At the start of March, along with the weekly template, I set a color palette challenge for members of the Angela Porter’s Coloring Book fans. I asked for all of you who took part to hold off sharing your wonderful colorations until the last Wednesday of the month, which happens to be tomorrow!
I’ve finished colour the template using the rather spring-like colour palette, and here is a fragment, a snippet of my completed template.
This week, my template for members of the Angela Porter’s Coloring Book Fans facebook group is a typically entangled one – full of Zentangle-style patterns, arches, a few flowers and organic motifs added, but mainly purely abstract. Great fun to add colour to!
This template was one I had doubts about whether it was ‘right’ or ‘good enough’. It wasn’t until I added colour to it that I realised it was just fine. I’ve chosen, yet again, quite a vintage colour palette, with a couple of brighter spots here and there.
This often happens to me. I’m really not happy with a drawing, but then I add colour and it magically transforms into something that I’m quite happy with. The colour is the flesh on the line-work skeleton. It’s quite magical!
The template is free to members of the facebook group, and you’d be made most welcome as a member should you wish to colour this template, or many others that are available there.
The challenge is a month long and I’ve asked the members to hold off posting their completed templates until 31st March so they can all be posted together. I thought it would be fun to do that way.
Anyway, the challenge is to use a limited colour palette plus black and white to colour this week’s template, or any other flowery template for the 31st March. I’ve chosen some springtime colours. It’s going to be interesting to see how different people use the colours to complete this challenge.
Thursday seems to come around both quickly and as if it’s been an age since last Thursday. As it’s Thursday, that means it’s time for a new colouring template /coloring page for the members of Angela Porter’s Coloring Book Fans facebook group.
This week’s template is a typically ‘Angela’ entangled style drawing. A stylised dragonfly floats above an entangled background containing arches and seed pods, flowers and foliage, along with various patterns and an intricate border.
I’ve chosen to part colour the template in a monochrome scheme of greens. I don’t really pay attention to light source much. mostly I use light and shadow as part of the patterns and a way to introduce a sense of depth and dimension to my art. This is something I realised only recently.
This is one of a couple of drawings I have on the go at the moment. The scan has washed out and altered the colours a tad. The gradations of colour are a lot smoother too. But I think you get the idea.
This was was drawn with Copic Multiliners on heavy smooth cartridge paper by Daler Rowney. I’m using Staedtler and Chameleon fineliners to add texture/pattern to the drawing. The larger areas of colour were achieved with Carbothello pastel pencils and a paper tortillon.
I was going to stick to a monochrome colour scheme, but some of those tendrils, fronds and leaves just needed a touch of a muted green. And then that led me to including that central ‘orb’ of turquoise (which isn’t as pale or lacking gradient as it appears).
I’m getting to the point where I need to decide how much white space to leave in the design, and where I’m going to add colour and/or texture and pattern. I also need to think about whether some of those coloured spaces need either more shadow or lightening up a bit. That means it’s time for me to take a break from this particular artwork and go and do another or something else completely different!
Before that, there are elements in this design that I really like – the strange columns/antenna at the top and bottom left, the organic trellis of fronds in the largest part of the design. That horizontal bar towards the top. however, just jars with the rest of th design.
Yesterday’s coloring template for the Angela Porter’s Coloring Book Fans facebook group all coloured and shaded. I used Chameleon alcohol markers to add the colour and some shading. I also used a graphite pencil and a tortillon to darken the shading and add shadow to the lighter areas. It’s turned out OK.
This week, I decided to create a coloring page / template that is in the ‘Angela’ Entangled style, similar to yesterday’s artwork.
I made the motifs bigger and less patterned for the coloring template, however. To add colour to my version of the template I used a mixture of brown fineliners by Staedtler and Stabilo. Instead of solid colour, I used patterns and textures to add colour and complexity. I did use a pale grey fineliner to add details to the snowdrops and leaves, but the scanner didn’t pick it up. Ho hum.
After I’ve had lunch, I may return to the drawing to add shadows to bring out some dimension and depth. I’m not sure what medium I’ll use, though alcohol makers may be the best option, perhaps. I’ll see how I feel when I get to it.
I’ve been working on this drawing for the past three or four days. I finally finished it this morning. Here’s a list of materials used: A4 Daler-Rowney Bristol Board Copic Multiliners (05, 025, 02) Sakura Pigma Micron (01) Various shades of brown Stabilo fineliners Grey and sepia Uniball Unipin fineliners
I’m finally becoming comfortable with leaving open spaces in my art, though I still do like a clear border/edge. The spaces give a lighter, more airy feel to the design. I’m learning that I don’t have to fill every available space with pattern. I think that is a good thing.
I’m also really enjoying using shades of brown to add patterns to the design, and some grey too.
If you’d like to know where I started this drawing, it was with the small arrangement of boxes just above the blueberry-ish berries just above the left of centre. Everything else grew out from there.
I think this one is finished, though as I look at it now, I want to use a white Gelly Roll pen to add dots in places. Also, the shadows need to be tad intensified around the motifs to give the illusion of depth. I may use alcohol markers – Chameleons or Copics – to do this as the Copic Multiliners are alcohol ink safe.
Waking at stupid o’clock meant drawing until I could go back to sleep. I got all the inking done for this particular drawing. Now, the colouring needs to be completed.
Materials: 21cm x 21 cm (8.25″ x 8.25″) piece of Claire Fontaine Paint-on mixed media paper – natural colour Aged Mahogany Distress Ink and a piece of cut and dry foam to distress/grungify the paper 03 and brush Uniball Unipin fineliner pens 01 Sakura Pigma Micron pen Staedtler Triplus fineliners Chameleon fineliners Water brush White Sakura Gelly Roll pen