‘Believe’ bookmark

Angela Porter believe bookmark 15April2018Believe … in yourself.

I thought I’d spend sometime today finishing off this bookmark design.

I’m not too happy with the colours, a bit too dark, but I can always re-colour at some point.

Digitally drawn and coloured, though I did sketch the writing out and scan it in to help me write it on my Microsoft Surface book with my Microsoft Surface pen.

#fundaysunday #sundayfunday #weekendvibes

 

WIP Wednesday

Angela Porter Wednesday 11 April 2018 This is my current work in progress, with a little bit of wisdom thrown in.

I planned the lettering out on Rhodia dot grid paper before scanning it in. I then re-drew the letters digitally.

I did a blog post with tips for hand lettering  yesterday, but there’s also some in my upcoming book A Dangle A Day, available for pre-order.

The patterns around the quote were also drawn digitally, using my faithful Microsoft Surface pen, along with my Microsoft Surface Book and Autodesk Sketchbook Pro.

I’ve started to add colour, though there’s quite a lot to do, including adding textures. It’s a pleasant way to spend time.

What I’m quite pleased with is the stone background behind the letters.  It’s not perfect, but I got my head around how I could achieve this.  Working in layers means I can do things I can’t do with traditional media, try as I might, but it involves working out how I can use layers to do different things as well as becoming aware of what I could use layers for.

Yes, I could watch and read tutorials, but there’s something satisfying about working out for yourself how to do things, and creating things in your own way.  That’s the sheer bloody-minded independence I have at times.

Perhaps I could learn quicker with tutorials, but I also know I can become quickly overloaded with information and instructions and ideas (something that frustrates me as before my two episodes of severe depression and anxiety I had no trouble at all…) so bit by bit I discover what I need to be able to do at any one time. Then practice using it until it’s easy to do and natural.

I do love how I can flip-flop between traditional media and digital work, as well as combining the two, whether it be a sketch that is then worked on digitally or using traditional media backgrounds to draw upon digitally. It also takes me a little bit out of my ‘comfort zone’ too, but in an enjoyable way.

Entangled 02 Jan 2018

02 Jan 2018 Angela Porter watermarked

Today’s entangled image.  Drawn using a Sakura Micron PN pen on bristol board.  A little less than A4 (Letter) in size.

Intricately Entangled Abstracts

24 Dec 2017 Angelaporter_watermarked25Dec2017_AngelaPorter_Watermarked

Two drawings I did over the Christmas period using my new Sakura Micron PN pens.  These are different to the usual Micron pens as they have a solid, plastic nib, which is a lot more durable in use.

I’m rather heavy handed with pens, and as much as I love Sakura Microns, Uniball’s Unipins and Faber-Castell’s Pitt pens, their nibs don’t last as long with me as their ink supply does.  I end up chucking the pens way before the ink has run out.

Yes, I could use my Rotring Isographs, but the ink takes a while to dry and I tend to smudge my work.

Previously, I’ve found the Sakura Pigma Sensei in 0.4mm to works well for me, and the nibs are similar to the PN.

The big drawback at the moment to both the Sakura Pigma Sensei and the PN is I can’t order them here in the UK, I have to source these pens either from the USA or from Japan/Hong Kong, so it takes a long while for them to get to me, often with a high shipping fee.

The Sakura Micron PNs are definitely on my shopping list when I need more of them!  I’ll stick to the other brands for the finer line work that appears in my pen and ink drawings from time to time.

Autumnly Entangled 2

AutumnlyEntangled2_AngelaPorter_14Sept2017

This morning, I spent time with pens and paper coloured with Distress Oxides, and this entangled creation appeared.  I may need to add some shading to it … but that can wait as I think I have a big vector drawing to do and that will take all of my concentration.

Handywoman Looms and my dragonflies!

This is the reason I’ve been learning about vector files!  Janet has done a fantastic job with my art on this loom!

Autumnly Entangled 1

AutumnlyEntangled1_AngelaPorter_14Sept2018

I’ve had a busy couple of days with this and that and the other.

Yesterday and today it’s been learning about vector files, images, graphics and how to get my artwork done as that kind of file and to a maker so she can use them to laser etch her products – more about this when I have photos of the projects!

Lots of head scratching, googling, and finally settling on downloading a program that works in vector graphics.  So, a lot of learning to do with that, but it’s easy, intuitive and makes a lot more sense than Adobe Illustrator; I chose Serif’s Affinity Designer.  I don’t know if it is as sophisticated as Illustrator, but I can’t see me wanting to get to that kind of level – I love Autodesk Sketchbook Pro way too much for that!

Certainly a different skill set is needed, but I’ll get there as I usually do.

After all the time on the ‘puter, I had the need to return to traditional media, and the photo above is what I’ve spent my evening doing.

First, the paper (approx. 14cm x 21cm), along with a few other sheets, was coloured with distress oxide inks.  Then I drew on it using a mixture of pens.

It was really nice to do, the colours of all the sheets are rather autumnal, and I’m looking forward to drawing on the others over the coming days.