In today’s YouTube video, I started to draw the design on the right. While the video was uploading, I finished drawing it. Also, I drew some motifs on a separate piece of paper so I could practice using alcohol markers (Arteza EverBlend).
Colour combinations do vex me, continually. And they certainly do on this practice sheet! But it’s best I practice somewhere before adding colour to my completed drawing. But first I’ll scan that drawing in so if all else fails I can add colour digitally!
Either way, it’s been lovely to spend time drawing and adding colour just for the joy of it. It is far too warm to do anything else.
I’ve now finished this drawing by adding two organic motifs, both fairly simple.
With the trailing flowers or leaves or stones, the hardest part is arranging them to look like they’re trailing and remembering to decrease the size towards the point.
The other motif, a stack of small seeds on a stem, is easy enough to draw.
After doing this, I thought it needed some colour to bring the motifs to life. So, I dug out some of the Neocolour IIs I’d used for the background and used them a bit like watercolour paints. I scribbled a little of each Neocolor II on my plastic palette, added water, and painted.
I’m not entirely sure about my efforts with adding colour – this is where it can all go wrong for me. Part of me knows I’d most likely be better off if I were to add shadow and texture using pens.
I did use some metallic watercolours to add some sparkle here and there too.
One thing I did notice is that I was glad I tried not to paint over the black lines. The pigment ink in Micron pens is usually waterproof, but, as the Necolor IIs are wax-based and coat the surface of the paper, the pigment doesn’t sink fully into the paper and so water will move the ink.
It’s not a problem, now I’m aware of this. Oh, it also means erasers will lift some of the ink as well as pencil lines. Again, just something to be aware of.
One other thing I did was to cut the paper down to frame the design a bit better. In my clumsy way, I managed to cut it just across the tip of one of the trailing thingies. So, no border around that area.
I will keep going with adding colour and see where it leads me, hopefully not into a disaster! Still, if that happens, it’s only a bit of time, ink, paper and colour and the design can be used as inspiration for the next one. Important lessons about the Necolor IIs are being learned, which is, perhaps, the most important thing.
Hand-drawn typography. Stylised botanicals. Some of my favourite things to draw along with one of my core beliefs!
I’m not at all sure about my colour choices. I think I could’ve done the gradient rainbow first, then taken my palette from that to use with the outer border of botanica. It’ll be easy to sort out though. I added colour digitally, but drew the design with pen on paper.
This is now finished! Between drawing, adding colour and embellishments, it’s taken somewhere between six and seven hours, I think.
Materials used: * SeaWhite all media paper, 8″ x 8″ (195mm x 195mm) * Uniball Eye Pen – micro * Uniball Signo DX 0.38 Pen * Derwent Graphitint pencils * Brushes and water * Derwent Drawing Pencils * Cold Grey IV Pitt Artist Pen * White and yellow Sakura Soufflé pens * Clear Sakura Glaze pen
I actually managed to keep some white space in the design! I may have slightly overdone the dottiness. I did mess up by trying to use the Derwent Drawing pencils to add some darker tones to the green ‘leaves’.
Overall, I think this is good enough to move on to the next project, which is likely to be Thursday’s coloring template.
It’s been nice to lose myself in some art for the sake of art. Especially as my emotional weather is still damp, dull and grey and making me doubt myself. It’s been an emotional rainy spell that’s been brewing for a while, and that’s why I’ve returned to the familiarity and comfort of my entangled art.
I always circle back to entangled art, regardless of my experiments with other media and styles and getting frustrated with colour!
My tricksy emotional weather is only exacerbating my frustrations with colour. I know I need to get the coloured plates done for the Whimsical Cats colouring book, but as I am at the moment I will only get myself into a right royal kerfuffle. So, it’s time to just enjoy drawing, maybe using some colour – time for monochrome colour schemes I think.
Yes, another WIP (work in progress). I’m fairly happy with the drawing, and I may re-draw it with less detail for this week’s coloring template. I’ll see how I get along.
This one is vexing me in terms of adding colour. I think that because elements of this are far less abstract my brain kicks into making things like life. I think I need to find a way to kick my brain into using shadow and light to bring dimension rather than focusing on colour.
This frustration may be because I’m feeling more than a little anxious and a bit like a startled rabbit. I have an appointment in a short while, and that means going into the world where there are people.
Design drawn on A4 heavyweight cartridge paper with Unipin pens. Background and colour added digitally.
This week, I decided to create a coloring page / template that is in the ‘Angela’ Entangled style, similar to yesterday’s artwork.
I made the motifs bigger and less patterned for the coloring template, however. To add colour to my version of the template I used a mixture of brown fineliners by Staedtler and Stabilo. Instead of solid colour, I used patterns and textures to add colour and complexity. I did use a pale grey fineliner to add details to the snowdrops and leaves, but the scanner didn’t pick it up. Ho hum.
After I’ve had lunch, I may return to the drawing to add shadows to bring out some dimension and depth. I’m not sure what medium I’ll use, though alcohol makers may be the best option, perhaps. I’ll see how I feel when I get to it.
I’ve been working on this drawing for the past three or four days. I finally finished it this morning. Here’s a list of materials used: A4 Daler-Rowney Bristol Board Copic Multiliners (05, 025, 02) Sakura Pigma Micron (01) Various shades of brown Stabilo fineliners Grey and sepia Uniball Unipin fineliners
I’m finally becoming comfortable with leaving open spaces in my art, though I still do like a clear border/edge. The spaces give a lighter, more airy feel to the design. I’m learning that I don’t have to fill every available space with pattern. I think that is a good thing.
I’m also really enjoying using shades of brown to add patterns to the design, and some grey too.
If you’d like to know where I started this drawing, it was with the small arrangement of boxes just above the blueberry-ish berries just above the left of centre. Everything else grew out from there.
I think this one is finished, though as I look at it now, I want to use a white Gelly Roll pen to add dots in places. Also, the shadows need to be tad intensified around the motifs to give the illusion of depth. I may use alcohol markers – Chameleons or Copics – to do this as the Copic Multiliners are alcohol ink safe.
Waking at stupid o’clock meant drawing until I could go back to sleep. I got all the inking done for this particular drawing. Now, the colouring needs to be completed.
Materials: 21cm x 21 cm (8.25″ x 8.25″) piece of Claire Fontaine Paint-on mixed media paper – natural colour Aged Mahogany Distress Ink and a piece of cut and dry foam to distress/grungify the paper 03 and brush Uniball Unipin fineliner pens 01 Sakura Pigma Micron pen Staedtler Triplus fineliners Chameleon fineliners Water brush White Sakura Gelly Roll pen
Started yesterday evening, worked on during my hours of mid-night waking, and on waking this morning, this measures 21 cm x 21 cm (approx 8.25″ x 8.25″) The paper is natural coloured Claire Fontaine Paint-On mixed media paper coloured with Aged Mahogany Distress Ink. The design is being drawn with a mix of 03 Unipin and 01 Sakura Micron pens.
I’m using a mixture of Stadedtler Triplus and Chameleon Fineliner pens to add colour to the design, along with a barely damp waterbrush to spread the colour out. Interestingly, some of the colour lines added remain visible, to a greater or lesser extent, depending on how much I work the colour with the waterbrush. Also, I’m finding that I really enjoy adding colour and texture like this.
The finishing bright white highlights are added using a Sakura Gelly Roll pen.
I find the fineliners used in this way give me much greater control over how much the colour spreads in the small areas in my drawing. They also don’t spread as much as, say, Tombow Dual Brush pens or Inktense pencils. That helps to control the spread of colour too.
I rather like the vintage-y look that the palette of browns and olive greens confers on the design, helped along by the background colour and texture of the paper.
Oh, I do intend to leave a ‘hole’ in this first layer of designs. I’m not sure I’ll do inside the space; a quote, more layers of design. For now I’m not sure. But once this first layer is done, I can scan it in and use it in different ways digitally.
There are lots of my favourite motifs appearing in this one, rather organic ones for the most part. What will appear from the tip of my pen in the rest of the design? I don’t know yet! It could be more of the same, or not. All I know is that the intricacy, detail and revisiting old favourite motifs is making my arty crafty heart smile.
“The state of having inconsistent thoughts, beliefs, or attitudes, especially as relating to behavioural decisions and attitude change.”
Finally, the penny dropped as to why I’m feeling so out of sorts. Oddly, it was while I was listening to a documentary about the cult NXIVM as I was drawing during the stupid o’clock hours of drawing. Don’t worry, I’m not a member of a cult! However cognitive dissonance was mentioned and that was the ‘ta-da!’ moment for me.
Cognitive dissonance causes emotional distress related to holding contradictory beliefs or values. I’ve experienced this before during breakthrough moments in therapy where I’ve had to accept that I was a victim of trauma, that I really do have CPTSD and I’m not (as my mother would tell me) making it up, for example.
I’m poised on a knife edge, wanting to make a decision to leave something, but feeling guilty about thinking that way. I need to find a way to find some clarity to help me make that decision, and it has to do with my core values and beliefs.
Recognising this doesn’t make me feel any better, but it helps me understand what is going on, and that understanding will help me work my way through it! Making a decision won’t make it any easier for me to act upon it as there’ll be a lot of guilt and the old reactive feeling of believing I’m letting other people down.
However, I can’t put other people ahead of my own mental and emotional well-being. It’s never been easy for me to say ‘no’ to people, to leave organisations or people who are contributing to emotional and mental distress in myself. But I have done so occasionally, more so in the last year or two. And I will do so this time if it’s what I need to do to find that sense of balance, harmony, peace in myself once again.
I was without broadband from early Thursday morning until late yesterday afternoon. Hence the reason why this is late and I’ve not posted for a couple of days.
I did have internet access via my mobile phone and I used a mobile-hotspot so I could get online on my ‘puter. But, even on 4G, it was a tad slow on uploading and I have no idea if it would have coped with Zoom.
This week it’s another typically ‘Angela’ entangled style of drawing. I used a Sakura Pigma Sensei 04 pen and A4 Bristol paper to draw this. After scanning, I added the background and some shadow and highlight.