Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.

Abstract Botanical 9 September 2018

Angela Porter 9 September 2018

This one has taken many hours to do, and I’m not quite happy with the background colour/texture, but I need a break from it.

I drew the black and white line art on paper with Sakura Pigma Micron pens, scanned it in, created a transparent background and then coloured it digitally.

I used Autodesk Sketchbook Pro with a Microsoft Surface Pen on my Microsoft Surface Studio.

Fun to do. A nice way to spend time, jut playing. And it’s unusual for me to colour in one of my black and white pieces of line art.

Angela Porter 18 August 2019

Here’s today’s drawing, design, artwork; yesterday’s ‘just colour’ design.

I did try a small design using coloured pens to add lines, but it just doesn’t feel or look right.

I’m happy with this one, like I was with the one yesterday.

These last couple of artworks have been a bit of a change in the way I usually work. Perhaps more of quite a change.

Usually, I start by drawing my design and then adding colour. Over the past couple of days I’ve been drawing the basic shapes/design with colour from a brush, starting with the broad structure of the design. Then, I add the architecture of the design in pen.

The laying down of colour first means there is, for me, not a lot of control over the gradation of colour/tome and the precise shapes. Using watercolours means that colours can bleed from one shape into another if I forget to move to another area and let each shape dry before adding another next to it.

The resultant colour design, the variations as mentioned, is then the basis for my drawing. I work with the shapes as they are, trying not to be overly concerned if my pen lines done precisely match the edge of each shape. I try to work with the variations in colour/saturation/tone as I add the patterns.

I have tried doing something like this digitally, but so far haven’t been all that happy with the results. I will keep trying though. I know eventually I’ll work out how this will work for me.

It’s a nice way to spend a Sunday, no matter what I do precisely.

Wednesday drawing

Angela Porter 4 July 2018

Can you tell I’m really enjoying drawing intricate illustrations and designs at the moment?

Pen and ink on paper, with pencil shading. Some dangles have crept in at the top, a touch I rather like.

I meant to leave some space to add a quote or inspirational word, but got so engrossed in the dangles that I forgot!

A Dangle A Day, Eerie Entangled Art and Entangled Butterflies are books of mine available to preorder now.

Over on the Angela Porter’s Coloring Book Fans facebook group it’s work in progress wednesday. Pop over and you’d be made to feel welcome I’m sure!

Lazy daisy sunday

Angela Porter 24 June 2018 watermarked

I really am on a daisy-kick in my drawing lately! Such happy little flowers, resilient too.

I did do this drawing last Monday, but decided to post it today after I spent much of my morning colouring one of the templates for Entangled Butterflies (available to preorder).

Abstract and stylised flowers

Angela Porter Spring Flowers Watermarked SmallAngela Porter Bright Flowers Watermarked

I’ve had a couple of busy days, including a Time to Change Wales anti-stigma talk with the South Wales Police.  The talk wiped me out for a day or so, it always does as I get very anxious and emotional in telling my story.

So, I’ve been relatively quiet on the artsy front, but I did get these two abstract, stylised floral images done.

I rather like the bright colours, achieved using Kuretake’s Zig Clean Colour Real Brush Pens and a water pen.  I like both the white and black outlines, though I do prefer the black; they make the image look more like stained glass.

Both of these designs are available on products from both my Vida collection and my Zippi Portfolio.

A nice change of pace and way of creating from my more usual entangled drawings with tiny details done with fine pens and a whimsical quality.