uploading and I have no idea if it would have coped with Zoom.
This week it’s another typically ‘Angela’ entangled style of drawing. I used a Sakura Pigma Sensei 04 pen and A4 Bristol paper to draw this. After scanning, I added the background and some shadow and highlight.
This has been drawn with a Sakura Micron 05 pen on smooth, heavyweight cartridge paper (acid-free of course). I’ve added the background and colour digitally, keeping to a wintry, night-time kind of theme. Of course, this will work for any season at all, and any time of day.
As always, I look forward to seeing all the amazing, colourful interpretations of this template.
Taking a big of a break
I may not be as active on social media over the next few days. Christmas and New Year are difficult times of year for me emotionally and mentally and I know taking myself off into a largely Christmas-free bubble helps me drift through this time, as well as deal with anything that may creep in and cause some upset in me.
I know I’m not the only person who has difficulties with their emotional and mental health this year. Given all that has happened in the world this year, the huge number of people who have passed away during the pandemic and measures taken for people to keep themselves and their families free of Covid at this time, many more than usual will be struggling.
Being by myself at this time of year is not new to me, nor is withdrawing from the world at this time. I find it exhausting to keep up a mask of seasonal jollity when I feel anything but that. I find it easier to deal with whatever finds its way into my safe-bubble. It’s easier to deal with being alone if I do my best to carry on as normal.
I’m aware of what things I can do to self-care and self-soothe. Art. Music. Books, Films. TV. Naps. Nice food. Meditation.
Do you have a list? Have you learned to give yourself permission to take care of yourself, give yourself time and space to self-soothe?
Learning to give yourself permission to look after yourself, even if it means saying ‘no’ or setting limits, is one of the hardest things to do. And it takes a lot of practice. But it is one of the most important things we can learn to do.
I remind myself this is for just a few days a year, and that soon after the celebrations are done, life returns to ‘normal’, whatever that is in these pandemic times.
A different work in progress today. I started this one late last night and continued for a while after breakfast this morning. I used a Pilot G-Tec C4 pen, which has a very fine tip, on white acid-free cartridge paper (the camera flash has turned it a creamy colour, I have no idea why!).
It is always a pleasurable experience to draw with such a fine pen and to created such detailed and intricate designs. No real thought or planning, just trusting my intuitive creative instincts.
Purely abstract drawing, using my favourite shapes, motifs and texture patterns, along with a few new motifs that have developed as I’ve drawn this. It looks like a weird assemblage of bits and pieces, mechanical and sculptural, botanical and textural.
Assemblage is a fairly good way to describe my signature style of drawing. There are layers of all kinds of bits and pieces – flowers, mechanical tubes and pieces, textural areas, pipes, sculptural bits and bobs, seeds or berries and curls.
What is hidden beneath the various layers? Where did all the bits and pieces come from? What was disassembled or broken to liberate the pieces? Who or what did the disassembling, and why? What new things could they be assembled into? What dream fragments, story parts of my unconscious mind do they represent?
I can spot various influences in the bits and bobs present in the drawing – Mayan sculpture, dials and mechanical levers, pipes and conduits, discs and berry lights, flowers and seeds, textures and patterns, arches and columns, rocks and strata.
What do you see in this drawing? Leave me a comment, I would be intrigued to know!
Today I’m feeling a tad ‘meh’ to say the least. I’m tired despite sleeping plenty last night and yesterday. The weather is gloomy – leaden grey skies and rain. At least the autumn colours are glowing a little in the gloom.
So, today I just needed some arty fun. Nothing too big and overwhelming, something with a little whimsy, and no pressure for anything other than making art for art’s sake.
Hallowe’en is my favourite festival, so that’s where I started, along with pen and paper.
The drawing isn’t all that big – 8cm x 10 cm approx (3.25″ x 4″),s o it was relatively quick to complete. I scanned it in to tidy it up, but decided to add a spooky border around it, which I did digitally.
Then, I set to colouring the image, in Hallowe’en colours, mostly.
I played with texture brushes and how I can work with colour. I’m pleased to get some areas that seem to glow eerily. My brain won’t let me fully process that or go back to the image to add this effect to other design elements.
It was, after all, a few hours of fun, arting for art’s sake, and to do what I can to lift my mood.
I spent sometime yesterday afternoon playing with polymer clay. The Sculpey clay I purchased is soft enough to work with almost straight out of the packet, which is a good thing.
I’m not entirely sure how I’m going to work with it. What I thought would work just didn’t for me. So, I’m going to let the ideas rumble around my subconscious and come up with how I could work with the clay my way.
I was disappointed with myself, but worked hard be easy on myself as this is a new skill to learn and develop. It won’t happen overnight. Also, there’s no rush or panic to get it done either.
In the meantime, I’m wrangling with myself as to whether I should invest in a pasta machine to roll out the clay or whether that’s a decision that can wait until I work out if polymer clay is for me or not.
This week, it’s a hallowe’en themed mandala design. Lots of cuteness and whimsy in the design, as well as a geometric background and a funky border.
I enjoyed drawing this, and I’ve enjoyed the partial coloring. Sadly, I don’t have time for more colouring today. I have a chap coming to sort my central heating out in a short while and my anxiety is heading through the roof now I need to get showered and tidy up the house a bit.
I have some social anxiety at the best of times, but the increasing prevalence and transmission of Covid19 and having contact with anyone is having it skyrocket. Hopefully, I’ll be able to calm down quickly enough after he’s done what he needs to do.
Anyways, if you’re not a member of the facebook group you’d be made most welcome. Membership is free, as are the templates I create for the members of the group.
It’s always a lovely way to start the day – mandala drawing. Symmetry is one of the things that I love.
There’s also plenty of detail in this one – lots of line work to add dimension, which is then enhanced by highlight and shadow.
I chose a rather muted kind of background for this mandala. Sometimes, I tend to make things too bright and colour-saturated. Today, it’s soft and dusky purple.
There’s plenty of my favourite kinds of patterns and motifs in this one – seed pods, arches, spirals, leaves and hearts. But there’s also some unusual, for me, spirals.
This morning’s art brings a warm and gentle smile to my heart, soul and my lips. As I said, it’s a lovely way to start a day and sets me up just nicely for whatever else I need to do this day, and the first task of the day will be breakfast!
Today, I continued with the entangled art I started yesterday. The drawing is still not complete, but I wanted to add a background colour/texture and add some shadow and light to see how it’s working out.
The shadow and light bring the drawing to life. I’m not entirely sure about the colour I’ve chosen for the background – maybe a bit to saturated and dark. I can always alter that though. I also think there’s not enough contrast betwixt shadow and light. Again, that’s something I can work on.
I’ve drawn inspiration from various things – fossils, seed pods, botanicals, crochet-covered pebbles, architecture, nature, shells, Mayan glyphs to name a few.
Leaving some more open spaces is proving difficult for me once again. It’s something I need to consider as I continue to work on this drawing.
The design is being drawn with Unipin and Sakura Micron pens on marker paper. Background texture/colour, light and shadow are added digitally.
It was drawn on marker paper using Unipin pens. Shadows were added using cool grey Copic markers. Next, it was scanned in and a kraft paper background added. Finally, highlights were added digitally to help bring out some sense of dimensionality.
I like the way the highlights and shadows work. However, in future I need to add the shadows digitally along with the highlights.
It’s a very typically “Angela” style of art – intricate, detailed, and full of botanical motifs, arches and geometric patterns that I enjoy using so much. I even managed to leave some areas that are not so busy with line and pattern!
So, it’s on to the next one, once I’ve designed the coloring template for Template Thursday!
This week I’ve done a pretty yeuchy job on the colour scheme. It happens. I do struggle with colours, more at some times than others, and today is one of those days.
The template itself has lots of my favourite motifs in – pumpkins, leaves, flowers, seedpods, seeds, berries, shells, mushrooms and stones. Not to mention arches and geometric patterns along with a sprinkling of stars.
I’ve gone with a weirdly autumnal colour scheme, but I think this would work for any kind of colour scheme you’d like. I may revisit this template and add linework and keep it monochrome at some point in the future. It would be good practice to redraw it digitally and work on my digital linework skills at the same time.
I used Unipin pens and Canson Marker paper to draw the template. Next, I used Autodesk Sketchbook Pro to clean up the image and then add the colour.
To Inktober or not Inktober? Nah, let’s Paleotober instead!
I may do an Inktober challenge this year, but again choosing an alternative prompt list. I enjoyed last year’s month of daily drawings focusing on art I’d not usually do, particularly the skulls. However, I found the pressure to draw every day a bit much and a bit manic to work in around everything else I needed to do.
I like that each theme covers a few days, so less pressure. I have been thinking of working on drawings of fossils, dinosaurs and so on in the way I have my recent drawings of moths. So, this is the push I need to get me to follow those thoughts!
I must admit, the sight of an ammonite, icthyosaur and pterodactyl, three of my favourite fossils, on the prompt list just did it for me!
I think I’m going to struggle with the imagined and speculative prompts, but I may just use those days to add to one of the others. We’ll see.
In other times, I’d visit my local musuems to view fossils and such like for myself, sketchbook and camera in hand. But not now.