Dangle Design Greeting Cards

Dangle Design Greeting Cards © Angela Porter | Artwyrd.com
Dangle Design Greeting Cards © Angela Porter | Artwyrd.com

Today I have two card designs for you, both featuring dangle designs, but in different ways.

If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day” of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them. 

Love Ya and With Love Card.

I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.

Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.

My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.

So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.

I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.

I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.

I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.

To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.

I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!

Black and white floral card.

Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.

To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.

Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.

I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.

It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.

Things I’ve learned and techniques I want to try.

The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering. 

I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system. 

Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.

I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.

I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!

So, there are lots of possibilities for going forward with this.

So, Angela, how are you feeling today?

I’m feeling the more content and optimistic than I have for the past two or three weeks.

I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.

I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time. 

Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing. 

As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.

Thinking of you – dangle design card and envelope

Thinking of you © Angela Porter | Artwyrd.com

Dangle designs

Today, I have a dangle design card along with a coordinating envelope for you. I’ve kept the construction of the card simple with just one layer on the card blank. The dangle design and hand lettering are also quite simple as well as whimsical in character.

If you’d like to find out more about drawing dangle designs, then
A Dangle A Day is my book about dangle designs with plenty of inspiration and suggestions.

Materials and dimensions of the card and envelope

The yellow card blank is 5½” x 4″ in size with a top fold. So, I started with a piece of card measuring 11″ x 4″.

I also cut a piece of Winsor and Newton Bristol board to 5″ x 3½” for the top panel.

Next, I used some thick printer paper to make an envelope. I used the We R Memory Keepers Envelope Punch Board. The size of paper needed and the position of the first score line are printed on the board. This tool from WRMK makes it so easy to create custom envelopes.

To make an envelope to fit a 5½” x 4″ card I needed to cut a piece of paper measuring 7⅞” x 7⅞”. I used 120gsm white printer paper for the envelope.

Pencil guide-lines

Before I started, I used a ruler and pencil to draw in some faint guide-lines for the banner ribbon and the hand lettering on the top layer. I also pencilled in the hand lettering.

On the envelope, I added some guide-lines on the left and bottom to give me a border.

Hand-lettering and drawing the design

I started by hand-lettering the sentiment, then I drew the ribbon banner around it.

My next task was to draw the dangle comprising of beads and hearts.

Finally, for the top layer, I drew in the arrangement of plants and added some shells and butterflies.

I didn’t use a pencil to sketch the design before I drew it in ink simply because I’m confident in drawing these kinds of designs. However, it is a good idea to do so if you’re less than confident. I started with the central flower pot and let the design grow out from there.

I then took my attention to the envelope. I started by drawing in the ledge on the bottom. Next, I added the plants, flowers, shells and butterflies. I then drew a black border around the envelope, just inside the edge. This line gave me something to hang the dangle from; I added a dangle similar to the one on the card.

Adding colour

With all the drawing complete, it was time to add some colour.

I’d received my Chameleon fineliners yesterday, so I thought I’d try them out as there are lots of small areas in this design. I love my Chameleon markers, but using them to add colour to tiny spaces can be a little tricksy.

I did try the Chameleon fineliners out yesterday for drawing lines and hand lettering. I found that they give a very long gradient, even with the shortest of touches of the cap to the pen. I thought this might work well in colouring the flowers in. I achieved a pleasing change of colour of the petals on each bloom from just one blending process. This blending also worked well for the butterflies.

What I did notice is that the fineliners moved some of the black pigment from the Uniball Unipin pens that I used to draw the design with. That was a bit disappointing. It may be that in the future I will need to draw, scan and then laser print the design out. That’s a bit of a faff, but it’s doable.

I’ve never been a fan of fineliners for colouring; I find they leave lines and tend to pill the paper. This is just a personal gripe about all fineliners.

The Chameleon fineliners are pleasant and comfortable to write with – comparable to other fineliners. So, unless I want to add colour using lines and cross-hatching, writing is going to be my primary use for these pens.

To colour the pots, banner, leaves, cacti, shells and ledge, I used some of my Copic Ciao markers. I chose to use these as the brush nib lets me colour tiny areas. Also, I wanted to use pastel-ish colours to tone in with the colouring from the Chameleon fineliners.

I did add some very simple Copic shading to the design.

The Chameleon fineliners had spread the black dots I’d added to the flower centres. So, I broke out a gold Uniball Signo pen to colour in the centres of all the flowers. I also used it to add a sprinkling of little dots around the design.

Reflections

I enjoyed creating this card and envelope. It was a quick, simple project. I also do enjoy drawing whimsical designs.

I like the sunshiny yellow card blank; it makes me smile, especially as it is currenty a grey and rainy day here in the valleys of Welsh Wales.

I think the card may benefit from the use of a bit of Wink of Stella to add some shimmer and shine to the wings of the butterflies and maybe the hearts.

I could’ve ink blended a background to the design using Distress Inks. I also could’ve added a drop shadow around the design to give it some dimension. Today, I chose not to do these things to keep the card relatively simple.

I also only added one layer to the card. I could’ve cut a piece of contrasting colour to go beneath the top layer to give a bit more of a layer. Alternatively, I could’ve used amarker to colour the edge of the layer to give a border, or ink blended some distress ink around the edge. Again, I chose not to do so; I wanted to keep the card simple and easy to do.

I think the result is cute and whimsical. I now have to find someone to send it to! I think that I’ll use some Distress Micro Glaze to protect the artwork on the envelope before posting it though.

Hand writing matters!

In a blog post called “Handwriting matters!” by Marie Celine she discusses why she thinks handwriting still matters in this age of digital communication.

I agree that handwriting does matter. Handwriting is as unique and individual as the person creating it. It’s also a much more personal way to communicate with others. It takes longer to handwrite a letter, note or memo and then deliver it either to the person or the post office.

It’s always nice to receive chatty, friendly emails from friends, and of course this is a quick and instant communication. However, there’s something to be said about the slower nature of communication by traditional post and that personal touch that handwriting gives.

I make these cards but rarely send them to another person, let alone include a handwritten note or letter. The cards sit around my home and never get shared with another person.

I think that needs to change, don’t you?

Not sure how to go about it, but if anyone who reads this would like to receive one of my cards and maybe a letter then leave a comment or contact me via social media or email.

I actually do love to hand-write; I always have and I’ve always taken a lot of pride in my handwriting. I remember making a huge effort to change it when I realised it was looking like my mother’s writing.

My preferred way of learning was to write and re-write my notes, condensing them into just a few lines of ‘memory joggers’. If my notes in lessons or lectures were messy, I would make it my task to tidy them up as soon as I could, which was also a way for me to review, consolidate and learn.

I have the facilities to hand-write digitally. I could keep a journal by writing on the screen. However, such activities frustrate me as I can’t turn the writing area to the angle I like to write at!

Also, as much as I love working digitally in so many artistic pursuits, there’s nothing quite like the feel of pen on paper, and I do love pens! I have a bit of an obsession with stationery, even though much of my work is digital these days.

Handwriting and therapy

Nowadays most of my handwriting is in my journals. It’s not as neat as I’d like it to be. I make mistakes. I like to hand-write my journals as the process of putting pen to paper slows my mind down. It gives me a chance to reflect and review what’s been going on in my life and also with my emotions.

Of course, reflecting on my thoughts and emotions, catching them in action is important to me as I continue with my journey to recovery from CPTSD. It also helps me to record events, emotions and thoughts that need to be discussed in EMDR therapy.

Handwriting vs Hand Lettering

Handwriting is that almost unconscious way we write things down – thoughts, notes, memos, to-do lists etc, as well as our signatures.

Hand lettering is a much more deliberate activity. It is like drawing the shapes of letters, not writing the whole word in one go. It’s consciously deciding what the shape, size and embellishments of a letter should be.

I enjoy hand lettering and I do tend to use the shapes of letters that I use in my handwriting. But that’s where the similarities end for me.

Do you still hand-write? How do you make use of handwriting? Do you think it’s still an important skill?

Leave a comment, I’d be really interested to hear what you think?

June dangle design

June Dangle Design © Angela Porter 2019 - Artwyrd.com
June Dangle Design © Angela Porter 2019 – Artwyrd.com

It’s dangle day Friday!

Elsewhere on the interwebs it’s #furbabyfriday, but here, in the tiny corner of the web that is Artwyrd.com it’s dangle day.

It’s getting close to the end of May, so I thought today I’d create a dangle design for June. This would work really well as the monthly cover page for a BuJo or in a scrapbook, journal, planner, diary, greeting card, or anything else you can image it being used.

I did sketch this out in pencil on paper, but then I re-drew, hand lettered and coloured digitally using my usual trifecta of Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro.

On Wednesday I had a trip to Hereford for a meeting in the evening. On the way I stopped at my most favourite Romanesque church in Kilpeck to do some drawing. I included some patterns based on this visit in the charms and also the border under the plant pots.

As the Summer Solstice occurs in June, I wanted to include a lovely golden Sun, as well as plenty of golden tones. Also, the clear blues of summer skies and the aquas of sea and lake were a must as well. Cacti, succulents and flowering plants reside in the simple plant pots, with simple monograms on each pot. Of course I have beads and a heart as part of the design too.

I added a textured background upon which I layered a drop shadow for the dangle design.

So many ways that this design could be coloured. I’m quite happy with my design. I’m certainly happy with the line art, but I’m really not confident about my choices of colours. I do feel I’m struggling with colour at the moment.

A Dangle A Day” is my tutorial book that shows you how, step by step, to create dangle designs.

My CPTSD healing journey

Wednesday I was surprisingly content and managed to stop at Kilepeck Church, just outside Hereford. I usually visit the church once a year to soak up the awe and wonder and joy I feel looking at the Romanesque sculpture of this tiny three celled church.

I had my Dingbats quadrille A5 notebook with me, which is my current sketchbook. I spent a happy or or so inside the church taking my time to look at patterns and textures and to deconstruct then reconstruct them in thumbnail sketches.

It was really quiet and serene there; just what I needed.

Also, I’d packed up a light meal in a cool bag so I could have a late tea before going on to my meeting in the evening. I thought this was wise as the problems I have eating out when on my own could preclude me getting something to eat/drink. I found somewhere quiet with lovely views to park up and enjoy my light meal and some more quiet time.

My evening was long and I didn’t return home until nearly midnight. The stress being around people I don’t know also took its toll on me. So yesterday I was wiped out yet again.

I had to find my strength to get out to go and vote in the EU elections and to do some shopping, but this absolutely drained me.

When I’m this tired it is all too easy for me to be emotionally fragile and for this to impact on my mental health.

I caught myself having thoughts that were very unkind and hateful towards myself at times yesterday.

I’m still tired today, but feeling a bit more emotionally resilient. I’ve found the confidence to create art, something I didn’t have yesterday.

The ripples from EMDR and other stuff over the past couple of weeks still have energy, sometimes they’re more like storm waves. Storms pass. Waters calm eventually, with ripples that are easy to ride.

I think I’ve had a couple of storm waves approaching the size of tsunamis in the past couple of weeks and they’ve really drained me.

However, it’s all part of the healing journey. After all, I am a lot better now than I was a few weeks ago, a few months ago, a year ago, a few years ago …

Entangled landscape

Entangled Landscape © Angela Porter 2019 - Artwyrd.com
Entangled Landscape © Angela Porter 2019 – Artwyrd.com

I’ve really not been myself the past few days. With a couple of busy days this week, the emotional fallout from EMDR on Tuesday finally caught up with me as I slowed down Thursday afternoon. I’m so tired, and my mood isn’t the brightest to say the least.

It’s always a sign that even when I’m tired I can usually draw and create, but not much this week. I haven’t been able to find the inspiration to draw, nor have I found the interest or energy.

Today, around a meeting, I managed to draw this.

It’s a throwback to the more familiar art of earlier days. It has given me a chance to use some new motifs, as well as some favourite ones that crop up often.

The process of drawing was soothing, and I did my very best not to be too judgemental, though I did want to throw it out and restart several times as I wasn’t at all happy with what was coming out of the nib of my fountain pens or Uniball Unipins.

I switched to the Uniballs as the fountain pen ink was smudging lightly. I’ve fixed that, mostly, by digital wizardry. I also added the Distress Ink background digitally.

I know my inspiration and energy to draw will return, I’m just not feeling at all myself at the moment.

I do have a new self-care activity, which is sitting in/on the bed, crocheting shawls and listening to audiobooks – currently working my way through the Harry Potter series.

The rhythmic nature of crocheting is soothing. The familiarity of the Harry Potter story is also soothing. Being upstairs makes me feel safe, secure and it’s also comforting.

The memory being worked on in EMDR certainly has stirred some stuff up. I’ve had some very upsetting insights into how I’ve viewed myself. Releasing the trauma associated with this particular memory will be accompanied by a better view of myself. I may not fully believe it, but if I can believe a little of it then that is good enough for now.

I have to believe that with each memory and its associated traumatic experiences that are processed via EMDR I’ll believe the healthier, more positive statements about myself more and more.

These are some quotes I’ve found recently that are helpful to me in understanding me, helping me through this.

Trauma creates changes you don’t chose. Healing is about creating change that you do choose.

What happened to you was not your fault. The struggles you have today, like your cPTSD symptoms, are a normal response to abnormal events. So, please be kind to yourself.

The poison leaves bit by bit, not all at once. Be patient. You are healing.

Thinking of you – a dangle design card

© Angela Porter 2019

This little card and envelope took me around 3 hours to make. I had to remember how to do various things and find my supplies to do them with!

My first task was to make the sentiment banner. I had the idea for this one after someone asked me for recommendations of good books for learning hand lettering as they’re not at all happy with their handwriting.

Hand lettering and handwriting are not the same thing. Hand lettering is something you unconsciously do. Hand lettering is the conscious and deliberate drawing of letters, one by one. Practice, like everything else you want to learn and become good enough at, is important. I suggested that they try printing the sentiments out on their computer or using words cut out of books or magazines or stickers or stamps and ink pads used by card makers until they’re comfortable with their own lettering style.

That led me to thinking that rather than writing the sentiment directly onto the paper that I’m going to draw the dangle design on, what about if I hand lettered it on paper again and again until I’m happy with it and then cut that version out. I could then layer it onto coloured card to make a border, or onto the paper or or or…

So, that’s what I wanted to use here. A variation on what I’ve done in previous cards. I cut two trips of mixed media paper, one around 1cm wide, the other around 0.7cm wide.

On the narrow strip I wrote my sentiment. I did this confidently as I knew if I got it wrong I could always write it again – I’d not ruin my dangle design in any way. I then trimmed the strip close to the start and end of the sentiment.

Next, I coloured the wider strip of paper with victorian velvet Distress Ink. I trimmed one piece so it was just a little longer than the sentiment. Then, I cut two rectangles from the coloured strip. I cut triangular notches into one end of each of the rectangles. I used the sponge applicator to make sure the edges of the coloured pieces, including inside the notches, and the sentiment strip coloured. By doing this, there’s a darker edge to the pieces and this defines them against the background. The final step in making the banner was to glue the pieces together as shown in the photo.

I cut two pieces of mixed media paper for the front of the card. The smaller one I made a little narrower than the sentiment banner; I wanted the ribbon to hang over the edge a little. I used a pencil to mark where I wanted the banner to sit on the card. I then used a pencil to mark out the centre of the card so I could position my dangle centrally.

Above where the ribbon would sit I wanted to place an arrangement of pot plants – succulents and a cacti. Below I wanted a fairly simple dangle, but one that had elements that appeared in the arrangement of pot plants. I drew these with a 05 Uniball Unipin Pen.

I then wanted to colour the two pieces of mixed media paper before I coloured the designs in.

For the larger one I used Peacock Feathers, Bundled Sage, Weathered Wood and Tumbled Glass Distress Inks to colour the whole of the paper panel. I edged this panel with Faded Denim Distress Ink. Then, I lightly sprayed the panel with water so that I’d get some faded watermarks as a texture in the colour.

For the upper panel, I used a very light hand to add the same Distress Inks to the paper, but in a much paler shade. I also edged this panel with the Faded Denim Distress Ink. I realised it hadn’t erased the pencil guidelines before I added the Distress Ink so when I went to erase them they wouldn’t fully erase. I’d forgotten that I had to do that! Still, it adds a bit to the distressed feel of the cards, that and the damage marks that were on the larger panel too.

To colour the dangle design I used Mitsubishi Uni coloured pencils. I used a fairly limited palette across the design.

The last two steps before assembling the card were add dots of gold ink and some shiny adhesive crystal gems.

To assemble the card I used glue to adhere the lower panel directly to the card. I then used foam squares to adhere the dangle design panel to the lower panel and the sentiment ribbon to the dangle design panel. This card has quite a bit of dimension to it.

My final job was to decorate the envelope. I decided to draw some pot plants and some of the daisies along the bottom. I added some butterflies to the left as the area above the pot plant seemed empty, unbalance. I haven’t coloured the envelope in as I’m in two minds whether to or not. Also, it would be nice to edge the envelope with the Faded Jeans Distress ink too, maybe even colouring the envelope with the same Distress Inks as the card. There’s also the back flap of the envelope that would benefit from a little potted succulent drawing I think.

Distress Inks are water-reactive, so if I do this, once the envelope is addressed a light application of Micro Glaze would seal the colour in so it wouldn’t be damaged in the mail.

I’m actually quite pleased with this card. It’s got me thinking about how to do more of this kind of stuff – card making the ‘Angela’ way!

If you give making cards like this a go, I’d love to see what you create! Happy art-ing, lettering and crafting!

Lots of ideas for dangle designs are shown in my book
‘A Dangle A Day’.

‘A Dangle A Day’ Dangle Design Mandala

‘A Dangle A Day’ Dangle Design Mandala © Angela Porter 2019

Dangles can be turned into mandalas! And ‘dangle-dalas’ satisfy my love of symmetry in an unusual way.

In this one, I have two rings to which dangles are attached. In the centre ring, they point towards the centre of the mandala. On the outer ring, they point out into space.

Then, there’s two central rings. One, I coloured in a pastel rainbow and added ‘A Dangle A Day’ in my weird take on hand-lettered uncials. The lettering isn’t perfect, but then neither am I, and neither were celtic/anglo-saxon/medieval manuscripts.

Ok, the manuscripts are more perfect than my hand lettering, but it’ll do. It’s perfectly imperfect. That is an idea I’m becoming to embrace more and more easily as time goes on, and an idea that I encourage you to adopt in my book ‘A Dangle A Day’.

I used rather graphic black and white geometric designs to separate the three main rings of the design. This contrasts nicely with the brightly colourful design elements.

I felt the need to draw cacti, flowers and some weird seeds today, so that’s what I did. Of course it goes without saying that I’d have to include stars and hearts in my design! There’s some beads in there too, particularly those teardrop shaped ones that remind me so much of medieval jewellery.

Mind you, medieval in character this design is not. It is rather cute and whimsical, which is one of my signature styles – the other is intricacy.

For this design, I hand drew and coloured it digitally using a Microsoft Surface Pen on the screen of my Microsoft Surface Studio. As always, my chosen art software was Autodesk Sketchbook Pro.

Yes, I really do draw on my Surface Studio with the Surface Pen as if I’m drawing with, say, a fountain pen on paper. Colouring I often do as if I’m colouring with traditional media, though sometimes I do use gradient fills. It just depends on the feel I want in the final artwork.

Being able to work in layers means I can do things that would be very difficult or time-consuming working traditionally. It also means that I can play with colour combinations – I love colour, but I don’t always make good choices of colour palettes, see yesterday’s Q monograms for evidence of that!

Of course, there’s so much more to digital art than this, and I’ve not discovered everything yet. But over time my experience is that I discover, workout or learn how to do what I need to do at that time when I’m ready to do that.

C is for … dangle design

Angela Porter C is for 10 Nov 2018

I don’t know what’s occurring with WordPress, but the colours of this particular dangle design aren’t quite so grey and dull. I’ve noticed over the past couple of weeks that when I upload an image the colours change. Never used to do that…

Anyways, today’s dangle design was fun to draw and I chose to use a different color palette than is usually for me. It’s not more pastel, it’s more subdued perhaps. I actually quite like it, which has surprised me!

I do tend towards bright colour palettes, bright and vibrant. For me to choose a more subdued one is very unusual, but it’s something I think I may work with more now as I rather like this one.

Also, I’ve chosen just  7 colors that I’ve used tones/shades of – cool grey, cool violet, antique pink, a blue-green, a yellow-green, soft blue-grey and old gold tones.

Again, using just a few base colors rather than a whole host of different colours is not my usual way of working. What I’m beginning to realise about this is that it gives a much more cohesive look to the finished design. With the colours being more subtle, it also gives a much more grown-up even, dare I say it, more sophisticated look to what is a rather simple and whimsical kind of design. It particularly works well with the monogram ‘C’.

In fact, the cute kitty is really the only whimsical element of this design. The others are simple, yes, but not quite so cute and whimsical. However, I wouldn’t remove the kitty-cat as cats are the theme of this series of monogram dangle designs.

I’ve said it before that I really struggle with seeing my art as others see it. I often think my art, like this, is rather childish, simple, unsophisticated, naive with no real artistic value at all.

This is part of how I think of myself and it’s part of my CPTSD. I’m working on it. For me to recognise that I’ve done nice things, things I feel proud of is a step or two forwards. However, there’s that nasty inner critic that does its best to derail any positive thoughts I may have about myself or the things I do.

Anyways, onto the nitty gritty of how I created this dangle design.

The steps I took were:

  1. sketched out the design on dot grid paper
  2. scanned the sketch into Autodesk Sketchbook Pro
  3. used a technical pen ‘brush’ to ink in the design
  4. worked out the color palette I wanted to use
  5. coloured the design, in this case using gradient fills for speed
  6. added shadows to the design
  7. created a drop shadow
  8. created a coloured background
  9. added texture to both the design and background

I sketched the design out last night, and it took me between 2 and 3 hours to complete the steps above as this is a relatively small design.

If you’d like to learn how to create your own dangle designs, then my upcoming book ‘A Dangle A Day’ is a good place to start. You can pre-order it so it’s arrives on it’s release date in January 2019.