Entangled WIP

I finally finished this drawing, and now it’s time for me to add shadow and highlight to it to bring it to life.

This is very much a work in progress. It will take me some time to achieve the look and feel I’d like.

Drawn with fineliner pens on marker paper. Background, highlights and shadows added digitally.

Wednesday Wisdom | Paleotober | Drawtober

Wednesday is a day when I’m up extra early for an organic food delivery. I usually spend the time awaiting the knock at the door drawing. Today was no different.

I had an idea to try to work in layers of patterns and to add a quote to one side. The first layer contained some ammonite-style shells, surrounded by little bubbles that could represent the sediment.

The next layer has seed pods, but the pattern they create reminds me of the fossilised stems of plants found in the carboniferous coal of the South Wales coalfield.

The third layer reminds me of the limestone beds exposed on the Glamorganshire Heritage Coast, particularly Southerndown and Nash Point.

The fourth layer reminds me of some kind of fossils or sea plants, the name of which I just can’t bring to mind.

I thought a quote about fossils would finish this off nicely.

Drawn with 05 Pentel Energel and 0.38 Uni-ball Signo DX pens on marker paper. Background, shadows and quote added digitally.

Monday Mandala

It’s always a lovely way to start the day – mandala drawing. Symmetry is one of the things that I love.

There’s also plenty of detail in this one – lots of line work to add dimension, which is then enhanced by highlight and shadow.

I chose a rather muted kind of background for this mandala. Sometimes, I tend to make things too bright and colour-saturated. Today, it’s soft and dusky purple.

There’s plenty of my favourite kinds of patterns and motifs in this one – seed pods, arches, spirals, leaves and hearts. But there’s also some unusual, for me, spirals.

This morning’s art brings a warm and gentle smile to my heart, soul and my lips. As I said, it’s a lovely way to start a day and sets me up just nicely for whatever else I need to do this day, and the first task of the day will be breakfast!

Sunday Art

Today, I continued with the entangled art I started yesterday. The drawing is still not complete, but I wanted to add a background colour/texture and add some shadow and light to see how it’s working out.

The shadow and light bring the drawing to life. I’m not entirely sure about the colour I’ve chosen for the background – maybe a bit to saturated and dark. I can always alter that though. I also think there’s not enough contrast betwixt shadow and light. Again, that’s something I can work on.

I’ve drawn inspiration from various things – fossils, seed pods, botanicals, crochet-covered pebbles, architecture, nature, shells, Mayan glyphs to name a few.

Leaving some more open spaces is proving difficult for me once again. It’s something I need to consider as I continue to work on this drawing.

The design is being drawn with Unipin and Sakura Micron pens on marker paper. Background texture/colour, light and shadow are added digitally.

WIP Wednesday

I spent the morning, before running some errands, drawing tomorrows colouring template for the members of Angela Porter’s Coloring Book Fans facebook group. On my return, I scanned it in, cleaned it up and started adding some colour to it.

So, today, I thought I’d share a sneak peek of part of the template. Tomorrow, it’ll be revealed in all it’s, ermm, entangledness, and will be available for members of the facebook group to print and colour.

Drawn with Unipin pens on Canson marker paper. Colour added digitally using Autodesk Sketchbook Pro.

Entangled WIP

I’ve completed more of this WIP this morning. It’s coming along, but it’s at that point where I’m starting to think, “What the heck was I thinking?” about various sections.

I know from lots of past experience that I often get this feeling as I work on some art, and all I need to do is to trust my instincts and intuition and to carry on working on it. And so I shall. This is the way.

Entangled Art WIP

A sunshiny, chill-nip-in-the-air, autumnal morning and starting work on a new entangled art drawing. Not much could be nicer start to the day.

I had a delivery of some new fude brush pens to try out, so this one is being drawn with a Zig Mangaka Flexible pen along with a 02 Unipin pen. I’m drawing on marker paper, so I dug out my cool grey Copic Ciao markers to add some shadow to the image in places.

The nice thing about using marker paper and markers is that the ink stays damp long enough for the blender pen to smooth the edges of the grey inks out a little.

I think I’ve worked on this drawing for around three hours so far, so there’s a lot more to go! I hope I can manage to leave some white space in the design, as well as being mindful of the use of contrast so that different sections feel separate to each other.

I started with the square motifs, which are based on Mayan glyphs, and just let the design flow out intuitively. It never ceases to amaze me how layers and dimension appears. It’s never something that’s planned; it just happens and I sometimes don’t see the effect until someone points it out to me.

No central big motif, such as a moth, with this one. Just pure entangled art.

Moth

Finally finished! The moth with mandala and entangled background. A4 in size.

It’s taken quite a few hours work to complete this one, but it’s nice that it is finally done.

Lots and lots of my favourite motifs/patterns used in the entangled background – flowers, seeds, seedpods, leaves, arches, spirals and geometric patterns.

Plenty of line work to add depth and volume to the design.

I like that the white area behind the moth means the moth isn’t lost in the background. There are some areas where the resulting values aren’t sufficiently different, but I can live with that.

No colour (other than my watermark). A very graphic design.

Entangled Mandala

I really enjoyed creating this mandala this morning! I used some of my favourite motifs in this one. it was lovely to use white on the kraft background, to bring out some highlights and add dimension here and there.

I love to use Autodesk Sketchbook Pro to draw my mandalas in. It streamlines the process and allows me to focus on creating the design rather than the mechanics/geometrics. Of course the design is drawn by hand, just as it would be on paper. That’s the beauty of having a Microsoft Surface Studio and Surface Slim Pen – I can draw with the pen on the screen just as I would with pen on paper. The advantages are that if I mess up, it’s easy to correct, and the symmetry tool saves time, allowing me to focus on the fiddly details that I love so much.

WIP Wednesday

Wednesday is work in progress (WIP) day. So, I thought I’d share my monogram “a” and the progress I’m making on it.

There’s a clutch of pens there! I decided to see if I could add grey to heop areas of the design stand out more, as well as adding some depth and dimension. I figured I had nowt to lose if I tried as the the design was becoming all much of a muchness to my eye. Looking at the image above, it seems to be working well in some areas!

I started using some grey unipin pens to add shades of grey to the design. They worked kind of well enough, but they were picking up pigment from the black and moving it around.

So, I thought I’d see what greys in Pitt Artist Brush pens I had and found some warm greys. They worked better as the colour could be laid down more smoothly.

I do have some new motifs to add to my visual dictionary, a corner of which you can see at the top right of the photo.

I’m not sure if I like adding the greys more than if I don’t add them. I suspect I’ll like them more as I work with them as I love the sense of volume that has appeared in various areas thanks to the contrast they confer on the design.

Let me know what you think – drop me a comment.