This was a fun ‘Draw With Me’ drawing tutorial on YouTube. Unusually, I used a lot of Zentangle tangle patterns – Arukas variation, Crescent Moon variation, Tipple variation, Quabog, Sez and Mooka. Plus a couple I like to draw – the flowers within circles and the mechanical kind of things under the hand lettering.
It is a work in progress, however. I have no idea what will appear next on it…intuitive art is a wonderful thing to do!
I’ve finished adding all the main patterns on the cover page for my Entangled Samplers collection. I’m happy with the result, which is something I rarely say!
However, I needed a regular grid pattern to contrast with the more organic patterns and motifs. So, I added the gridded tangle to the top right.
At the bottom right is a variation of the Zentangle tangle pattern ‘Rixty’. The plain white paper behind it was crying out for some texture. So, I added some ‘Printemps’ spirals using a 0.1 light grey Unipin pen. As a subtle reminder to use colour and line thickness variations to bring interest into a drawing, this was a good idea.
I have a couple of things to decide before fully finishing the page. Firstly, how do I want to add shade/highlight/contrast to the drawing? Secondly, do I want to add a pattern to the wide border around the title text?
There’s no rush for me to decide. What’s the saying? ‘Act in haste, repent at leisure’? I can let these issues wander around my noggin until the perfect methods come forward.
Exploring ‘Lunaria’ by Ute Andresen and a wavy leafy pattern
I had some time and energy left to do some more drawing. So, I grabbed (gently) a fresh sheet of A5-ish paper and used some patterns from last Tuesday’s Tea and Tangle With Tracy.
The first one is based on waves with leaves. I like the very graphic, high-contrast leaves, for sure. Adding colour between them helps to make sense of the pattern as well.
The second one is my take on a tangle pattern by Ute Andresen called ‘Lunaria’. I like branching and organic patterns. In this drawing, I wanted to explore variations on the ‘fruits’ at the end of each branch. This is always a fun thing to do! No doubt I’ll do another branch of Lunaria explorations in the space beside this one at some point.
In today’s #DrawWithMe video on YouTube, I recreated some of the patterns and motifs I’d drawn for the title page of Entangled Samplers. With some variations! As I work on the top page, I’ll include some of these filler patterns! The idea for each page is to have a drawing that has examples of motifs and patterns with variations, all to spark creativity by being a source of inspiration and ideas.
My hand-lettering isn’t perfect; the letter sizes diminish towards the end of each line. But it may probably be good enough.
I like the bold shading in the recreation at the bottom of the image. I’ve yet to add any shading to the title page; first, I’ll finish drawing it.
I decided today to get all the pages done in a discbound format, hence the little mushroom shapes to the left of each sheet!
Today was a day to just draw for the pleasure, joy and contentment the process of creativity brings.
I knew I wanted to include some hand lettering in the design, and that’s where I started. The rest just flowed from there as it needed to. I put no pressure on myself to be perfect, nor did I have a design in mind. It was pure, intuitive art.
And that intuitive process let me relax and enjoy being able to just create for the sake of it.
I’m really enjoying creating pages in what I had been calling an illustrated journal. But, in today’s video, it came to me that they are akin to a needlework sampler, so Entangled Samplers the collection will be called!
In the video, I drew a couple of elements but focused on using texture patterns to fill the spaces. And that was when the idea of a sampler came to mind.
I’ve yet to decide what goes in that awkward central space. Journaling? More patterns or motifs? I really don’t know at the moment. I will figure it out though!
I have decided to keep an illustrated journal full of my favourite patterns and motifs, accompanied by some words of encouragement and, perhaps, advice.
I’ve kept a collection in a dot grid notebook for a few years. However, some people have asked if I’d share it. I thought it was high time to create something similar instead of sharing a battered and dog-eared book. So, that’s precisely what I started in today’s video.
So, I purchased a Talens Art Creation A5 landscape sketchbook for this purpose. I like the paper in it; it’s creamy in colour, so it’s more soothing on my eyes. The scanned page in the image above doesn’t show the cream colour; the struggle with scanners is real! The paper is 140gsm (90lb). It will take a very light wash of water, but I like the fairly smooth surface to draw upon.
For this page, I used a selection of pens: A micro Uniball Eye for most of the drawing 01 and 03 Sakura Pigma Microns for details 0.38 Uniball Signo DX for the writing. Faber-Castell Pitt Artist Brush Pens in Cold Grey 1 and Cold Grey III
I’m fairly happy with how the page looks. However, my handwritten notes are a bit … untidy. Hey ho, they’ll do!
I only drew the flower on the left in today’s YouTube video. I couldn’t find the first drawing for this new journal. Stupidly, I’d done that on a loose sheet of A5 dot grid paper and didn’t put it into a folder for safe keeping. I have no idea where I’ve put it. So, that was another good reason to get a sketchbook; it’s harder for me to misplace a sketchbook, though it has been known to happen. So the arrangement from the centre to the right is a replication of the motifs from the lost page.
As I typed that, my mind thought of the Moody Blues album title “In search of the lost chord”. I’m forever in search of my lost artwork!
This is going to be another interesting project. I do seem to pick up and drop projects a lot. The reason is I need variety in what I’m focusing on. Sometimes, I need a bit of a break from a particular project or focus. At other times, I’m just not well enough to do anything more than some challenging ‘comfort art’.
I now need to decide if I’m going to add some colour to this page. I have shadows in place, so transparent/transluscent media will work with that. I’ll think on it. For now, I need tea and something to eat!
I’ve been asked several times if I’d make my visual dictionary, pattern and motif collection, journal or art zibaldone available for others. I’ve shown it a few times in videos. It’s my go-to reference when I need some inspiration for my art.
So, today, I thought I’d take some elements from a current WIP and start to put a page together.
I used a piece of A5 dot grid paper with holes punched in it for a six-ring binder. However, I may use an A5 dot grid notebook. To draw the design, I used an 05 Sakura Pigma Micron Pen. Shade was added with a 2B matt Pitt graphite pencil and paper stump/tortillon.
I enjoyed doing this. It was fun to add alternative ways of approaching various elements. That’s how I like to work in my visual zibaldone. And, of course, the variations are not exhaustive! No doubt more will appear in time, either in the zibaldone or in some artwork.
That is what I love doing. Varying and shifting the pattern or motif into something new and different.
Of course, I have filmed myself drawing this page so far, and you can draw along with me by clicking this YouTube video link.
This is a work in progress, and I drew part of it during today’s YouTube Draw With Me ‘tutorial’. It’s another piece of ‘comforting’ art; I drew some Entangled Art yesterday and today to help soothe my ragged emotions and thoughts.
A big dose of Star Wars yesterday afternoon and evening (four films in total!) and some intuitive, entangled drawings seemed to help greatly. And a relatively good night’s sleep was had, too, at last!
The fear and existential dread that had risen up deep in my lower abdomen seem to have been dispelled, and I feel more content and like my usual self.
I am, however, keenly aware of some personal challenges ahead of me in the next weeks and months or more. So, I feel I’m in a sunny, flowery woodland glade, and the monstrous forest lurks around me, waiting for me to rest, recover and be ready to take the next steps on this journey.
And it can wait for a while. It’s been a tough three months or so – injury to ribs, the overwhelming distress during the “holiday season”, the pressure of deadlines once I could work again, and some other revelations. I’d rather like a bit of a break from it all! Oh, and the past week has been very ‘people-y’ – brunch out with a friend, two funerals, a large meeting in person, and a visit from another friend.
This past week pushed me to my limits and drained my emotional, mental and physical energy. But I will recover. “This too shall pass.” And so it has, for a while at least!
It’s so nice to feel contented without intense fear, anxiety, and upset. And it’s nice to feel I can do some art just to enjoy it. That’s something that’s been missing for a couple or even a few weeks.
The trick now is to remember entangled art, and a Star Wars marathon is really good for me! Not always easy when in the grip of a crazy rollercoaster ride of careening emotions and thoughts.
This was an interesting experiment. I was inspired by a video tutorial by Ellen Crimi-Trent Artist. In the video, she used a charcoal pencil to create an abstract line design. Next, watercolours were used to fill the spaces. Finally, details were added with pen.
I thought it could be a lot of fun to use this as a way to display some Zentangle style patterns. So I did! However, in true Angela style, I’d first tried not only a charcoal pencil, but a watersoluble graphite pencil, an Inktense pencil and an Inktense Outliner to create the grids on separate pieces of mixed media paper. Then I added watercolour to them to see which method of laying out the main pattern I liked the most.
As it turns out, it was the charcoal! I didn’t expect that!
I filled in the majority of the spaces with tangle patterns. Finally, I used charcoal and white chalk to add shade and highlight to each section of the design. I should say I didn’t do all the sections in the video. Oh, and I added some white highlights/patterns with a white GellyRoll pen.
The intense black of the charcoal really dials up the contrast by quite a few notches! I really did have a lot of fun playing with the illusion of volume in this design.
I’m also glad that I didn’t fill all the sections with pattern; I like that I have some simple, volumised areas whose simplicity contrasts with the complexity of the patterns.
I now have quite a few pieces of coloured, patterned paper to play with in the coming days.
Well and truly people-d out!
It’s true. I’ve not had such an intensely people-y week since well before the pandemic hit. I both feel very much by myself and a little sad about that, but also rather relieved that I get to sigh, relax and breathe for the next couple of days at least.
And with the relaxation may come the introvert hangover or social migraine! Maybe not. I’ll see tomorrow. I know as I take my time to relax, unwind, settle back into my solitary existence I will feel intense tiredness creep over me. Indeed, I can feel it beginning to extend it’s soft cloudy folds and start to enevolop me. I will give in, later. I have a few things to do first! Social media posts, a huge mug of tea, maybe something to eat. And then…I’ll see!