Arts and Crafts

Entangled Art Infinity Card – Parts 1 and 2

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I’ve had some fun with this, and there’s more to come. And a bit of a story to tell first.

I was asked on my YouTube channel how I know which patterns go with each other. That’s not an easy question to answer; experience, experimenting, trusting instincts, and having some patterns or motifs that are your go-to ones.

Then, yesterday morning, as I was slowly coming around from sleep, I watched a video on YouTube at Jen’s Arty Inclinations on how to make a fast and simple infinity card for a junk journal.

Jen recommended going to Lynn at Playing with Paper and Glue to watch her video about making a slightly different infinity card. So I did that.

And as I watched and saw how easy it was to make the infinity card (yes, it really is!), I realised that this would be a lovely and different way to collect together my favourite go-to motifs and patterns. And that thought linked back to the comment on my YouTube channel.

So, I made an infinity card, mucked it up a bit, but learned from that. Then I made a HUGE one, which was ridiculously big! So, I made another one to the sizes Lynn gave, which you can see me doing in part 1. Then, I had to add the first panel on the left of the image above.

I went with variations of pokeroot, pokeleaf and pokepods! I’m not sure there’s a pattern called pokepods, but there is now. I cut a notch out of the card and created a little pocket for a drawing, note, colour palette, or something else to be hidden.

I drew with Copic Multiliner Sp pens (0.5 and 0.25, I think). Colour was added with yellow-grey and neutral-grey Ohuhu markers. A white gel pen was used to add dotty highlights and the pattern to the back.

In the video for part 2, I created the panel to the right. Daisies are always a flower I love to draw; I have many variations of them in my memory hoard. The flowy pattern and Diva Dance are two of my go-to patterns; they share some similarities in my head.

For this panel, I used a Uni Emott 0.4 ever fine pen to draw the design, then green-grey Ohuhu markers to add colour. Then, I used a white gellyroll pen to add the dotty highlights.

I wasn’t sure about the Tim Holtz scrapbook paper I used to make the infinity card, but as I added the panels, it mostly got covered up, just a hint of a background behind the drawings.

It may not be the best choice of paper to make the infinity card from, in terms of colour and pattern. However, as I’ve never done anything like this, it was a sacrifice I was willing to make!

Actually, I wasn’t sure about the entire project. I thought it may be a bit odd, whacky, and weird. But, now two panels are done, I’m looking forward to completing the infinity card.

I will be adding more pocketses, possibly even panels that open out to reveal more. There are, possibly, 32 panels to be done, though I’m not sure as I keep losing count! But it’s a longer-term project.

Having said that, the panels are small. Cute even. Perfect for when I have just a little time to draw.

Medieval Inspired Botanical Bookmark

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I have no idea why, but tall, thin drawings (bookmarks) just appeal to me. Indeed, they always have.

I enjoyed drawing this one, and I’m fairly pleased with the chosen colours. There’s a soft, muted, vintage palette along with the flowers, seed pods, berries and leaves mainly inspired by Medieval Illuminated Manuscripts and the work of the Arts and Crafts Movement artists.

If you’d like to follow a #comedrawwithme video for this design, just click on this link!

Two Seed Pod Posies

Angela Porter2 Comments

This morning I finished the posy to the right, and I thought it would be interesting to post both versions together.

The version on the right was actually drawn before the one on the left; it was the inspiration for yesterday’s drawing tutorial video on YouTube. I decided to add colour to it yesterday evening, and I added the subtle background pattern this morning.

I like both and would find it hard to pick one as a favourite. There are pros and cons to each for sure.

What do you think? Which do you prefer?

Whimsical, stylised Seed Pods #ComeDrawWithMe #DrawWithMe

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I love seed pods! They are often so architectural in nature. They lend themselves to whimsy and stylised drawings so well too.

I love giving them sturdy stems with tops that look like column capitals. The leaves on these are inspired by medieval illuminated manuscripts, something else I absolutely love!

For the panel behind them, I decided to keep the pattern fairly simple – Tripoli, a Zentangle tangle pattern.

If you’d like to draw your own seedpods, then take a look at the accompanying draw with me tutorial on YouTube.

Hollibaugh and Kwazeela – Days 24 and 25 of Inktober Tangles 2022

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Click on this link to watch the accompanying video tutorial on YouTube

Today’s tangle pattern is “Hollibaugh” by Zentangle Inc. It forms the white ‘beams’ that overlap and form the gaps between them. Instead of adding patterns to the beams, which is what I would usually do, I decided to add patterns to the gaps. In some of these gaps, I added Kwazeela, a lovely leafy tangle pattern by Eni Oken CZT.

I drew all of this design in today’s video, but I added the colour and highlights while the video was uploading and processing. To add colour, I used Ohuhu markers and a white Gelly Roll pen to add the highlights.

It was a nice way to spend a couple or so hours while I recover from a bout of tiredness, headache and upset digestive system as side effects of my ‘flu jab on Saturday.

“Thistle” – An Art Nouveau Inspired Drawing

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I’ve spent some time over the last day or two looking at Art Nouveau flower designs. I was particularly fascinated by a thistle design.

This is my interpretation of the design drawn with Copic Multiliner SP pens (0.1, 0.25 and 0.5) on paper. Then, after scanning the drawing, I added colour digitally using Clip Studio Paint. So, this counts as ‘tradigital’ art!

I chose a simple colour palette; I was inspired by William Morris, the Arts and Crafts Movement and Art Nouveau. And, the colours are more mellow than is, perhaps, characteristic of my work.

The version on the left has just flat colours, no shade or highlight; I let the contour lines suggest volume. This is more true, I think, to the Arts and Crafts Movement and Art Nouveau.

To the version on the right, I added some shadows and highlights, but subtly for me. And even though they are subtle, they have a distinct effect, which surprised me.

These show just two of the many coloured backgrounds I tried out. This is why I love adding colour digitally! It’s so easy to try out different colour combinations, methods of adding colour, and so on.

Which version do you prefer?

I like them both, but I think the one on the right is my favourite; I like the stronger background colour which allows the flower to ‘pop’. I also think the subtle shadows and highlights do add a little something to it too.

“Slowpoke” Inktober Tangles 2022, Day 18

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Click on this link to watch the accompanying video tutorial for Slowpoke on YouTube

Slowpoke, by Cris Letourneau CZT, looks complicated, but it’s actually quite simple to draw, one step at a time! The fun comes in adding embellishments, which I did with a gold Uniball Signo gel pen. The central coloured panel with Slowpoke on is the only part that I did during today’s video on YouTube.

I coloured the paper with various Distress Inks before I started to draw. In person, the colours aren’t so garish, honest!

Around the panel with Slowpoke on, I’ve added a border of stylised flowers and leaves, all in a very Arts and Crafts Movement style. I need to fill out a couple of areas a little more, but I quite like the simplicity of the coloured panel with the black and white and rather dense border around it.

Mandala Colourng Page

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Thursday is the day I create a colouring page for Angela Porter’s Coloring Book Fans Facebook group. This week, I tapped into my need to create a calming, peace-inducing, relaxing mandala. I’ve been looking a lot at the work of William Morris, and this is rather influenced by that but in my own way.

I chose a rather vintage colour palette; the muted tones suit my mood today. It never ceases to amaze me how the addition of colour, even done fairly simply as is my wont, and as very much the style of William Morris.

William Morris Inspired Botanica

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Click on this link to view the accompanying Draw With Me tutorial video on YouTube.

William Morris, one of the primary founders of the Arts and Crafts Movement, is one of my favourite artists. I love the ornate botanical and nature-inspired designs of quite stylised motifs. I also love the way that colour is used simply in them. That is definitely something I can learn from!

It can take a while for pennies to drop with me, and I don’t know how it has taken so long before I took a look at Morris’s work.

Like myself, Morris was inspired and influenced by Medieval manuscripts. That explains a lot!

I use some motifs from Morris’s designs in this drawing. I applied colour with chalk pastels to the pen drawings, with subtle white highlights from white charcoal. I’m quite happy with the result; I’ve not decided what to do about the background.

Where is this study going to take me? I don’t really know! But I know it’s going to be an interesting one. I’m particularly interested in how Morris used colour, and I hope that will make me comfortable with my own simple way of adding colour to my art.

Zentangle Scena variations on vellum – Part 2

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To watch the accompanying video on YouTube, just click on this link.

Today, I experimented with various things during this video. The first was putting a coloured background behind the drawing on vellum paper/parchment paper. Then, I coloured the back of a drawing with alcohol markers to show the difference. Alcohol markers work fine and well, but brush markers like Tombows, with water-based colours, work better. Coloured pencils will also work, as will most mediums.

The next experiment involved drawing on some vellum with a metallic gel pen and then a black fineliner and embossing from the back. These work really well. You could draw with any kind of gel pen, fineliner or just a pencil, graphite or white or another colour.

I also showed how you can add highlights to the drawing even when the colour has been added to the reverse. The embossed vellum will always look white on the front if you emboss it on the rear.

The final thing I did was to complete the drawing of scena variations, which you can see above. This will need a good while to flatten out under some heavy items before I can finish adding filler patterns and either colour or coloured background.

I have thoroughly enjoyed exploring vellum/parchment to create Zentangle-inspired art using not pens but ball styluses. It’s the same yet different to drawing on paper with a pen. But, I think it is worth continuing to explore and use from time to time.