As I was coming around from yesterday’s headache, I plopped yesterday’s drawing into Repper to see what geometric patterns and tiles I could create.
Repper is a browser app that is great fun to play around with and makes the creation of tiling patterns from my artwork so simple.
Rather than save the patterns, I saved the tiles as so many of them looked like perfect inspiration for mandalas.
So, I chose one design, popped it into Autodesk Sketchbook Pro, and used it to inspire this particular pattern.
I chose a colour palette of soft pinks and greens, colours that are related to self-love, self-care, balance and harmony. Perfect for how I was feeling yesterday!
Today, I’m still feeling somewhat tired and fragile. That’s mainly due to a really poor night’s sleep. Emotionally, however, I feel a lot better than I have the past few days. There was an emotional storm brewing and it the headache was the torrential downpour that was needed to clear the skies by forcing me to take care and shelter myself.
So, the rest of today is going to be a quiet. nurturing kind of time to shake off the lingering wisps of stormy clouds.
Well, I pushed on yesterday and finished this particular drawing. Lots of texture/patterning has been added. I’ve also temporarily added a pale grey-blue background until I decide how I want to add shadow/highlight/colour to this particular drawing.
I won’t be doing that today, however. I’m still feeling all out of sorts and I really don’t trust myself with colour, shadow and highlight. I’ll get frustrated and irritated with myself. I also woke with a headache that isn’t clearing up anytime soon it seems.
So, today is likely to be another day of binge watching stuff. Yesterday it was The Killing on Disney+. A dark tale of murder and the crazy awful ways humans tangle their lives with others it seems.
It’s an American version of a Danish noir murder/mystery series. I started watching the Danish version, with subtitles, quite a few years ago, but mislaid the DVDs. It’s full of twists and turns in the story line, and a surprising ending to the first story line – the murder of Rosie Larsen. And it’s nice to be surprised by such a tale for a change.
So, I think I’ll spend a fair amount of today finishing watching season 3 and making a start on season 4, the final season.
Once the headache clears, I may turn my attention to some arty stuff. I’ll see how it goes. Self-care is important, not just physically but emotionally too. I know from bitter past experiences that if I push myself to do things when I’m not up to it, whatever I do usually ends up disastrously. I still feel the guilt of giving myself time and space to return back to a point of balance, but I know that when I do return to that point the guilt will fade away and be replaced with relief and a sense of gratitude that I didn’t give into to the guilt. There’ll also be a touch of pride that I’m strong enough, now, to recognise when I need this time to just lose myself in fiction, do nothing else, and let whatever is the cause of the imbalance work itself through.
I suspect the headache is an expression of that imbalance and is the way my mind, body and soul have of telling me, “Woah there Angela! You have to stop and take a break from this, now! You’ve pushed yourself too far, so I’m going to get you to stop and do other things for a while.”
I am learning to listen to what I need, rather than what I think I should be doing. So, today, I will listen to them.
Started yesterday evening, worked on during my hours of mid-night waking, and on waking this morning, this measures 21 cm x 21 cm (approx 8.25″ x 8.25″) The paper is natural coloured Claire Fontaine Paint-On mixed media paper coloured with Aged Mahogany Distress Ink. The design is being drawn with a mix of 03 Unipin and 01 Sakura Micron pens.
I’m using a mixture of Stadedtler Triplus and Chameleon Fineliner pens to add colour to the design, along with a barely damp waterbrush to spread the colour out. Interestingly, some of the colour lines added remain visible, to a greater or lesser extent, depending on how much I work the colour with the waterbrush. Also, I’m finding that I really enjoy adding colour and texture like this.
The finishing bright white highlights are added using a Sakura Gelly Roll pen.
I find the fineliners used in this way give me much greater control over how much the colour spreads in the small areas in my drawing. They also don’t spread as much as, say, Tombow Dual Brush pens or Inktense pencils. That helps to control the spread of colour too.
I rather like the vintage-y look that the palette of browns and olive greens confers on the design, helped along by the background colour and texture of the paper.
Oh, I do intend to leave a ‘hole’ in this first layer of designs. I’m not sure I’ll do inside the space; a quote, more layers of design. For now I’m not sure. But once this first layer is done, I can scan it in and use it in different ways digitally.
There are lots of my favourite motifs appearing in this one, rather organic ones for the most part. What will appear from the tip of my pen in the rest of the design? I don’t know yet! It could be more of the same, or not. All I know is that the intricacy, detail and revisiting old favourite motifs is making my arty crafty heart smile.
“The state of having inconsistent thoughts, beliefs, or attitudes, especially as relating to behavioural decisions and attitude change.”
Finally, the penny dropped as to why I’m feeling so out of sorts. Oddly, it was while I was listening to a documentary about the cult NXIVM as I was drawing during the stupid o’clock hours of drawing. Don’t worry, I’m not a member of a cult! However cognitive dissonance was mentioned and that was the ‘ta-da!’ moment for me.
Cognitive dissonance causes emotional distress related to holding contradictory beliefs or values. I’ve experienced this before during breakthrough moments in therapy where I’ve had to accept that I was a victim of trauma, that I really do have CPTSD and I’m not (as my mother would tell me) making it up, for example.
I’m poised on a knife edge, wanting to make a decision to leave something, but feeling guilty about thinking that way. I need to find a way to find some clarity to help me make that decision, and it has to do with my core values and beliefs.
Recognising this doesn’t make me feel any better, but it helps me understand what is going on, and that understanding will help me work my way through it! Making a decision won’t make it any easier for me to act upon it as there’ll be a lot of guilt and the old reactive feeling of believing I’m letting other people down.
However, I can’t put other people ahead of my own mental and emotional well-being. It’s never been easy for me to say ‘no’ to people, to leave organisations or people who are contributing to emotional and mental distress in myself. But I have done so occasionally, more so in the last year or two. And I will do so this time if it’s what I need to do to find that sense of balance, harmony, peace in myself once again.
This week’s offering is a mandala. I always find mandalas soothing to draw and colour. The circular form and repetitive nature are beguiling, relaxing, soothing and magical in some way.
This week’s is quite simple, as colouring templates need to be. It’s also quite botanical in nature. The colour palette I’ve chosen is full of sunshine, growth, peace, harmony and self-care. I haven’t quite finished colouring it, but that’s fine. It did what it needed to do for me.
I’m well out of sorts today. I really didn’t want to get out of bed. But I did, and showered.
I know what’s causing my emotional and mental turmoil at the moment. I just can’t seem to actually act to bring that to an end. Guilt, grief, and other emotions are causing me problems. I know I’ll act when I’m ready to do so, but it’s so difficult to let go. But I need to do so for my own emotional and mental well being.
Talking of emotional and mental well being, today is Time to Talk Day. It’s a day where Time to Talk Wales, along with sister organisations, encourage everyone to have a conversation about mental and emotional health. All to help to end the stigma and discrimination that exists around mental health.
This year’s theme is ‘Small things’. I’ve written on facebook about three small conversations I had that have led to me healing from complex post traumatic stress disorder. Not completely. I’m not sure you can completely heal as part of surviving complex trauma is hiding that trauma deep inside. I am, however, healed enough. I’m just waiting for the lockdown to end so I can start pushing my boundaries a bit.
Anyway, I’m going to finish all the social media stuff now and then I’ll be returning to arty pursuits. Maybe a nap too as I’m feeling so tired today. Emotional turmoil exhausts me. Also, sleep is one of my coping strategies when I’m stressed out in some way.
I’ve been feeling out of sorts for the last day or so. It’s gradually intensified. A broken night’s sleep really hasn’t helped. House freezing cold (deliberately so!), Angela boiling hot in waves (not illness, just age).
I did draw in the darkest parts of the night when I couldn’t sleep, but what I produced was just a reflection of my ‘out of sorts’ mood. I added words and reflections to the drawings to try to elucidate where this has come from. And then that went to how I could use art in a journal, could I create journal pages, little areas for thoughts/words of meaning, and so on. So I jotted those ideas down.
The larger drawings I was doing in the night just overwhelmed me. The more work I did, the more overwhelmed and dissatisfied I felt. So, in an attempt to create some art that would soothe rather than disturb, I decided to create some small pieces of art and some borders seemed the right thing to do. This quartet of drawings is the result of that solution I sought to help me with my mood and my attitude to my efforts at drawing.
My sketchbooks have been the focus of my attention during the waning days of 2020 and the start of 2021. I’ve done pages of zentangle-type patterns, borders and ‘fragments. I’ve been trying out monograms, and I’ve been drawing in more of my signature style, as above.
This page shows some experiment with colour and texture in the sketchbook. I used fineliner pens for the textures and Pitt Artist Brush Pens, both ‘neat’ and with a waterbrush.
I had to work hard with myself to do this. I didn’t want to mess up the drawing, which I quite like, with colour and so on. But then I told myself I can always re-draw it, along with losing the elements I’m not keen on. I really like the bird-like design at the top of this coloured image.
The others were drawings done for the sheer joy and comfort of drawing. All intuitive, though I did pay attention to a reference photo of a meso-American pot for the face in the right-hand drawing.
All drawings were done with an 05 Unipin pen in my A4 Artway Enviro sketchbook. The 05 pen nib has become worn, and usually I’d bin it, but I’m working with it and seeing how I can vary the width and intensity of line. I’m trying to allow myself to embrace the perfectly imperfect quality of the line and the character it brings to my drawings. I find that I like it, which surprises me. Now, all I need to do is to work to replicate this digitally; maybe not a perfect replication but something that is similar enough.
I have three sketchbooks on the go at the moment.
The A4 and A5 Enviros are for drawings and designs, as above. Fairly polished and starting points for further work. I can try different things out – such as colour and texture – knowing that I can either scan the drawings in before I try these experiments out, or I can always re-draw the design, altering the parts I’m not happy with.
The third is an A4 SeaWhite all-media sketchbook. Although I have done some drawings in there, it’s been repurposed into a zentangle/pattern experimentation and record book. I use colour and shading with the drawings as they are purely for reference and the pleasure of drawing them. Not surprisingly, many of the pages are aesthetically pleasing in the way that needlework or cross-stitch samplers are. You can look at the page again and again and still find designs or sections of designs that surprise you.
The past few days I’ve needed to find an activity that comforts me. I find this time of year emotionally difficult as I’m triggered by Christmas and New Year and all the hoo-haa around it. The short days and lack of sunshine doesn’t help much. My daylight therapy lamp helps somewhat, but it isn’t as good as working at my desk or taking a walk bathed in winter sunlight. I also find myself bone-weary a lot. Mind you, not sleeping properly at night isn’t helping me either.
As an introvert, I tend to retreat into a world of my own at these times, or to immerse myself in other worlds through films and books. And of course art. I limit my social media activity to the absolute necessary. This way, the societal pressures I feel fade away, and before long the world is back to the way it is for the vast majority of the year.
This year, my main haven of peace and contentment has been in my sketchbooks. I’ve found particular comfort and delight indulging myself in zentangle patterns. The patterns are familiar, but working on them to create unique variations that are my own has been something new and different for me. As has allowing myself to draw them in my own way.
As well as comforting me, I’ve discovered that I find it hard to be uniquely me in my artistic expression. Accepting that the way I draw something is just fine as long as I’m happy with it. The videos from the Zentangle family have been incredibly useful in helping me see this, as well as making me determined to change it too. Not just with zentangle type stuff, but with my art in general. Also, I realised that I do this for other people, but never for myself. Time to change that, methinks!
I’m still in ‘comfort art’ mode for the next couple of days. I’m still not ‘right’ emotionally, and I’d like to be before I turn my attention to the example coloured templates for Entangled Starry Skies and sketches for the cover of the next colouring book.
A little drawing I’ve been working on this morning. The paper tile is 5″ square. Sakura Pigma Micron 05 and Faber Castell Pitt Artist pen 1.5 were used, as well as some digital stuff to add the star, which doesn’t quite work.
The black square resulted from a whole host of mistakes made in that little section. I was deeply unhappy about what I’d drawn there. So, out came the thicker black pen and I covered it up.
I thought It would be fun to add something gold there. I’ve tried lots of different motifs, but stuck with this one. I have very little sense of scale when I draw digitally, and this golden star is a classic example of that!
The rest of the design I’m quite happy with. Shadow and highlight are needed to bring it to life as it looks just so flat.
But I’m tired again and don’t have the energy or desire to sort out that bleedin’ star nor the shadow/highlight and/or colour at the moment. I need to snuggle up with a warm and cuddly blanket, mocha and films that lift my spirits. I sense a Star Wars marathon in the offing…
Today’s art is a selection of the small, detailed, intricate and fairly abstract drawings I’ve done over the past day or so, all in varying states of completeness.
Sometimes, just sometimes, I have a need to immerse myself in something that’s kind of familiar. Call it ‘comfort drawing’ if you like. But that’s what this has been; drawing to comfort and self-soothe.
My emotions are out of sorts. I’m dissatisfied with almost everything I do artistically at the moment, so I stepped back in time to do entangled zentangle-style drawings, with a twist here and there. Small projects. Pens and pencils on various paper. If something doesn’t work out, well it’s not great shakes, I just carry on and try to accept it for what it is, and learn a bit more about what works and what doesn’t.
I’m tired today. Not just physically but emotionally. The sun is shining and that is helping my mood somewhat. But I’m still tired.
Past experience tells me this will pass. It’s just emotional weather. I’m aware of the source of it, and I just need time to process, heal and learn from it.
I don’t really sit and think my way through things in the way people describe how they think. With me it’s all abstract and difficult to communicate in words. It happens on a more intuitive, subconscious level. When I’m ready, I’ll write about it, and give form to the abstract and symbolic processes of my inner self.
I’ve never really been able to express my emotions artistically. Sometimes they creep out in terms of colour choice. I do think my choice of more geometric, repetitive patterns in these artworks is an expression of my need to build a new structure in my emotional self.
My EMDR therapist was always saying I was too much in my head, not much in my body. A lot of the work we did was very somatic and a process of learning I did have emotions and recognising what these emotions are. It’s a troublesome realm, but an important one, even if it gets rather messy at times.
Messy. That’s something my art never is. Something my emotions rarely are. Everything so tightly controlled and precise; at least that’s how I seem to the outside world.
My older sister used to call me the ‘ice maiden’ as I never showed much enthusiasm or reactions to anything. I learned early in life that if I showed that I loved something or that it was valuable to me, then others would go out of their way to wreck it. I learned if I showed ambivalence, that things may not be wrecked by others.
The first time I can remember showing awe and wonder was on a trip to the British Museum, with my older sister and youngest brother. We went to see the mummies, but took a wrong turn and ended up at the Sutton Hoo treasures. I couldn’t help expressing the awe and wonder I felt on seeing them in person for the first time.
I feel a sense of awe and wonder often now, some thirty or more years on from that day. That day cracked open the seals on those emotions and I was able to share them with others through my teaching career and beyond. But not with everyone. Some in my life didn’t want me to be excited about anything. So I learned to choose how and when they were shown.
Now, I feel no embarrassment at showing awe and wonder. I’m able to lose myself in the beauty of nature, the grandeur of architecture, the magic of music, and more.
But other emotions are still a bit tricky for me. Messy. Confusing. Troubling.
And when I feel messy, confused and troubled emotionally, I fall back to comfort art. Often entangled style art, like these. And entangled is an apt way to describe emotions and life.
Just as one small drawing comes to a close, it being good enough for now, so will my confused and troubling emotions work their way to a good enough state of resolution, leading to contentment and peace.
I’ve been awake since silly o’clock. I have a delivery due before midday, so while awaiting it I have been arting.
This started off as a simple line drawing of patterns from the strata of rock formations of Raplee Ridge, Utah. Then, I added some patterns between them, zentangle or entangled style. I used fineliner pens on paper to do this drawing (left image).
My next job was to scan the drawing in and tidy it up digitally. Then, I thought I’d colour the design in. I kept to fairly earthy tones for this (middle image).
Finally, I thought I’d do a pure colour study of the line art. And I really like this one. I’ve played with shadow and light to give a sense of dimension to the artwork (right image).
I’m really pleased with the pure colour image. Not just for choosing a fairly pleasing palette, but for finally discovering how to use textured brushes to draw, colour and texture the different areas.
I’ve done work like this with traditional media, but have never really had much success digitally. It seems I have found some confidence here.
It does remind me of work I did some 15 or so years ago while studying for A level art as an adult, and how much pleasure I got from that. Now, as back then, I used simple colour palettes.
I suspect I’ll be doing more work like this – line art of patterns, followed by a coloured interpretation of those patterns. My mind is ticking over whether I could include some typography in these kinds of artwork too.
My mood is better today, I’m pleased to say. I’m not sure if it’s rest, self-care, Star Wars, knitting, art, or a combination of all these things that has helped lift it.
I know that my mood has weather, just as the world does. And in Wales, the weather can be changeable and varied! But like all weather, the gloom passes and sunshine returns. Though I wouldn’t say I’m sunshiny, I am content with a soft glow within. That is good enough for me, and for today as it’s rather wet and gloomy outdoors.
Today I’m feeling a tad ‘meh’ to say the least. I’m tired despite sleeping plenty last night and yesterday. The weather is gloomy – leaden grey skies and rain. At least the autumn colours are glowing a little in the gloom.
So, today I just needed some arty fun. Nothing too big and overwhelming, something with a little whimsy, and no pressure for anything other than making art for art’s sake.
Hallowe’en is my favourite festival, so that’s where I started, along with pen and paper.
The drawing isn’t all that big – 8cm x 10 cm approx (3.25″ x 4″),s o it was relatively quick to complete. I scanned it in to tidy it up, but decided to add a spooky border around it, which I did digitally.
Then, I set to colouring the image, in Hallowe’en colours, mostly.
I played with texture brushes and how I can work with colour. I’m pleased to get some areas that seem to glow eerily. My brain won’t let me fully process that or go back to the image to add this effect to other design elements.
It was, after all, a few hours of fun, arting for art’s sake, and to do what I can to lift my mood.
I spent sometime yesterday afternoon playing with polymer clay. The Sculpey clay I purchased is soft enough to work with almost straight out of the packet, which is a good thing.
I’m not entirely sure how I’m going to work with it. What I thought would work just didn’t for me. So, I’m going to let the ideas rumble around my subconscious and come up with how I could work with the clay my way.
I was disappointed with myself, but worked hard be easy on myself as this is a new skill to learn and develop. It won’t happen overnight. Also, there’s no rush or panic to get it done either.
In the meantime, I’m wrangling with myself as to whether I should invest in a pasta machine to roll out the clay or whether that’s a decision that can wait until I work out if polymer clay is for me or not.