This week’s template has a bit of everything that is ‘Angela’ in style. Entangled art, Zentangle patterns, florals and botanicals, cute and whimsical. Something for everyone. The template is available to members of the Angela Porter’s Coloring Book Fans facebook group.
Unusually, it’s in landscape format, and a strange set of dimensions too. I can only say I wasn’t feeling too well yesterday – upset digestive system, extremely tired. That meant I didn’t pay much attention to the size of the paper I decided to draw upon.
I am feeling somewhat better today, but still incredibly tired after another disturbed night with an upset tummy.
I know I’ll be getting my sketchbook page for Inktober Tangles 2021 Day 14 done after I’ve had a very late breakfast. I’ll post that later in the day.
This morning, I recorded drawing the final part of the template. I did some drawing yesterday evening, but didn’t record it, so there is a gap in the process. Here it is:
This week is a fabulous fungi fantasia. I really enjoyed drawing this one, and adding colour really brings it to life. I’ve chosen rather bright, almost psychedelic colours, as is often the case! So, I’m intrigued to see how others will use colour magic to bring the drawing to life.
The design was drawn with a Tombow Fudenosuke pen on marker paper. This version is coloured digitally in Clip Studio Paint.
Mushrooms. Lots of mushrooms. A sketchbook page full of simple line drawings of mushrooms drawn from memory and/or imagination, some brightly coloured with Ecoline watercolour ink.
This page was a lot of fun to draw. I wasn’t aiming for realism or detail. It was all about drawing simple, stylised, imaginary mushrooms. I planned to add colour to bring volume to the drawings.
As I used imagination to draw these whimsically wonky mushrooms, it was easier to give myself permission to forgo the pressures I put on myself to be realistic in adding colour. I could use whatever colours I wanted to for each mushroom, I could be as stylised as I wished about the colour too.
Adding colour in this way is easy when I add colour to my coloring book pages/templates. As these pages are stylised, I can add colour in a simpler, more fun way. This is especially true for my Doodleworlds style of art.
Transferring that mindset to my drawings from nature, architecture and so on isn’t quite so easy for me. I still hear that critical voice of ‘It’s not good art if it doesn’t look like photograph or like the real thing’ in my head. This is a message that is repeated to us time and time again from our earliest days of starting to draw. It was these critical messages that led to me having a belief that I was no good at art, and those messages were seared deeply into my view of myself.
In fairness to myself, I have overcome some of these critical beliefs foisted upon me by others. However, some linger and rise up from time to time. I suspect their influence is most noticed in my lack of confidence in myself when it comes to colour.
Identifying these ‘inner critics’ is the first step to dispelling them. This is a multi-step process as the inner critic is armed with many weapons to destroy my self-confidence. I’ve disarmed this critic time and time again, but it always seems to find a new weapon. Eventually though, it will run out of weapons to use.
It’s a process, a long winded process, but it’s one that’s worth doing, step by step.
Saturday is here again. So, over on my little corner of the YouTube universe, I do a flip-through of this week’s arty projects, and a bit of a chat about stuff at the same time.
Here, above, is my sketchbook page for Sketchtember 2021. For day 18, I’ve chosen to draw plants in pots, mostly cups, mugs, teapots and jugs it seems. They’re still plants in pots. They’re all drawn from my memory and/or imagination.
After completing the pen sketches, I added colour using Ecoline Brush Pens and a Water brush. I had to try to mix colours too, particularly varieties of green. I may have done OK with some of them. Others are abject disasters, such as the succulent style plant with red tips to it’s leaves. Ho hum.
Everything is a bit wonky, but perhaps that is no bad thing at all. A lot of my artwork is a tad wonky, and that’s part of my signature style, probably.
I’ve also used a clear Glaze pen, a gold sparkle Signo gel pen and a clear Star Sakura Gelly roll pen to add shiny highlights. A white Sakura Soufflé pen added highlights to some of the areas too.
This, like yesterday’s buttons, has been a fun project. This time, though, I’ve completed adding colour, which has surprised me no end. I suspect that increasing familiarity with Ecoline watercolour inks and how I like to apply them has helped greatly with this.
Trying to work in a more ‘illustrative’ and a bit expressive way of adding colour is helping too. It’s a work in progress, but I may just get there!
Now, all I have to work out is what to do with the rest of Saturday!
I’ve had a few days of periods of intense anxiety/stress. The come down from each of these has left me exhausted and my mind unfocused. I’m much better now that all the appointments related to the anxiety are over, and all is well. I knew it would be, but my mind and emotions have other ideas about that at times!
Anyhoo, as I had a bit of focus yesterday afternoon/evening, I decided to draw a few buttons for Sketchtember Day 17. A few turned into a whole page full of pen drawings! And some really not good hand-lettering, ho hum.
So, I thought I’d spend some chilled out time this morning starting to add colour to some of the buttons.
Ecoline and an insight..
Ecoline Brush Pens were my medium of choice this morning. A lot of the details on the drawings were just a bit too small for marker pens to cope with. Also, I thought a change of medium could be good for me, and it was!
To start with, I scribbled some colour onto a palette and then picked it up with a damp brush and worked with it like watercolour. However, as the areas dried, the intensity of colour faded.
So, I decided to brave trying to directly add colour to the page and then spread it out with a damp brush. It worked! I suddenly realised that I have a much more illustrative way of adding colour, rather than realistic. It’s about time I accepted that and embraced it too!
A page full of different objects, rather than a single illustration, has helped me to realise this, as well as put it into practice.
Now, I just have to remember this insight, which isn’t as easy as you may think!
Perhaps I should write a list of Angela’s Artwork Insights to refer to before I do any work, as well as while I’m working.
Bright and cheerful!
The other thing I really loved was working with these really bright, vibrant colours. I’ve been using a lot of more muted and vintage colours of late, and I love them. But these bright colours were just what I need during a post-anxiety funk.
I’m still exhausted after a stressful couple of days organising routine appointments, then having the first yesterday. The rest of them are tomorrow afternoon.
As the stress hormones leach from my body, as I start to come down from the intense stress/anxiety I’ve experienced around the appointments, I’m left exhausted, with brain fog. Today, I’m not so brain foggy, but I am still really tired. I had a poor night’s sleep which didn’t help.
So, today is going to be a quiet one. I want to get this drawing finished, maybe my drawings for Sketchtember – Day 15 done too. But I’ll see. I think I need some more tea first!
It’s the last Wednesday in the month, so it’s the end of this month’s color palette challenge.
I chose to add colour to the first coloring page of the month for Angela Porter’s Coloring Book Fans facebook group. The colours are bright, cheerful and tropical. I always enjoy a limited palette, though I also mix colours to add some variation in colours, particularly the greens.
I spent the morning drawing this week’s template for the facebook group. If you’d like a sneak peek of some of it, have a look at today’s vlog.