Journal – pages 4 to 7

Over the past day or so, I’ve done some work on my journal and have pages 4 to 7 mostly complete. I’ve included lots of pockets to slip paper or artwork or other surprises into. I’ve also used some artwork I created as ephemera and embellishments.

Page 4 – top left.

This page has three pockets. One made by adhering two pages together, with a thumb notch punched out. Another is made from a sheet of tracing paper. The third is behind one of my signature entangled drawings; it’s a fairly secret pocket, unless I add something that peeks out from it.

I coloured the reverse of the drawing with Distress Inks as I didn’t know how they’d react with the pen drawing. Then, I adhered the tracing paper to some old book paper, and then adhered this to the tracing paper pocket, applying glue along three sides to create the pocket.

Once the glue was dry, I added some zentangle style patterns to the tissue paper pocket, just for fun. I used one of the Chameleon Fineliner pens to do this, using a colour that went well with the colours I’d used to ink the paper.

Page 5 – bottom left.

Page 5 is a little bit bigger than half the width of a page. I folded up the bottom of the page and adhered it along the edges to make a tuck-in. I punched out the thumb notch with a circle paper punch.

I decorated the tuck in with flower art at that I created myself. I also added some zentangle style patterns in between the flowers. I used Chameleon Fineliner pens, this time using a red and orange to get a gradient.

Page 6 – top right.

Again, a page that is a little more than half the width.

The drawing was done in gold ink on tracing paper. I used Distress Oxide inks to colour the reverse of the tracing paper before adhering it to some old book paper. The text and diagrams on the book page shows through faintly, as it does with the drawing on page 5.

Page 7 – bottom right.

This page just has a flower painting I created along with old book paper that have been collaged onto the journal page.

You can see the thumb notch on the edge of the page, showing I created a pocket by adhering two pages in the journal together.

Next steps…

None of the pages are fully completed. I’d like to add quotes or meaningful words or phrases. Some pages have gaps where I can add ephemera or pockets and so on. There’s certainly many spaces on the pages where I can draw patterns and designs.

I’m going to let the pages rest for a while as I turn my attention to other things today.

I’ve been feeling a bit ‘off’ or ‘meh’ in the last couple or so days. I’m finding it hard to settle to work of any kind. That I’ve been able to focus on getting some little bits and bobs done for the journal shows I’m feeling a bit more focused than of late.

Ephemera

Ephemera ©Angela Porter |Artwyrd.com

I woke this morning with the desire to make a little box to store ephemera in. So I did.

I used a video from PootlesPaperCraft to help me make the box, which is 4″ square with a depth of 2″, so sizeable enough for some of my smaller ephemera such as inchies and little shrink plastic charms (you can just see them peeking out from under the envelopes to the left of the photo).

I used plain, white card for the box base, which I coloured with Tea Dye, Rusty Hinge and Vintage Photo Distress Inks. For the top, I used a piece of Tim Holtz card from my stash that I’ve had for a number of years. This I grunged up with Vintage Photo and Rusty Hinge Distress Inks.

Once I made the box up, I used Aged Mahogany to distress the edges of the box.

I coloured a square piece of white card with Aged Mahogany and Rusty Hinge Distress Inks and then used a light brown pen to draw a zentangle design on it. This panel was layered on a piece of the same Tim Holtz card I used to make the lid, and then I adhered it to the box.

The box really needed a label to identify it’s contents. Now, I could’ve printed the label out, but I thought this would be an opportunity to practice my hand lettering, which I did.

Then, I aged the label with Aged Mahogany Distress Ink, applied lightly over the face and a bit darker around the edges. Next, I layered the label on another piece of the Tim Holtz paper. Before adhering the label to the box lid, I edged the panel with some Rich Gold Starlights paint from Imagination Crafts.

It’s been a long time since I made any boxes, but they really are easy enough to do. I need to make a longer, thinner box to store tags and other bits and bobs in, once I work out the size I need to make.

Art Journal – Page 01

©Angela Porter | Artwyrd.com

Yesterday I got lost in finishing the first page in my new A5 journal. I’ve put together three photos that show how the page looks as the tags are folded in and as each is opened out.

Every image, pattern, coloured paper, inchie, panel, envelope and tag have been made by myself. Drawing and colouring my own bits of ephemera and the pattern on the page background tool quite a bit of time, but it’s my own work.

I could’ve chosen to use paper from old books, commercially produced designer series paper or digital downloads. Those would’ve saved a lot of time, for sure. The end result would have been my own way of using them. However, I got a lot of pleasure, contentment, peace and calm from creating my own.

I made a note along the edge of the page showing which Distress Oxide inks I’d used to colour the page so that I could use the same for the other elements. Well, mostly the same Distress Ink colours; I did vary them in other places. However, this resulted in a coherent feel to this page – it feels like everything there belongs there!

I also noted on the background what pens I’d used to add the zentangle-style pattern. I then used Distress Inks and a brush and water to bring out that pattern.

Yes, I realise I could’ve used stamps, embossing ink and embossing powder to do something similar. I didn’t want to. I wanted my own, personal touch to this.

I really like how little pretties are hidden behind the tags and only get fully revealed as they are opened. The same is true for the items tucked in the pockets on the backs of the tags. I will replace the pieces of paper with journaling paper or other things as time goes on.

I may very well add danglies to the tops of the tags, possibly little tabs on their sides to help open them.

I’m quietly pleased with this page. It is very much “Angela” in style and feel. I’m feeling a bit more confident about this now, and I’m sure that I will really develop my own style as I go forward.

I really got a a sense of satisfaction and pleasure from creating every little element for this page. When I had it finished (mostly) I knew I’d worked out just how I want to create art journals going forward.

What I do need to remind myself, however, is that I can add to them when I want to – they’re not a full time project. What I could do is combine journaling with them, especially if I include elements that are specifically for journaling.

I do have some other bits and bobs to try making for the journal – little booklets, decorated paper-clips, tabbed cards to fit in pockets (or tabbed booklets, maybe). I certainly want to add quotes, notes, memories and more. And I think I need to work on my hand lettering to do such things as well.

I do plan to build up a library of digital designs I can use for inchies, twinchies, tea-cards, ATCs, panels, quotes, and more. Also, blank ‘templates’ for them, maybe.

Perhaps I should scan the backgrounds in before I add to them so I can use them in my digital art too. I shall think about that going forward. For this page, I really wasn’t sure if my idea of adding the pattern would work. I was pleased it did, I really am. I’m sure to do similar things with the following pages, and now I know what I do like, I can always replicate the background on this particular page, and the notes of which Distress Oxide Inks I used will help me in doing this for sure.

For the rest of today, however, I will be mostly doing other art rather than working on my art journal. I do have some coloring book projects that need some serious attention for starters.

Mandala Monday

©Angela Porter | Artwyrd.com

It’s a lovely sunshiny day, so a sunshiny mandala seemed an appropriate design to create today.

The background is one of my Distress Oxides ones, though I’ve recoloured it to reflect the sunshiny nature of my mandala.

I drew the mandala digitally using Autodesk Sketchbook Pro.

This was a really nice exercise for me. It’s been a few days since I’ve done much in the way of digital art. I’ve been so focused on stuff for my art journal that I’ve had an unplanned break from it.

I must say that I rather like not having a bit of a mess around me, albeit a bit of a pretty mess. Digital art is very clean, tidy, and that suits my creative inclinations quite a bit.

Talking of my art journal, my A5 mixed media sketchbook arrived yesterday. Actually, a pack of three from Arteza did. So, I started by colouring three of the pages last night. I also drew some patterns on the first page to try some ideas out. I’ll show these another time.

This morning, I affixed some tags to the first page. I hinged them so I could have some tuck-spots on the back of them. I also drew some designs and painted/coloured them. And, I finished off some more inchies!

I’ve had quite a busy arty morning!

So far, the A5 sized journal seems to be working out so much better for me than the A4 one. The smaller sized pages means I can’t put so many items on a page, not without layers anyway. That seems to make it easier for me to achieve a pleasing arrangement of elements. Only time will show if it actually does work out well for me.

The mixed media paper in the Artezea sketchbook is rather rough and very different in texture to the ClaireFontaine one I usually use. However, as it’s likely to be covered with tags, pockets, envelopes and so on then it won’t be too much of an issue.

Sketchbook / Art Journal

©Angela Porter | Artwyrd.com

I woke at around 4:30am again today and couldn’t get back to sleep. So, I got up, made tea, and did some work on my art journal / sketchbook.

Making Distressed Paper

I spent a good two or three hours making the papers you can see to the left. I used the following:

  • printer and layout paper, cut to A6 in size (UK size)
  • Distress Oxide Inks
  • 5″ x 7 ” Gelli plate
  • small Brayer roller
  • water in a spray bottle
  • heat tool
  • craft mat
  • pieces of cut and dry foam
  • metallic inks and paints

For some of the pieces, I brayered the Distress Oxides onto a Gelli plate and then pulled the print onto a piece of paper. For others, I used the Brayer to apply the ink to the paper. I also used the black side of a piece of cut and dry foam to apply ink to some of the papers.

I sprayed the papers with water to activiate the Distress Oxide, and used the heat tool to dry them. After doing this, I crumpled up a lot of the papers and then used the brayer to flatten them out. Both of these techniques resulted in textured paper. So, I used the cut and dry foam and some Distress Oxide ink to lightly brush the paper to help to accentuate that texture.

Finally I used cut and dry foam to brush metallic paint or ink over the paper to add some shimmer and shine. I used some textured cut and dry foam to add patterns too.

I now have quite a stash of very distressed papers to use in my art journal in the future.

Both the printer paper and the layout paper are much thinner than I would usually use for such a task. The light spritz of water on each, however, created a lovely, bumpy texture. They were also easy to crumple up, adding that kind of leathery texture.

The subtle shine that the gold metallic ink gave is rather lovely, though I do like the bright, shiny gold of some paint I found in my stash.

I can see me using these papers for collage, for making pockets/envelopes and other bits and bobs for a journal, and no doubt for other things I’ve not yet thought of.

Storing my custom papers.

I realised the papers I’ve made over the past couple of weeks have been piling up and I really needed to do something that would let me find them easily. So, the quickest and easiest solution was to use A4 poly-pockets and a ring binder, both of which I had to hand! That certainly has let me have a tidier desk, and I’ll be able to find the papers easily too.

Art journal pages.

I also finished up the two pages shown to the right. I attached inchies, to fill in some gaps.

I used simple paper hinges to attach the ATC cards on page seen in the bottom image. If I ever wish to remove them to swap/share/gift, then I can remove them easily. That simple solution has relieved my anxiety about adhering them permanently into the sketchbook!

I’ve also folded some squared paper, used distress inks to colour the edges and folds, and put them in the vellum pockets I’d made earlier, all ready for me to journal on. Unusually for me, I made use of some washi tape to embellish the pockets.

I’ve also noticed that I’m very ‘regimented’ about how I put things in my art journal. I much prefer carefully cut paper to torn edges most of the time. Everything needs to be arranged ‘just so’ with me. Just as it is with my line-art – precise and neat. I suppose it’s another example of me expressing my personality through my art.

So, Angela, how are you today?

I’m exhausted. I’m practically falling asleep as I type this; that’s what happens when I wake up at stupid o’clock once again. I’m now officially overtired! I may try to get back to sleep soon; I do have work I need to do today!

As far as me being under the weather goes…

Well, I still have a sensitive digestive system and I feel nauseous from time to time. I did wake with a bit of a headache today, but that could just be lack of sleep, as is the tiredness I feel. I have eaten and my tummy doesn’t seem to be objecting as it has done. This all makes me hopeful that I’m almost over this bout illness. I was really quite grumpy about it yesterday, and I’m entirely sure I’m not grumpy today!

Other than that, emotionally I’m doing just fine. The sunshine helps with my mood for sure, as did being able to hear the bird song as the world was slowly waking up this morning.

Inchies

Inchies ©Angela Porter | Artwyrd.com

Inchies

Teeny, tiny one inch square works of art are called inchies. Here are two sets of six inchies.

For each set, I cut an ATC sized (3.5″ x 2.5″) Distress Oxide coloured mixed media paper into one inch squares.

I took the chisel nib of a black Copic Ciao marker to the edges, and then drew on the squares using either Copic Multiliner SP or Faber Castell Pitt artist pens. When I was happy with the designs, I added metallic watercolours to bring out some highlights.

What to do with them? I don’t know…yet. All I know is they were fun to do and quite satisfying.

Under the weather

I’ve not been feeling too grand, hence the lack of a blog post yesterday. I had a stomach upset on Saturday night, along with headache, tiredness and loss of appetite.

I’m still not right today – tired, another headache and an uncomfortable digestive system still. I think it’ll be another quiet day for me.

Sketchbook Saturday

Sketchbook Saturday 2 May 2020 ©Angela Porter | Artwyrd.com

I am enjoying working a little either on my sketchbook-journal or preparing bits and bobs for it each day.

The main thing I wanted to do this morning was to get some little word tags prepared and in use.

I created a list of words I’d like to add to bits and bobs of art. I copied the list, using different fonts, then printed out an A4 sheet of the words. I made a second sheet using different words and different fonts. Then, I cut the sheets up into smaller pieces for storage.

Then, I realised I’d need to create a storage space for them in my sketchbook and thought an envelope would be the easiest way. I do have some commercially produced envelopes, but I thought it was time to use my We’R’Memory Keepers envelope punch board for a more custom size.

I cut an 8″ x 8″ piece of ordinary printer paper. I coloured the paper with distress oxide inks (old paper, tea dye and dried marigold) and then made an envelope that measures 3.5″ x 6″.

I then realised I needed a way to keep the envelope closed. I could tuck the flap inside the envelope, but as I used copy paper I didn’t know how durable it would be. So, I came up with the idea of having a little pocket to tuck the corner of the flap into. And that meant I could cut out “words” from one of the lists and add it to the little pocket.

Before I did that, I aged the edges of the label with Distress Ink. Next, I glued it to a an old book page and cut it out with a border of text. That layer was also edged with Distress Ink, then it was added to the pocket. I used a metallic Gelly Roll pen to draw around the label.

On the page, you can see some small drawings I’ve done over the past couple of days.

On the left of the page are three ATC cards (2.5″ x 3.5″) made from a piece of mixed media paper coloured with the same Distress Oxide Inks.

On the right, is a larger artwork, an experiment and exploration of what I could do. I collaged some Distress Oxide coloured pieces of paper on to the background. I added metallic gold and copper paint to some of the pieces, and also to create patterns behind them. I drew little designs too, including a Dangle Design from one.

I’m not all that happy with the ‘explore’ card. There are bits I like, and other bits where I think I messed up. I think if I’d left it with the gold patterning on the background and just some simple patterns on some of the collaged rectangles, maybe some gold paint on the smaller ones, then it would’ve worked out better.

I think I’m going to make a vellum envelope or pocket to store the ATC cards in. Vellum in translucent and so will provide a tantalising glimpse of the card(s) safely stored within.

The ‘explore’ card will be placed into the sketchbook, with notes and reflections about it. It’s one that will be a learning experience more than anything else.