Here’s my take on a dangle design monogram using the Lombardic Capitals lettering style.
I drew the design in pen using Uniball Unipin pens on dot grid paper. After scanning the pen and ink design into my Microsoft Surface Studio I removed the dot grid and created a transparent background.
Then, I coloured the design digitally, using a Microsoft Surface Pen and Autodesk Sketchbook Pro.
The Lombardic Capitals are very medieval in style and so I wanted my dangle designs to reflect this. I spent some time yesterday researching medieval, Anglo-Saxon and Celtic jewellery, floor tiles and ornamentation, which I then used as inspiration for the dangle designs.
I chose jewel-like colours for the design – these colours are often used in medieval manuscripts.
I must admit I’m not sure either about the blue background behind the letter A or the green border to it. Working digitally means I can easily change my colour choices here once I work out what I’d like to do with them.
The final step was to add some texture to the colours, some drop shadows and to create a background in colours and pattern reminiscent of vellum.
I say it every time but I mean it – I really did enjoy creating this one!
I woke this morning with a dreadful migraine. Two emotionally draining days – therapy on Monday, an anti-stigma talk for Time to Change Wales yesterday – can cause such a reaction in me. It’s my body’s way of saying ‘Woah there Angela! Enough! Time out is needed! Self-care! Nothing else stressful for today at least, please!’.
So I’m heeding my body’s message. I was due to take all my accounts stuff to my accountant, but my vision and concentration is impaired enough that for now I don’t feel safe to drive. I know that with a quiet day and a nap later on I’ll recover.
Even though my eyesight is affected a bit, doing art actually seems to help with the headache. I think it’s a mindful activity that lets my mind and emotions relax.
So, I wanted to complete my days of the week in a Lombardic style script, and here’s my work in progress. You can see my pencil lines, both as a guide for letter heights and for the shape and spacing of letters. By drawing the outlines in pencil first it means I can easily make adjustments as I ink them in.
Next steps, when my head has cleared a fair bit more, will be to add the patterns in the letters. This really does help to define the letter shapes I think.
I definitely want to try some of these letters with dangles on them. Perhaps that’s what I’ll do while I’m waiting for this migraine headache to shift somewhat.
A quiet start to Monday morning here with a spot of hand lettering and dangle drawing.
This is my first draft of a design, which is a bit wobbly in places and there are some ink smudges too.
I pencilled in the basic shapes of the letters, inked in the outlines and then added the inner decoration.
The dangles were drawn with pen directly on paper. The use of dot grid paper helps to keep things vaguely level usually, but this morning that’s not quite gone to plan. Of course as it’s December I’ve gone with December themed charms and a Moon for Moonday Monday!
I have a few tasks to do and then I may just re-draw this, or at least colour it in. Colour makes all the difference.
This could be a bit of a big dangle design to use in a BuJo, but just the word with one dangle to the left would make a charming header with dangle for a day. The beauty of dangles is that you can just add to them as you go through the day. If the charms are small enough you could even add ones that will go with your BuJo entries – event, note, task and so on.
I think that would work well for a big and busy day.
I did go away and create this sample BuJo page showing the kind of thing I meant above. The hand lettering has worked out a lot better. I also like the blue gradient I’ve used to colour the letters with. A grey shadow was added to the left and bottom of the letters too. I also like the cute little date box. The ornate ends on the bar through it give it a ‘feel’ that goes with the lettering.
I did have fun doing this. It’s maybe not something I’d do everyday in my BuJo. My BuJo is very much a working one, with lots of mistakes and rubbishy writing going on as I scribble down things. However, I do enjoy hand lettering, especially more so as I’m beginning to accept that I have to accept my own way of forming letters is perfectly acceptable and that I can work with that.
I have to remember that others don’t see my hand lettering (or art) as I do. They see it with fresh eyes, without the close up work that goes into it, without the small flaws that I see and are magnified by my inner critic into hideous blemishes and fatal errors in the work.
I can quieten the crtiic when it comes to my drawings/art, mostly. Except on any bad days I have in terms of my mental and emotional health. Because hand lettering is something that is a new focus for me, the inner critic feels it’s empowered to be hypercritical of anything I do. It’s only by doing, by doing what I can not to ignore the critic, but to check what it’s telling me as being valid or invalid and learning what I can from the valid points to improve in the future.
It’s Friday so it’s #dangleday. Today, I wanted to share a Christmas Dangle with you from my book ‘A Dangle A Day’. In the book I show how this design was drawn, step by step.
When I created this design, I first drew it in pencil on dot grid paper. The next step for me was to scan it in to the computer and then re-draw it step-by-step, saving each step as I went. For the book, the final step was to colour the design and then write the instructions to go with the images. My tools for this were a Microsoft Surface Book, a Microsoft Surface Pen and Autodesk Sketchbook Pro.
I wanted to include as many Christmas-themed charms to create the dangles as I could and still keep the design balanced. I also kept the length of the dangles uneven. The waviness in the ends of the dangles echoes the waviness of the fairy lights above the hand lettered word ‘Christmas’.
What I did this morning was to print the black and white line art design on an A4 sheet of paper. Then I used Chameleon Duo Tones and Color Tops markers to colour it in.
These pens make it easy to create gradations of colour, such as on the hand lettering. These gradations add ‘dimension’ to the charms and dangles. I keep the darker shades to the left and bottom of the designs so that there’s a consistency across the whole image. I also used a pale grey marker to add drop shadows to the left and bottom of the design elements; again this helps to add dimension to the design.
Finally, I added some highlights with a white Sakura Gelly Roll pen. I also added some sparkles around the fairy lights and individual stars with a gold glitter Uniball Signo gel pen. After all, it wouldn’t be Christmas without some sparkle!
Used individually with a monogram or Christmassy image the dangles would make lovely book marks. Printed at A5 in size, the design would make a fabulous BuJo page for the big day itself. It would also make a lovely design for greetings cards or note cards.
Of course, it would be easy to change the word at the top to, perhaps, Winter or Yule and use fewer dangles to suit the length of the word. Personally, I like to use an odd number of dangles wherever possible – it gives a more balanced design.
A knock at the door, a Fed-Ex delivery driver asking me for a signature before handing over a parcel. I saw it was from Lydia at Quarto so knew it would be a copy of ‘A Dangle A Day’. So excited to open the package and see the book in a solid, tangible form.
I’ve seen the pdf versions of the book as it was put together before going to print. But, it’s never, ever the same as having that book in my hands.
Even more so today as this is my first book with words and art done by myself. I trust it won’t be the last.
About the book
I had a lot of fun creating this book. I’m so excited about helping others to create their own dangle designs and to gain confidence that they, too, can create lovely designs for use in all kinds of ways – BuJo pages and spreads, greetings cards, note cards, framed pictures, scrapbooks, planners, journals, bookmarks, place cards, and more.
I’ve done my best to show you how to create monograms and dangle designs in easy steps both visually and with some supporting words.
Suggestions about how to approach hand lettering is scattered throughout the step by step instructions for the dangle designs.
Examples of dangle designs in use in bullet journals and more are included – with all their imperfections. Remember, work created by each of us will be perfectly imperfect. It’s those imperfections that make it uniquely ‘you’.
There’s lots and lots of examples of designs and dangles and charms that you can use as they are or as inspiration for other designs. There are designs for all seasons and many, many different events throughout the year.
I’ve included suggestions for color palettes, media to use.
A short primer for bullet journals is included; I’m no expert on bullet journaling but I do make use of one and find it very useful not just in organising my tasks for the day but in recording ideas, reflections, memories and more.
This has put a big smile on my face this morning, and that smile will continue for a long while. I never thought I’d write and illustrate an art tutorial book. I’d thought I’d like to, but didn’t have the confidence to think it would be so.
Why I chose to use digital tools
I made great use of my Microsoft Surface Book and Microsoft Surface Studio along with a Microsoft Surface Pen and Autodesk Sketchbook Pro to draw many of the designs. Working digitally made editing designs, breaking the design process down into simple steps so easy.
I used to think, as many do, that digital art is simpler, easier than traditional forms of art.
The skill set required is different. I wanted my digital drawing and coloring to look like I’d done it with traditional media.
Digital drawing is no easier than drawing on paper.
What is easier is correcting mistakes, smudges and removing pencil lines. It removes the frustration I experience in scanning images in and spending a lot of time cleaning the image up for the publishers. Scanning can be a frustration for me too, which would’ve been worse if I’d had to scan in step after step after step. And having to re-draw if I’d missed a step out, or re-scan would’ve driven me nuts.
What I didn’t want was artwork that looked too perfect, too inhuman. I wanted digital drawings that looked like I’d drawn them on paper. So, I worked hard to set up pen ‘brushes’ that would mimic how my favoured drawing pens would look when drawn on paper.
Also, I rarely used any line smoothing tools for any of the work so it has that slightly ‘wobbly’ line appearance that my pen and ink linework has. I also kept the design elements, called charms, imperfect just as they would be if I’d drawn them with pen on paper.
In fact, each and every design started out as either a pen or pen drawing on paper which was scanned in so I could re-create it, step by step, digitally, saving a file for each step to the computer.
There were plenty of revisions/edits required and colour changes. Again, working digitally make this a less onerous task than if I’d had to do everything with pen and ink on paper, scanning in each step all the while worrying I hadn’t missed a step as I got engrossed in the process of drawing.
Working digitally did not make the drawing any easier or simpler, what it did was allow me a different way to draw the steps.
Coloring the designs digitally was no quicker than with traditional media, in fact it took me longer! I learned a lot about this process by doing this book, and I think it was the book that allowed me to become more comfortable with digital art and how to make it look like I’d drawn with pen on paper, in my own style.
Of course, I can print out the line art and colour it with any media I choose. I also can redraw any using traditional media. And of course, adjusting the size is so easy.
I did use some circle, oval and hexagon templates to help me design the wreaths and snowflakes. The dot grid paper helped me draw mostly straight lines for the dangles.
I did sketch them in pencil first before inking them in with a Uniball Unipin pen. Colouring was done with various Tombow dual brush pen markers and some sparkly elements added with Uniball signo sparkle gel pens.
These would look lovely as greetings cards. In fact, I’m thinking of redrawing them digitally and using them to make my own christmas cards this year. Printing out the black line work and then colouring them with traditional media. In the past couple of years I’ve designed my christmas/winter/yule cards digitally and had them printed professionally. This year, I think I’ll do it the way I suggest in my book ‘A Dangle A Day’.
They’d also look great as note cards or as pages in a BuJo, planner, scrapboook or journal. They’d lend themselves to cute bookmarks too.
These relatively simple and small dangle designs are perfect for practicing hand lettering too. And in these four dangles I’ve used four different lettering styles.
I’ve also kept the finished designs simple by not adding any drop shadows, except around the ‘HO! HO! HO!’. Not only that, a lot of the colouring is very simple too.
I do hope you’ll have a go at designing your own, maybe using these as a bit of a guide. If you do, I’d love to see what you’ve created.
Today’s hand-lettering is just a variation on the one I posted on Monday.
For this one, I’ve used simple patterns to fill the white space in the letters and added a ‘line shadow’ to left and below the letters. To do this I used a Uniball Unipin 0.5 pen.
I like the graphic nature of just black and white as well as the intricacy of the patterns.That intricacy is something that warms the cockles of my artistic heart.
I didn’t only add details to the letters – I’ve added details to the dangle too! Simple additions but add a feeling of complexity.
I feel at the moment I’m in a position both in terms of demands on my time but also in how I feel about myself and my artistic nature to explore hand-lettering so it’s an ‘Angela’ thing that I’m comfortable with.
Not just comfortable, confident in my skills too. So, re-working a fairly open hand lettered word like this in different ways.
So, it’s possible you’ll see variations on a word appearing on this blog, my Instagram, deviantART, Twitter and facebook accounts as time goes on.
We’re rapidly approaching December so it’s time for a number of personal artistic pursuits :
my christmas/winter cards for 2018 need to be designed and printed
‘freebie’ templates need to be designed for the Angela Porter’s Coloring Book Fans facebook group.
BuJo spreads and design elements
I’m sure there’s some other things that need doing, but this morning they escape me. Of course I’m going to note these things in my BuJo.
I’ll also be starting work on a new book for Creative Haven by Dover Publications.
So a nicely ‘busy enough’ time ahead.
Yesterday, I had a lovely day out to Aberglasney Gardens for lunch with my pal Liz. It was hammering down with rain during our journey there, but the rain cleared up by the time we’d finished a leisurely lunch.
It had been many years since I’ve visited Aberglasney and I’d forgotten how interesting it is. I’ll return sometime soon with sketchbook in hand for sure!
My evening and night until well past midnight were taken up designing a birthday card for someone. The design was finally uploaded to Moonpig ready for posting today near midnight. To say I was, and still am, shattered could be an understatement today! Still, I can have a semi ‘self-care’ day today to recover.