I really enjoyed creating this mandala this morning! I used some of my favourite motifs in this one. it was lovely to use white on the kraft background, to bring out some highlights and add dimension here and there.
I love to use Autodesk Sketchbook Pro to draw my mandalas in. It streamlines the process and allows me to focus on creating the design rather than the mechanics/geometrics. Of course the design is drawn by hand, just as it would be on paper. That’s the beauty of having a Microsoft Surface Studio and Surface Slim Pen – I can draw with the pen on the screen just as I would with pen on paper. The advantages are that if I mess up, it’s easy to correct, and the symmetry tool saves time, allowing me to focus on the fiddly details that I love so much.
Finally finished it! It’s taken many hours to do – probably around 15 I think, and it’s taken some perseverance by myself to get it done.
Uniball Unipin pens (05, 03 and 01) on Claire Fontaine Paint-on mixed media paper. Two pen nibs now wrecked; the paper is velvety smooth to touch, but just too rough for the tips of the Unipin pens. Will move to Bristol board for the next monogram.
I woke this morning, refreshed after a long, deep sleep, and wanted to draw something relatively simple, something I could work on in the future.
I used a Uniball Vision Elite pen on a sheet of dot grid paper from Claire Fontaine. If you zoom in, you can still see the dots of the dot grid.
I had no idea of what I was going to draw. All I knew was I wanted to draw, and I wanted to start with a flower. Which I did.
I then started to grow the design by adding the swirls. Those swirls had shapes in them perfect to add some round seeds.
Next, I thought a rectangular background panel, filled with a geometric design, would be a good counterpoint to the more organic flower and swirls. So, I did draw in a pencil grid to use as a guide for my inked lines.
After adding a narrow border to the panel, I decided to add some simple dangles to the lower swirls. I thought the design needed to be lengthened a little.
When I’d finished the dangles, I knew the design was complete. I felt no need to add anything more to it, despite having a lot of white space! So, I scanned it in and prepared it for posting to social media.
I’d like to work this one with some colour to the flower and swirls, maybe the dangles too. The geometric pattern I’d like to add shading to bring out a more dimensional appearance to it. I may add that shading as shades of grey, or maybe as lines.
If you’d like more ideas about drawing dangles, then my book “A Dangle A Day” is a good place to start.
That’s where I have to leave it for now as I have a busy day away from home today.
This morning, I needed the calming and soothing process of drawing a mandala.
The last few days have been manic, tiring and emotional. I’ve also had to use a lot of mental concentration on a project that involves me. All this has resulted in evenings filled with headaches and emotional vulnerability.
I’m aware of what’s happening to me, and I do take steps to make sure that I practice self-care and self-soothing.
Drawing mandalas is always self-soothing for me. The abstract nature of them means anything goes, within the foundation of rings and angles. Drawing repeating patterns and shapes is also a soothing activity.
Today, I chose to draw in black and white and add a grey, textured background. Some subtle shading in greys helps to add the illusion of dimension to the mandala.
I drew this mandala digitally, using my favourite tool triad of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. This made it easy to alter what I wasn’t happy with as I worked on the mandala. This removed a source of potential stress and upset and allowed the perfectionist in me to smile.
That doesn’t mean there aren’t any imperfections in the design; there are plenty of them! It just means I can fix the big mistakes quickly. I wish it were as easy to do that in life, for myself but also for others.
I enjoyed drawing the mandala. It has helped to soothe my fragile head and heart and has set me up for the rest of my arty, creative day.
So, Angela, how are you feeling today?
I’ve not written much about my mental and emotional health lately. It’s mostly been good. However, I’ve had some challenges with it and have had some weepy, teary times.
Previously, I’ve mentioned that I was looking at leaving therapy soon. I still think that will be the case, but these challenges have caused some flotsam and jetsam from my past to surface. They need to be processed and released before I consider leaving therapy.
I have so much to do in terms of work and other commitments that I really do need to schedule in that self-care time. Also, I’m aware that the challenges I’m currently facing could, potentially, harm my mental and emotional health. All the work of the past five years in therapy could, possibly, be undone. I can’t allow that to happen.
During the recent difficulties, I’ve found my emotions and thoughts harking back to the dark days of my poor mental and emotional health. I managed to stop myself falling into the bottomless, dark pit of despair and anguish. I recognised it was happening. Also, I recognised the trigger for this. It was strong enough to breathe some life into the pale ghosts of my past. Those ghosts have now been dispelled, but I know they can rise to haunt me at my vulnerable moments.
What scared me most was that I lost that awareness of inner contentment that has been present for many months now. It’s now back, once the ghosts had been returned to their realm – the past.
I’ve said it before, and no doubt I’ll say it again – emotions are the weather of my inner being. Things happen or are said that can stir up a storm. The storm opens a portal to the past and ghosts can find their way to trouble my mind and feelings. I’m now more aware of myself, my emotions, and how to cope with this weather. I’m back to a calm sea where the contentment isn’t shrouded by the shades of the past.
Being able to banish these ghosts myself shows how far I’ve come since my darkest days.
Day 21 and it’s a pug skull, Pleurotus eryngii (King Oyster mushroom) and the Batnumber tangle pattern from the Inktober 2019 prompt lists from Instagrammers @book_polygamist, @nyan_sun and @havepen_willdraw.
I really enjoyed drawing the wood cut style of skull yesterday so thought I’d go with it for today’s short nosed dog skull – I chose a pug skull.
I echoed the wood cut style in the mushrooms forming a ring in the partial mandala around the skull.
I like the graphic black and white nature of the design elements against the coloured, textured background. I did, however, break up this graphic style with the foliage forming the outer ring of the design. I just felt I needed to push something to the background.
In 21 days I seem to have covered a lot of different styles in my work, though I think my favourite ones are where I place a mandala behind the skull, as in today’s illustration.
Although I love colour, I do think the more graphic designs are more ‘me’. Maybe it’s because my experiments in drawing in colour (as in day 18 and day 19) are outside my familar, comfortable work.
I don’t know where this will lead me, though I do want to do more mandalas like today’s, maybe get them available as prints or on t-shirts. What do you think?
I stumbled across this quote from Albert Einstein yesterday. It sums up how I feel about my art and how I create art. I work very intuitively, generally. I choose one place to start, with one motif and I just let everything else flow from that point. If I am thinking about what I’m doing, I’m not aware of those thoughts. In this way, drawing is, for me, a rather mindful activity where I can lose myself in the flow.
My art tends to go wrong if I over-think or try to over-plan it, as I’ve found out recently as I did the first sketches for the coloring book I’m working on.
For this drawing, I printed out the quote and borders on an A4 sheet of Bristol Board. I then used various sizes of Uniball Unipin pens to draw the designs in. If you’re interested, I started at the top left corner of the quote box and it is from this point that the rest of the design flowed out from, sort of.
I’m actually quite pleased with this one. I actually like use of thicker lines to delineate the individual motifs and to give a more structured, layered feel.
I also dug into my visual reference libraries to revisit patterns and motifs I’ve not used in a while, as well as using some of my most favourite ones.
I like the stark, graphic nature of the pure black and white, but I may very well add colour to this one in a way similar to yesterday’s quote. I haven’t finished colouring that one yet, but it is something I will return to later today, though I may not finish it today.
I’ve worked on this design over the past three days. I wanted to do another version of this particular quote in my more characteristic pen and ink, intricate, entangled style of art.
I used various pens to draw this on recycled copy paper (I know, but it’s preserved for posterity as a digital file now). The quote and the boundary lines were printed out on a laser printer. I could have hand lettered it, but I wanted a typewritten look for the quote.
I did add colour and texture to the background using Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Microsoft Surface Studio, but the drawing was all done traditionally with various black pens.
This is so characteristic of my work from quite a few years ago, before I worked on colouring books. I think last week’s stresses and strains – EMDR, Time to Talk Day – had me wanting to escape into the familiar, the comforting, the easy (for me at least) which is why I defaulted to this style of art.
I do have to push myself out of this very comfortable art zone to work on templates for my next coloring book, one which could have an added bit of stress for me concerning its theme. I’m determined to do it though!
It’s taken me until today to fully recover from all of last week’s emotionally tiring events, just in time for my weekly EMDR session! So, I plan to get some drawings done for the book this morning before I head to Neath in what looks like it’s going to be a sunny late winter day. I also really need to get a brisk walk in nature in today. My fragile state has had me remaining in the safety of my home or car. Today, I feel the need to move my body a bit more.
Yesterday was a day where I was out of sorts for some unspecified reason. Drawing little, intricate bits of art was the only thing that helped to soothe me and calm me. Along with comfort eating, which was not good way to cope.
I get days like this. I have no idea what triggered this response. It may have been a visit to my accountant on Tuesday and the tax bill to pay – I have absolutely nothing to worry about with either, but dealing with finances is a trigger for the anxiety and depression that are part of my cPTSD.
I know I was on edge about the meeting, even though I knew there would be nothing to worry about. The anxiety had been gradually growing through the previous few days. This anxiety provoked the warning signs of an incipient migraine/stress headache on Tuesday morning. Luckily I caught it in time with painkillers so that it didn’t develop into a full blown migraine and after the meeting I was left tired but feeling more at ease.
Yesterday, the anxiety ramped up again as I went to get the paperwork and bank card to make the payments. So, yesterday I needed to manage my anxiety and tiny, intricate drawings were what was needed.
Today, I know I have to do these things, and I will. I don’t have the anxiety I had about them yesterday. I think yesterday was just too close to a few days of spiralling anxiety as accounts day approached closer and closer.
cPTSD can make doing the simple things in life far more difficult to do. I do get things done, though I do have to be kind to myself at times, making sure I have plenty of time before the deadline.
I used fountain pens on white paper to draw the designs. The M is on paper that is around 4″ x 4″, the G is a little narrower than 4″ for some reason.
After scanning them in, I did a bit of digital wizardry to fill the letters with a gold foil texture, just to see what it would look like, and they look OK to me. I’m not too keen on the black line around the G though. I do like the contrast of the golden letters and the black and white designs around them.
Today, I have to colour the cover for my next book for Dover Publications Creative Haven series. And keep warm and safe. I woke up to a lovely sunrise with a frosty world – everything was covered with white. I know the temperature was down to -3ºC last night as I came home around 10:30 pm, and it would only have got colder as the skies were clear and starry. It’s beginning to go now, but clouds have covered the sky.
The frost is beginning to disappear now, but clouds have covered the blue skies. Snow is forecast for a bit later on today. I like to see snow. I like the way the world falls silent in heavy snow as it seems to muffle the usual background noise of modern times. I’m wise enough to know that for me to go out in snow is never a wise idea; I tend to slip and slide and fall and hurt myself. So, as I have nothing pressing that requires me to leave home, I’ll be staying safe and warm indoors! Once the cover is coloured, my attention will go to February’s templates for the Angela Porter’s Coloring Book Fans Facebook group. Someone there has asked for some simpler templates like my dangle designs, so I think that’s exactly what I’m going to do!