So Thankful

So thankful ©Angela Porter | Artwyrd.com

Today, I have a simple dangle design greeting card along with a coordinating envelope. If you’d like some more ideas, inspiration and step by step instructions for drawing dangle designs then my book, A Dangle A Day, is a good place to start.

Materials and dimensions

4″ x 4″ Strathmore Bristol paper with a vellum finish
5″ x 5″ acid-free white card blank
White envelope that card will fit in
Distress inks in Tea Dye and Rusty Hinge
Small piece of foam and a mini foam blending tool
A piece of card with a 1.5″ x 0.75″ window cut in it to use as a stencil.
Faber-Castell Pitt artist pens in F, S and XS
Ruler and pencil
Adhesive
Glass pen and coppper ink by J Herbin

Making the card.
  1. Use the card stencil and a small sponge dauber to apply a rectangle of Distress Ink in the top left of the 4″ x 4″ top layer. I used Tea Dye to colour the whole rectangle in, followed by a subtle gradient of Rusty Hinge from the bottom up.
  2. Use a mini foam blending tool to add Tea Dye Distress ink to the edge of the top layer.
  3. Use a pen to draw the rectangles around the colour block. I like to do this free-hand as it gives a more organic, human feel to the design.
  4. Draw the sprigs and add the lines to the border. Dots help to add some interest to the more empty parts of the design.
  5. Use a ruler and pencil to lightly draw a vertical line as a guide for the dangle. Also, draw pencil lines as guides for the position and size of the hand lettering. Sketch in the letters of the greeting.
  6. Draw round and diamond shaped beads to form the dangle. I like to finish my dangles with a ‘heavier’ or larger bead.
  7. Ink the letters in. I did some faux calligraphy where I made the down-strokes thicker. I added some lines and shading to the top line.
  8. Carefully erase the pencil lines.
  9. Attach the top layer to the card blank.
  10. I used a glass pen and copper ink to add copper dots to highlight the dangle design and the hand lettering. I also drew a box just inside the top layer and another just outside it on the card blank. Again, I free-handed the lines, embracing the wobbliness.
Making the envelope
  1. I used Tea Dye Distress Ink and a mini foam blending tool to edge both the front and back of the envelope.
  2. I then used a sponge dauber and the card stencil to add a rectangle of Tea Dye ink in the top left.
  3. I drew the design on the envelope as I had on the card, including adding a line border in copper ink.
  4. Finally, I drew similar sprigs on the envelope flap, using the glass pen and copper ink.
Before mailing…

Once I’ve addressed the envelope, I’d apply a thin layer of Distress MicroGlaze to the front and back of the envelope to protect the Distress Ink and drawing from the elements. I’ve done this to other cards and they have traversed the UK and US postal systems with no problems.

Ideas for using the design.

Although I’ve presented this dangle design as a greeting card, which is, I think, a lovely way to share a little bit of artistic loveliness with others, there are many other ways the design could be used, with or without any hand lettering.

In a BuJo, journal, planner or diary it would make a lovely little design to fill in a blank space.

This is a design that would work really well as a bookmark.

I’m sure it would look charming as part of a scrapbook spread.

I also think it would look lovely on a ‘with compliments’ slip or decorating the edge of a hand-written letter.

I’m sure there are many other ways and media that this design would be suited to.

Final thoughts…

I’m really enjoying drawing these kinds of dangle designs. They’re simple and elegant, to my mind anyway. They’re also quite easy to draw.

I do prefer to free-hand the lines and let the wobbliness be part of my signature style. It gives that human, hand-made, hand-crafted feel to the finished project, and a warmth to the finished project.

I work hard at finding a way of drawing digitally that lets me keep this uniquely ‘Angela’ way of expressing myself through line and pattern. I’m still working on it and sometimes get frustrated that, to my eye, my digital art seems too, well digitally perfect.

It’s all part of the process though – learning, developing, experimenting, trying out new ideas, techniques and methods. That’s what helps me grow as an artist.

Dangle Designs 22 Nov 19

Dangle Designs 22 Nov 19 ©Angela Porter | Artwyrd

If you’d like to find out more about drawing dangle designs, then my book “A Dangle A Day” is a good place to start. I’ve created over 120 designs, with step by step instructions, for you to use and inspire you.

It’s Friday, so that means it’s dangle designs today!

I drew these on postcard sized (148mm x 105mm) acid free heavy cartridge paper using a mixture of Tombow fudenosuke and Faber-Castell Pitt Artist pens. I then used Chameleon Color Tones and Color Tops to add some colour to the designs.

Again, I’ve drawn some really simple, cute and whimsical dangle designs that leave plenty of space on the paper for hand lettering or a hand-written note or letter.

Dangle designs are, of course, very versatile. I put these on the edge of a postcard sized piece of paper. However, they could be used as the focal point of a greeting card or note card. Lengthen the dangle, and they’d make cute bookmarks. They’d make interesting designs to fill spaces in a BuJo or scrapbook page. They’d also make interesting focal points on art journal pages.

I’d love to see how you use dangle designs – just tag me in social media!

Remembrance dangle design

Remembrance Dangle Design ©Angela Porter | Artwyrd.com

Today, I have a simple tutorial for a Remembrance dangle design.

To draw and write the design and instructions I used Faber Castell Pitt artist pens and Claire Fontaine Dot Grid Paper. I also used a Tombow Fudenosuke pen for the broader ‘Remembrance’ to the bottom right of the page.

I did colour the design digitally using a very simple colour scheme and colour gradients.

I do hope you have a go at drawing your own version of this design. I’d love to see what you create with it – maybe a greeting card, or in a scrapbook spread about a loved one lost during a war. Perhaps you’ll change the sentiment for a birthday or other occasion, and change the colour scheme with that.

I based this design on the one that is in my book “A Dangle A Day”. There are over 120 dangle designs in the book for you to learn to draw or as inspiration for your own designs.

A simple and elegant Autumn Dangle Design.

Autumn Dangle Design ©Angela Porter | Artwyrd.com

Hello to November, and farewell Inktober. My blog post today looks a bit bare compared to my Inktober creations. However, I have neglected my dangle designs during October, so now’s the time to get back on track with them

Today, I’ve created a simple and elegant dangle design with an autumn colour scheme that could be used in so many different ways. I’ve also put together a step by step set of instructions how you too can create this design (and hoping that it’s not so simple that I come across as patronising).

This is my first time posting a set of instructions – post a comment to let me know what you think of them and if you’d like to see more of them in the future.

I’ve put the dangle design on one side of a slip of paper that would make a perfect compliment slip or a note to slip in with a gift, or just as a short letter to a friend. It would also be perfect for a coordinating piece of envelope art!

This dangle design would be absolutely charming as an embellishment in a BuJo, planner, scrapbook or art journal. It would also make a darling bookmark.

It would be easy to turn this design into a greeting card as well.

So many possible uses for such a simple design.

I do hope that you will give drawing dangles a go – no matter whether you think you’re good at drawing or not! This design is made out of just simple shapes; it’s the colour that brings it to life and masks all kinds of imperfections.

If you’d like more ideas for dangle designs, then please take a look at my book ‘A Dangle A Day’ – it’s filled with examples of dangle designs with step by step instructions and helpful and encouraging words of advice.

One step at a time to a dangle design.

Step 1

Step 1
Draw a square in the top left corner of a piece of paper. I used a piece of paper measuring approx 8.25″ x 3.5″. I used a Tombow Fudenosuke brush pen to draw the box, and outline it. I deliberately made the squares less than perfect to give that human touch as well as a uniquely ‘me’ way of drawing boxes. The Fudenosuke pen allows me to draw lines of variable width quite easily, which adds to the charm of the box. The ink in the pen is also alcohol marker friendly.
Letting your drawings be less than perfect is what makes them uniquely yours.

Step 2

Step 2
I used Chameleon marker pens (BR3 “Cinnamon” and YO3 “Warm Sunset”) to colour the inner box. Autumn is definitely here in the UK, and the combination of these colours reminded me of the leaves. However, you could use any colour combination you like and any medium you prefer to use.
Chameleon pens make it so easy to create a colour gradient – I prefer them to other alcohol marker pens, even Copics.

Step 3

Step 3
I added a simple leaf pattern to the coloured box using a Sakura Pigma Sensei 04 pen.

Step 4

Step 4
Add the dangle! For this dangle I used the same kind of leaves as in the box for a consistent design. I added some round beads as ‘spacers’. Finally, I added my ‘symbol’ to the end of the dangle.
Also, I did draw a faint pencil line with a ruler to help me keep my dangle hanging straight, more or less!

Step 5

Step 5
I coloured the beads and leaves in using the same colours of Chameleon Markers. I then decided I needed to add some shimmer and shine; I used a Uniball Signo gold glitter gel pen to colour in the border of the box and to add some dot highlights here and there.
The Chameleons caused the Sakura Pigma Micron ink to smear a little – I always forget that happens! I should’ve used the Tombow pen again. Oh well, you live and learn, eventually!

Whimsical Autumn Dangle Designs and More.

Autumn dangle designs and more © Angela Porter

About the art.

It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!

There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.

I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.

I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.

After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.

These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.

My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!

So, Angela, how are you feeling today?

I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.

I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.

It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.

I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.

Now, that’s a nice metaphor!

Hello – A dangle design card with coordinating envelope.

Hell - A Dangle Design card with coordinating envelope © Angela Porter | Artwyrd.com
Hell – A Dangle Design card with coordinating envelope © Angela Porter | Artwyrd.com

Yesterday I decided to make a second card with a coordinating envelope. I wanted to try out using the Chameleon fine-liners to add colour in the form of lines and cross-hatching. Finally, I added some gold dots to the points of the petals on the flower design.

To draw the design and execute the hand-lettering, I used a Uniball Unipin pen. I then used various pairs of Chameleon fineliners to add the colour.

I prefer this way of adding colour with the Chameleon fine-liners, though I’m not entirely happy about it either. Looking at it now, in the clear light of dawn, I think I could have added a flat colour below the coloured lines. I may go and add that colour in a little while. After all, it’s just a card, an experiment, and if I mess it up, I can always make another one! A lesson learned, an experience gained is worth the few pennies worth of materials and the time it took just as long as I remember the lesson in the future.

I’m also not happy with my hand-lettering; I like the idea of the letter layout, but it’s not centred between the arcs.

I do like the ‘banner’ I’ve used to enclose the hand-lettering. However, there’s something about the rectangular ribbons and the patterns within that I don’t particularly like. I’ll work out what it is in time.

For now, I’ll try adding flat colour to the coloured sections to see how that works out and not worry about messing up the card. I’ll use it as a learning experience.

And that reminds me, I’ve still not set up my One Note journal for my private critiques and what kinds of methods and techniques I use in my art.

Materials

A piece of yellow card cut to 4″ x 11″, scored and folded in half to make a top-fold card measuring 4″ x 5½”.

A piece of white card approx. 4″ x 5″ for the top layer.

A We R Memory Keepers Envelope Punch board and an piece of paper measuring 7⅞” x 7⅞” or a blank envelope that will fit a 4″ x 5½” card.

A pencil and ruler for the guide-lines and a good eraser to remove them.

A black fineliner pen for drawing and hand-lettering; I used a Uniball Unipin pen.

Pens to colour the design; I used Chameleon fineliner pens.

A gold gel pen for the dot embellishments; I used a Uniball Signo gold gel pen.

If you’d like to learn more about dangle designs or are looking for some more inspiration for them and how they can be used in cards, BuJos, scrapbooks, bookmarks, journals, and more then my book ‘A Dangle A Day’ is a good place to start. It takes you through how to draw monograms and dangle designs for all kinds of occasions around the year in simple steps.

Summer Solstice Dangle Design

Summer Solstice Dangle Design © Angela Porter 2019 Artwyrd.com
Summer Solstice Dangle Design © Angela Porter 2019 Artwyrd.com

It is the Summer Solstice here in the Northern Hemisphere, the longest day of the year and from here on in the days will slowly get shorter. Still, it’s lovely to have daylight well into the evening with the sky still being fairly light at 10pm or so.

Yesterday evening I had a bit of an idea to try creating a dangle design on parchment, and this is the result. I needed a bit of a break from digital art after the hours and hours spent on my most recent mandala.

Parchment craft, or Pergamano, is an old craft and a lot of the work done, while beautiful, is really not my style. So I thought I’d try my style of art with it.

I used some ball tools to emboss the parchment with my design and then to add some shading. I drew the design directly onto the parchment with the embossing tools.

I started with the stylised flowers and worked out from there. Once I was happy with my design, I added a simple dangle consisting of round, heart-shaped and diamond shaped beads with a tear-drop bead to add some weight to the dangle.

I then added colour with some Kuretake Zig Writer pens on the reverse of the design. I chose colours that remind me of summer – the mature greens of summer foliage along with the bright colours of tropical flowers. I thought these would work well for the Solstice. Of course the hearts needed to be pink and I added some teal-blue to the small diamond beads for a bit of variety.

On top of the dots around the design I added tiny dots of gold glittery loveliness using a Uniball Signo glitter gel pen. I also added some tiny dots in the centres of the stylised flowers.

To give an idea of the size of this design, the black paper behind the parchment is A4 (approx US letter) in size.

Adhering the parchment to the black paper was a problem as glue shows through, so I had to use some tiny dots where the white lines were thick enough to disguise the glue.

I really think that the white lines of the parchment create something that is equally as lovely and maybe a bit more delicate than my usual black line art.

The uses of this design are many – greeting cards, note cards, framed artwork or used in Bullet Journals, journals, planners, scrapbooks, and more. In fact, I may replicate the design for my July cover spread in my BuJo.

If you’d like to learn more about drawing your own dangle designs, then my book “A Dangle A Day” is, perhaps, a good place to start.

So, Angela, how are you feeling today?

I’m feeling quite content today. Tired still, but content.

It seems the anti-stigma talk for Time to Change Wales and the anxiety I had around doing it on Wednesday has taken it’s toll on me just a bit. I do know, however, that I will recover in the fullness of time for sure.

This is part of the emotional/mental weather that is part of life. Beneath this weather is a calmer, more content Angela. I find this version of me from time to time; indeed I’m content in myself on many more days than I am discontented. Even with the bout of anxiety on Wednesday there was still a sense of being content.

It’s a strange thing to feel both at the same time. A bit like feeling the firm ground beneath my feet as a wild wind is buffeting me and trying to blow me down. I can feel that firm footing even when my emotions are a bit on the wild and windy side.

That’s progress on my journey to recover from CPTSD. Even more progress that I can recognise and describe this feeling.

This realisation makes me smile.

It’s progress, but it’s not where I want to be. I want to be able to go out and about without being scared of my own shadow. To be able to travel to unfamiliar places and actually get out of my car when I don’t have an appointment of some kind. To be able to go into an unfamiliar cafe or eatery when I’m by myself when I’m hungry and thirsty. To not go into full flight mode when something small has spooked me. To not be startled by loud noises. I want to be able to reach out to people without fear of rejection or to allow people into my home. To have all kinds of relationships with healthy boundaries where my needs and boundaries are respected by myself. To be able to go shopping without being overwhelmed by the choices available so I end up leaving without getting anything that’s needed.

These are but a few of ways that CPTSD affects my life and that I’d like to change through the healing journey I’m undertaking with the help of EMDR and therapy.

I’ve never been anything other than this permanently scared, extremely self-conscious person. Different events and places result in different levels of fear/anxiety in me. Even sat here, at my familiar desk, I feel anxious about writing about it.

The progress is that I recognise it now. I have identified it. Although it’s still there, it’s slowly being dis-empowered. Slowly means it’s being done properly and that I have time for the new level of anxiety or the increased self-awareness has time to become familiar to me before the next step forward is made. Familiar means it’s the more healed me. Healing bit by bit.