Template Thursday

Coloring Template and Timelapse Video

It’s that day of the week once again – the day I create a new coloring template / coloring page for the Angela Porter’s Coloring Book Fans facebook group.

This week, the design is botanical, entangled and a tad on the abstract ‘mechanical’. As is my want, I’ve partly coloured the template to start to breathe life into it.

Drawn with Unipin pens on Claire Fontaine Paint On mixed media paper. Digitally coloured in Clip Studio Paint Pro.

I’ve also created a video. The drawing and colouring took me over 3 hours this morning, so I’ve sped the video up so it takes just a few seconds over 20 minutes.

Still not too well…

I’m feeling better today, but I’m still not right. My stomach/digestive system is still delicate and I have a headache on and off. I did get a bit more sleep last night, but not enough really.

Still, I’m on the mend and taking it easy again today.

Having said that, while this video was processing and then uploading and processing again in YouTube, I managed to edit two templates I drew on Tuesday and then ink in the one I wanted to use a symmetry tool to draw it. So, I’ve got some more templates done for the book I’m working on. The total is now 13 out of 31.

I don’t know if I’ll get any more done today. I’m flagging badly now and feel the need to sleep. I may have another mug of tea before I take a nap and see if that perks me up a tad.

Watercolour Experiments

Two watercolour experiments in the photo.

The leaves I did yesterday afternoon, just playing with colour, wet into wet, and then adding patterns to the leaves with metallic watercolours. It was relaxing, soothing, and the way the colours flow into each other is just … magical!

The watercolour process was helped by the paper I used – 100% cotton rag Khadi paper, which I just tore into a squarish shape.

The bottom one was this morning’s play around with watercolour in a Doodleworlds kind of way.

I started off with a pencil drawing – you can faintly see the pencil lines of the rest of the design. I wanted to try adding watercolour to the pencil drawing, no black line.

But, as I’d completed add colour as far as I had, I wasn’t sure I liked it. So, I used a Signo DX .38 pen to add some fine, waterproof, lines.

The black lines do help to define the elements of the design, but the drawing ends up a bit cartoonish, which is fine as it’s Doodleworlds.

Of course, I did video this morning’s session with watercolour. When I was looking back on it, the colours looked a lot more vibrant than I thought they were to my eyes, and also the painting looked better at such a distance.

So, I’m torn between whether to add line or not! I think I need to add some more colour to this drawing, without adding black lines, to see which I prefer for sure.

Testing, testing

This is a rather mechanical-organic-entangled kind of drawing, that is a work in progress. I started two similar drawings, but then messed them up as I smeared ink too badly.

This one, though, is gradually growing. Perhaps the machinery is all abandoned bits and bobs that nature is now reclaiming. Who knows! Perhaps there is a bit of a story in my art after all.

I did make a short youtube video this morning as I drew part of this design. Yesterday, I took delivery of a stand-sit thingy that sits on my desk. I realised I spend way too much time sitting down in a day, drawing and so on. So, I thought being able to stand and work may be a good thing.

Yesterday afternoon, after it arrived, I tested it out to do some digital art. All fine and good! It was a pleasant change to stand and work, that’s for sure.

This morning, I wondered how I’d get on drawing traditionally. So, I thought I’d make a little video of me drawing a thinking out loud.

It’s OK to work when standing up, but i’m going to have to set the thingy (must give it a name!) a bit higher so I’m not bending my back a tad awkwardly to work. Mind you, that may be solved if I wear the right pair of glasses!

All the same, I think it’s a fab investment, and as it lowers to being just about three inches higher than my desk surface and I can push it back out of the way, it’s fab.

It’s raining fairly steadily and heavily at the moment. We have a weather warning here in South Wales, one to take care when driving. I’ve got no plans to go out. Actually, even if it was dry I have no plans to go out. A walk isn’t a good idea at the moment. I twisted my knee awkwardly yesterday. Walking up/down slopes was problematic for me on my walk yesterday. Going up and down stairs can be really painful. So, my knee needs some tlc to recover, quiet day today then.

March Color Palette Challenge…

At the start of March, along with the weekly template, I set a color palette challenge for members of the Angela Porter’s Coloring Book fans. I asked for all of you who took part to hold off sharing your wonderful colorations until the last Wednesday of the month, which happens to be tomorrow!

I’ve finished colour the template using the rather spring-like colour palette, and here is a fragment, a snippet of my completed template.

Template Thursday

It’s that time of the week once again!

If you’d like to print and colour this template, then pop along to the Angela Porter’s Coloring Book Fans facebook group. It’s free to join and the template is free to members, with just a few sensible Terms and Conditions of use to follow.

This week, it’s a rather typically Angela Entangled style template. There’s lots of larger spaces that are perfect for you to add patterns or textures.

Template drawn with Unipin pens on A4 cartridge paper.
Colour and texture added digitally.

Template Thursday

This week, my template for members of the Angela Porter’s Coloring Book Fans facebook group is a typically entangled one – full of Zentangle-style patterns, arches, a few flowers and organic motifs added, but mainly purely abstract. Great fun to add colour to!

This template was one I had doubts about whether it was ‘right’ or ‘good enough’. It wasn’t until I added colour to it that I realised it was just fine. I’ve chosen, yet again, quite a vintage colour palette, with a couple of brighter spots here and there.

This often happens to me. I’m really not happy with a drawing, but then I add colour and it magically transforms into something that I’m quite happy with. The colour is the flesh on the line-work skeleton. It’s quite magical!

The template is free to members of the facebook group, and you’d be made most welcome as a member should you wish to colour this template, or many others that are available there.

Template Thursday

A spring-themed template this week, and a challenge, over on the Angela Porter’s Coloring Book Fans facebook group.

The challenge is a month long and I’ve asked the members to hold off posting their completed templates until 31st March so they can all be posted together. I thought it would be fun to do that way.

Anyway, the challenge is to use a limited colour palette plus black and white to colour this week’s template, or any other flowery template for the 31st March. I’ve chosen some springtime colours. It’s going to be interesting to see how different people use the colours to complete this challenge.

Template Thursday

Thursday seems to come around both quickly and as if it’s been an age since last Thursday. As it’s Thursday, that means it’s time for a new colouring template /coloring page for the members of Angela Porter’s Coloring Book Fans facebook group.

This week’s template is a typically ‘Angela’ entangled style drawing. A stylised dragonfly floats above an entangled background containing arches and seed pods, flowers and foliage, along with various patterns and an intricate border.

I’ve chosen to part colour the template in a monochrome scheme of greens. I don’t really pay attention to light source much. mostly I use light and shadow as part of the patterns and a way to introduce a sense of depth and dimension to my art. This is something I realised only recently.

Sunday Work In Progress

This is one of a couple of drawings I have on the go at the moment. The scan has washed out and altered the colours a tad. The gradations of colour are a lot smoother too. But I think you get the idea.

This was was drawn with Copic Multiliners on heavy smooth cartridge paper by Daler Rowney. I’m using Staedtler and Chameleon fineliners to add texture/pattern to the drawing. The larger areas of colour were achieved with Carbothello pastel pencils and a paper tortillon.

I was going to stick to a monochrome colour scheme, but some of those tendrils, fronds and leaves just needed a touch of a muted green. And then that led me to including that central ‘orb’ of turquoise (which isn’t as pale or lacking gradient as it appears).

I’m getting to the point where I need to decide how much white space to leave in the design, and where I’m going to add colour and/or texture and pattern. I also need to think about whether some of those coloured spaces need either more shadow or lightening up a bit. That means it’s time for me to take a break from this particular artwork and go and do another or something else completely different!

Before that, there are elements in this design that I really like – the strange columns/antenna at the top and bottom left, the organic trellis of fronds in the largest part of the design. That horizontal bar towards the top. however, just jars with the rest of th design.

Entanglement – 19 Feb ’21

Yesterday’s coloring template for the Angela Porter’s Coloring Book Fans facebook group all coloured and shaded. I used Chameleon alcohol markers to add the colour and some shading. I also used a graphite pencil and a tortillon to darken the shading and add shadow to the lighter areas. It’s turned out OK.