Sketchbook Page

These are two drawings I’ve been working on over the past three or so days. The whole page is A4 in size.

To draw them, I’ve been using Pilot Kakuno fountain pens with black ink. To add shadow and colour I’m using a mixture of Stabilo Carbothello, Daler-Rowney Artist’s Drawing and Prismacolor Ebony pencils. Along with some paper tortillons to blend the colour out. I’m also keeping the colour palette pretty limited – graphite black, two green Carbothello and Sanguine and Sepia Drawing pencils.

It’s fun to draw with a fountain pen. It’s also a lot of fun to use graphite and colour to bring depth and dimension to the drawing on paper rather than digitally for a change. I like to work both digitally and traditionally. Art is art!

I suspect the rest of the day is going to be filled with artsy pursuits, including finishing adding colour to these drawings.

We had snow overnight and the air is filled with a white fog too. Even though the layer of snow is just a couple of centimetres thick, it’s enough for me to want to stay inside. Snow is pretty to look at, but my sense of balance means it’s safest for me to stay cwtched up in the warm!

Template Thursday (…on a Saturday?)

I was without broadband from early Thursday morning until late yesterday afternoon. Hence the reason why this is late and I’ve not posted for a couple of days.

I did have internet access via my mobile phone and I used a mobile-hotspot so I could get online on my ‘puter. But, even on 4G, it was a tad slow on uploading and I have no idea if it would have coped with Zoom.

So, after a couple of meetings since it has been fixed, I’ve been able to finally scan and partly colour and post this week’s coloring template for the Angela Porter’s Coloring Book Fans facebook group.

This week it’s another typically ‘Angela’ entangled style of drawing. I used a Sakura Pigma Sensei 04 pen and A4 Bristol paper to draw this. After scanning, I added the background and some shadow and highlight.

Insomniac Art 20 Jan 2021

It was one of those nights. I woke way too early feeling way too hot, even though the windows were open in the Welsh Winter. Hot flashes, again. So, the only thing to do was to draw until I was cool enough to get back to sleep. That took until nearly 8 am, GMT.

These are the little drawings I completed during my insomniac hours. My Sakura Pigma Sensei 04 pen is nearly done – either the nib is too worn to work properly or the ink is mostly gone, I’m not entirely sure which. I know I have a heavy hand with pens and tend to wreck them before all the ink has gone.

Anyway, I witter. I’m still trying to figure out how to add words into my drawings. I’m not entirely sure I’m being successful in this. No doubt I’ll keep on trying though!

These were drawn on A4 acid-free cartridge paper in one of my current sketchbooks. I added the background colour digitally.

A page of small drawings

This is a page from one of my A4 sketchbooks. Six small drawings, a couple I’ve shown before, the rest are new. Some tweaks here and there as well.

All drawn with Sakura Pigma Micron or Sensei pens on white acid-free cartridge paper. The background has been added digitally.

No shadow or highlight on these, yet.

Zentangle – y art

The result of a duvet day…zentangle entangled type of art. Lots of botanics and abstract patterns.

Materials:
6″ square Strathmore Artists Tile – Smooth Bristol Vellum coloured with Distress Inks
05 and 01 Sakura Pigma Micron pens
Sanguine, light sepia and white Daler-Rowney Artists Sketching pencils and some tortillons.

Duvet Day

Do you know the kind of days where it’s hard to get out of bed? Days when your body and soul need a day cwtched up safe and warm in bed? Well that was today for me.

A day spent doing very little. A bit of art. Watching geology videos on youtube. Playing games on my phone.

I’m now vertical, at my desk. I’ve scanned in one of my little drawings (approx 3¼” x 4″, or 8cm x 10cm) and digitally added a background, shadow and highlight. The shadow and highlight are a tad patchy, but they do help to bring the drawing to life.

A little entangled drawing

Simply because sometimes drawing small is just what the soul needs.

The original drawing is about 3¼” x 4″ in size. I used 05 and 01 Sakura Pigma Micron pens in a Seawhite sketchbook. Background colour and colour added digitally.

Today I’ve been busy with administration, inking the illustration for the cover of my next book in the Creative Haven series, so my blog was pushed down the list of ‘to-dos’ a bit. But I’ve got here!

Mandala 13 Jan 2021

I realised that I haven’t drawn a mandala in quite a while. So, that’s what I did! Intricate, geometric and organic repeating patterns. It was a pleasure to do.

I’m quite happy with the highlights and shadows on this one, and keeping it all monochrome works for me today as well. A calm and soothing green – just what I need today as I’m still recovering from the stress from earlier in the week.

Tools – Microsoft Surface Slim Pen, Microsoft Surface Studio, Autodesk Sketchbook Pro.

Nurture

The artwork

I took a 6″ square Strathmore artist’s tile and coloured it with Distress Inks. Next, I used Sakura Pigma Sensei 04 and Pigma Micron 01 pens to draw the design. Finally I added some graphite shadows.

Nuturing

This zentangle inspired drawing contains the Zibu symbol for ‘nurture’. Nurture is all about growth and expansion which involves encouraging, nourishing, protecting and caring.

I certainly need to care for myself today. For the past few days anxiety gradually increased as I got closer to meeting my accountant to hand over my paperwork. I was left exhausted after the essential business trip to meet her in a car park to do this. I’m still feeling exhausted, fuzzy headed, and not with it today.

Nurturing myself was an important lesson to learn through EMDR therapy. It’s not an easy lesson for any of us to learn, but it is essential. It’s not just about taking care of the basic needs, it’s about the whole of your being.

Yesterday, this involved quiet time with art, or just sitting and being, and some comforting, as well as nourishing, food. An early night was in order.

My nights sleep was broken and I’m still feeling the effects of the post-stress come-down. But these will pass as the cortisol and other stress hormones gradually leave my body.

On the good side, I was up to creating the cover for the next colouring book after Entangled Starry Skies. So, if the sketch is approved, I can get to inking and colouring it over the next couple of days.

Abstract Art 9 Jan 2021

I spent yesterday colouring yesterday’s drawing in. That was an interesting experience!

I started out with graphite and coloured drawing pencils. But, as I coloured more and more I got frustrated with them

So, I switched to Inktense pencils and paints and a water brush. That was better, but the results were rather chalky and obscured the black lines a little. So I tried some watercolour paints. Better, but still weren’t feeling right.

Finally, I dug out my set of the Kuretake Zig Clean Colour Real Brush pens, and they hit the spot!

With each type of media I did my best to remain true to the limited colour palette of earth tones, but the more organic parts really did need that muted olive green for some variety. That decision really has helped to tie everything together in this design.

Surprisingly, The whole variety of media seems to work well together. I expected a whole hot mess from my messing around with media. Whatever I did, it’s brought the drawing to life, and there’s a lot of interest in the variations of intensity and vibrancy of colour throughout it.

I’d expected the mixed media paper to be a bit difficult to work with Inktense, watercolours and the brush pens. It wasn’t, it worked really well! Perhaps because I didn’t do much in the way of working in colour layers.

I still have some work to do to this. I want to add some gold accents in places, as well as using a white Gelly Roll pen to add dots of bright white here and there. Oh, I need to remove the margin guidelines, as well as that pesky bit of dirt that is on my scanner!

I really am smiling when I look at this piece of artwork. There’s lots of open space, yet it works. I think it’s done, though I may add some ‘ruins’ peeking above the froth of vegetation. I’ll see what happens over time.