What else could I do for dinner other than have the etymology of the word along with a collage of just a few of my favourite foods! And I do mean only some.
I looked up the etymology of ‘dinner’ on Etymology Online, did a little bit of typography using Affinity Publisher.
I then drew the foods on Claire Fontaine dot grid paper using an 0.8 Uniball Unipin pen.
I scanned the drawing in and removed the dot grid and removed smudges and so on in Autodesk Sketchbook Pro.
My next step was to add a coloured background and some colour to some of the drawings. Only to some, as this was a ‘for fun’ project as part of the #Inktober52 challenge organised by Jake Parker, the founder of Inktober.
Missing in action…
It’s been a couple of days since my last blog. It seems that life and demands on me have taken over arty pursuits. And when I wasn’t seeing to the life demands, I was taking some time out by needlefelting.
I managed to needlefelt a cute rabbit and owl over the last two or three days. I’ll post pictures of them in another post.
I’ve had a lovely, soothing, creative Saturday morning drawing, and this is the result so far.
I’m working digitally as I really wanted to give my new Microsoft Surface Slim Pen a workout. I have to say that I love it as it is so much lighter than the original Surface pen. It also has a different shape, which surprisingly sits well between my fingers. The lightness of the pen really does make it a pleasure to hold and use.
I am also in love with the way the nib glides across the screen. That’s one of hte issues I have with the interchangeable nibs that come with the original Surface pen – all but the ‘2H’ one is just too sticky for me to find pleasurable to use. I also don’t like the way the wear down relatively quickly either.
The Slim Pen is as responsive as the original Surface Pen and just as accurate.
All in all, it gives me a drawing experience that is very much akin to drawing on paper with a Sakura Micron, Uniball Unipin or Faber Castell Pitt artist pen. Having said that, the Surface pen does so too, except that it is much heaver than these pens and I prefer a lighter weight pen. Indeed, my arthritic-y joints seem to be happier with the Slim pen.
So, I’m a happy bunny with the purchase.
Unusually, I did a quick sketch to lay out where I wanted the pods and stems. And by quick sketch I mean the basic shapes using a digital brush.
Once I inked in the basic outlines of the poppy seed pods, I deleted the sketch layer and started to add detail with a flexible nib digital brush/pen. I still have a lot to add to this, but I’m quite happy with how it’s progressing.
I’ve never drawn a hammer before, of any kind. I thought I’d have a go though and try my hand at a fantasy style, possibly dwarfish one.
Not only was designing one a problem for me, adding colour, dimension and texture were some other problems.
I think I’ve left areas a bit bare of line and pattern. Others I could’ve done a better job of creating highlights and shadows. However, overall I’m ok with this, especially as it’s not something I’d usually draw.
Next week’s prompt is ‘dinner’. Sheesh…
I made use of various tools in Autodesk Sketchbook Pro to help me design the hammer, some of the them tools I’ve not used before.
I did consider making a drawing of the hammer from a different angle, but this one has taken me so long that I now need to do some other stuff today.
Artistically, I’m feeling cute and whimsical this morning. So a little bit of hand lettering along with some simple, cute and whimsical wreaths have satisfied this feeling.
Pretty hearts with some spiral details that remind me of iced biscuits (cookies to you lovely people in America). Soft pink for love. Evergreen foliage for peace and compassionate love to grow and flourish around this planet. Purple berries to create a harmonious balance of awareness and peace.
Perhaps there’s more symbolism and messages in my art, something that belies my belief I’m just creating pretty things.
I did create this art digitally using Autodesk Sketchbook Pro, Microsoft Surface Studio and a Microsoft Surface Pen.
This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.
I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.
I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.
I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.
I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.
After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.
I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.
My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.
My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.
I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.
By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.
This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.
Today, I’ve been drawing little flower motifs and borders to go along with a lovely quote about flowers and hope.
The line art was drawn using Tombow Fudenosuke pens on ClaireFontaine dot grid paper. Colour, typography and background texture have been added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
Flowers are some of my favourite things to draw, whether they be highly stylised or more realistic.
My snowdrops and crocus have the feel of being wood cut or lino cut and printed, that kind of vintage feel. The flexible nibs on the Fudenosuke pens help me achieve this look. Also, the fairly simple colouring and addition of texture help too.
I’ve left the colouring as is, maybe for now. However, I now have these motifs ready to use in other projects, as they occur to me. Colour certainly helps to lift them off the background and bring them to life.