Sunday morning is always a time to breathe, relax and create something easy and pleasurable to do. Comfort art. Today, that meant a mandala and a quote that is quite appropriate for this morning.
Mandala creation makes me smile inwardly. It’s a familiar process and I can create a mandala that is complex and detailed, or simple, and the calming, relaxing effect is the same.
I do draw my mandalas digitally. By using Autodesk Sketchbook Pro’s symmetry tools, it streamlines the process for me. There’s also the removal of the frustration that is caused by an error or a smudge. I can focus on the relaxing, soothing process and on being creative.
In that vein, I decided to draw the mandala in black on white. But when it was finished, I wanted to use a background and a monochrome colour scheme.
I love kraft paper. I don’t know why. I think it’s that colours seem to almost glow against it. So, I chose that for the background. Then, I created a layer of creamy, orange-yellow tones to highlight the line art. Nice warm, comforting, gently glowing colours.
Finally, I created some drop shadows for the text and mandala.
I look at the finished mandala and I smile, gently. I feel my heart fill with some warmth and a sense of lightness.
Creating art, including mandalas, lets my soul shine. What makes your soul shine? Take time today to indulge your soul in activities that let it do so.
More art therapy was required yesterday and today. This time I messed around with watercolours and botanical motifs.
Some I like, some are hideous, but all resulted in me finding some calm amidst a maelstrom of emotional and mental pressures being exerted against me.
Although I’ve not yet tried to express my emotions via colour and pattern today, working with motifs from nature is soothing in it’s own way.
Perhaps there’s more of me expressing my needs in creating botanical art. I do feel the need to be out walking where there is nature. With Covid19 still doing the rounds, my places of choice are cemeteries; so few people visit them and I feel safe there in a way I don’t feel safe in nature when I’m by myself.
So, as it’s fairly overcast and there’s a good breeze, I’ll head out as soon as I’ve completed my social media stuff for the day.
Materials and method
I used mostly watercolours, but I did try out the Inktense paint palette I received yesterday for one motif. For some of the motifs I used a faint pencil outline. On others I darkened that outline once I’d painted the motif. And I tried black outlines using a Signo DX 0.38 pen on some others. I also used white Signo gel pens to add highlights. Finally, I splattered some gold watercolour over the page, and added some bigger dots of gold.
Oh, I worked on one of the smooth textured pages in my A4 Arteza watercolour journal.
This morning was a morning that I needed to do some art that was familiar, calming, soothing and intricate enough that I could lose myself in it. A mandala always fits that bill. Always. It doesn’t matter if it’s drawn with pen and ink on paper or digitally. The mindful, calming effect is the same. It’s the process that matters, the repetitive shapes and patterns that are drawn that contribute greatly to the soothing effect.
I do tend to gravitate towards digital art, and I find the symmetry tool in Autodesk Sketchbook Pro helps to save a lot of time. The ability to erase ink removes the frustration that a mistake creates for the hyperperfectionist part of me.
Other than those time-saving (and frustration-saving) tools, the process of mandala drawing is the same for me.
It starts by using a compass, protractor and ruler to set out the circular grid. Then, it’s digital pen on screen to draw the mandala in exactly the same way as I would on paper, just without so much repetition of sections.
However this was created, it has served it’s purpose – given me some time and space for inner peace and contentment.
It’s #TemplateThursday when I create and post a colouring template to the Angela Porter’s Coloring Book Fans facebook group. The template is free to members, though there are a few terms and conditions associated with it’s use. It’s also free to join the group!
This week, I decided to draw some cute and whimsical bugs, each having their very own portrait. Lots of small, individual pictures that a perfect for quick, mindful colouring.
I know I often get overwhelmed by a huge artwork I’m working on and that is most likely to happen when I’m experiencing a lot of anxiety, and I seem to have waves of anxiety the like I haven’t seen for a long time, most related to the pandemic.
When I need to take time out, to do art that will soothe me, calm me, let me relax and find that mindful, content space within myself, I turn to creating small artworks.
I drew this template with a Faber-Castell Pitt Artist pen on ClaireFontaine dot grid paper. Colouring has been done digitally in Autodesk Sketchbook Pro.
This week, I’ve decided to do a mandala. Mainly because I find mandalas incredibly soothing and calming to draw. I have drawn and coloured the mandala digitally in Autodesk Sketchbook Pro.
As always, the template is only available to members of the group. It’s free to join the group, and free to download the template. All I ask in return is that you follow the terms and conditions, don’t share the uncoloured template, and credit me with the artwork when you post your wonderful colourations online.
This index card #ICAD2020 #DYICAD2020 was a bit of fun to create.
I used a mixture of Distress Oxide inks to colour the 6″ x 4″ index card. The colours I used were Old Paper, Bundlesd Sage, Dried Marigold and Chipped Sapphire. I built the background up in two layers, with chipped sapphire lightly dragged across the texture that the spray of water from the first background created. A final spray of water, a dab with some paper towel to leave some bleached areas and the background was done.
I decided I’d go with the typography theme today, so hand-lettered monograms for each letter. I used pieces of Canson XL Bristol paper coloured either with Distress Inks or Distress Oxide inks. After spraying the paper with water, I squished some cling film onto the surface to create abstract patterns in the colour.
Anyway, I used 06 and 03 Sakura Pigma Sensei pens to draw the monograms. Once I was happy with the designs, I edged the monograms with Ground Espresso Distress Ink. Then, I glued them to some brown-ish card, and cut them out with a border. I edged the brown paper mat with Ground Espresso Distress ink.
I then set to adding pattern and colour with Paul Rubens metallic watercolour set. Tiny dots and highlights were sparingly added to the monograms. Then, I used the same 01 brush to draw patterns around each monogram in colours that picked up the background colours of the monograms.
My final step was to edge the index card with Ground Espresso Distress Ink.
This was a perfect little project to practice my hand lettering as well as trying out the Paul Rubens paints. It was also good practice at using a fine brush to draw patterns. I do think a finer brush would’ve worked better.
The scan hasn’t picked up the sparkly, shimmery gorgeousness of the metallic paints.
This was a really nice way to come round after I’d slept off yesterday’s migraine-y stress-come-down headache. It was a small project that I didn’t feel overwhelmed by and there was no pressure on me for it to be perfect, as would be the case for my contracts for coloring books. So, it helped me calm and settle and find that sense of contentment, for a while at least.
A simple, monochrome mandala today, using some of my favourite patterns (plus a couple that are entirely mine).
Drawing mandalas is so soothing, mindful, meditative. The repetitive nature of drawing patterns is part of that relaxing experience.
It was also nice to use some of the patterns from my ‘visual dictionary‘ or ‘visual zibladone’ in some art.
I have some new patterns and motifs to add to my visual dictionary; they spontaneously appeared as I was drawing. I like when this happens, when I don’t over-think things and just go with my instincts.
I wanted to add a colour gradient to the mandala. However, when I tried to do so, it just didn’t feel right. So monochrome it is.
Drawn digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
That’s right, there’s an annual day to celebrate coloring books and to indulge yourself in the relaxing, calming, stress-busting activity of coloring, no matter your age or gender!
As you can see if you browse this blog, I do a lot of art. Whether drawing, colouring, or other forms of creativity in art it really does relax, calm and soothe me when I need it.
And there are times when I really do need calming and relaxing. It’s no secret to anyone who has followed my blog for a while that I have complex PTSD (CPTSD) and I am slowly recovering from it with the help of EMDR therapy. On the days where I have low mood or anxiety or I’ve been startled into hyper-vigilance, art really helps to soothe my jarred emotions and calm me until the stress hormones leach from my body returning to their normal level for me. That is still an elevated level, but a level that has always been there in my life.
It’s not just me saying this. Research has shown that spending time colouring has a similar effect on the brain as mindfulness meditation.
There are so many coloring books available as well as colouring pages, you can find just about anything to suit your tastes. Also, I have many colouring books available (I think it’s around 20 now) – have peek at at my Angela Porter Amazon author page.
If you like to draw your own designs to colour and are looking for something new and a little different, then you may like to take a look at my book ‘A Dangle A Day’. In the book I show you what dangles are, how to draw them and use them with hand lettered sentiments and monograms. They’re fun to draw, simple, and there are many ways to use them such as in bullet journals (BuJos), planners, journals, scrapbooks, greetingscards, note cards, bookmarks and more.
Also, I gift an exclusive template to the Angela Porter’s Coloring Book Fans facebook group at least once a month. They’re free to members and shouldn’t be available anywhere else, though intellectual theft isn’t unknown in the realms of the internet.
The image above is the August template for the facebook group. I coloured it digitally using gradient tools for some speed. It would take me weeks to do the way I’ve been creating digital art of late!
No matter what you use to colour – digital or traditional media – I’d love to see how you’ve brought my line art to life, whether from one of my books or from one of the templates available in the facebook group. There’s also some templates available on my angela porter illustrator facebook page too.
Here’s the tags you can use to connect with me on the social media platforms that I use:
One of the things that is really nice about being between contracts is the opportunity to create art just for the fun of creating art and not having to stay within the limits of the contract. Not that drawing to fulfil contracts isn’t fun, it is. It’s just that I have to work within the remit of the contract.
Yesterday evening and this morning I’ve been having a contented time creating some entangled monograms. I’ve cut some Winsor and Newton Bristol Board down to approx 15cm x 15cm (approx 5.75″ x 5.75″).
I penciled in some guidelines for the edges of the artwork and for the position of the monogram.
First job was to hand letter the monogram. I did start with pencil guidelines for each letter, then used a hard Tombow Fudenosuke pen to ink them in.
Then, the real fun begins, which is the entangling of the space around the monogram. I used the Fudenosuke pen along with a Sakura Pigma Sensei 04 and Uniball Unipin 0.2 and 0.1 pens.
All done in plain black and white, with just the weight and concentration of lines adding depth and dimension to the finished design.
I do want to add colour to these at some point. I love pure black and white artwork, but colour can bring them to life as well. Digital colouring is my favourite way of adding colour these days, but I may print copies out on to marker friendly paper and then use Chameleon Duotones and Color Tops to add colour. I’ll see how I feel about that.
As is my wont, I had no preconceptions of how the entangling would unfold. I just let it flow. Some of my favourite motifs and patterns have been used. I did refer to my visual BuJo for ideas/inspiration from time to time too.
Yes, a visual BuJo (bullet journal). Or, rather, it’s a collection of motifs and patterns that are being organised using ideas from the Bullet Journal system of keeping a journal. It works for me. I have a way to help me find continuations of collections, or to start a new one, and not worry about a collection being on consecutive pages.
My visual BuJo is an A5 sized, dot grid notebook from Claire Fontaine. It’s a soft back one so isn’t quite as weighty as Leuchtturms and the like. It is also a little less bulky in size, which helps when I want to travel light on a day out.
Mind you, when fill this present visual BuJo I may use a Leuchtturm for my next one. We’ll see…
It is also something that encourages me to seek out new patterns and motifs to add to it, as if I didn’t have enough already! Doing this is a good way to just practice my drawing skills and observation skills, as well as analysing a motif or pattern, breaking it down into simple shapes and steps to draw a stylised version.
I do tend to favour more stylised motifs and patterns in my art, that’s for sure.
So, I now no longer feel the need to try new ideas out for keeping my reference material, constantly redrawing them again and again. The visual BuJo is working for me for sure.
When I’m having a tough time emotionally/mentally with my CPTSD and/or EMDR it can be soothing, comforting for me to use the familiar, and of course I can still do that. I just don’t need to spend a lot of time drawing and redrawing and redrawing again the same things in my search for a perfect record keeping system for patterns and motifs.
The BuJo inspired system may not be perfect, but it works for me.
One other positive that has come from me using a BuJo is that I’ve had to learn to let mistakes go and just leave them in the notebook. The mistakes are what I need to make in order to understand how to draw a pattern or motif. Sometimes, though, a new pattern or motif arises from the mistakes.
Something else I’m starting to do is to make notes alongside the patterns with where to start, the order in which to draw the parts of the pattern or motif, and ideas for varying it.
Yesterday was very much a quiet, self-care day. Today, I’m feeling better in terms of energy and concentration.
This mandala was a product of yesterday’s quiet downtime doing art for arts sake. Though it was this morning I thought I’d like golden outlines to the design rather than the usual black. It took me a while to get my head around doing that!
I like the way I’ve repeated the simple spiral pattern in three layers. Keeping the colour palette simple has also worked nicely for me, even though the combination of colours is an unusual one for me. The colours remind me of cacti with flowers and a soft, golden sun.
I could mention that green is about achieving balance, the red is the energy I need to stoke up on, but a softer, more gentle kind of motivational energy. Golden sunshine is the healing I see. The way the spirals flow outwards and are unfurling suggests growth , springing forth from seeds long lain dormant in the ground of my soul. There’s hints of buds ready to bloom there too. Maybe the golden background and lines are suggesting that I am worth more than I think I am, that I do deserve better.
Oops, I have mentioned that! But somehow this mandala seems to show how I’m progressing in my recovery from cPTSD.
Now how’s that for an insightful piece of art?
No matter whether you agree with the interpretation of the mandala or not, it was definitely a calming and soothing experience, both the drawing and colouring.
It is a piece of digital art. I used my usual Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro to create this mandala.