Mixed media 25 Feb 2018

Angela Porter mixed media 25Feb2018

I’ve been hard at work on my ‘A Dangle A Day’ book and felt I needed a break from the computer screen.  As much as I love working digitally, I believe it does the soul good to work in different ways from time to time.  A change is as good as a rest, it is said, and also a change can get the creative juices flowing!

A trip to Hobbycraft in Newport, Gwent, yesterday had me buying some A4 Daler-Rowney Mixed Media boards.

These are 1.4mm thick and sturdy board forms of their mixed media paper.  The board did warp when I added tissue paper with matt medium, and it’s still a little wobbly today.

The pictures shows how far I’ve got for now.  I’m letting the little drops of copper and golden glitter dry as I take a break from it to decide if I need to do any more to it.

The image I drew and then coloured using Distress Inks.

I’ve enjoyed getting a little inky, painty and messy for a change.

Doodleworlds 18 Feb 2018

AngelaPorter_Doodleworlds_Coloured_02

I’ve just finished colouring in this template from my book “Doodleworlds”.  I drew the template using pen and ink on paper, scanned it in for the book, but I chose to colour the template digitally using Autodesk Sketchbook Pro, my Microsoft Surface Book and Microsoft Surface Pen.

Doodleworlds is available on Amazon and in my Etsy shop – Artwyrd.

Brayered backgrounds with Distress Oxide Inks

Angela Porter Brayered Backgrounds 17Feb2018

The image shows some of the backgrounds I’ve made using a Speedball Brayer, a Gelli Arts Gelli Plate, white card and Tim Holtz’s Distress Oxide Inks.

I’ve been taking a little break from the work for the A Dangle a Day book, a change freshens up the creative part of my mind.

The process is quite simple.

  1. Press the oxide ink down onto the Gelli plate.
  2. Use the brayer to spread the ink over the Gelli plate. The Gelli plate acts as a blending mat.
  3. Use the brayer to add ink to the white card.  I find it helpful to have just printer paper under the card and to move the brayer from the paper onto the card.
  4. Build up layers of inks until you’re happy with the look.  Using one colour of ink you can quite easily build up an ombre background.
  5. Spray or dot water onto the paper and let the inks ‘oxidise’ if you wish.

I clean the brayer off on the copy paper between inks.  I also use the copy paper to lift off any residual ink from the Gelli plate between different ink colours.  Sometimes, I dab the Gelli plate with a baby wipe and then use copy paper to clean the plate, especially if the residual ink and the new ink will make a nasty brown sludgy colour.  In this instance, I wipe the brayer with a baby wipe and then clean and dry it on copy paper too.

Sometimes, the copy paper becomes a beautiful background paper too, so I store those away for future use, sometimes.

I’m going to scan some of these backgrounds in to use as backgrounds to my digital art, but then I’m going to draw on them.  I’m using quite a few in my Sketchbook Project sketchbook for 2018.

Happy Valentine’s Day

Valentine’s Day 2018

Angela Porter Valentines 2018

I designed this colouring template for the facebook group Angela Porter’s Coloring Book Fans for them to post coloured versions today.

This is my coloured version.  I drew on paper with pen, but coloured it in using Autodesk Sketchbook Pro on my Microsoft Surface book using my Surface Pen.

Why I’ve been so quiet…

It’s been nearly a month since my last blog post.  The reasons?  Focusing on a book at the moment.  It’s called A Dangle a Day: Lettering Alphabets and Seasonal Designs with Charms  , though there’s no cover image for the book yet on Amazon it is available for pre-order.  It’s not a colouring book per-se, it’s more of a tutorial book, but colouring does play a big part of course.

It’s a new direction for me, I’m learning new things about publishing, and enjoying the challenge.  I have to focus on this project for now, and not sure I can do ‘sneak peeks’ yet, but when I can, I will!

I do have another colouring book to do after this one …more about that later on.

The other reason is that I’ve been unwell.  Nothing serious, thought to be a ‘viral wheeze’ (which is affecting me like asthma) but it’s got worse again, and is stopping me sleeping properly and lacking energy to do more than what I need to contractually do.

 

Update…

23 January 2018 Angela Porter

I’ve been busy with work for a book, so my focus has been on that of late.

On the facebook group ‘Angela Porter’s Coloring Book Fans’ a new ‘free’ template will be available on Thursday 25 January, which is St Dwynwen’s Day in Wales.  St Dywnwen is the Welsh equivalent, kind of, to St Valentine, so the template with have that kind of theme to it.  If you fancy colouring it, head over to the group!  The template will be exclusive to group members.

The image above is something I wanted to try out, and I’m kind of pleased with it.  Drawn and coloured in Autodesk Sketchbook Pro using my Surface Pen on my Microsoft Surface Book.  Hand drawn though in a digital environment.

Today’s clutch of repeated patterns.

Having more fun in between more ‘serious’ work, not that any of my arty times are ‘serious’, they’re all fun!  I’m so lucky to make a business out of  something that is always pure contentment to do – create art.

#createdonsurface

#autodesksketchbook

Repeating pattern

Tile11 onelayer Angela Porter small and watermarked

Oh, I’m having so much fun creating repeating patterns!  There is something inside me that loves geometry and symmetry and messing around with dimension, and it gives me a bit of a creative break from the contract work I have at the moment.  Not that I’m not enjoying that, ‘cos I am, but sometimes it’s nice to do something a bit different.

I used one of my entangled drawings of late with the Repper program, GiMP and Autodesk Sketchbook Pro along with my Microsoft Surface Book and Surface Pen to create this.

The colours came from this months color palette challenge over on the Angela Porter’s Coloring Book Fans facebook group, though I added the teal green into the palette.