I was without broadband from early Thursday morning until late yesterday afternoon. Hence the reason why this is late and I’ve not posted for a couple of days.
I did have internet access via my mobile phone and I used a mobile-hotspot so I could get online on my ‘puter. But, even on 4G, it was a tad slow on uploading and I have no idea if it would have coped with Zoom.
This week it’s another typically ‘Angela’ entangled style of drawing. I used a Sakura Pigma Sensei 04 pen and A4 Bristol paper to draw this. After scanning, I added the background and some shadow and highlight.
A different work in progress today. I started this one late last night and continued for a while after breakfast this morning. I used a Pilot G-Tec C4 pen, which has a very fine tip, on white acid-free cartridge paper (the camera flash has turned it a creamy colour, I have no idea why!).
It is always a pleasurable experience to draw with such a fine pen and to created such detailed and intricate designs. No real thought or planning, just trusting my intuitive creative instincts.
Purely abstract drawing, using my favourite shapes, motifs and texture patterns, along with a few new motifs that have developed as I’ve drawn this. It looks like a weird assemblage of bits and pieces, mechanical and sculptural, botanical and textural.
Assemblage is a fairly good way to describe my signature style of drawing. There are layers of all kinds of bits and pieces – flowers, mechanical tubes and pieces, textural areas, pipes, sculptural bits and bobs, seeds or berries and curls.
What is hidden beneath the various layers? Where did all the bits and pieces come from? What was disassembled or broken to liberate the pieces? Who or what did the disassembling, and why? What new things could they be assembled into? What dream fragments, story parts of my unconscious mind do they represent?
I can spot various influences in the bits and bobs present in the drawing – Mayan sculpture, dials and mechanical levers, pipes and conduits, discs and berry lights, flowers and seeds, textures and patterns, arches and columns, rocks and strata.
What do you see in this drawing? Leave me a comment, I would be intrigued to know!
Today, I continued with the entangled art I started yesterday. The drawing is still not complete, but I wanted to add a background colour/texture and add some shadow and light to see how it’s working out.
The shadow and light bring the drawing to life. I’m not entirely sure about the colour I’ve chosen for the background – maybe a bit to saturated and dark. I can always alter that though. I also think there’s not enough contrast betwixt shadow and light. Again, that’s something I can work on.
I’ve drawn inspiration from various things – fossils, seed pods, botanicals, crochet-covered pebbles, architecture, nature, shells, Mayan glyphs to name a few.
Leaving some more open spaces is proving difficult for me once again. It’s something I need to consider as I continue to work on this drawing.
The design is being drawn with Unipin and Sakura Micron pens on marker paper. Background texture/colour, light and shadow are added digitally.
This drawing is very much a work in progress. It’s being worked with black Unipin and Sakura Micron pens. When it’s complete, I will scan it in again, add a background, along with shading and highlights.
There’s some motifs in here inspired by fossils, others by flora and nature, and others that are purely abstract in nature.
Art is one of my self-care activities that help me manage my mental and emotional wellbeing. I mention this as it is World Mental Health Day #WMHD #WMHD2020 and, ironically, I need to do a fair amount of self-care today.
There’s plenty of information and advice out there on the internet. If you are struggling with your mental or emotional wellbeing, or if you just want to learn more about good mental and emotional health, ideas for how to look after it, then I’d encourage you to do a google and/or seek professional help.
We all have physical health and if something goes wrong with us physically, we don’t think twice about seeking out medical help and advice.
We all have mental and emotional health too. Yet too few of us will seek out help and advice when we need it due to the stigma and/or discrimination that cloud mental and emotional health.
It is high time that seeking help and advice for mental and emotional ill health was as natural and normal as seeking help for physical ill-health.
An entangled smorgasbord of fossils, stylised fossils, and some of my favourite patterns and motifs.
I enjoyed creating this one, though I feel I rushed the highlights and shadows a bit. However, I can always go back and edit or re-work them. I’m so much happier adding those highlights and shadows digitally than I am with Copics or other media.
Today, my colour scheme is monochrome, with many shades of grey, along with black and white. Those colours echo a conversation I’ve been having about how life isn’t always black and white, that sometimes no matter how you try to find the right path, make the right decisions, not everyone will agree, either totally or in part.
Art is something I do mainly for my own pleasure. Yes, I do work on adult colouring books, but within the broad topic it’s up to me what I create. I guess enough people like my art as I’m asked time and again to create another book and another.
My biggest problem is believing in myself, recognising that what I do is good enough, and that my own way of expressing myself, in drawings like this one, is good enough too. This way of drawing comes all too easy to me, and that lack of struggle makes me think it’s not worthy of consideration.
That is why I end up experimenting with different media, different ways of creating art, of expressing myself. Yet I always return to this style.
In the past, I’ve described it as my ‘comfort art’. I’m beginning to understand that it is my main artistic voice, the tune. Everything else is me just trying to find harmonies that add to that voice. Perhaps the voice itself is enough, as with Gregorian chants.
That is an insight that I need to dwell upon for a while, but it feels right to me.
Drawn with Unipin pens on marker paper. Background, highlights and shadows added digitally.
It was drawn on marker paper using Unipin pens. Shadows were added using cool grey Copic markers. Next, it was scanned in and a kraft paper background added. Finally, highlights were added digitally to help bring out some sense of dimensionality.
I like the way the highlights and shadows work. However, in future I need to add the shadows digitally along with the highlights.
It’s a very typically “Angela” style of art – intricate, detailed, and full of botanical motifs, arches and geometric patterns that I enjoy using so much. I even managed to leave some areas that are not so busy with line and pattern!
So, it’s on to the next one, once I’ve designed the coloring template for Template Thursday!
This week I’ve done a pretty yeuchy job on the colour scheme. It happens. I do struggle with colours, more at some times than others, and today is one of those days.
The template itself has lots of my favourite motifs in – pumpkins, leaves, flowers, seedpods, seeds, berries, shells, mushrooms and stones. Not to mention arches and geometric patterns along with a sprinkling of stars.
I’ve gone with a weirdly autumnal colour scheme, but I think this would work for any kind of colour scheme you’d like. I may revisit this template and add linework and keep it monochrome at some point in the future. It would be good practice to redraw it digitally and work on my digital linework skills at the same time.
I used Unipin pens and Canson Marker paper to draw the template. Next, I used Autodesk Sketchbook Pro to clean up the image and then add the colour.
To Inktober or not Inktober? Nah, let’s Paleotober instead!
I may do an Inktober challenge this year, but again choosing an alternative prompt list. I enjoyed last year’s month of daily drawings focusing on art I’d not usually do, particularly the skulls. However, I found the pressure to draw every day a bit much and a bit manic to work in around everything else I needed to do.
I like that each theme covers a few days, so less pressure. I have been thinking of working on drawings of fossils, dinosaurs and so on in the way I have my recent drawings of moths. So, this is the push I need to get me to follow those thoughts!
I must admit, the sight of an ammonite, icthyosaur and pterodactyl, three of my favourite fossils, on the prompt list just did it for me!
I think I’m going to struggle with the imagined and speculative prompts, but I may just use those days to add to one of the others. We’ll see.
In other times, I’d visit my local musuems to view fossils and such like for myself, sketchbook and camera in hand. But not now.
I’ve completed more of this WIP this morning. It’s coming along, but it’s at that point where I’m starting to think, “What the heck was I thinking?” about various sections.
I know from lots of past experience that I often get this feeling as I work on some art, and all I need to do is to trust my instincts and intuition and to carry on working on it. And so I shall. This is the way.