Entangled garden 25Apr19

Entangled Garden 25 Apr 2019 © Angela Porter 2019 - Artwyrd.com
Entangled Garden 25 Apr 2019 © Angela Porter 2019 – Artwyrd.com

This morning I decided to take a narrow strip from yesterday’s drawing and colour it digitally. This is the result.

I think WordPress converts RGB images to CMYK or something; the colours aren’t as vibrant on this image as they are on my ‘puter. However, I’m sure you get the idea.

I added a background texture to add interest to the artwork.

I really enjoyed doing this. The unusual dimensions of the artwork have worked well too. It would make a rather lovely bookmark, don’t you think?

I drew the original image with a mixture of Uniball Unipin and Sakura Pigma Sensei pens on Winsor and Newton Bristol paper. I then used Autodesk Sketchbook Pro, along with Microsoft’s Surface Pen and Surface Studio, to choose the section of the image I’d like to use and then add colour and texture.

Unusually, I made use of the Copic color palette in Autodesk Sketchbook Pro to help me choose colours to use.

I will go back soon and add some increased contrast and some glowing highlights. I think I need some tea first!

It took me nearly three hours to complete the colouring simply because I chose to use the fill tools available in Autodesk Sketchbook Pro. I’ll spend another hour or two increasing contrast and adding those glowing highlights to the design. I will add a post showing a comparison between the two versions for sure.

Support the artists you like – illustration

Support the artists you like © Angela Porter 2019 - Artwyrd.com
Support the artists you like © Angela Porter 2019 – Artwyrd.com

Still got a few bees in my bonnet about copyright infringement, can you tell?

Feel free to share, with proper credit, and help to spread the word!

I used a soft Tombow Fudenosuke pen to draw the design and noticed there was a space that would be perfect to put a few words there.

So I did.

I’m getting a bit heavy handed with my watermarks. I think I’ve been spooked just a little. I make no apologies for the heavy handed watermarking. I can’t do anything about my previous work I’ve shared, with all rights reserved. But I can do something about future work, can’t I?

Coloured background and texture added using Autodesk Sketchbook Pro along with a Microsoft Surface Studio.

Entangled Fantastic Fungi – coloured

Entangled Fantastic Fungi © Angela Porter 2019 - Artwyrd.com
Entangled Fantastic Fungi © Angela Porter 2019 – Artwyrd.com

Yesterday, I took some time to finish colouring my ‘Entangled Fantastic Fungi’ drawing from the other day.

I’ve said it before and, no doubt, I’ll say it again: colour brings my drawings to life. It also takes me a lot, lot longer to colour the artwork than it does to draw it! I think it would’ve been quicker with traditional media, such as Chameleon marker pens. However, I like using digital tools for coloring and I use opportunities like this to explore the different settings and various brushes so that I can add to my range of techniques I like to use and the effects I can get.

It’s a slow process for me, and it can be both enjoyable, satisfying and rather frustrating! However, I think I’m making some progress in finding my way through the plethora of options available and gaining some understanding of what they do and how to make them work the way I’d like them to work for me.

I also am enjoying drawing on paper with these Tombow Fudenosuke pens. Using Autodesk Sketchbook Pro to add colour to my drawings is me having the best of both words for sure!

There’s also the addition of a background texture, which, I think, makes all the difference. The pale grey tone of the background helps to tone down the brighter colours in the image, enhancing that kind of vintage kind of vibe I was going for.

Of course, it goes without saying that I used my Microsoft Surface Pen and Surface Studio to colour the image. Being able to use the pen on the screen, just like pen or brush or pencil on paper, is fantastic! I’m finally getting to grips with making use of the pressure sensitivity of the pen and exploring ways in which I can use it, as well as setting up brushes to suit my needs.

When I think back to when I bought my Surface Book, my aim was to draw templates for coloring books digitally so I didn’t have to scan in paper. It was also to make it easier to clean up the images. I had no intention of colouring the images digitally.

I think I’ve come a fair distance since those early days. I’m still surprised at how the ability to create digital art by using a Surface Pen on the screen of the Surface Studio as if the screen was paper, has opened doors to creative expression for me.

Entangled garden

Entangled Garden ©Angela Porter 2019 - Artwyrd.com
Entangled Garden ©Angela Porter 2019 – Artwyrd.com

Drawn with a Tombow Fudenosuke (hard) pen on A4 11¾” x 8¼” Winsor and Newton Bristol Board.

I worked on this one over three days, both to get used to working with the Fudenosuke pen but also for some self-soothing self-care.

It does need some colour and I think I may try a more vintage/distressed/grungy color palette with it, once I get round to adding color.

At the moment, my focus is on colouring the sample colored templates for my latest book for Dover Publications Creative Haven Series –Entangled Christmas.

I’m feeling more content today and less exhausted too, which is a good thing after this weeks rather intense EMDR session.

Colouring ‘Entangled Fantastic Fungi’

Entangled Fantastic Fungi WIP © Angela Porter 2019 Artwyrd.com
Entangled Fantastic Fungi WIP © Angela Porter 2019 Artwyrd.com

Today’s been a tough day emotionally for me. Monday is, usually, EMDR day, and today’s was really emotionally upsetting. The memory I’m using led to quite a few insights that caused some distress, which was at a 7 out of 10 at the start and went up to 10 at the end of the session. This happens. I have a lot to think about and process before my next session in a fortnight.

I’m absolutely exhausted. I did have a sleep when I got home, but I’m still exhausted.

I’ve tried to sit and draw and I’m not able to work in a manner that is satisfactory to me. So, I thought I’d set up a colour palette in Autodesk Sketchbook Pro and colour the drawing from yesterday. Well, more like start to colour it.

Oddly, I’ve gone for rather muted, vintage colours in this one. Perhaps a reflection of how I feel. Or, maybe it goes with the lino cut ‘feel’ of this particular drawing with the strong, black lines.

Tomorrow, I hopefully start to colour in some of the templates for my next coloring book. My editor and her team at Dover Publications Inc have chosen their favourites. I do intend to give you some sneak peeks as the coloring progresses.

My tools for drawing this image were a Tombow Fudenosuke pen and a pencil. To colour it I’m using Autodesk Sketchbook Pro and Microsoft’s Surface Pen and Surface Studio.

Entangled fantastic fungi

Entangled Fantastic Fungi © Angela Porter 2019 at Artwyrd.com
Entangled Fantastic Fungi © Angela Porter 2019 at Artwyrd.com

I’ve had a lovely, quiet Sunday and I’m glad to say my emotional wellbeing is better than yesterday. Still a bit fragile, but there’s that hint of contentment that has been lacking over the past few days.

I’ve even had my oompf back to draw. This took the guise of adding patterns and outline drawings to my visual reference journal, and then using some of these ideas, plus some old favourites, in this drawing. I even added some dangles in places. Just little, delicate dangles, but still there’s dangles there.

For the drawing, I used a hard nib Tombow Fudenosuke pen. This has a flexible nib, not overly flexible, and so I could vary line weight while drawing.

I was inspired to try the Fudenosuke pen again after my experiments with digital brushes that vary line width with pressure and found that so much fun.

I found it much easier to use the Fudenosuke pen after my experience with digital brushes; it turns out working digitally does influence my work in traditional media and helps me gain new skills or confidence in new media.

I drew this design on an A5 piece of Winsor and Newton Bristol Board which is white and very smooth. Then, scanned it in and digitally added a background texture and some colour, along with my watermarks.

The drawing was mainly to try out the Fudenosuke pen, but also a bit of quiet self-care too. I’m quite happy with it, especially as it’s main purpose was to explore using the pen for drawing with.

I’ve relied on line weight to add some dimension to the drawing, though some colour and/or shading could help a lot. Maybe that’ll be my next task with this – to colour it either digitally or to use my Chameleon DuoTone and Color Tops marker pens after I print the image out.

Entangled landscape

Entangled Landscape © Angela Porter 2019 - Artwyrd.com
Entangled Landscape © Angela Porter 2019 – Artwyrd.com

I’ve really not been myself the past few days. With a couple of busy days this week, the emotional fallout from EMDR on Tuesday finally caught up with me as I slowed down Thursday afternoon. I’m so tired, and my mood isn’t the brightest to say the least.

It’s always a sign that even when I’m tired I can usually draw and create, but not much this week. I haven’t been able to find the inspiration to draw, nor have I found the interest or energy.

Today, around a meeting, I managed to draw this.

It’s a throwback to the more familiar art of earlier days. It has given me a chance to use some new motifs, as well as some favourite ones that crop up often.

The process of drawing was soothing, and I did my very best not to be too judgemental, though I did want to throw it out and restart several times as I wasn’t at all happy with what was coming out of the nib of my fountain pens or Uniball Unipins.

I switched to the Uniballs as the fountain pen ink was smudging lightly. I’ve fixed that, mostly, by digital wizardry. I also added the Distress Ink background digitally.

I know my inspiration and energy to draw will return, I’m just not feeling at all myself at the moment.

I do have a new self-care activity, which is sitting in/on the bed, crocheting shawls and listening to audiobooks – currently working my way through the Harry Potter series.

The rhythmic nature of crocheting is soothing. The familiarity of the Harry Potter story is also soothing. Being upstairs makes me feel safe, secure and it’s also comforting.

The memory being worked on in EMDR certainly has stirred some stuff up. I’ve had some very upsetting insights into how I’ve viewed myself. Releasing the trauma associated with this particular memory will be accompanied by a better view of myself. I may not fully believe it, but if I can believe a little of it then that is good enough for now.

I have to believe that with each memory and its associated traumatic experiences that are processed via EMDR I’ll believe the healthier, more positive statements about myself more and more.

These are some quotes I’ve found recently that are helpful to me in understanding me, helping me through this.

Trauma creates changes you don’t chose. Healing is about creating change that you do choose.

What happened to you was not your fault. The struggles you have today, like your cPTSD symptoms, are a normal response to abnormal events. So, please be kind to yourself.

The poison leaves bit by bit, not all at once. Be patient. You are healing.