Golden Mandala

Golden Mandala © Angela Porter | Artwyrd@aol.com

This morning, the rain has finally stopped once again, albeit for a short while no doubt. Blue skies and sunlight shine betwixt the broken clouds. Yesterday and last night the rain was relentless, including high winds at times, thanks to Storm Jorge.

I thought I’d do a golden mandala this morning, while I come around. A simple line-art drawing.

Sunday morning mandala

Mandala © Angela Porter | Artwyrd.com

It’s a sunshiny morning in South Wales. A welcome respite from the rain we’ve experienced most of the week. The cleanup and return to ‘normal’ continue after the flooding that occurred just one week ago.

I had no idea what I would create this morning, other it would be a mandala.

I drew and painted the design digitally using Autodesk Sketchbook Pro along with a Surface Slim Pen and Surface Studio, both from Microsoft.

This one has the floral centrepiece with a zentangle-style background. The flower is an unusual colour choice for me; I tend not to use corals and red tones much. It’s easy enough to change colours digitally, but I went with it, knowing that my colour choice reflects how I’m feeling at this point in time.

Yes, I do tend to create rather intuitively. This design didn’t start with a sketch, but with the first shape to be drawn, which was reminiscent of a petal. The rest of the design grew from there.

I’m surprising myself with how I’m able to ‘paint’ digitally. I enjoy creating more stylised forms, but with added texture and contrast to bring them to life. I know I’m not an expert at this; however, each time I work in this way, I learn more.

Today’s big lesson was how to save a brush style I’d edited and liked as a new brush for my brush library.

I’m glad I’m learning and developing my digital art voices and styles and that it’s happening slowly over time and as my needs demand. I know if I watched videos or followed tutorials on how all this worked, I would become incredibly overwhelmed and frustrated.

I also know that by watching what others do, I would likely be tempted to emulate their style and way of working.

I need to work out my own style/voice and be comfortable with it.
So, I’m not putting any pressure on myself to do something that I’m not yet ready for or haven’t had an awareness of what I could do.

#Inktober52 Week 7 – Dinner

#Inktober52 Week 7 – Dinner ©Angela Porter | Artwyrd.com

The art…

What else could I do for dinner other than have the etymology of the word along with a collage of just a few of my favourite foods! And I do mean only some.

I looked up the etymology of ‘dinner’ on Etymology Online, did a little bit of typography using Affinity Publisher.

I then drew the foods on Claire Fontaine dot grid paper using an 0.8 Uniball Unipin pen.

I scanned the drawing in and removed the dot grid and removed smudges and so on in Autodesk Sketchbook Pro.

My next step was to add a coloured background and some colour to some of the drawings. Only to some, as this was a ‘for fun’ project as part of the #Inktober52 challenge organised by Jake Parker, the founder of Inktober.

Missing in action…

It’s been a couple of days since my last blog. It seems that life and demands on me have taken over arty pursuits. And when I wasn’t seeing to the life demands, I was taking some time out by needlefelting.

I managed to needlefelt a cute rabbit and owl over the last two or three days. I’ll post pictures of them in another post.

Kindness

Kindness © Angela Porter | Artwyrd.com

I’m really not sure the colours work.

The border was a design I drew back in January using Uniball Unipin and/or Sakura Pigma micron pens on dot grid paper. I’ve added colour and texture digitally, as well as the typography.

Poppy Pods WIP

Poppy Pods WIP ©Angela Porter | Artwyrd.com

I’ve had a lovely, soothing, creative Saturday morning drawing, and this is the result so far.

I’m working digitally as I really wanted to give my new Microsoft Surface Slim Pen a workout. I have to say that I love it as it is so much lighter than the original Surface pen. It also has a different shape, which surprisingly sits well between my fingers. The lightness of the pen really does make it a pleasure to hold and use.

I am also in love with the way the nib glides across the screen. That’s one of hte issues I have with the interchangeable nibs that come with the original Surface pen – all but the ‘2H’ one is just too sticky for me to find pleasurable to use. I also don’t like the way the wear down relatively quickly either.

The Slim Pen is as responsive as the original Surface Pen and just as accurate.

All in all, it gives me a drawing experience that is very much akin to drawing on paper with a Sakura Micron, Uniball Unipin or Faber Castell Pitt artist pen. Having said that, the Surface pen does so too, except that it is much heaver than these pens and I prefer a lighter weight pen. Indeed, my arthritic-y joints seem to be happier with the Slim pen.

So, I’m a happy bunny with the purchase.

Unusually, I did a quick sketch to lay out where I wanted the pods and stems. And by quick sketch I mean the basic shapes using a digital brush.

Once I inked in the basic outlines of the poppy seed pods, I deleted the sketch layer and started to add detail with a flexible nib digital brush/pen. I still have a lot to add to this, but I’m quite happy with how it’s progressing.

#Inktober52 – Week 6

#Inktober52 – Week 6 – Hammer ©Angela Porter | Artwyrd.com

I’ve never drawn a hammer before, of any kind. I thought I’d have a go though and try my hand at a fantasy style, possibly dwarfish one.

Not only was designing one a problem for me, adding colour, dimension and texture were some other problems.

I think I’ve left areas a bit bare of line and pattern. Others I could’ve done a better job of creating highlights and shadows. However, overall I’m ok with this, especially as it’s not something I’d usually draw.

Next week’s prompt is ‘dinner’. Sheesh…

I made use of various tools in Autodesk Sketchbook Pro to help me design the hammer, some of the them tools I’ve not used before.

I did consider making a drawing of the hammer from a different angle, but this one has taken me so long that I now need to do some other stuff today.

Lalochezia

Lalochezia © Angela Porter | Artwyrd.com

I have a life-long fascination with words and facts that appeal to my curious, squirrel-y mind. I like unusual words. I also like etymology – the origins of words.

Since my first episode of severe mental ill-health due to burnout and cPTSD, I’ve found it difficult to read and retain information as I once used to as well as to recall information that was once on the tips of my neurons.

I’m finding it much easier to read and retain some of what I’ve read, thank goodness! And with that comes a desire to seek out interesting words and facts once again.

Lalochezia comes from the Greek ‘lalia’, meaning speech, and the Latin ‘chezo’, meaning to relieve oneself.

I admit, quite freely, to lalochezia. Not just for physical pain, but emotional pain too. There’s nothing quite like a swear word full of hard consonants to express the pain, frustration or upset verbally.

A friend of mine is constantly amused by my use of swear words even though I sound ‘quite posh’, according to her anyway. I thought of her when I found this particular word and just knew I had to use it for one of my ‘quote’ artworks.

The floral motif is influenced by Art Nouveau. It is highly stylised but there’s also the influence of Celtic knotwork in the way the foliage intertwines and overlaps.

The typography was completed using Affinity Publisher. The artwork was completed in Autodesk Sketchbook Pro. In both cases I used a Microsoft Surface Studio and Microsoft Surface Pen.