Hand lettering all done!

©Angela Porter 2018

I finished this up this morning, now the migraine has lifted. I completed the embellishment of the letters. The next task was to scan the work in and remove the dot grid background in GiMP, as well as tidy up any smudges and so on.

Once I was happy with the result, I printed out the words so I could colour and add metallic highlights.

To colour, I used Chameleon Color Tone marker pens. For the metallic highlights (dots) I used a mixture of Uniball Signo glitter gel pens and metallic Sakura Gelly Roll pens.

Adding colour really helps with the read-ability of the letters. I chose to add simple color gradations and kept to one colour for each day of the week.

I really enjoyed doing this – it started as a sketch and I’ve ended up with some hand lettering that looks quite nice.

I will, at some point, do a sampler of this hand lettering style. That would be a great reference for myself, but perhaps a source of inspiration for others.

I’ve mentioned it before, but I really want to create a dangle design monogram for at least one of this style of lettering. I think that’s the next thing on my list of ‘to do’s’ on a day where I’m taking it all a bit easy; although the migraine has lifted I still feel a tad ‘fragile’.

Hand lettering and monograms are an integral part of my style of dangle designs. Although lettering as complex as this isn’t covered in ‘A Dangle A Day’, I still offer suggestions and step by step instructions for creating dangle designs. 

A Dangle A Day is published on 8th January 2019. 

Noel – Entangled Design

©Angela Porter, Artwyrd.com

I always have fun when drawing and creating, including this design. In it I’ve combined some of my entangled design elements along with winter/Christmas doodles. 

To start, I hand lettered ‘Noel’ using a guide for the shape of the lettering I wanted. Then, I printed it out so I could add the black and white line art using a 0.8 Uniball Unipin pen.

Once that was done, the finished lineart was scanned back into the Microsoft Surface Studio, a transparent background created and some smudges cleaned up. 

Finally, I could colour it. Today, I chose to use the color gradient tools, which does make the job of colouring a bit quicker, but it also results in a rather ‘shiny’ look too. Or perhaps that’s simply due to the colours I choose for the gradients.

I had fun adding the glowing stars and sparkles to this one, though I’m not sure I’ve got that right.A nice way to spend the morning and early afternoon as the weather has been wet and very windy at times here. 

Happy Thanksgiving 2018 – the coloured template

I thought I’d colour today’s template in. I used Autodesk Sketchbook Pro along with my Microsoft Surface Pen and Microsoft Surface Studio to colour in the hand-drawn pen and ink template.

If you’d like to colour this template, it’s available for free to members of the Angela Porter’s Coloring Book Fans facebook group. Why not pop along and get your copy of it?

Happy Thanksgiving 2018

I’d like to wish all my American friends, and all others too, a very happy Thanksgiving celebration today. 

I’ve made the black and white template an exclusive ‘freebie’ for members of the Angela Porter’s Coloring Book Fans facebook group. So, if you’d like to download and colour it, please wander over there. You’d be made very welcome indeed.

This template was had drawn using a Uniball Unipin pen on white paper. 

Abstract Entangled Art WIP 21 November 2018

I think all the line work is done on this design. I say ‘think’ because I’ll leave it to one side for a little while and come back to it with fresh eyes later on today to decide if I need to add details anywhere.

I also need to decide whether I just add shading/shadow in greys or whether I colour the design, or create a coloured background, or re-colour the lines, or any combination of these possibilities!

Shadows really help with increasing the sense of dimensionality of the design, as can colour. That’s the one thing I do like to do with my art once I’ve drawn it -create dimensionality, especially if I can manage to make it look like different elements are not just layered but are on different planes.

I have other decisions to make too. Whether to add shadow/colour digitally or whether to do this with traditional media. I do tend to favour digital colouring because of the wide range of colours and vibrancies available, and also it’s easy on my achy joints. The same applies to markers such as Chameleons or Copics; they require a lot less pressure than pencils and the wider barrels make it easy for me to grip them when my joints hurt, as they are today with the colder weather.

So, I need to have a bit of a break and come back to this image with a clearer idea of what to do. I also need some breakfast – it’s getting on for 11am here in the UK and I got so engrossed in completing the artwork after showering that I’ve not had tea or any thing to eat yet. That could help me with making those decisions about this drawing.

It’s WIPWednesday over on the Angela Porter’s Coloring Book Fans facebook group today. #wipwednesday

It’s also #wednesdaywisdom or #wisdomwednesday, so my wisdom for the day is if you’re not sure what to do with a drawing, colouring or anything else, just take a break from it and come back with fresh eyes and a fresh mind.

Do this especially if you think it’s not working out for you. Come back to it and push through that doubt. There’s always a point part-way through any art I create where I think what I’ve done is awful and I just want to destroy it and throw it away, but I’ve learned to either push through those doubts or to take a break and come back to it later with the intention of completing it.

Even if you don’t like the end result, learn from the process and work out what hasn’t worked for you. Focus on which parts you like and why you like them.

Even then, don’t throw it away or destroy it. Leave it aside for days or weeks and then come back to it. Your mood will have changed. You’ll really have fresh eyes and you’ll notice different things about it. It may be that the bits you didn’t like are actually the ones you now really, really like.

Make use of those bits in future work. I think that’s how we learn and grow as creatives. if we’re outside what we usually do or make choices of colour or pattern or shape etc that we’d not usually do we’re usually uncomfortable with that change. Once we’ve taken a break from that uncomfortable feeling and are able to look back on the artwork we can appreciate it far more.

Even if we still end up disliking it, we can learn from that as to what is ‘right’ for us and what doesn’t work for us and use those lessons in future works.

Abstract Entangled Art – WIP – 20 November 2018

Today I thought you’d like to see my current work in progress, including the tools I’m using for it – Unipin Pens from Uniball and a mechanical pencil.

The pencil was only used for drawing the margins delineating the space within which I’m working. This helps stop me run off the page as well as keeping my mind’s desire for straight-ish edges happy.

This has already taken some hours to complete; I’m not sure how many as I don’t really keep track of my time. I know that I may get it finished at some point this evening (I’m writing this mid-morning UK time) if I manage to get all my errands and other tasks done in a timely fashion.

My process is quite simple really. I start with a motif somewhere on the page, a simple outline shape. I then add detail to this shape. I then let shapes flow out from this point, first drawing the foundation lines, then adding the detail.

Finally, I’ll decide if I’m going to add shadows/shading and with what medium I’ll do that. Sometimes I may decide to colour the image, or digitally alter the colours of the lines or background.

If I decided to draw digitally, my steps are the same, though I may start with a sketch on paper of the main lines in the design so I can make sure I have some reference to the actual scale of the design.

Oh, and I rarely draw in pencil first when I work directly on paper. The only times I do is when I may use circle stencils or french curves to add a large curve/shape. Mostly, it’s pen without any pencil guides.

I work very intuitively; I just let the lines and patterns flow in a way that is pleasing to my eye and mind at the time I draw designs such as these.

Abstract Entangled Art 19 November 2018

I drew this triangular design a couple of days ago and I knew I wanted to add some words around it, but I just didn’t know what I wanted to add.

Well, today was counselling/therapy day for me. A fair number of issues came up in the past week, connections/realisations being made, awareness of my negative self-talk, and awareness of me talking care of myself a little more than I have done.

So it seemed appropriate that I should add words related to today’s session :

  • Nurture myself
  • Believe and trust myself
  • Have compassion for myself

Maybe not the best worded, but relevant to myself.

I drew the design and hand-lettered the words with Uniball Unipin pens on white acid-free paper. Shading was added to the design with a soft drawing pencil and a paper tortillon.