‘A Dangle A Day’ Dangle Design Mandala

‘A Dangle A Day’ Dangle Design Mandala © Angela Porter 2019

Dangles can be turned into mandalas! And ‘dangle-dalas’ satisfy my love of symmetry in an unusual way.

In this one, I have two rings to which dangles are attached. In the centre ring, they point towards the centre of the mandala. On the outer ring, they point out into space.

Then, there’s two central rings. One, I coloured in a pastel rainbow and added ‘A Dangle A Day’ in my weird take on hand-lettered uncials. The lettering isn’t perfect, but then neither am I, and neither were celtic/anglo-saxon/medieval manuscripts.

Ok, the manuscripts are more perfect than my hand lettering, but it’ll do. It’s perfectly imperfect. That is an idea I’m becoming to embrace more and more easily as time goes on, and an idea that I encourage you to adopt in my book ‘A Dangle A Day’.

I used rather graphic black and white geometric designs to separate the three main rings of the design. This contrasts nicely with the brightly colourful design elements.

I felt the need to draw cacti, flowers and some weird seeds today, so that’s what I did. Of course it goes without saying that I’d have to include stars and hearts in my design! There’s some beads in there too, particularly those teardrop shaped ones that remind me so much of medieval jewellery.

Mind you, medieval in character this design is not. It is rather cute and whimsical, which is one of my signature styles – the other is intricacy.

For this design, I hand drew and coloured it digitally using a Microsoft Surface Pen on the screen of my Microsoft Surface Studio. As always, my chosen art software was Autodesk Sketchbook Pro.

Yes, I really do draw on my Surface Studio with the Surface Pen as if I’m drawing with, say, a fountain pen on paper. Colouring I often do as if I’m colouring with traditional media, though sometimes I do use gradient fills. It just depends on the feel I want in the final artwork.

Being able to work in layers means I can do things that would be very difficult or time-consuming working traditionally. It also means that I can play with colour combinations – I love colour, but I don’t always make good choices of colour palettes, see yesterday’s Q monograms for evidence of that!

Of course, there’s so much more to digital art than this, and I’ve not discovered everything yet. But over time my experience is that I discover, workout or learn how to do what I need to do at that time when I’m ready to do that.

Monogram D entangled design (with some little dangles)

I had a day or two of subconscious reflection on how to pattern around a letter after not being all that happy with the lower case b design. So, I wanted to put my vague ideas into practice.

Yes, they were vague ideas, no clear idea of how I wanted things to look, but I just wanted to try them out and see where they led.

I started with a faint pencil outline of an uncial style letter d, and then used a fine nibbed Rotring Art Pen with black ink to draw the design with.

I used the pencil line as a guide to where the entangled designs would either butt up to the edge, spill over the edge or curl over it and I just let the designs flow and grow. I also left the design in an organic shape rather than working to a square or rectangular shape.

I did work on a piece of A4 paper, but the design is a little over a quarter of the size of the paper. I can’t believe I did such teeny-tiny drawings again! I really enjoyed it!

In some places I’ve made the edge too hard, too linear. In one place I tried to correct that (lower left of the d) by adding more bits to the pattern, but that linear line is still evident. However, it’s all learning.

After scanning in, I wanted to add some texture and a bit of colour to that letter to help it stand out more. I may try doing the reverse as in colouring the design in and leaving the letter plain later. I may even try using some watercolour brushes in Autodesk Sketchbook Pro, using my Microsoft Surface Pen and Microsoft Surface Studio.

I have designated friday as #dangleday, and I did add some tiny, fine danglesto the design. Dangles don’t always have to be big and fancy or a prominent feature of designs, like in my book ‘A Dangle A Day‘.

Entangled Art ‘b’

© Angela Porter 2-19

Yesterday, I just felt the need to do a bit of an entangled drawing. So, I started with the lower case b and added designs around it.

Not at all sure this works. The letter just looks ‘plonked’ on top of the design rather than part of it.

I do like the entangled stuff though.

Always something to learn – that’s my piece of Wednesday Wisdom. If you don’t try something, you never know if you can either do it or if it’ll work out. This one isn’t one of my better lettering adventures, but, I can reflect on what I like and what I don’t like and then try again another time.

I’m not at all sure I can ‘fix’ this one, but I can try again.

For this one I used Daler Rowney Bristol Board along with 08 Unipin Uniball and 04 Sakura Pigma Sensei pens.

Wednesday Work In Progress

©Angela Porter 2018

Wednesday is #wipwednesday around the interwebs and sometimes it manifests itself on this blog.

This is my current work in progress, well just a part of it. I drew the design using various pens on paper and then scanned it in. I’m part way through colouring the image. It’s going to take me many hours to finish it, but that won’t be today. I have appointments this afternoon.

I am coloring it digitally with the usual tools – Microsoft Surface Studio, Microsoft Surface Pen and Autodesk Sketchbook Pro. I’m trying to keep to a winter/yule/christmas kind of colour scheme. That means the purple coloured ‘berries’ may have to be changed, but that’s easy enough to alter when working digitally.

#createdonsurface #quartoknows #autodesksketchbook

Inktober 2018 Day 15 Weak

Angela Porter Inktober 2018 Day 15 Weak

Another day in Inktober and another hand lettered and illustrated quote.

My hand lettering really does need work/practice!

I just had to include a rude little monster tucked away in the intricate pattern around the quote.

I drew this on dot grid paper using Faber Castell Broadline and Fineline pens. I then scanned it in, removed the dot grid and created a transparent background in GiMP. I then used Autodesk Sketchbook to add a colour background and my watermark.

The drawing took a couple of pleasurable hours to do; it is smaller than my previous ones,being a round 17cm x 17cm in size (the overspills make it awkward to measure!

The design reminds me of the work I used to do before I became so immersed in coloring book design. I know this creeps out from time to time, and when I get a chance to do it I really enjoy drawing this kind of detail.

One thing I’d do, perhaps, if I were to go back and do this again I would definitely pay more attention to the hand lettering and I’d add some shadows to the line art to add some more depth/dimension to the design.

 

 

Inktober 2018 Day 11 ‘Cruel’

Angela Porter Inktober 2018 Day 11 Cruel

Another day, another drawing!

I couldn’t draw anything cruel – not in my nature to do so, it upsets me so much. So, I chose to go with a quote about ‘cruel’ that is a positive one:

‘Having a soft heart in a cruel world is courage, not weakness.’ – Katherine Henson

I see too much cruelty in this world and I really do not want to add to it.

So, I drew something pretty, with whimsically cute critters and monsters and design elements and patterns that make me smile.

I drew this design on Frisk Bristol board using Faber-Castell Broadline and Fineline pens, scanned it in and then just added a background gradient in Autodesk Sketchbook Pro. I’ll get around to colouring it in properly later, I hope…

I really do need to spend some time today on the Entangled coloring book that I’m a little more than half-way through.

Doing these Inktober challenges is helping remind me of where I think some of my drawing skills and my style or ‘voice’ lies. I hope I can translate this into some templates for the coloring book in progress. I can’t work in the cute critters/monsters as I have in this and some other previous Inktober challenges, but I can work with the other elements I’m sure.

I’m also feeling more confident with my line drawing skills after feeling distinctly wobbly and out of practice after a week away without any drawing being done.

I’m also a little less emotionally tired today. I’m surprised yet not surprised at how much the anti-stigma talk and EMDR therapy drained me this week.

 

Inktober 2018 – Day 9 ‘Precious’

Angela Porter Inktober 2018 Day 9 PreciousInktober 2018 Day 9 – What’s precious to you?

That’s what I thought I’d go with once I started drawing this one.

Yes, it’s another doodleworlds type image. I’m quite enjoying them as a change from my usual style of art.

I drew this on Frisk Bristol Board with Sakura micron pens. Scanned it into Gimp so I could create a transparent background. Then, I threw it (not literally) into Autodesk Sketchbook Pro and added colour and texture there.

I actually finished drawing this this morning. I had to leave it uncoloured to go out to do an anti-stigma talk for Time to Change Wales this morning. That left me feeling emotionally drained.

After the talk I had to make my way to Neath for a spot of lunch before my counselling/EMDR therapy appointment. That drained me even more and I’m still reeling from it now. A very intense session today.

I came home shell-shocked from it and I had to sleep. Which I did. On waking I turned my attention to colouring this in.

The colours aren’t quite as vibrant and bright as others I’ve used recently. I think that reflects my state of tiredness and emotional exhaustion.

All the same, I had fun coloring, which I don’t get to do often.