Sunday mornings…

This morning I created some tall, thin (or short and wide) backgrounds using Distress Oxides on some Arteza Mixed media paper. The paper is 8.25″ x 2.87″ (21cm x 7.2 cm) in size.

I chose this one to draw on for no other reason that it was the one that appealed to me at this time.
I started with the seed pods and foliage at the bottom, and worked my way through some hand lettering / hand-drawn typography to more abstract line-art.

I drew with a M Pitt Artist Pen from Faber-Castell, though I added the stippling with an XS Pitt Artist pen.

No glitter or glitz on this one, nor any highlights. Not yet. I’m not in the mood for any, not today.

Template Thursday

It’s Thursday again, so that means it’s time for a new coloring template for the members of the Angela Porter’s Coloring Book Fans facebook group. I said that during the pandemic, I’d create a template a week for group, free of charge, to help people relax, calm and take their mind off all the awful things that are happening in the world for a short time.

This week, I’ve combined some typography my familiar entangled style of drawing. Botanicals, crystals and stars along with some repeated ‘zentangle’ style patterns. Some of my favourite things to draw.

To draw this template, I used Faber-Castell Pitt Artist pens (F and S), Copic Fineliner SP pens (05 and 025) and a Uniball Signo DX 0.38 pen with Rhodia dot grid paper.

Although lockdown has largely lifted in the UK, we still need to practice social distancing and wear face coverings when it’s not possible to do that, or in enclosed spaces. The Covid-19 virus has not gone away, and though the number of cases are falling, as are deaths, that’s due to people being sensible and following the guidelines for limiting the spread of the virus.

I’m very, very anxious about going out and about, and I know I am far from the only one. I mostly stay safe at home. Mind you, that’s not unusual for me. Even before the pandemic I wasn’t someone who was out and about all the time. I did pop out and about more often than I realised, however. But I’m still usually quite happy to stay at home and focus on my arty, creative activities. But, I know that’s not the case for everyone, and not everyone is able to work from home either, nor wants to.

Watercolour Practice

Yesterday, after taking a walk and getting a few bits and bobs done, I settled down to spend some time with watercolours.

Each piece of paper is approx 4″ square. The top ones were just playing around with foliage, wet into wet, and adding some details with metallic ink, a gold glitter gel pen and a white Souffle pen. I just wanted to see how the different details could add to, or mess up, the watercolours.

I do like the one on the top left. It satisfies my inner need to not leave much in the way of white space.

The bottom image was me trying out painting plants in pots – the top row with very faint pencil guidelines and the middle with Pitt Artist pen outlines in black. The bottom two were comparing like ot like with black outline and pencil outline.

I had trouble with the details in the first two plants in pots on the top row. That was when I thought I’d try the black outlines.

I’m really not sure which I like most, or if either of them really work out.

I’m rather tired and headachy, again, today. I think that I’ll soon be going out for a walk. It’s another overcast and cooler day with a breeze. I love to walk on days like this.

Template Thursday

This week’s coloring template is a series of bookmarks. A member of the Angela Porter’s Coloring Book Fans facebook group said they’d like some designs that could be used as bookmarks, and so I went with the suggestion.

The designs are typically ‘Angela’ and ‘entangled’. I used a Tombow Fudenosuke along with an 04 Pigma Sakura Sensei pen to draw the designs. After scanning and cleaning up, I’ve partially coloured the designs, as well as adding a pale kraft paper background.

To use them as bookmarks, I suggest printing them on some card. If that’s not possible, then gluing the whole sheet to some card and then cutting out the book marks would make them sturdier. Of course, a laminator could prove most useful in preserving your beautiful coloring, as well as making really long lasting book marks that could be given as beautiful gifts, or used to mark the coloring page you’re working on too.

Tiny Botanicals

I have been really enjoying drawing tiny botanicals in little ‘windows’. So, I combined drawing with watercolor practice.

The image on the left involved me using a pencil to draw the boxes and their contents, then watercoloring. For some, I tried painting the image in sections and with layers of colour. I really wasn’t happy with the results. I painted the rest of the boxes with washes of watercolour and then either inked or re-drew the designs in pencil. I felt happier with these.

I used Daler-Rowney Smooth watercolour paper and I’ve been struggling to get the paper to stay wet enough for long enough to mix colours wet in wet. Not even on these tiny little windows. It was becoming very frustrating.

A couple of days ago, I’d ordered a pack of 100% cotton rag paper and it arrived early evening. I used a small piece of it for the illustration on the right.

I started by painting rectangles of colour on the paper. I used a waterbrush rather than a paintbrush for this. I used the same kind of transparency of watercolour for each as I did for the illustration on the left. Oh my gosh, did the colours shine and show up so much more vibrantly! Not only that, it was so easy to mix colours, wet in wet. The cotton rag paper is an absolute joy to work with!

I was beginning to get frustrated with myself and watercolors once again. This has been a common feature of my love-hate affair with them over many years. This paper may change that totally.

This morning, after letting the paper dry, I drew tiny botanicals in each window. I used, as in the image on the left, a 005 Sakura Pigma Micron pen to draw with. I was worried it would struggle with the paper’s rough texture. The lines aren’t as uniform as they’d be on, say, smooth Bristol board. I just went with the rougher nature of the lines and was surprised at how much I enjoyed them. They meant I loosened up my drawing style a little.

I really enjoyed creating these little artworks (the one on the left is approx. 5″ x 5″, the on on the right 4″ x 4.75″). There is something I find really satisfying about creating teeny tiny drawings, in the same way I find drawing intricate designs makes something inside me smile.

What I do want to try later on today is adding some more colour to some of the design elements on both drawings using both watercolours and watercolour pencils or inktense pencils. On second thoughts, I think I’ll do some samples to experiment on, annotate and add to my journal, just in case I don’t like what transpires.

Before I do any of that, I woke with a headache. It’s beginning to shift, but as it lifts it’s leaving me feeling really tired.

More Watercolour Practice!

Over the past couple of days I’ve been playing around with watercolours. Apart from fun, it’s trying to work out how I can get them to work for me, and here you can see some of my experiments.

As well as continuing with the Domestika course, I found a book on my Kindle called “The Art of Creating Watercolor : Inspiration & Techniques for Imaginative Drawing and Painting” by Danielle Donaldson.

I’d forgotten I’d bought this, but on rediscovering it and looking at it I found it inspired me, particularly when it comes to drawing people.

What was reassuring, is that Danielle Donaldson is someone else who likes to work on a small scale! She also uses a very fin (0.3mm) pencil to draw with, but also to add line and pattern to her drawings instead of pen. I wanted to try that out.

I also really like the whimsical nature of her art, and her people inspired me to have a go. The three people in the collection of images above are inspired by her work, one more than the others. The one that is most directly like Danielle’s work is the person to the right of the trio. I used a pencil to draw the design as well as outline it after it was painted.

With the other two, I used a very fine Pitt Artist pen to outline them once the paint was dry.

Looking at them all together, I quite like the softer quality of the pencil line.

Oh, these trio are also my way of developing a version of myself. Unfortunately I look pregnant in the middle one (I’m not!), though I rather like my hair in this one – I wish my own hair was as thick and long! I really need to work on feet and foot positions.

Watercolours have vexed me, and continue to do so though I will persevere with them. Drawing people has vexed me for longer!

I started a course on Domestika – The Art of Sketching: Transform Your Doodles into Art by Mattias Adolfsson, Illustrator. But kind of let it fall by the wayside when the practice exercise was about drawing people, particularly myself. I baulked, big time. Perhaps I’ll now continue with the course, now I’ve found a style that makes sense to me, and I can work on developing my own.

I’m not entirely sure that watercolour will be the best medium for me to use…I’ll try others, including digital, to see what I can get to work for me and is in my style.

I also spent sometime experimenting with monograms and botanical themes. I really like the blue foliage, and the cute tree too.

Yesterday my art and other stuff was put on hold for much of the day; I woke with a migraine and couldn’t do much until painkillers had kicked in and I could sleep away the remnants of it. Once I woke, that’s when I found the book and did some art inspired by it.

I slept quite well last night, and woke just fine and dandy today.

All these bits of art will find my way into the journal I’m making, including notes and reflections on them.

Template Thursday

Template Thursday – 23 April 2020 ©Angela Porter | Artwyrd.com

Another week in lock-down has gone by. Thursday has arrived again and that means a new coloring template for members of the Angela Porter’s Coloring Book Fans facebook group.

Floral designs, an entangled garden was my fancy this morning and this is the result, not fully coloured though.

Coloring is a great way to find some calm and peace during troubled times, such as the times we find ourselves in. Scientific studies have shown it has a similar effect on the brain as meditation.

I have a number of templates available for free in the facebook group, including this one.

A little entangled

A little entangled ©Angela Porter | Artwyrd.com

Today’s arty offering is this little bit of entangled art. It measures 4″ x 3″, so is small in size, but big in detail, I think.

Distress Oxide inks were used to colour a 4″ x 3″ piece of Claire Fontaine mixed media paper, with water to add extra texture to it.

I drew the design using 08 and 02 Unipin pens. To bring the design out of the background, I used Faber-Castell Pitt Artist Brush pens. Dots of gold and white finished the embellishment.

My final step was to apply some Distress Microglaze to add a subtle sheen that brings out the colours and layers of texture, not just to the Distress Oxide ink, but to the Pitt Artist Pens too.

I thought I’d try the Pitt Artist pens with this background as it seemed more dull and dusty, and that’s how I find the colours in the Pitt Artist Pens. Initially, I was going to keep it monochrome. However, I liked the nature of the colours in the pens, so experimented with them.

I enjoyed creating this little work of art. Now, it’ll find its way into my sketchbook-journal, with reflective notes for future reference.

Flowery

Background – Distress Oxide inks and water spray on Daler-Rowney mixed media paper.

Flowers and background foliage – digital art using Autodesk Sketchbook Pro.

I had a lovely time creating this artwork. Flowers are something I love and find in my art an awful lot. It took a few iterations to get the drawing of the flowers and leaves as I wanted them. A lot more iterations were needed to get the colour and texture of the flowers and leaves so that I was happy with them.

I wanted a bit more interest in the background, so I drew a leafy, simple mandala that was coloured with shades of green. I then replicated it, resized it, and applied different layer effects to each copy of the mandala.

As I was doing this, it was reminding me of the mixed media work I did a few years ago, particularly using stencils to add interest to a background.

Digital mixed-media … without the mess! I’ve said it before – I’m averse to creating a mess!

Anyway, this has been an interesting experiment in the realms of digital art and my brain is now ticking over with ideas for the future. All I have to do is make a note of them!