Entangled Art – almost finished!

It is almost finished too. I’m dithering about the un-shaded arcs, and whether gold and /or white gel pens need to be used to add small accents and highlights. I can also see places where colour/shading is needed. However, there is no rush for it to be done!

The paper is 12″ x 9″, so I can’t scan it in one image. It’s Daler-Rowney Murano paper for chalk pastels and coloured pencils. So, as well as having fun just filling the page with shapes and patterns, I took the opportunity to try different kinds of pencils to add colour, shadow and highlight. I certainly enjoyed experimenting with gel pens and various kinds of pencils to create this drawing.

It looks a lot better in the photo than in real life, even with the weird banded light on the photo.

Template Thursday

A spring-themed template this week, and a challenge, over on the Angela Porter’s Coloring Book Fans facebook group.

The challenge is a month long and I’ve asked the members to hold off posting their completed templates until 31st March so they can all be posted together. I thought it would be fun to do that way.

Anyway, the challenge is to use a limited colour palette plus black and white to colour this week’s template, or any other flowery template for the 31st March. I’ve chosen some springtime colours. It’s going to be interesting to see how different people use the colours to complete this challenge.

Work In Progress Wednesday

Oh, the things I do when I wake up in the middle of the night. Fully alert and unable to get back to sleep for a couple of hours.

I just drew a pattern of curves and arches on the page of grey-ish pastel paper and started to fill the sections in with various patterns, zentangle and otherwise. I’ve used chalk pastel pencils to add colour and shading to some areas.

A total work in progress, for no other reason than because I couldn’t sleep.

Tuesday Mandala

My artistic mood today was for another mandala. Again, I’ve used vintage colours to complete this one. I realised, once I’d collapsed all the layers and saved it, that the outer pattern ring is ‘off’ from vertical/horizontal. Blooming typical! Oh well.

Mind you, in my defence, I was also ‘adulting’ at the same time, so wasn’t quite paying the attention I usually would.

All the same I’m quite pleased with this one, though that central space may need something. I don’t know at the moment. I need tea and some lunch!

Monday Mandala

Yet again, a lovely way to start a Monday. Mandalas are always a pleasure to draw/paint/create. I particularly love creating them digitally for many reasons, not least is the opportunity to experiment and learn new skills. It removes the worry of making a ‘mistake’ on paper and either having to start again or try to make that ‘mistake’ a part of the work. Often, that ‘mistake’ will be worked into the drawing, but not always and if I know it’s there, it bothers me, even if no one else can see it. The perfectionist in me gets a tad upset at it.

Having said that, there are a couple of things I’m not happy with in this mandala, but I can live with them.

One thing I do like is the colour palette of copper/bronze colours and that steely blue-grey. Vintage colours seem to be my thing at the moment for sure.

Entangled Art

Just trying out new 05 fineliner pens in vintage tones.

The central motif/pattern was worked on a small square of cotton watercolour paper (2″ x 2″ or 5 cm x 5 cm) coloured with Tea Dye Distress Ink. The larger panel beneath is a piece of Bristol Board (6″ x 6″ or 15.5cm x 15.5cm) coloured with Rusty Hinge Distress Ink.

I used various shades of Carbothello chalk pastel pencils and a paper tortillion to add colour and shadow. Gold higlights and a border around the central motif were added with a metallic gold Gelly Roll pen.

I’ve just noticed I really didn’t do a good idea at adding my initials so they were oriented harmoniously! Still, this really was just a trying out something kind of thing. I’d seen a Zentangle video about the use of cartouches – frames around writing or an illustration. And thought I’d try it out, in my usual clumsy kind of way.

I do like the idea of creating frames around other small pieces of art or precious items. That may be something I do going forward.

Work in progress Wednesday

Yet another work in progress! Also, another gel pen drawing, this time with Zebra Sarasa 0.5 pens in vintage tones. For this drawing I used smooth, heavy-weight cartridge paper. This paper has more texture than the bristol board and the pens didn’t work as well on this.

The colours are rich and intense, and the palette will work well with the Arteza Vintage gel pens. I like the finer line of these pens. I do like these pens, which I bought the same time as the Arteza ones. None of my posts are sponsored by any company, nor do I receive any products for free to review. I mention brands and names in case you’re interested in what I’m using to create art with.

I’ve had a poor night’s sleep. I don’t really know why. So, I was working on this during the insomnia hours. It kind of reminds me of layers or rock beneath the layers we walk and live on. I think the geology lectures I’ve been listening to have had an unconscious influence! The lower layers definitely have an intensely metamorphic feel to them.

Working with colour to draw is something new for me. I’ve dabbled in the past but always reverted to black quickly. I know understand that the colours were just too bright, or perhaps my taste in colours was for the bright tones. I still love those kinds of intense colours, but there’s something alluring about these vintage tones that I seem to need to use and express.

Always growing, developing, experimenting, learning and changing. Sometimes these changes are subtle with the art looking the same but somehow different. At other times they are sizeable changes. Sometimes these changes are a temporary diversion to explore the new. Even these temporary changes have an influence on my artistic voice.

Mandala Monday

It’s Monday, so it’s time for a mandala. This one includes lots of Zentangle tangle patterns, many quite organic in nature.

I, again, chose a monochrome colour scheme, and enjoyed playing with light and shadow to add dimension to this artwork. Perhaps not quite as contrasting as I’d like, but still interesting.

Digital art – Autodesk Sketchbook Pro, Surface Slim Pen and Surface Studio.

Entanglement – 19 Feb ’21

Yesterday’s coloring template for the Angela Porter’s Coloring Book Fans facebook group all coloured and shaded. I used Chameleon alcohol markers to add the colour and some shading. I also used a graphite pencil and a tortillon to darken the shading and add shadow to the lighter areas. It’s turned out OK.

Template Thursday

This week, I decided to create a coloring page / template that is in the ‘Angela’ Entangled style, similar to yesterday’s artwork.

I made the motifs bigger and less patterned for the coloring template, however. To add colour to my version of the template I used a mixture of brown fineliners by Staedtler and Stabilo. Instead of solid colour, I used patterns and textures to add colour and complexity. I did use a pale grey fineliner to add details to the snowdrops and leaves, but the scanner didn’t pick it up. Ho hum.

After I’ve had lunch, I may return to the drawing to add shadows to bring out some dimension and depth. I’m not sure what medium I’ll use, though alcohol makers may be the best option, perhaps. I’ll see how I feel when I get to it.

Of course this is the template of the week for the members of the Angela Porter’s coloring book fans facebook group. And this week there’s a challenge to colour this template, or another of their choice, in a monochrome colour scheme.

If you’d like to print the template and join in with the challenge then just pop along to the group!