Repeating patterns, my first experiment

Pattern 18 coloured v01 watermarked

Over the past few weeks, I’ve been thinking about and looking at how to make repeating patterns.

I’ve tried the old fashioned way of working on paper and cutting the paper and so on, and not found the results at all satisfactory.

I’ve had a bit of a go in Adobe Illustrator, but I find Illustrator so confusing and frustrating to use.  There seems to be a total disconnect between my brain and the software architecture of Illustrator, and other similar pieces of software.

A day or two ago I found a little app in the Microsoft Store called Amaziograph that lets me create repeating patterns in sheet form, which is great if I want a sheet of black and white repeating, entangled line art, but not what I want if I want a coloured repeating pattern.  Oh, the app is a lot of fun to mess around with for sure and no doubt I will use it to generate patterns.

Looking around at software today, a lot of it either works in Illustrator or is prohibitively expensive given that I just want to have a play, see what I can come up with and see if it’s something that I’d like to spend more time with.  Where they offer free trials, I know they’re not going to be a long enough trial for me to get to grips with Illustrator and the software/plugins, so I’d not be able to make my mind up.

So, on a wander around the corners of Google, I found a lovely little program called Repper. It had an online trial version that I could play with quite happily, and I decided to purchase it afterwards.

In Repper, you open your own artwork and use parts of it to create repeating patterns.  The pattern above is an example of that, kind of.

What I did was to take one of my coloured mandala patterns and use that to create a pattern that was pleasing to me.  Actually, I had many, many patterns that were pleasing to me, and I saved them as tiles that would form a repeating pattern.  With some, I saved them as a surface pattern, where the tiles were already repeated.

What is nice is that the program lets me set both the size and quality of the tile or surface image.

Next, I put the  tile I particularly liked into GiMP (GNU image Manipulation Program, open source software) to copy the black lines and create a new, uncoloured tile with a transparent background.

Autodesk Sketchbook Pro was my next destination so that I could colour the tile as I liked.  Not so easy where the edges of the tiles will meet  and to have no edges showing up.

The tile is partly finished in terms of colour, but I wanted to see how it would look tiled.  Go, back to GiMP I went and the above was the result!

My head now hurts a little after this, which means I need more tea, LOTS more tea and a bit of a break.

I absolutely love that I can take my artwork and use it to create more interesting designs and patterns with.  It’s absolutely fascinating, very easy to get lost in it all.

Definitely a very nice way to spend a few hours on a chilly and very rainy afternoon!  My Surface Book and Surface Pen have had a good workout in the process too!

WIP Wednesday

WIP 27 Dec 2017 Angela Porter

It’s WIP Wednesday once again over at the Angela Porter’s Coloring Book Fans facebook group. This is my current work in progress. I think I’m in touch with my inner bohemian/hippy once again in my colour choices, or maybe I just need a break from all the Christmassy/Winter colour schemes.  Perhaps I just need some bright colour in my life at the moment.  I do know using bright, vibrant colours always makes me smile.

#createdonsurface  #autodesksketchbook

Abstract and stylised flowers

Angela Porter Spring Flowers Watermarked SmallAngela Porter Bright Flowers Watermarked

I’ve had a couple of busy days, including a Time to Change Wales anti-stigma talk with the South Wales Police.  The talk wiped me out for a day or so, it always does as I get very anxious and emotional in telling my story.

So, I’ve been relatively quiet on the artsy front, but I did get these two abstract, stylised floral images done.

I rather like the bright colours, achieved using Kuretake’s Zig Clean Colour Real Brush Pens and a water pen.  I like both the white and black outlines, though I do prefer the black; they make the image look more like stained glass.

Both of these designs are available on products from both my Vida collection and my Zippi Portfolio.

A nice change of pace and way of creating from my more usual entangled drawings with tiny details done with fine pens and a whimsical quality.

 

14th October 2017 Update

New Book and a Competition!

I’ve spent time working on a few more DoodleWorlds colouring templates for a book I’m going to self-publish, most probably in November 2017.

I’ve gone ‘old school’ on these – pen and paper – simply because drawing on the screen was starting to irritate me just a bit.  Also, a change is as good as a rest for sure!

The coloured artwork on the covers is going to be provided by the winners of a competition running on both the facebook group Angela Porter’s Coloring Book Fans and the Colorist app.

So, if you fancy having a go at colouring in the template to be found in either the facebook group on on the Colorist app, then head on over there – closing date is midnight on Hallowe’en.

Here’s a sneaky peek at one of the new templates for the book.  I used my Chameleon Pens to colour this one in.

Vida Collection

I’ve added some new items to my Vida Collection, typically ‘Angela’ style abstract art focusing on line and colour.  The collection includes scarves, tops, wraps, leggings, bags, jewellery, cushions/pillows and tapestries.

Later today I’ll be adding new leather products to the collection, including passport holders and baggage tags.

 

 

 

 

Time to Change Wales and World Mental Health Day 2017

Although I didn’t do anything in particular on Tuesday 10th October 2017 for World Mental Health Day (other than re-tweet and re-post relevant articles that is), I did do an anti-stigma talk on Thursday 12th October 2017.

I delivered my talk and story to a group of front-line police officers who were receiving training. It seemed to go well and be received well.  I’ve not read the feedback forms though, nor am I likely to, as even if 99% of them are positive, the 1% that may not be all the positive or says I made no change is the one that I’ll focus on and will end up worrying and fretting and being hard on myself…

What did surprise me was how anxious I was when I woke and on my way to, during and after my talk, far more than I’ve been before.

Gnawing stomach, shaky, hypervigilant, cold sweaty palms, unable to speak in order…

I’d almost forgotten what it’s like to be like that, or that was how I lived every day of my life for many, many years while I was still a teacher.

Well, not quite like that – it was worse back then, a lot worse!

Echoes of it reminds me of how far I’ve come, how much better I am now.

Of course, after the talk and driving and getting home, I had the post-anxiety ‘crash’ where I felt shaky, wobbly, my eyesight was still very acute, and a headachy tiredness grew.

A huge mug of tea, a couple of Jaffa Cakes, and an afternoon sleep with cat cuddles saw me a bit better in the evening, but I was still emotionally drained.  So, I too it easy, ordered a take-away, though I didn’t have much of an appetite.

Friday I was still a little wobbly, but today I feel more like myself again.

Art always helps me calm and ground, so that has been my therapy, and will continue to be so I’m sure.

Cool Calm – mixed media, Vida Collection

CoolCalm Angela Porter Small

I’ve spent the last couple of days completing this mixed media drawing/painting where I focus on colour and line.  I’ve called it Cool Calm.  It reminds me very much of stained glass.  I love the warm highlights I’ve added, as well as those sharp, bright green tones too.

What I do want to do, now it’s been scanned for things like Vida and printing, is to add metallic/iridescent elements/patterns to it and then, maybe, put it on Etsy as an original work of art.

I’ve also used it to add new items to my Vida collection, including this tee-shirt:

 

Entangled d20, aka icosohedron

dav

Just finished drawing this and assembling it.

I drew and edited the construction lines in Serif’s Affinity Designer.  I then opened the saved file in Autodesk Sketchbook Pro on my Microsoft Surface Book and created layers, including a mask as the top layer.  Then I doodled.  Printed out two copies.  Cut one out, scored and folded along the grey construction lines, then assembled using Cosmic Shimmer Acrylic Glue.

Assembly was a bit of a ‘mare, and it wasn’t helped by me not scoring and folding a couple of lines, but when put together, it kind of works. Even where the edges aren’t likely to marry up nicely, the still seem to work.

One thing I will need to remember to do on the next one is to go round the cut edges with a black marker of some kind which will help those edges to blend in a bit more.  Maybe.

I do rather like the heavy black lines on this one, and coloured in they’d look like stained glass!

No numbers, so it’d not really work as a d20 (20 sided die), but coloured in that maybe possible with a key of some kind.

All good fun stuff!

Yes, I am being busy with arty crafty stuff today … and it’s not ended yet as I had some soft polymer lino in the post the other day and I haven’t tried carving that yet!

Entangled Icosohedron

Icosohedron1 montage Angela Porter 19 Sept 2017

Having more fun!  This time a 20-sided icosohedron.  And I’ve just noticed I lost the plot slightly in creating the montage above – the same image repeated, d’oh go me!  First time I’ve ever done a photo montage though, so maybe I can be forgiven!