Watercolor and Drawing

Today’s image is a collection of watercolors and drawings I’ve done over the past couple of days.

There’s a coordinating card and envelope (mail art), along with some small panels of watercolouring (approx 1.5″ x 1.5″, so a bit bigger than inchies). I’ve also included my foxglove experiments, which I did this morning.

Sometimes, black pen looks too harsh against the delicate but vibrant watercolours, so for the poppies, I tried pencil instead. I’m really not at all sure about them.

The foxgloves are symptomatic of how I feel today – out of shape, wobbly, ill-defined with harsh edges. I woke with a stinker of a headache again, definitely stress/anxiety/worry induced, as well as a lack of sleep last night. It will pass. In the meantime, I’m watching The Clone Wars on Disney+.

I don’t know if I’ll be doing any art for a few hours; my head and emotions are all bent out of shape at the moment. I’m dissatisfied with all the above; I know that’s me being so frustrated at the moment and it stops me seeing my art for how it really is. When I’m like this, I know that drawing will frustrate me, and the fact I’m not drawing will frustrate me more, especially as I have deadlines looming. However, I logically know that if I try to do things now, I’ll just prolong the feeling of frustration and I’ll end up having to do much more in the long run than if I’m kind with myself until the headache goes and my mood lifts.

The weird thing, however, is that I can sense that touchstone of contentment inside me. It’s very confusing; on one hand my emotions are really unsettled, yet there’s contentment within. My EMDR therapist mentioned that it’s a peculiarly Western view that you can only experience one feeling at a time when I mentioned this kind of thing to her. So I know it’s possible to be both discontent and content at the same time – discontent with some parts of life yet still have an inner contentedness.

So, I wander off now to sit with these paradoxical feelings, to try to relax and let the headache ease off enough that I can sleep off the extreme tiredness it will leave me with.

Coloring Template

©Angela Porter | Artwyrd

Another week of lock-down during the Covid-19 pandemic has passed, so it’s time for another coloring template for members of the Angela Porter’s Coloring Book Fans facebook group.

I enjoyed drawing last week’s one so much that I thought I’d do a similar one this week. Lots of tiny templates, or windows, in each one.

I drew the designs on dot grid paper using a 04 Sakura Pigma Sensei pen and scanned it in to clean it up. I used Autodesk Sketchbook Pro to colour some of the little drawings in.

Entangled Flowers

I was awake before 6 am today, so I settled to do some ‘warm up’ art. I water-coloured a couple of pieces of 100% cotton rag paper. I lightly wet the paper and then added watercolour to it and let it work it’s magic – to spread and mingle as it will. The coloured area is approx 3.5″ x 5.25″, so it’s still quite a small drawing in size, but large in detail.

After letting the paper dry, I set to it with some Sakura Pigma Micron pens (01, 03 and 05) to draw the flowers and leaves. I added some more watercolor to these areas to help them stand out a bit, as well as to add a bit of extra ‘dimension’ to them. Finally, I added an outline and the ‘bubble pattern to some areas.

Mindful. Meditative. Calming. Soothing. Just the kind of activity I needed this morning. I was really irritable and frustrated and sad yesterday, all at once. I think I’ve just been overwhelmed by the events in the world over the past few days and yesterday it boiled over somewhat.

I do feel better today, so far, the cooler temperature and the refreshing rain is helping too. I hope I continue to feel better, emotionally; yesterday was was even angry at the templates I was creating for the Entangled Gardens book. Rather, I was angry and frustrated with myself as nothing seemed to be working out well. Hopefully I’ll feel better about it today.

More Botanical Mail Art

Two fairly quick, small projects this morning – small botanical cards. Simple, cute, whimsical, darling. Little treasures.

These were fun to make, relatively quick too. They’d be darling little cards to receive in the post or in person. They’d also work nicely as an addition to a journal – a place to journal or keep little memory making bits and bobs in the envelope too.

Each card is 3″ x 4″ in size and the panels are approx 3.5″ x 2″ in size. I made the envelopes to fit and decorated them with one of the motifs from the designs on each card. I did a tiny bit of hand lettering on one of them too.

Botanicals Mail Art

Dainty botanical illustrations in little windows, with quite soft colours used to bring them to life.

I cut a piece of Canson Moulin du Roy watercolour paper to approx 2″ x 6.75″; this would fit neatly across the 7″ x 5″ white card blank I wanted to use.

Next, I lightly drew some pencil lines for the margins I wanted to leave, before drawing the boxes using a 01 Sakura Pigma Micron Pen. I made sure I erased these pencil lines before adding colour. To do that, I used a water-brush and White Knight watercolours to add soft gradients to the windows.

Once dry, I could then draw in the botanicals with the same Sakura pen. I gave the drawings a chance to dry before adding layers of watercolour as well as dots of gold to the windows. Finally, I used a 0.3mm pencil to add some details.

While the panel was drying, I drew some of the botanicals around the bottom of the envelope, again using the 01 Sakura Pigma Micron pen.

I decided I wanted to put some kind of layer behind the watercolour panel. I thought of collaging some paper or card there, but I settled on adding a strip of soft colour there. I used some masking/washi tape to mark out the area I wanted to colour. Then, I used a mini foam blending tool along with Tumbled Glass and Peacock Feathers Distress Inks to softly colour the panel. Once I was sure the Distress Ink was dry, I carefully removed the washi tape.

Finally, I adhered the watercolour panel in place with 3-in-1 glue.

I’m quite happy with this card and envelope. It was a nice way to spend the hour or so before having breakfast this morning. It’s also a very practical way of using these little bits of art.

Tiny Botanical Experiments

I thought I’d start Sunday morning off with some experiments with my tiny botanical drawings.

I apologise for the photograph quality – I’m really not a good photographer, something I really do need to work at! The pale colours really don’t help at all.

The artwork on the bottom right is one where I applied rectangles of watercolor on 100% cotton rag paper. Then, I used Sakura Pigma Micron pens to draw designs in the windows. Finally, I added some watercolours to the designs to help bring them forward from the background.

I don’t think I messed the drawings up at all, which was my worry. Mind you, I do have to be careful what colours I do add so I don’t make weird colours.

That led to me wanting to try watercolour pencils and Inktense pencils on different watercolour papers:
top – 100% cotton rag paper
middle – Canson Moulin du Roy paper
bottom – Daler-Rowney Smooth watercolour paper.

On each paper, I drew four rectangles, two of which I coloured with a wash of watercolour.

I used the same colours of Derwent Aquatone and Inktense pencils to draw the stylised/abstract floral design and a waterbrush to activate the pigment. I did my best to apply the same amount of pencil in each case. However, I noticed that the papers grabbed different amounts of pencil even though I was using the same kind of pressure.

The amount of pigment grabbed, however, wasn’t at all indicative of how vibrant the colours would be.

The 100% cotton rag paper seemed to have the smallest amount of pigment from the pencils, yet it gave the most intense colours of them all. This paper is quite ‘hard’ in feel and very textured and I was surprised it didn’t seem to take as much pigment. Appearances are deceiving it seems. This paper also allowed me the longest ‘wet’ time to move the coloured pencil pigment around, and to lift some of it where it had got too intense.

The Moulin du Roy paper was a softer texture and it was lovely to colour with the pencils on it. The resultant drawings have a soft quality to them too that I rather like.

The Daler-Rowney seemed to grab the most pigment, yet the colours are not as vibrant, except the for the Inktense on the watercolour background. I think that’s because the watercolour background was still very slightly damp and Inktense pigment activates with the tiniest amount of water. I also think that’s why this one was the hardest to blend the colour smoothly. This was the paper that was the hardest to add the watercolour background to as it dries so darned quickly, or water just puddles on the surface with a tiny bit more water.

The cotton rag paper is, again, my favourite for working with watercolour and Inktense pencils. The vibrancy of the noticeable too – much less pigment is needed to get a rich colour on this paper.

For the other two papers, I did enjoy drawing the flowers on the plain paper and activating the pigment with a waterbrush. I partiuclarly like the Moulin du Roy paper for this technique, though the Daler-Rowney gave a pleasing result on the plain paper.

Tiny Botanicals

I have been really enjoying drawing tiny botanicals in little ‘windows’. So, I combined drawing with watercolor practice.

The image on the left involved me using a pencil to draw the boxes and their contents, then watercoloring. For some, I tried painting the image in sections and with layers of colour. I really wasn’t happy with the results. I painted the rest of the boxes with washes of watercolour and then either inked or re-drew the designs in pencil. I felt happier with these.

I used Daler-Rowney Smooth watercolour paper and I’ve been struggling to get the paper to stay wet enough for long enough to mix colours wet in wet. Not even on these tiny little windows. It was becoming very frustrating.

A couple of days ago, I’d ordered a pack of 100% cotton rag paper and it arrived early evening. I used a small piece of it for the illustration on the right.

I started by painting rectangles of colour on the paper. I used a waterbrush rather than a paintbrush for this. I used the same kind of transparency of watercolour for each as I did for the illustration on the left. Oh my gosh, did the colours shine and show up so much more vibrantly! Not only that, it was so easy to mix colours, wet in wet. The cotton rag paper is an absolute joy to work with!

I was beginning to get frustrated with myself and watercolors once again. This has been a common feature of my love-hate affair with them over many years. This paper may change that totally.

This morning, after letting the paper dry, I drew tiny botanicals in each window. I used, as in the image on the left, a 005 Sakura Pigma Micron pen to draw with. I was worried it would struggle with the paper’s rough texture. The lines aren’t as uniform as they’d be on, say, smooth Bristol board. I just went with the rougher nature of the lines and was surprised at how much I enjoyed them. They meant I loosened up my drawing style a little.

I really enjoyed creating these little artworks (the one on the left is approx. 5″ x 5″, the on on the right 4″ x 4.75″). There is something I find really satisfying about creating teeny tiny drawings, in the same way I find drawing intricate designs makes something inside me smile.

What I do want to try later on today is adding some more colour to some of the design elements on both drawings using both watercolours and watercolour pencils or inktense pencils. On second thoughts, I think I’ll do some samples to experiment on, annotate and add to my journal, just in case I don’t like what transpires.

Before I do any of that, I woke with a headache. It’s beginning to shift, but as it lifts it’s leaving me feeling really tired.