As autumn has arrived, at least astronomically, As we’ve passed the astronomical point of season’s change, from summer to autumn here in the northern hemisphere, I continue to long for the fiery costume of nature. Warm memories to sustain us as the cold, architectural skeletons of nature are all that remain. A reminder burned in our minds that nature will once again blossom and bloom once the days begin to lengthen once again.
To complete the line art, I used a Tombow Fudenosuke pen. Colour was added with Stabilo Carbothello pencils and a paper tortillon.
Today’s vlog is a sketchbook flip-through showing my week in art.
I’m still on the mushroom kick it seems. Today’s sketches/drawings for Sketchtember feature some mushrooms. One is a typically, perhaps, entangled style of art. The other is much more of a pen and ink drawing, making use of stippling and cross-hatching to add shadow and a sense of volume.
I used a Uniball Eye micro pen to draw on a piece of Distress Ink coloured mixed media paper from Claire Fontaine for the entangled drawing on the left.
For the drawing on the right, I used a Tombow Fudenosuke pen on a piece of Ohuhu marker paper. This paper is surprisingly nice to draw on.
I’ve yet to decide if I’m going to add colour to these drawings. I have scanned them in so that I have a record of them as they are.
This week, I was asked to create a mandala by Brett, who runs the group. So I did. And this one has a very autumnal theme to it. It is the first day of September and summer is waning away with autumn starting to make it’s way from the wings.
I’ve chosen a rather subdued palette for today’s addition of colour. No doubt I’ll have a different version for tomorrow’s posting!
This is now finished! Between drawing, adding colour and embellishments, it’s taken somewhere between six and seven hours, I think.
Materials used: * SeaWhite all media paper, 8″ x 8″ (195mm x 195mm) * Uniball Eye Pen – micro * Uniball Signo DX 0.38 Pen * Derwent Graphitint pencils * Brushes and water * Derwent Drawing Pencils * Cold Grey IV Pitt Artist Pen * White and yellow Sakura Soufflé pens * Clear Sakura Glaze pen
I actually managed to keep some white space in the design! I may have slightly overdone the dottiness. I did mess up by trying to use the Derwent Drawing pencils to add some darker tones to the green ‘leaves’.
Overall, I think this is good enough to move on to the next project, which is likely to be Thursday’s coloring template.
It’s been nice to lose myself in some art for the sake of art. Especially as my emotional weather is still damp, dull and grey and making me doubt myself. It’s been an emotional rainy spell that’s been brewing for a while, and that’s why I’ve returned to the familiarity and comfort of my entangled art.
I always circle back to entangled art, regardless of my experiments with other media and styles and getting frustrated with colour!
My tricksy emotional weather is only exacerbating my frustrations with colour. I know I need to get the coloured plates done for the Whimsical Cats colouring book, but as I am at the moment I will only get myself into a right royal kerfuffle. So, it’s time to just enjoy drawing, maybe using some colour – time for monochrome colour schemes I think.
This week, the design is botanical, entangled and a tad on the abstract ‘mechanical’. As is my want, I’ve partly coloured the template to start to breathe life into it.
Drawn with Unipin pens on Claire Fontaine Paint On mixed media paper. Digitally coloured in Clip Studio Paint Pro.
I’ve also created a video. The drawing and colouring took me over 3 hours this morning, so I’ve sped the video up so it takes just a few seconds over 20 minutes.
Still not too well…
I’m feeling better today, but I’m still not right. My stomach/digestive system is still delicate and I have a headache on and off. I did get a bit more sleep last night, but not enough really.
Still, I’m on the mend and taking it easy again today.
Having said that, while this video was processing and then uploading and processing again in YouTube, I managed to edit two templates I drew on Tuesday and then ink in the one I wanted to use a symmetry tool to draw it. So, I’ve got some more templates done for the book I’m working on. The total is now 13 out of 31.
I don’t know if I’ll get any more done today. I’m flagging badly now and feel the need to sleep. I may have another mug of tea before I take a nap and see if that perks me up a tad.
The leaves I did yesterday afternoon, just playing with colour, wet into wet, and then adding patterns to the leaves with metallic watercolours. It was relaxing, soothing, and the way the colours flow into each other is just … magical!
The watercolour process was helped by the paper I used – 100% cotton rag Khadi paper, which I just tore into a squarish shape.
The bottom one was this morning’s play around with watercolour in a Doodleworlds kind of way.
I started off with a pencil drawing – you can faintly see the pencil lines of the rest of the design. I wanted to try adding watercolour to the pencil drawing, no black line.
But, as I’d completed add colour as far as I had, I wasn’t sure I liked it. So, I used a Signo DX .38 pen to add some fine, waterproof, lines.
The black lines do help to define the elements of the design, but the drawing ends up a bit cartoonish, which is fine as it’s Doodleworlds.
Of course, I did video this morning’s session with watercolour. When I was looking back on it, the colours looked a lot more vibrant than I thought they were to my eyes, and also the painting looked better at such a distance.
So, I’m torn between whether to add line or not! I think I need to add some more colour to this drawing, without adding black lines, to see which I prefer for sure.
This is a rather mechanical-organic-entangled kind of drawing, that is a work in progress. I started two similar drawings, but then messed them up as I smeared ink too badly.
This one, though, is gradually growing. Perhaps the machinery is all abandoned bits and bobs that nature is now reclaiming. Who knows! Perhaps there is a bit of a story in my art after all.
I did make a short youtube video this morning as I drew part of this design. Yesterday, I took delivery of a stand-sit thingy that sits on my desk. I realised I spend way too much time sitting down in a day, drawing and so on. So, I thought being able to stand and work may be a good thing.
Yesterday afternoon, after it arrived, I tested it out to do some digital art. All fine and good! It was a pleasant change to stand and work, that’s for sure.
This morning, I wondered how I’d get on drawing traditionally. So, I thought I’d make a little video of me drawing a thinking out loud.
It’s OK to work when standing up, but i’m going to have to set the thingy (must give it a name!) a bit higher so I’m not bending my back a tad awkwardly to work. Mind you, that may be solved if I wear the right pair of glasses!
All the same, I think it’s a fab investment, and as it lowers to being just about three inches higher than my desk surface and I can push it back out of the way, it’s fab.
It’s raining fairly steadily and heavily at the moment. We have a weather warning here in South Wales, one to take care when driving. I’ve got no plans to go out. Actually, even if it was dry I have no plans to go out. A walk isn’t a good idea at the moment. I twisted my knee awkwardly yesterday. Walking up/down slopes was problematic for me on my walk yesterday. Going up and down stairs can be really painful. So, my knee needs some tlc to recover, quiet day today then.
At the start of March, along with the weekly template, I set a color palette challenge for members of the Angela Porter’s Coloring Book fans. I asked for all of you who took part to hold off sharing your wonderful colorations until the last Wednesday of the month, which happens to be tomorrow!
I’ve finished colour the template using the rather spring-like colour palette, and here is a fragment, a snippet of my completed template.
This week, my template for members of the Angela Porter’s Coloring Book Fans facebook group is a typically entangled one – full of Zentangle-style patterns, arches, a few flowers and organic motifs added, but mainly purely abstract. Great fun to add colour to!
This template was one I had doubts about whether it was ‘right’ or ‘good enough’. It wasn’t until I added colour to it that I realised it was just fine. I’ve chosen, yet again, quite a vintage colour palette, with a couple of brighter spots here and there.
This often happens to me. I’m really not happy with a drawing, but then I add colour and it magically transforms into something that I’m quite happy with. The colour is the flesh on the line-work skeleton. It’s quite magical!
The template is free to members of the facebook group, and you’d be made most welcome as a member should you wish to colour this template, or many others that are available there.