I woke this morning with an idea to create a frame for an art quote using some fo the fragment variations from the Fragments of Your Imagination Challenge. So I did. And here it is.
Some bits of the frame are a tad clunky, but overall I think it’s good enough.
The quote from Ruskin about art is one of my favourites. I don’t set out to create art with any kind of message that may change how people view aspects of the world/society we live in. I don’t set out to record my observations on life, to tell a story. My art is personal to me as I create drawings that contain patterns, line-shapes, motifs that make me smile inwardly. If I make any one other person smile, then my art has done it’s job.
I get a lot of pleasure, contentment, and peace from drawing. And I hope that comes across in my art. I want to draw designs that are pretty, interesting, intricate. Drawings that you have to stop and look carefully at to see all the different things within them.
Inktober Tangles 2021| Day 10 “Hirari” by Midori Furuhashi CZT
It’s Day 10 already, of October and Inktober! In the past, Inktober has felt, after the initial surge of excitement and energy, like a chore to be done. Except two years ago with the skull prompts and this year with the Zentangle patterns.
It’s hard to explain why this is. I think with the skulls, it’s because my scientific background has an interest in such things, and I often combined the drawings with mandalas. Mandalas are something I love to draw, though haven’t dome many in recent months. Of course, I draw upon many patterns and motifs to create mandalas, some of which are zentangle-ish in nature.
With the tangle pattern challenge, it’s a simple pattern each day, but it’s exploring variations and developing my own style that is fascinating to me. I’ve found the creation of one (at least) sketchbook page of variations on a theme an excellent way for me to approach the challenge. Not only can I look at different ways of drawing the tangle and keep it’s essence, I can also experiment with different media to add colour, shadow and highlight. These are all things that will spill over into my usual kinds of artwork.
Hirari was a bit of a challenge. I’ve struggled with drawing it. However, I’ve worked out that the addition of shadow and highlight is what brings this tangle to life. I wanted to see how I could arrange the motif to create both floral and border patterns. The floral patterns are relatively easy; the borders not quite so. But by drawing them, more ideas come as the issues with the drawing are identified and ways to overcome them are thought of. I’ve got work to do with the borders, that’s for sure!
I also liked the way the furls of the petals looked by themselves – rather leafy or frondy. So I made a note of them too. I think they’d work well in patterns of their own.
Talking of experimenting with different media… To add colour to this page, I used some tinted charcoal pencils from Derwent. And I’m well pleased with them. The don’t spread as far as chalk pastel pencils or graphite pencils. That means it’s much easier to control how far shadow or highlight extends. They can be layered to increase contrast, both with the same colour or other shades. In doing this, they actually blend rather well too. Once encouraged gently into the fibres of the paper with a paper stump or tortillon, they don’t smudge easily either! Oh, and they don’t have a shiny aspect to them like graphite does.
The colours of the charcoal pencils are all rather earthy and muted, which is what you’d expect from charcoal. These kind of colours really appeal to me at this time, and they’ll work well with the Graphitint pencils, also by Derwent.
So, I’m really pleased with my flash of inspiration that led me to them.
This drawing, on the right, was a pleasure for me to indulge in. It’s a typically ‘Angela’ entangled drawing with plenty of detail and characteristic curves and swirls and arches. Some tangle patterns have found their way into the artwork, which is to be expected as I’m focused on such things at this time.
My only worry now is whether I add shadow/higlight with the charcoal pencils or leave it as it is. I will scan it in before I make any decision. I may try to do that digitally and keep the original pristine, for now. Shadows, at the very least, are needed to bring out the layers and volume of the various elements of the design. But this is for later on.
Taking part in Inktober Tangles 2021 is spilling over into this week’s coloring page for the Angela Porter’s Coloring Book Fans facebook group. The result is a rather geometric design which has a very tiled floor or stained glass feel to it. The quadrants could be coloured in separate colour schemes to, say, represent the four seasons, four favourite colours … well anything really. I’ve just completed one quadrant as an example.
The tangle pattern for today is ‘Morisseau’ by Cheryl Moore CZT. I’ve included it, and a couple of other tangle patterns, in my typically entangled artwork to the right. I’ve started to add colour in rusty browns and oranges with blues. The brighter colours are Ecoline Brush pens. The more muted areas are Graphitint pencils with a damp brush. I think I prefer the Graphitint areas. They have a much more aged, vintage, weathered feel to them.
This morning, I spent nearly two hours adding colour to this drawing. It’s getting close to being completed. Well, the adding colour part. There’s embellishing to be done too!
I’ve used Inktense pencils through out, along with a damp brush to activate and blend the colours.
As well as colouring new areas of the design, colour was added to intensify various areas that were appearing too insipid. I still have some of this to do to bring out a sense of volume in various elements.
I’m fairly pleased with this, though in hindsight adding the shadows with a grey Faber Castell Pitt Artist pen first may not have been the best idea. Still, it’s a learning experience, again.
Today’s morning art – ‘entangling’ around “Willingness”. The original is drawn on white bristol board (21cm x 21cm) with black Unipin pens (0.5 and 0.1). The word was laser printed, cut out and glued to the bristol board.
I was willing to work with a lot of new and different motifs in this drawing, though not all are new. Some familiarity is needed!
It was lovely to do and took me about 2 hours in total.
I did create a vlog of this process – link here –> Willingness vlog. The first part, up until 49:33 mins is the chatty bit, from then on, the rest of the drawing has been sped up.
It would be lovely if you’d take a look, and if you enjoy the video please give it a thumbs up and consider subscribing.
I am not willing to use traditional media to add colour and/or shadow and highlight to this drawing, though I am very willing to do so digitally!
It’s been very, very windy here over the past day or so, and it has bucketed down with rain. It’s still fairly blowy, with strong gusts. So, I’m staying indoors unless the rain stops! So, I’m more than willing to keep the hatches battened down, and to settle to coloring at least some of this design. A good decision, methinks!
I’m also feeling well out of sorts after having a very, very weird dream that woke me early, and I was having a conversation in my head with one of the characters in the dream. I really wasn’t at all happy with them and told them a few home truths! Weird, just plain weird. So, it may have a knock on effect on my alertness later today.
Well, I pushed on yesterday and finished this particular drawing. Lots of texture/patterning has been added. I’ve also temporarily added a pale grey-blue background until I decide how I want to add shadow/highlight/colour to this particular drawing.
I won’t be doing that today, however. I’m still feeling all out of sorts and I really don’t trust myself with colour, shadow and highlight. I’ll get frustrated and irritated with myself. I also woke with a headache that isn’t clearing up anytime soon it seems.
So, today is likely to be another day of binge watching stuff. Yesterday it was The Killing on Disney+. A dark tale of murder and the crazy awful ways humans tangle their lives with others it seems.
It’s an American version of a Danish noir murder/mystery series. I started watching the Danish version, with subtitles, quite a few years ago, but mislaid the DVDs. It’s full of twists and turns in the story line, and a surprising ending to the first story line – the murder of Rosie Larsen. And it’s nice to be surprised by such a tale for a change.
So, I think I’ll spend a fair amount of today finishing watching season 3 and making a start on season 4, the final season.
Once the headache clears, I may turn my attention to some arty stuff. I’ll see how it goes. Self-care is important, not just physically but emotionally too. I know from bitter past experiences that if I push myself to do things when I’m not up to it, whatever I do usually ends up disastrously. I still feel the guilt of giving myself time and space to return back to a point of balance, but I know that when I do return to that point the guilt will fade away and be replaced with relief and a sense of gratitude that I didn’t give into to the guilt. There’ll also be a touch of pride that I’m strong enough, now, to recognise when I need this time to just lose myself in fiction, do nothing else, and let whatever is the cause of the imbalance work itself through.
I suspect the headache is an expression of that imbalance and is the way my mind, body and soul have of telling me, “Woah there Angela! You have to stop and take a break from this, now! You’ve pushed yourself too far, so I’m going to get you to stop and do other things for a while.”
I am learning to listen to what I need, rather than what I think I should be doing. So, today, I will listen to them.
I’ve finished the line art for this particular design. Now, it’s adding colour to it, which is going to be a long job.
I’m trying out a color palette of greens, peaches and dusky pinks, but I’m not sure about them, or maybe I’m not fussed on the background. I’ll see how I get along. It’s definitely a work in progress.
I’m not sure what happened with the design. I had intended to leave open space in the design to add a lighter, airier feeling to parts of it. That just didn’t happen. I’m not sure about some areas, but I do know that colour can make all the difference to a design.
A4 Marker Paper Pentel disposable fountain pen, 02 Uniball Unipin pen, and a 0.38 Uniball Signo Dx pen Backgrounds and colours added digitally using Autodesk Sketchbook Pro
Note – I’m not paid, sponsored or supplied with any products.
It’s the Vernal Equinox here in the Northern Hemisphere – Autumnal Equinox to those of you south of the equator, so hello autumn to you!
And, typically of me, my arty offering today isn’t really all that springline, apart from the nesting birdies that is!
Some more Zentangle cartouches have been done by me. The central images are all from packs of Tim Holtz’s ephemera – Field Notes or Botanicals. I gave these a bit of a shiny glaze with some gloss medium; it helps to bring out the colours.
I’ve used a variety of media and paper for these. The squares are either 3.75″ x3.75″ or 4″ x 4″ in size. The rectangular cartouche is 3.3″ x 5.2″ in size.
I quite like all of them, though part of me is irked by the lopsided box around the beetle!
These take a surprisingly long amount of time to complete. It’s very pleasurable time, especially as I lose myself in the process.
Over the past two or so days, I’ve not been feeling quite right. I’ve spent a lot of time cwtched up in bed, and about the only art I’ve felt like doing is small projects that I don’t feel overwhelmed by.
I saw the idea of zentangle cartouches on the Zentangle YouTube channel a little while back and wanted to give them a go. I’d done one a little while ago where I’d used some vintage rose ephemera from a set of Tim Holtz’s Field Notes ephemera on a piece of natural coloured mixed media paper. I wasn’t at all sure with what I’d ended up with. However, I did want to revisit this idea once again.
So, I decided to explore the idea of cartouches once again. This time, I used smaller pieces of creamy Fabriano Medioevalis paper, which comes sized to 3.3″ x 5.2″ (85mm x 132mm), with lovely rough edges. This is really soft paper, the surface is easily damaged by using a tortillon too roughly.
I added the focal points, again from the Field Notes ephemera by Tim Holtz, along with some little quotes. The quotes are from the sets of ‘chit chat’ stickers, again by Tim Holtz. These items are in my stash from the days I messed around with mixed media, before I realised it really wasn’t quite for me. I admire what people can do with mixed media, but I just never seem to have found my way with it in a way that I’m happy with. I’m much happier wielding a pen (on paper or digitally) with love and a creative heart, than getting rather messy and frustrated with mixed media.
My Reflections on these Cartouches
Anyways, I’ve had mixed results with these experiments in cartouches. My favourite is ‘trust your crazy ideas’, closely followed by ‘be you, bravely’, then ‘treasure. ‘stay curious’ and ‘don’t forget to fly’ are very close to these in how much I like them.
‘trust your crazy ideas’ just seems to have colours and patterns that work harmoniously both with each other and with the mushrooms. Perhaps I got a little close to the motif with the pen work, something for me to consider with future projects of this ilk.
‘trust your crazy ideas and ‘be you, bravely’ are both designs that have a small number of different patterns on them.
‘treasure’ is similar in that respect, but it feels unbalanced. I think I need to consider where I put the central motif; more centrally may work in my favour. ‘stay curious’ is a much more balanced design than ‘treasure’, because I consciously decided to mirror the patterns used, even though the motif was not placed centrally.
‘don’t forget to fly’ is just not a coherent design at all. I like the borders and the seed pods around the motif, but then it all goes weird.
However, I’m really not at all pleased with ‘live gently upon this earth’. It’s incoherent, too many colours, and the words and motif are just not balanced at all. I would’ve been better with not adding the words to this one in the first place.
Actually. It may be that I don’t add the words until the design is finished, at the bottom as a kind of plaque or border, or floating over an area of the cartouche with a border around them, or just not use them at all. I need to experiment with these.
My own ephemera designs?
I also know I’m quite capable, I think, of drawing my own ‘epehemera’ to add as focal points. However, as I tend to draw at a much bigger scale, I’d either need to scan my drawing in, or draw digitally, and reduce the scale before printing them out. At this time, I have a laser printer, which is great for printing documents and so on but not so much for artwork. It changes the surface properties of the paper used. Also, I can’t use specialist art paper with the printer. If I’m going to go down this route of arty expression I think I need to consider changing this printer for an inkjet printer again, especially one that has waterproof, or at least water resistant, ink.
What to do with my artwork?
My home is increasingly becoming filled with my artwork. Most of it I have digital versions of them – either scans or photographs. I do need to decide what to do with my artwork as I really do need to let it go to new homes. Any suggestions, drop me a comment!
Also, I have a problem with putting a price on my artwork, if I were to sell it. I have absolutely no idea of what it’s value could be to other people, or even if anyone would want to purchase it. Again, any suggestions, drop me a comment! Any help or advice would be much appreciated.