Autumn Equinox

‘Tis the first day of autumn in the northern hemisphere, astronomically speaking. The day started bright and sunny, but the clouds have closed in, the breeze has picked up and the temperature has dropped a little.

Even though today may not be a typically autumn day, today’s arty offering has warm, fiery tones reminiscent of autumn leaves and bonfires. Of course there’s a black and white, graphic moth illustration.

This moth is an iteration of the first moth I drew a few days ago. it’s fun to work with images, alter and change them and create something new and different each time. It’s also a good way for me to experiment with line to achieve volume and texture in the illustration.

Having the mandala of acorns, leaves and berries become a texture upon the background means it doesn’t detract from the moth. It does add interest and another hint that I created this with autumn in mind.

Moth v03

Yet another artwork featuring a moth today.

I re-drew the moth from yesterday to try out some ideas I had when reflecting on the artwork. I’m not entirely sure if it’s an improvement, but it is what it is.

I also have drawn a new mandala-style pattern for the background. This time, I’ve added it as a subtle design. I think it works quite well as the moth really stands out.

Mossy green today, no idea why other than it appealed to me. It may mean a desire to be in nature to have my mood uplifted. I’m not feeling the brightest or upbeat this day. A headache isn’t helping. A walk is required in a while. It’s a sunshiny peri-autumn day, so a good day to walk I think.

Moth Mandala 02

Moths are becoming a bit of a thing with me at the moment. They’re great for practicing my line work. They’re also surprisingly cute, in a buggy kind of way.

Of course, I’m still working on the first moth entangled drawing/illustration, so adding a mandala behind this drawing is a quick and easy way of adding to the moth. Mandalas are kind of my thing to do.

Again, I’ve used that spot of highlight behind the moth to draw attention to the centre of the design along with the main motif.

Today, a terracotta background seemed to be just right. Perhaps because it’s quite an autumnal colour. This morning there’s a definite nip in the air that I associate with autumn and we are just a couple of days away from the equinox.

Terracotta is a deeper shade of orange and is comforting in it’s warmth and earthiness. I find it quite soothing.

I’m also enjoying floating the graphic black and white elements of my artwork above a simple coloured background. That way I have some colour in my art, but the colour doesn’t distract from the design elements.

Blue Entangled Mandala

I have been awake since stupid o’clock, so rather than toss and turn for hours I decided to do some art. And another mandala appeared from the tip of my pen.

For this one, I thought I’d make the ‘white space’ areas in the design transparent so that the vibrant blue background could show through.

I’m not sure how well this works; I’m now too tired to think clearly. I do think it has potential for future mandalas, maybe.

Entangled Mandala

I really enjoyed creating this mandala this morning! I used some of my favourite motifs in this one. it was lovely to use white on the kraft background, to bring out some highlights and add dimension here and there.

I love to use Autodesk Sketchbook Pro to draw my mandalas in. It streamlines the process and allows me to focus on creating the design rather than the mechanics/geometrics. Of course the design is drawn by hand, just as it would be on paper. That’s the beauty of having a Microsoft Surface Studio and Surface Slim Pen – I can draw with the pen on the screen just as I would with pen on paper. The advantages are that if I mess up, it’s easy to correct, and the symmetry tool saves time, allowing me to focus on the fiddly details that I love so much.

WIP Wednesday

Wednesday is work in progress (WIP) day. So, I thought I’d share my monogram “a” and the progress I’m making on it.

There’s a clutch of pens there! I decided to see if I could add grey to heop areas of the design stand out more, as well as adding some depth and dimension. I figured I had nowt to lose if I tried as the the design was becoming all much of a muchness to my eye. Looking at the image above, it seems to be working well in some areas!

I started using some grey unipin pens to add shades of grey to the design. They worked kind of well enough, but they were picking up pigment from the black and moving it around.

So, I thought I’d see what greys in Pitt Artist Brush pens I had and found some warm greys. They worked better as the colour could be laid down more smoothly.

I do have some new motifs to add to my visual dictionary, a corner of which you can see at the top right of the photo.

I’m not sure if I like adding the greys more than if I don’t add them. I suspect I’ll like them more as I work with them as I love the sense of volume that has appeared in various areas thanks to the contrast they confer on the design.

Let me know what you think – drop me a comment.

Soul Shine

Sunday morning is always a time to breathe, relax and create something easy and pleasurable to do. Comfort art. Today, that meant a mandala and a quote that is quite appropriate for this morning.

Mandala creation makes me smile inwardly. It’s a familiar process and I can create a mandala that is complex and detailed, or simple, and the calming, relaxing effect is the same.

I do draw my mandalas digitally. By using Autodesk Sketchbook Pro’s symmetry tools, it streamlines the process for me. There’s also the removal of the frustration that is caused by an error or a smudge. I can focus on the relaxing, soothing process and on being creative.

In that vein, I decided to draw the mandala in black on white. But when it was finished, I wanted to use a background and a monochrome colour scheme.

I love kraft paper. I don’t know why. I think it’s that colours seem to almost glow against it. So, I chose that for the background. Then, I created a layer of creamy, orange-yellow tones to highlight the line art. Nice warm, comforting, gently glowing colours.

Finally, I created some drop shadows for the text and mandala.

I look at the finished mandala and I smile, gently. I feel my heart fill with some warmth and a sense of lightness.

Creating art, including mandalas, lets my soul shine. What makes your soul shine? Take time today to indulge your soul in activities that let it do so.

Monogram B

Finally finished it! It’s taken many hours to do – probably around 15 I think, and it’s taken some perseverance by myself to get it done.

Uniball Unipin pens (05, 03 and 01) on Claire Fontaine Paint-on mixed media paper. Two pen nibs now wrecked; the paper is velvety smooth to touch, but just too rough for the tips of the Unipin pens. Will move to Bristol board for the next monogram.

Entangled Art

Entangled Art © Angela Porter | Artwyrd.com

Last night, I carried on with the Domestika Course – Modern Watercolor Techniques by Ana Victoria Calderon. The last sections are all about painting ‘galaxy’ style backgrounds. Scientific pedantry here – they’re not really ‘galaxies’, more nebulae. Just had to say that and get it off my chest.

I painted along with her, and the first background I created was really not at all good, perhaps. I used White Knights watercolours, Cosmic Shimmer metallic gold watercolour and salt. Way too much salt and probably way too much water, and trying to work how someone else does. Still, you learn by doing, even if it doesn’t work out as you’d want it to.

I let the paper dry, did my best to remove the salt and then decided to use a 0.1 Sakura Pigma Micron pen to draw on the background.

I allowed the shape and flow of patterns in the colour to inform me as to how I could draw shapes and patterns, and the end result is today’s image!

As disappointing as my first attempt at a ‘galaxy’ background was, I actually rather like the end product that includes drawing, a typically ‘Angela’ entangled design.

What I am also kind of pleased with, is that I chose to leave some areas of colour without any drawing on them. That is something unusual for me to do.

I started with the floral motifs and let the rest of the design flow from there. As it flowed, the patterns became more and more of an abstract nature.

What you can’t see in the scan, are the subtle areas of gold shimmer that resulted from the spreading of the Cosmic Shimmer metallic watercolour paint. It gives a very subtle sheen in some areas.

While the first background was drying, I had a go at creating another, using what I’d learned from creating the first. Instead of the White Knights, I used Kuretake Gansai Tambi watercolours and I had a bit more success. I’m not entirely happy with the overall balance of the colour areas, but when I’ve decided what to do with it, I’ll share it.

Entangled Garden 6 Jan 20

Entangled Garden 6 Jan 20 ©Angela Porter | Artwyrd.com

Another entangled garden drawing today. I used Uniball Unipin pens and ClaireFontaine dot grid paper to create the drawing. I’ve removed the dot grid and added a coloured background texture as well as the texts and watermarks using Autodesk Sketchbook Pro.

This was, as is usual, a relaxing, calming, soothing and intuitive process for me. I also made use of some of the flying seeds from the first #inktober52 prompt.

I started to add some colour, using a messy chalk brush in Autodesk Sketchbook Pro.