I’ve had a nice couple of hours this morning playing around with drawing and paper coloured (and not coloured) with Distress Ink.
I started with drawing the border with the flower straight onto the coloured square of mixed media paper (top right).
For the middle design, I cut a rectangular panel of Distress Ink coloured mixed media paper and glued it to another piece of coloured paper. Then, I decorated the panel along with some simple patterns spilling onto the background.
The bottom right design uses a square piece of plain paper with a small rectangle cut from some Distress Inked paper. I used a die with a stitched detail to cut this panel out along with a Sizzix Big Shot die cutting machine.
I’m not at all fussed on the stitched detail in this case. However, I do like the contrast of the coloured panel against the white background.
I do have a fair few pieces of paper coloured with Distress Inks, so I think some fairly quick, simple and soothing designs will be done over the next day or several.
Not sure what I’ll do with them yet. If you have any helpful suggestions, leave a comment! Also, leave a comment to let me know which design is your favourite.
I woke this morning, refreshed after a long, deep sleep, and wanted to draw something relatively simple, something I could work on in the future.
I used a Uniball Vision Elite pen on a sheet of dot grid paper from Claire Fontaine. If you zoom in, you can still see the dots of the dot grid.
I had no idea of what I was going to draw. All I knew was I wanted to draw, and I wanted to start with a flower. Which I did.
I then started to grow the design by adding the swirls. Those swirls had shapes in them perfect to add some round seeds.
Next, I thought a rectangular background panel, filled with a geometric design, would be a good counterpoint to the more organic flower and swirls. So, I did draw in a pencil grid to use as a guide for my inked lines.
After adding a narrow border to the panel, I decided to add some simple dangles to the lower swirls. I thought the design needed to be lengthened a little.
When I’d finished the dangles, I knew the design was complete. I felt no need to add anything more to it, despite having a lot of white space! So, I scanned it in and prepared it for posting to social media.
I’d like to work this one with some colour to the flower and swirls, maybe the dangles too. The geometric pattern I’d like to add shading to bring out a more dimensional appearance to it. I may add that shading as shades of grey, or maybe as lines.
If you’d like more ideas about drawing dangles, then my book “A Dangle A Day” is a good place to start.
That’s where I have to leave it for now as I have a busy day away from home today.
Seven plane symmetry, using a flexible nib pen to carve through black to reveal the design in copper. Done digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Surface Studio.
I really have been enjoying creating this kind of design lately and I make no apologies for showing so many that seem to be similar. I find creating these so soothing and calming.
Here, I wanted to see how a metallic background texture would work, and it does really well, just not on WordPress and how the website shows images. The colours never seem to be as vibrant as they do elsewhere.
What I love about this process is that I have no idea of what the end product will be. It’s all about being in the flow, working intuitively, and trusting my skills and creativity.
Often, I’m so zoomed in to the section I’m drawing I’m not aware of how the overall design is looking and working. That means I really do have to trust my instincts, and trust that it will all fit together to create a satisfying end result, and I am happy with it.
It’s definitely a mandala morning here in the autumnal valleys of South Wales. The sun is managing to peek out through the pale grey clouds – the light is wintery wan.
I’m not sure if that description of the sky has influenced my colour choices for this mandala today or not; maybe on a subconscious level it has.
I’m really pleased with this particular drawing today. I like the pale, chalky colour on the darker background. I think I’ve got a nice balance betwixt densely patterned areas and more open designs. I also like the shading I’ve added to the background; it’s added a fair amount of depth and dimension to the design.
It has been a lovely way to spend an hour or so as I slowly come around this morning.
I was going to draw a flower or three to float above the mandala, similar to the skulls I drew through Inktober. However, I like the mandala just as it is, for now.
Digital Art created using Autodesk Sketchbook Pro along with a Microsoft Surface Pen and the digital paper that is the screen of my Microsoft Surface Studio.
Frog skull, Morchella (morel) fungi and Abundies tangle pattern from Inktober prompt lists by Instagrammers @book_polygamist @nyan_sun and @havepen_willdraw.
I decided I’d use the frog skull as a framework for some tangle patterns. It’s not so easy to pick the skull out, but it is there in the centre of today’s illustration.
I felt the need to add some mandala rings around the design, though I’m not sure that was such a good idea. Still, Inktober is about drawing and reflecting on what is created rather than aiming for something complete, polished, perfect. This reflection on artwork is what leads me to improve my art. Inktober also pushes me just a little to try different styles of drawing.
So, I’m not so happy with today’s offering. But it’s good enough.
So, Angela, how are you today?
Tuesdays are often post-therapy self-care days. I certainly need such a day today. I am absolutely exhausted after yesterday’s very emotional session.
I didn’t do any EMDR, but there were discussions about some issues that had arisen for me in the past week. One of which is preparing to leave therapy sometime in the near-ish future. This is both a good thought and a sad thought. Also, it has to be my decision when to leave therapy. Making decisions is not easy for me.
Some of the time was spent talking about the book I’m reading ‘Will I Ever Be Good Enough?’, which is about the daughters of narcissistic mothers. There are some issues from that which will need some working on before I leave therapy.
I came home from the appointment absolutely exhausted. I stopped off at the local Sainsbury’s for some tea before doing some shopping, as well as to wait out the crazy rush-hour traffic. I kept nodding off as I sat in the cafe.
When I did get home, I put my shopping away, got another drink and went to bed and fell into a deep sleep. I managed to stay awake for a couple of hours before the exhaustion overtook me once again, and I retired to bed.
I slept well; however, I am shattered today, as well as being emotionally drained, fragile and vulnerable. Even though I feel like this, that gentle contentment is present within me. Indeed, it was present during the emotionally distressing moments in therapy yesterday.
So, today is a self-care day, starting with my Inktober drawing for today. I’m just about falling asleep as I type, so I suspect I’ll have another mug of tea and then return to bed to sleep some more.
Another day, another Inktober drawing – this time a gecko skull along with stinkhorn fungi.
No colouring, no shading, just pen work this time.
I love the skull and the leaves and spirals around it. I’m not so fussed on my fungi. The only thing I would change about the skull is the pattern around the eyeballs; the chequerboard and dots is just a tad too heavy handed.
I’m starting to struggle adding the fungi to the skulls; my drawings are all becoming more than a bit ‘samey’.
Digital art using Autodesk Sketchbook Pro and a Surface Pen and Surface Studio by Microsoft.
I’m using Inktober 2019 prompt lists from @book_polygamist and @nyan_sun on Instagram.
I’ve spent an hour or so creating this small design; the paper is 4″ (10cm) square. It’s been an enjoyable time. I needed to spend some time warming up my pen skills before returning to drawing the October colouring template for the Angela Porter’s Coloring Book Fans facebook group.
My first step was to use a Tombow fudenosuke pen to hand letter ‘believe’. I wanted to make sure that the word stood out from the rest of the design, so I used a Faber-Castell Pitt Artist Pen to draw two ‘auras’ around the word.
The rest of the design flowed onto the page, starting with the flowers to the top right of the word. I used a variety of nib thicknesses in the drawing. I used quite a few of my favourite patterns and motifs in this design; this makes the drawing quite soothing for me as I don’t really have to think and concentrate on constructing the design elements.
Once I was happy with the design, I decided to add some shadows with some grey-coloured pencils. I’m not satisfied with this at all. The pencil ‘leads’ were too hard to get a soft line. In future I need to remember to use a 2B or softer graphite pencil and some kind of blending tool.
I am happy with the design though, apart from the bit I let spill out to the edge of the paper. I also need to note that I’m happy with my hand lettering here too! Using fudenosuke pens with flexible tips for drawing has allowed me to develop the pressure control I need to complete the brush lettering. The brush nibs on the pens are quite small, so the contrast betwixt thick down-strokes and thin upstrokes isn’t as noticeable as with a broader nib, but all the same, I’m still quite happy with it.
I have no idea what I’m going to do with this little panel. It could become the top layer of a greeting card, or frame it and hang it. Perhaps I may add it to my BuJo. It could, of course, end up amongst the piles of artwork I have stored away.
Why did I choose the word ‘believe’?
It’s something that I’m working on – believing in myself. Believing that I deserve better in life than what I grew up with and unconsciously seek to replicate to try to get a different outcome (one of the features of CPTSD). I am beginning to believe that I can turn the negative beliefs I was taught as a child into positive beliefs about myself.
Part of this is believing in my art, believing in my self-expression and not looking to others for approval and validation of what I’ve created. I want to believe that it’s enough to create art that makes me smile, and hopefully other people too. There are plenty of artists in the world who make social statements, political statements and thought-provoking images with their art. I’m not one of them. I just want to add some prettiness and smiles to the world.
Sometimes, part of my art may have quotes that are thought-provoking in them, but the art is, I think, pretty.
To believe that I am the opposite of what I was brought up to believe myself to be (which wasn’t very nice).
There’s so much more I could add here, but I’d need to explain it, and I’m not up to doing that in public. Maybe in the future I will, once I’ve overcome those negative beliefs about myself.
So, Angela, how are you feeling today?
I believe I’m feeling quite content, though that tiredness has sneaked up on me once again. However, there is that contentment there, and that’s a good thing.
I believe I’m feeling quite content, though that tiredness has sneaked up on me once again. However, there is that contentment there and that’s a good thing.