I got this monogram finished yesterday evening. I think I may have been a bit heavy handed with shading in some places. However, overall I like it and I like the volume or dimension that the shading adds.
I definitely enjoy working in such a detailed, intricate and organically intuitive kind of way. Having the monogram as a design to work around does help quite a bit.
On a kind of related point, I had a new A5 dot grid notebook delivered yesterday so I can start to make a collection of motifs and patterns as I use them or create them. The idea is I can winnow out those that I never/rarely use. The reason for this is that the dot grid notebook I’ve kept as a visual dictionary for the last couple of years is just about full! I will keep it as a reference, but it’s time to start a new, more relevant one I think.
I have a snazzy, teal coloured notebook, covered in vegan faux-leather. It has 218 numbered white pages that are a tad thicker than the usual dot grid notebook pages, The paper is velvety smooth and a pleasure to write/draw on. It’s made by Wordsworth & Black and I came across it on Amazon. Oh, the ink doesn’t feather, bleed through or ghost on the pages. I paid £15 for it and I’m very happy with it so far.
Finally finished it! It’s taken many hours to do – probably around 15 I think, and it’s taken some perseverance by myself to get it done.
Uniball Unipin pens (05, 03 and 01) on Claire Fontaine Paint-on mixed media paper. Two pen nibs now wrecked; the paper is velvety smooth to touch, but just too rough for the tips of the Unipin pens. Will move to Bristol board for the next monogram.
The designs are typically ‘Angela’ and ‘entangled’. I used a Tombow Fudenosuke along with an 04 Pigma Sakura Sensei pen to draw the designs. After scanning and cleaning up, I’ve partially coloured the designs, as well as adding a pale kraft paper background.
To use them as bookmarks, I suggest printing them on some card. If that’s not possible, then gluing the whole sheet to some card and then cutting out the book marks would make them sturdier. Of course, a laminator could prove most useful in preserving your beautiful coloring, as well as making really long lasting book marks that could be given as beautiful gifts, or used to mark the coloring page you’re working on too.
I like to use a word in my artwork from time to time. Truth was the word I knew I had to use as the central point for some artwork, and that’s where I started, along with one of the Distress Oxide backgrounds I made yesterday (in the middle of the image).
After I’d decided on the typography and placed it centrally, I then started to draw digitally. I made use of the symmetry tools in Autodesk Sketchbook Pro, along with a flexible nib and fineliner brushes.
I had no idea what kind of design would result, I just went with the flow and intuition and thoroughly enjoyed doing so and losing myself in the art.
I added shadows and highlights once the drawing was finished for that sense of dimension and ‘life’.
I am really pleased with the finished artwork. There’s something about symmetry, spirals, repeating patterns, and intricate, abstract designs like this that just makes my arty heart smile and sing. I always return to this style, it seems to be at the core of my being.
I also love to draw on coloured and textured backgrounds. I also think I’ve found a way to combine more traditional media (making the backgrounds) with digital art (drawing and adding shadows and highlights) in a way that really works for me.
My only problem is that I do tend to try to branch out into other kinds of art and never seem quite so satisfied with them. This doesn’t mean I’m going to abandon them; they need a lot more work and thought and maybe structure.
Perhaps that’s why I like this particular piece of art so much – it has clearly defined structure. The colour palette is defined by the background and so I’m not struggling with what colours to use. Having the black line structure defines clearly where shadows and highlights need to go.
Another day on lock-down, and I started the day by colouring a Strathmore Bristol Board tile with Distress Inks, then drawing. You can see the result above, sorry for the poor photo.
The random generated tangle pattern for today is ‘BB‘, and it’s the wavy set of blocks across the middle of the design. The rest of the design is made up from some of my favourite patterns and motifs, as well as a few dangle designs.
The overall design doesn’t feel as if it flows. That may be a reflection of my emotional state, which is a mixture of anxiety, fear, being overwhelmed and exhausted.
So, self-care is in order. So that’s doing things that won’t frustrate me, or that won’t having me feel that whatever I do is rubbish.
Today has been a funny day so far. I have, however, managed to get this little mandala done.
The runes represent growth (the rune looks like a B), joy (looks like a P), flow (half an arrow) and strength (a bit like an n), and you are welcome to read into that what you wish.
When I started this I had no idea at all what I was going to create. All I knew was that I wanted to end up with a mandala and try out some techniques to get things to appear to glow.
The artwork started with me creating a series of my own texture backgrounds, and this was the last one I created. I then created the ring of glowing runes, then worked inward. This is an unusual direction for me to work when creating mandalas; usually I work from the centre out. I did, however, add the final ring of the mandala last.
For some reason I needed to add arrows into the design; it was just an instinctive, intuitive kind of knowing. In the same way I knew that runes needed to be incorporated into the design. Spirals are one of my favourite design motifs and they made an appearance too.
The colour palette is quite a simple one, mostly cool tones of blue, purple, teal and greys, but with a little splash of warm pink and mauve.
I do like the illusion of dimension that I’ve achieved in this mandala by using high contrast. I’ve also enjoyed using texture brushes to help with the sense of dimension too.
This is digital art, created in Autodesk Sketchbook Pro and using a Microsoft Surface Slim Pen along with a Microsoft Surface Studio.
March the 1st is St David’s Day, the patron saint of Wales, which is where I live. The daffodil is one of his emblems and so it was fitting I included some in this month’s template. As we are heading towards the spring equinox and the official start of spring here in the Northern Hemisphere, I’ve also included plenty of flowers that would be lovely coloured in spring colours. They’d be lovely in colours of all the seasons, however. Flowers are beautiful no matter what season we’re in.
The template is drawn in my signature ‘Entangled’ style of line art, with very stylised flowers, foliage, and even butterflies and shells, along with patterns derived from architecture, sculpture, pottery, and more. Lots of my favourite things all in one abstract image.
If you’d like to print and colour this template, then please pop along to the facebook group where the members, and I, would love to see how you bring it to life with your own kind of colour magic.
This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.
I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.
I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.
I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.
I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.
After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.
I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.
My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.
My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.
I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.
By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.
This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.
I wanted a circular frame in which to put quotes. So, I started by drawing some pencil guidelines for the circle and the outer borders on some dot grid paper.
I used 08 and 02 Uniball Unipin pens to draw the circle of flowers and foliage. Then, to start filling the space around the flowers with entangled designs.
It’s very much a work in progress. Part of me thinks I could’ve left an empty border around the circular flower and foliage arrangement to separate it from the background. The other part of me likes it as it is.
I want to try to get a balance of less detailed areas with the more densely detailed sections so that there’s space for the eye to rest.
I also suspect I’ll be adding colour or, at the very least, shadow and highlights to the design to bring it to life.