Inspiration – Entangled drawing

Inspiration © Angela Porter 2019 - Artwyrd.com
Inspiration © Angela Porter 2019 – Artwyrd.com

My morning task, afore heading out for my EMDR session later, was to finish this drawing.

I used a combination of a Tombow Fudenosuke pen along with a medium nib Lamy fountain pen on Winsor and Newton Bristol Board, A4 in size, to draw this design and add the hand lettering.

The white space really helps to break up the intricate details; helps to separate out the sections and gives the eyes and brain a bit of a rest from it.

I will add colour to this in the fullness of time, most probably digitally.

So, how are you today Angela?

I’m content. Not quite as smiley happy as yesterday, but content. Calm too, or relatively so. There’s a low level background noise of anxiety there.

I do wonder if the weather affects my moods more than I thought it did. Yesterday was both sunny and rainy – rather heavy spells of rain. The sun and driving in the sun was lovely and helped to lift my spirits somewhat.

Today there’s no sun. Just grey clouds and there’s been rain. I’m not quite as tickettyboo as yesterday.

I think I may need to add a weather tracker to my BuJo alongside my mood tracker to see if there is a correlation.

I have my EMDR session in a couple of hours time. I have no idea how that will affect me at this point in time, nor what memory we’ll work on. I won’t dwell or ruminate on it for now. Just get myself sorted to make the hour-long journey to Neath in a little while. Yes, I think that’s best for now.

Entangled Monogram F

Entangled Monogram F ©Angela Porter 2019 - Artwyrd.com
Entangled Monogram F ©Angela Porter 2019 – Artwyrd.com

I drew this a little while ago and thought I’d show it today. Another in my Entangled Monogram series. I’m up to H now, though I’m not happy with them all, this being one of them.

I’m not sure if it’s the rather thick outline around the F, or the complex pattern inside the F, or the disjointed pattern to the top left of the letter.

Drawn on bristol board with Tombow Fudenosuke and Uniball Unipin pens.

Entangled Art 9 May 2019

Entangled Art © Angela Porter 2019 Artwyrd.com
Entangled Art © Angela Porter 2019 Artwyrd.com

I’ve had a busy couple of days this week. This busy-ness has meant I’ve not been able to do as much drawing as I’d like. So, it’s taken nearly 4 days for me to complete this drawing.

I included, unusually, some hand lettering, and a lot of the patterns have been influenced by images of cells and other things under the microscope. That’s the scientist in me creeping out!

It really needs shading and/or colour to bring it to life. So, I’ll add it to the pile that need the same!

The design is nearly A4 in size (approx. letter size in the US). I drew it with Tombow Fudenosuke, Uniball Unipin and Sakura Pigma Sensei pens on bristol board from Seawhite.

Just a little reminder, but I did an interview for Tony Eames of nfreads.com. You can read it by clicking here.

Abstract Floral Design – Coloured

Abstract Floral Design ©Angela Porter 2019 - Artwyrd.com
Abstract Floral Design ©Angela Porter 2019 – Artwyrd.com

This morning, I thought I’d start my day by colouring in yesterday’s shaded, abstract floral design. And this is the result.

I didn’t remove the shading, but added simple gradient colours above it so that the shading would add to the depth and dimension.

Although this image, thanks to whatever WordPress does to the colour of images when uploaded, doesn’t show this, it actually works really well.

Yes, I know. It’s taken me a couple or three years to get around to working out I can underlay shadows and used colour over the top to add depth and dimension. However, I’ve said it before, I learn tricks at my own pace and when they are relevant to me or when I’m ready to try them out.

I may try this design again, but with more vintage-y colours. Maybe. It’s all learning for me that’s for sure!

The design was drawn with Tombow Fudenosuke and Sakura Pigma Sensei pens. Shading and colour was added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Studio.

Abstract Floral Design

Abstract Floral Design 4 May 2019 ©Angela Porter - Artwyrd.com
Abstract Floral Design 4 May 2019 ©Angela Porter – Artwyrd.com

I started drawing this one fairly late last night and completed it just now. The tools I used were a soft Fudenosuke pen by Tombow, a 0.4 Sakura Pigma Sensei pen on white mixed media paper from Claire Fontaine.

I then scanned the drawing into the Surface Studio and used Autodesk Pro and a Surface Pen to clean up the image and then add a few details and some shading to it.

The original drawing is approx. 5″ x 6″ in size.

I’m quite pleased with this one as it’s not my usual ‘lets see how much space we can fill with line and pattern’ kind of drawing. The design has a kind of leaf shape to it in outline, and I’ve let white space exist in the design, which is really unusual for me.

Working in monotone is also unusual for me, but the grey shading certainly adds depth and dimension to the design, brings it to life.

I also have some brushes in Autodesk Sketchbook Pro that I can use to mimic graphite pencil shading, which I did here.

I started with the flower motif in the middle and let the design flow out from that point. Of course my design motifs had to include foliage, seedpods and some abstract/geometrical patterns too. Oh and some fungi/mushrooms too. And orbs/spheres.

I really like my circular arches of a pattern inspired by Early Celtic/La Tene art. The shading really helped to define this pattern.

I’m going to make this one available for purchase from my RedBubble shop.

Still emotionally exhausted…

I slept so much yesterday and last night. I’m still emotionally exhausted after my trip out on Thursday. I’m still finding it hard to believe how much something so simple exhausted me so much in terms of emotion particularly. I didn’t think I was any more anxious than usual, or stressed than usual. Seems I was oblivious to my own body.

I do feel a bit better today, but I could just curl up and sleep again now and I’ve only been awake for 4 hours.

I won’t go to sleep this afternoon though. I’m going to keep myself awake somehow. Maybe with art. Maybe with some books I bought on Thursday. Maybe with crochet. Maybe with all of them, but not at the same time!

Even though I’m exhausted I do feel quite content within myself. However, even though it’s a lovely sunny day, if rather windy, here in Welsh Wales, I don’t think I’ll venture out into the realms of peopledom. It’s another Bank Holiday weekend here in the UK so the world tends to be more people-y than usual. I think that could overwhelm me again and I’m better off just remaining where I feel safe and calm.

The more aware I am of my emotions and my self, the more aware I am of how much CPTSD has affected me, of how it limits my life, and of how much work I still have to do. Mind you, that self awareness is showing me as well the progress I have made and how I make decisions based around self care too. Like today, knowing the world is too people-y and somethings can be left until the world is a little less people-y.

Dangle Day Friday!

May Dangle Design © Angela Porter 2019
May Dangle Design © Angela Porter 2019

It’s Friday so it’s dangle day! Today I’ve chosen to share with you my May dangle design from my book ‘A Dangle A Day

I’ve used the line-art design and just recoloured it. Different colours give a different ‘feel’ to the dangle design!

The design itself is made up of simple, repeating motifs added in chains of charms. Simple, cute, charming, whimsical and pretty too, even if I say so myself.

This would be lovely as the monthly cover page in a BuJo (bullet journal), planner, journal, diary.

A different sentiment could be used in the banner to make it a perfect greeting card or note card.

One of the dangles would look rather cute as a bookmark; it’s easy to lengthen the designs.

Yesterday

I took a little trip out on my own yesterday. It’s one of my goals as I progress along my healing journey from CPTSD to get out and about more. I chose to go somewhere familiar to me, the little town of Glastonbury in Somerset.

I was able to wander around shops, but when it came for lunch I totally balked at going into any cafe at all. Issues surrounding my body size rose up and I just couldn’t go into them.

So I went home.

The whole trip exhausted me. More of an emotional exhaustion though from being brave and keeping it together and interacting with people in shops.

When I got home I had something to eat, which then resulted in an upset stomach/digestive system.

I then went to bed and slept.

I’m still exhausted today.

But I did it. I went somewhere a bit further afield (a round trip of nearly 180 miles is a little further afield to me!) by myself.

I’m surprised at how much the trip has exhausted me given I went somewhere I know, that is familiar, and I used to feel quite comfortable there.

All the same, it’s highlighted some issues I have with how I view myself.

Don’t get my wrong, I am overweight, but my mind seems to think I’m the size of a small elephant and I won’t fit anywhere. I have no idea of my body size other than the size of clothes I wear, which tend to be larger than I need as I think I’m larger than I am.

Is this body dysmorphia? I don’t know.

So, when a cafe or shop is busy I tend to walk away fearing there’ll be nowhere I can fit into, as well as me being overwhelmed in crowds and crowded places.

The complex layers of how CPTSD affects my daily life and activities a lot of people take for granted. It also shows some more of the barriers I need to overcome in order to finally live the kind of life I’d like to, one that isn’t quite as limited by CPTSD as it has been through most of my life.

Work in progress

Work In Progress ©Angela Porter 2019 - Artwyrd.com
Work In Progress ©Angela Porter 2019 – Artwyrd.com

It’s a new month so that means a new coloring template is available to members of the Angela Porter’s Coloring Book Fans facebook group, and this is the template! I thought I’d add some colour to it before I head out for the rest of the day.

I drew the template with Fudenosuke pens from Tombow on Bristol Board from Winsor and Newton. The paper is A4 in size (that’s approx. US letter size).

I’ve started coloring it digitally (Autodesk Sketchbook Pro, Microsoft Surface Pen, Microsoft Surface Studio), as that’s what I’m enjoying at the moment.

This month I’ve gone for my signature entangled style of art, but using the Fudenosuke pens, which I’m really enjoying using, gives varying linewidths and heavier lines and a more graphic feel to the art.

It’s free to join the group, there are some terms and conditions attached to the template use. If you’d like to download and colour the image then pop along to the group and you’d be made most welcome!

I’d also love to see how you colour this template. Yes, really, I would!