Another week in lock-down has passed us by here in the UK, as well as many places around the world. That means it’s time for another weekly coloring template.
This week, the inspiration for this template has come from the pages full of capsules, pods and seeds in my sketchbook. Lots of opportunity to experiment with colour, but also adding little details to each tiny picture.
Drawn using Sakura Pigma micron pens (05 and 01) on ClaireFontaine dot grid paper. Clean up of drawing, colouring and typography done digitally using Autodesk Sketchbook Pro along with a Microsoft Surface Studio and Microsoft Surface Slim Pen.
Today was not the day to focus on commissions it seems. I managed to lose myself in crochet for much of the day.
Here are some of the results of my crochet experiments. There are three seed pods/vessels and one leaf.
I have plans for them … I think I may turn them, along with many others, into some kind of wall hanging. I need to find myself a branch or some kind of thing.
This is an interesting journey. The seedpods have used things I’ve learned from hyperbolic crochet along with popcorn stitches.
The vessel on the top left actually reminds me of prehistoric pots – something I’ll have to revisit in the future as I do love prehistoric pottery and if I can re-create their shapes in crochet…well it’ll be fun! The base of this vessel is quite rounded.
I have a lot to explore, experiment with and gain some confidence with as far as hyperbolic and freeform crochet goes. However, it’s reignited my interest in it. How long that will last, I don’t know. Quickly becoming bored with things is a symptom of childhood trauma/cPTSD. However, this kind of crochet has a lot of potential for creativity and growth, just as long as I can overcome all my self-doubts and self-hypercritical nature.
I finally managed to finish coloring this design in yesterday. I’m quite pleased with it. I’m more pleased with the lessons I learned on using different kinds of brushes as well as the need to use higher contrasts in tones. But that is something I can practice on later along
My focus in the next fortnight has to be the book I need to finish by the end of the month. I will get it done.
I’m still feeling very, very tired emotionally and mentally today. I do intend to get at least one coloring template done today. If I can get one done an day, two on some days, I’ll have the book all done before the deadline.
One a day is more than achievable, and allows me some days for self-care, something that I realise is important on days like today. It’s going to take me a while to recover from all the therapy and anti-stigma talks of the past week. As the adrenaline and other stress chemicals leave my body, the exhaustion settles in more and more for a while.
I know I will be just fine and dandy. I just need to take it as easy as I can and take time for myself too.
I can do that.
One or two templates a day is absolutely do-able, even on days where I feel as I do today. When the template’s done, I can then take the selfcare time and not feel guilty about it.
This morning, I wanted to do a small drawing (the bristol board is approx. 10cm x 21cm) and try not to get overly fussy and trying to fill every space in. I used fountain pens to draw the line work, and I’m using Autodesk Sketchbook Pro, a Microsoft Surface Pen and a Microsoft Surface Studio to add colour to the design.
I’ve often said it on the Angela Porter’s Coloring Book Fans facebook group that the members work some fantastic magic in using colour to bring my drawings to life. And they do.
So, I’m working a little of my own magic here!
I don’t often colour my own art in – time constraints can limit me in this. Also, I love drawing so much and it takes me a lot less time to draw a design than it does to colour it. I can safely say I’m quite prolific when it comes to drawing, not so when it comes to colouring.
I’m also colouring this relatively small and less detailed design to fathom out the mysteries of the synthetic brush setting. I think I may be getting the hang of it and how I can make it work for me.
I actually like the less than perfect finish I’ve achieved, which has surprised me for sure. I actually really like the slightly battered feel to the orange pods in the artwork.
I’m usually obsessed with perfectly smooth colour gradients, whether achieved by digital tools or by more traditional methods of blending (whether working with traditional or digital media).
A good friend of mine (yes, you know who you are if you read this) did tell me when I bought my first Microsoft Surface a couple of years ago that it would open ways for me to create art and develop my artistic skills. It certainly has, and continues, to do that for sure.
I am aware that it’s quite a slow process where I’m concerned. Yes, I could go and watch and read tutorials on how to use the various brushes and settings.
I’ve tried that. The information given totally overwhelms me.
Being easily overwhelmed by information or sensations is something that is part of my cPTSD. If I get too overwhelmed, I tend to either walk away, end up in a panic or become fearful to face something again.
However, I do get a sense of satisfaction out of working out or discovering something for myself, when I actually need that something. Once I’ve become confident and comfortable with a particular skill, I’m then ready to discover more add more skills to my personal skill/tool box.
I never stop learning, discovering, and finding new ways to express myself creatively. I may no longer try to use a huge range of different media – my default these days is definitely digital. I don’t think there’s anything wrong in that. No doubt I will dabble with new kinds of media or creative skills from time to time (such as my toe-dipping into paper quilling; it’s not at all my kind of thing, but I had to try it to find out).
I still love drawing with pen on paper, but being able to scan that in and add colour digitally means I can make the best of both worlds. I can also keep all the little imperfections and smudges that result from drawing with pen and ink on paper, that add that more human touch to them, if I wish. Or I can draw digitally, keeping things clean and a bit more perfect. Either way works for me.
And so I finally overcome my own personal stigma concerning digital art vs traditional.
It’s Monday so it’s EMDR day for me. I have no idea what the session will bring for me.
What I can say, though, is that though last week’s session was rather emotional and distressing, I seemed to recover quite quickly from it. By Wednesday I’d returned to a state of some contentment and that has mostly stayed with me since then.
I do know I have a busy week with anti-stigma talks for Time to Change Wales being given tomorrow, Wednesday and Thursday, and then a double talk next Monday. As well as working on templates for the newest coloring book for Dover Publications Inc, I need to make sure I have time to look after myself and not avoid the feelings I may have after EMDR today.
I also know I have a busy week with other commitments too…
At least there’s some sunshine today, even though there are some big, puffy, grey and white clouds mostly covering the sky. There’s plenty of breaks in the clouds.
I drew this one with Uniball Unipin pens using both black and dark grey pens, though the difference betwixt them hasn’t shown up all that well in the scan and the digital wizardry that followed to add colour, texture and watermarks!
The glyph in the box is the Zibu symbol for ‘self-care’. Most appropriate for me today as I’m reeling more than a tad from yesterday’s EMDR session. I keep thinking I’m ok, then I get overwhelmed by a wave of sadness, despair and such like. The wave eventually passes and I feel ok, but a tad light headed. Then, the wave returns …
I had some appointments this morning and after a quick lunch I thought I’d draw something small and found this blank postcard template in my pile of stuff, with the symbol already drawn upon it.
I’m not entirely sure I’ve done a good job with this one. The overall design has a feeling that it is disjointed, that the parts of it don’t flow from one to another at all easily. It feels stilted and stiff.
Perhaps that is just how I’m feeling at the moment and I’m just projecting it onto my artwork.
As I said the EMDR yesterday had me reeling both yesterday and today. My therapist took up the role of ‘blind therapist’ where I chose a memory that is too difficult for me to speak about, and we just went with the emotions, feelings and thoughts about myself as the EMDR session progressed.
There were some observations made yesterday that were quite upsetting, okay very upsetting to me. They’re not something I can talk about at the moment.
Even though it’s upsetting, I still think progress is being made. That is all that really matters at the moment, I think.
This morning I started my day with some warm-up drawing. I drew this one with Sakura Pigma Micron pens on Daler-Rowney Bristol Board that measures approx. 7cm x 30cm. I added the coloured background digitally, along with the watermarks.
You may be curious why I use a square of coloured and textured paper behind my art work. Well, for Instagram, a square image fits perfectly without being cropped weirdly, and as many of my pieces of art are not square…well, you get the idea! So, for consistency across my social media, I use the same image.
I enjoyed drawing ths one. There’s some new patterns and motifs in it. I spent yesterday looking at ‘Art Forms in Nature’ by Ernst Haeckel for inspiration to add new patterns and motifs to my visual reference book. This little A5 dot grid notebook from Claire Fontaine is becoming rather useful. I add my favourite patterns, new patterns, motifs, doodles to it as I need to. I make use of the idea of ‘threading’ used in Bullet Journals to help link sections together.
What a brilliant idea ‘threading’ is. I used to get so frustrated with either folders with drawings in or having sections scattered in a book with a clumsy index to help find them. Now, I just follow the page numbers to direct me to where the particular collection continues. The index then lists just the first occurrence of that particular collection. My collections include abstract botanicals, foliage, floral, fungi, trees, feathers, crystals, Christmas, favourite patterns, dangles and charms.
I’m sure that when I start a new book, there’ll be a way to thread to the new book!
Why am I doing this? Well, as well as keeping track of patterns and motifs I like and organising them roughly into collections it’s also a source book of inspiration for art when I feel I’m lacking in inspiration or I feel my work is getting more than a bit samey.
It’s also something that is part of my self-care on days where it’s too much of a challenge to do something completely new and different. Sometimes this means adding familiar patterns and motifs. At other times it means researching new ones.
Yesterday I was really tired and feeling quite low after a very tiring day on Saturday followed by a poor nights sleep. Last night my sleep was even worse. I woke from disturbing dreams with my mind busy, busy, busy. Not sure why this is, or why I just feel more anxious than usual. There’s no reason at all for me to feel this way. Just some stormy emotional weather in advance of EMDR today and starting to process something new to EMDR but old to me. The CPTSD recovery journey continues…
I stumbled across this quote from Albert Einstein yesterday. It sums up how I feel about my art and how I create art. I work very intuitively, generally. I choose one place to start, with one motif and I just let everything else flow from that point. If I am thinking about what I’m doing, I’m not aware of those thoughts. In this way, drawing is, for me, a rather mindful activity where I can lose myself in the flow.
My art tends to go wrong if I over-think or try to over-plan it, as I’ve found out recently as I did the first sketches for the coloring book I’m working on.
For this drawing, I printed out the quote and borders on an A4 sheet of Bristol Board. I then used various sizes of Uniball Unipin pens to draw the designs in. If you’re interested, I started at the top left corner of the quote box and it is from this point that the rest of the design flowed out from, sort of.
I’m actually quite pleased with this one. I actually like use of thicker lines to delineate the individual motifs and to give a more structured, layered feel.
I also dug into my visual reference libraries to revisit patterns and motifs I’ve not used in a while, as well as using some of my most favourite ones.
I like the stark, graphic nature of the pure black and white, but I may very well add colour to this one in a way similar to yesterday’s quote. I haven’t finished colouring that one yet, but it is something I will return to later today, though I may not finish it today.