In today’s video on YouTube, I share a look at one of my current sketchbooks. Then, I finish drawing this little design and start to add colour to it.
The drawing is only teeny – a little less than 3″ from side to side – but that makes it fun to do! The tiny floral background pattern just needed to have glittery shimmery gold pen added to the petals; it’s so reminiscent of medieval illuminated manuscripts.
It’s unusual for me to work on such a small scale, but when I do I really enjoy it! I think it’s something I need to do more often. Especially so as I’ve been watching videos showing mixed media grid journal/sketchbook spreads.
Mixed media really isn’t my kind of thing … usually. However, these videos are sparking off some ideas in my noggin. I’ll see how that pans out over time for sure.
As to other things… I’m doing OK. I’m feeling less off with the fairies for sure. A number of ‘peopley’ days last week left me exhausted and needing a lot of quiet time this week. My emotions and thoughts are much more even too, which is a good thing. Fortunately, I can still feel emotions, unlike my last periods of burnout when I had the same meds. So all’s looking better on that front.
I still have an interesting journey to make in knowing and understanding myself better. Slowly is the best way to do that after the confusing and unsettling revelation at the end of last year, yet it was a relief for sure too.
The longer hours of daylight are helping too, though some more sunshiny days would really help! It feels like it’s been raining here in Welsh Wales forever! It hasn’t, but some sun would be welcome for sure.
Until that time, I shall enjoy my times of art and creativity for sure.
It’s a gloomy, wet Saturday here in the Valleys of South Wales, and the weather matches my mood. My inner sun touchstone of contentment is still there; I can sense it as a constant beneath the clouds and know that it is there the same way I know the Sun is behind the clouds (or the Earth at night). All storms, or successions of storms, eventually pass, and I know that the stormy inner weather is related to something(s) I’m having to work through and sort out. I will get there. I was reminded today that I’ve got myself through such times in the past and that I’m quite capable of doing so again (thanks to my friend for reminding me!).
To use my metaphor, I’ll weather the storms that come and go, and art will help me do so.
When I sit and draw, my mind empties of all the thoughts the negative self-talk likes to shout at me, the sunny touchstone shines through the clouds a little more and the contentment increases. For a while, I have a break from it all. And when I stop drawing, I feel better, even if the storm starts up again.
I will be fine; I am in many ways. And there’s always art. And writing. And music. And Star Wars!
Oh, the page above. I worked on it last night and today. I’ve done as much as I want on the page. Partly coloured or shaded, and some areas with a darker background. It is, to me, a way to suggest what I could do. That’s why I like pages like this. Unfinished, or inconsistently finished, with possibilities and potential and inspiration.
I used 05 and 01 Sakura Pigma Micron Pens to draw the design. To add some shade and the background, a Warm Grey III Pitt Artist Brush pen was used. And various Graphitint pencils and a water brush added colour to other motifs.
I’ve been asked several times if I’d make my visual dictionary, pattern and motif collection, journal or art zibaldone available for others. I’ve shown it a few times in videos. It’s my go-to reference when I need some inspiration for my art.
So, today, I thought I’d take some elements from a current WIP and start to put a page together.
I used a piece of A5 dot grid paper with holes punched in it for a six-ring binder. However, I may use an A5 dot grid notebook. To draw the design, I used an 05 Sakura Pigma Micron Pen. Shade was added with a 2B matt Pitt graphite pencil and paper stump/tortillon.
I enjoyed doing this. It was fun to add alternative ways of approaching various elements. That’s how I like to work in my visual zibaldone. And, of course, the variations are not exhaustive! No doubt more will appear in time, either in the zibaldone or in some artwork.
That is what I love doing. Varying and shifting the pattern or motif into something new and different.
Of course, I have filmed myself drawing this page so far, and you can draw along with me by clicking this YouTube video link.
For a long while, I’ve been playing around with hand lettering, using my writing in art, and the idea of marrying together writing and drawing. Today, I started a new sketchbook dedicated to this idea and exploration. I woke up this morning with the concept clear in my head, and so I did!
A sketchbook is a perfect place to experiment and try things out. I’ve already got various notes on this page reflecting on what is working and what isn’t. And there’s some reflective journaling too. My handwriting is a mess. That Distress Ink-ed dot grid paper looks really grubby. The Inktense pencils and the use of a water brush may not have been a good idea on the sketchbook paper. However, it is a sketchbook. It’s not meant to be anything other than a place to explore, experiment, and unearth hidden thoughts and ideas.
The last paragraph had a lot of negatives in it. I do like the border, and this is something I’ll continue to do. The idea of collating notes onto a page intrigues me; even adding pockets and other things from junk journaling could be an idea. Places to store notes about ingredients and so on. I enjoy researching all kinds of things, including foods, ingredients, spices and condiments.
What is new is me drawing food! I don’t know if I’ll ever draw a plate or bowl of food, but the ingredients or various elements interest me. So I’ve written a note to myself to see if I can make patterns or motifs for my more abstract, non-representational work from them.
I also must learn that colours can be imperfect; close enough is good enough! The ginger jam (more correctly, ginger preserve) was troublesome. But it’s good enough for now.
Soothing fraught emotions and thoughts
I’ve been relatively open with my mental and emotional health challenges, to a degree at least. And I thought it would be an excellent idea to combine that with food, and maybe more.
Art and food are two ways I can soothe and comfort myself. On good days, I’ll be adventurous with cooking. It may be a takeaway delivery or something quick and easy on bad days. On the in-between days, comforting food is the go-to, often more traditional recipes.
Cooking is always a challenge as a singleton. However, the motivation to cook and feed me wholesome and healthy food can be a considerable challenge, especially on my fraught and frazzled days.
Where will this lead?
I don’t know. I know it’s a personal project, but a friend and I have talked about collaborating on a project about cooking. So this may be a way of kicking the project off, even though I am still determining where it will go. If nothing else, it will give me a way to draw new and different things, explore various techniques, both in art and cooking, and reflect on all kinds of things. I’ll get to practice my handwriting and hand lettering as well. And perhaps work out how to create a pleasing layout!
This will, I trust, encourage me to take more care of myself in terms of nutrition. In addition, adding daily entries for at least one meal will hold me accountable.
A variety of meals/dishes will be required too and so will stop me from eating the same old things again and again! That’s a rut I can get stuck in. Also, if I find something I enjoy, I will eat it again and again, day after day, until I become sickened by it! That is not good either!
Am I overloading myself with projects?
I have a book to do for Creative Haven by the end of June. There are some self-published colouring books that I’d like to do too. Then there’s my creepy-cute monsters project. YouTube. Writing. And more!
I often can’t see the wood for the trees. Being able to prioritise has never been a strong skill of mine. However, I do need variety and options of what to work on. Otherwise, the work can become stale and uninspiring to me. And I can so easily get overwhelmed by the enormity of the task, or tasks, to be done. And then there’s the fear of failure, of not being good enough, that results in procrastination.
Also, I know that at the moment, my emotions and, thus, my mental state isn’t the best; new challenges in life outside of art and creativity. But that means that art and creativity are more important to me to help me calm, relax, get in the flow and give my mind and emotions a break!
I’m sure I’ll figure it out. I’m not one for schedules of work day by day and hour by hour. That may be something I need to look into.
But not now. Now I need a mega-big mug of good strong tea! I’m British (Welsh), and we think tea will solve everything!
This is my latest sketchbook page. I’m exploring these weird creatures after a conversation with a friend a couple of weeks back now. Although these are pen and wash, I’m keen to get them drawn digitally and coloured. After all, a sketchbook is a place to try things out, make mistakes, crystallise ideas and then go forward.
There’s plenty about these creatures I like and a lot that I don’t like. They are, however, a place to start and build on.
What I do know is that they make me smile and giggle! Which is a good thing for sure!
I really enjoyed trying out different shapes in the leafy Tagh. There are just so very many possibilities for this kind of pattern. I’ve long used this pattern in my artwork without knowing it was a Zentangle pattern!
Walk the line reminds me so much of eroded rock strata and microscopic images of cells. It’s a lovely contrast to Tagh. Again, it’s a pattern I’ve often used in my own art, and it’s nice to find it’s also been added to the ever-growing library of tangle pattern step-outs!
I had a lot of fun with this sketchbook page. It’s well out of my ‘comfort-zone’ as there are absolutely no black lines, not even the lines that define the basic shapes.
This is inspired by illustrator Kate Sutton, whose Domestika course I started watching yesterday. And there’s another project I have on the go that is inspiring me to explore this kind of drawing.
I’ve tried this before, but felt so uncomfortable with it that I gave up very quickly. Today, I was determined not to use any black lines at all. Instead, I picked a colour palette of just four colours of Arteza EverBlend markers. For each colour, I chose a similar one from my set of Zig Writer pens.
I started by creating the collage of simple shapes using the markers, overlapping them so that the colours mixed. I was careful not to mix the pink and green; I didn’t want to make mud!
Once I was happy with the basic design, I used the Zig writers to add patterns made from simple marks. To begin with, this felt really awkward, uncomfortable, and just plain wrong. However, the more I did, the easier it became, and the more I liked what was happening. I’m so glad that I persevered!
I dug out a white gel pen to add some brighter, lighter marks and to play with the ‘stitching’ to the top right. The idea that I was using pen ‘stitching’ to connect shapes and patterns amused me.
Using the white gel pen reminded me I had other gel pens to use, and use them I did.
I love the translucency of the marker pens and the way that the patterned shapes seem to float. The use of monochrome colours in these shapes, along with white, just gives an airy, delicate feel to them. I can now see the value of this way of using no black line. I have a lot more exploring and experimenting to do. My mind is ticking over how I can make use of this in a project I’m developing at the moment.
As eager as I am to continue my explorations, I have an errand to do first. But when I return home, well, I’m going to try out some of my ideas both on paper and digitally and see where this takes me.
I’m fine, but feeling a tad out of sorts today. So, I needed some art that would be self-soothing for a bit of selfcare. Nothing is better than starting to fill a page with tangle patterns, and all of these are new to me!
From top to bottom, the zentangle patterns I used are: Wigwag – Jody Genovese CZT Moonrice – Ilonka Weerts QuaSahnt – Heidi Kay
I coloured the page with Distress Inks (Wild Honey, Spiced Marmalade) then added some Ripe Persimmon through a stencil.
This morning, I woke thinking that I really do need to pop all my favourite texture and filler patterns somewhere so I can refer to them easily. So, a sampler page it is! And yes, I videoed it and you can see the video on YouTube by clicking on this link!
I’m actually looking at the artwork I’ve done in the past few days or so that has been inspired by the work of Rebecca Blair. I’m really enjoying these kinds of simple, straightforward and rather graphic patterns. As they’re new to me and I keep coming up with my own variations, my fear of forgetting things kicks in.
Athazagoraphobia is the psychological term for the irrational fear of being forgotten or ignored, or just of forgetting things. Forgetting things like patterns or textures I like. That’s why I have a number of A5 journals with collections of drawings and patterns and so on in them – my visual references. This partly comes from a desire to collect such things and have a reference at hand to get inspiration from. But it also comes as I do worry about forgetting things as well, especially when I’m exploring or learning something new.
And it’s a totally irrational fear! My memory is usually really good, but I worry about forgetting things as well. Maybe it’s a result of seeing the devastating effect of Alzheimer’s on my father. I can’t remember if I was this way before that. Actually, I was. For a long period of time I kept a journal to keep my thoughts and memories in. Oddly, I don’t really do that now. I have a large collection of journals here and my only desire is to destroy them as I don’t look through them and I really don’t want anyone else to be able to look through them either. They are way too personal for that!
Anyways, I’m making a page full of my favourite patterns from my recent artistic endeavours, just in case! If nothing else, it will be something to spark creativity at a time when I’m a tad stumped for it. It’s also a fun thing to do and a lovely way to review my recent drawings.