Thinking of you – a dangle design card

© Angela Porter 2019

This little card and envelope took me around 3 hours to make. I had to remember how to do various things and find my supplies to do them with!

My first task was to make the sentiment banner. I had the idea for this one after someone asked me for recommendations of good books for learning hand lettering as they’re not at all happy with their handwriting.

Hand lettering and handwriting are not the same thing. Hand lettering is something you unconsciously do. Hand lettering is the conscious and deliberate drawing of letters, one by one. Practice, like everything else you want to learn and become good enough at, is important. I suggested that they try printing the sentiments out on their computer or using words cut out of books or magazines or stickers or stamps and ink pads used by card makers until they’re comfortable with their own lettering style.

That led me to thinking that rather than writing the sentiment directly onto the paper that I’m going to draw the dangle design on, what about if I hand lettered it on paper again and again until I’m happy with it and then cut that version out. I could then layer it onto coloured card to make a border, or onto the paper or or or…

So, that’s what I wanted to use here. A variation on what I’ve done in previous cards. I cut two trips of mixed media paper, one around 1cm wide, the other around 0.7cm wide.

On the narrow strip I wrote my sentiment. I did this confidently as I knew if I got it wrong I could always write it again – I’d not ruin my dangle design in any way. I then trimmed the strip close to the start and end of the sentiment.

Next, I coloured the wider strip of paper with victorian velvet Distress Ink. I trimmed one piece so it was just a little longer than the sentiment. Then, I cut two rectangles from the coloured strip. I cut triangular notches into one end of each of the rectangles. I used the sponge applicator to make sure the edges of the coloured pieces, including inside the notches, and the sentiment strip coloured. By doing this, there’s a darker edge to the pieces and this defines them against the background. The final step in making the banner was to glue the pieces together as shown in the photo.

I cut two pieces of mixed media paper for the front of the card. The smaller one I made a little narrower than the sentiment banner; I wanted the ribbon to hang over the edge a little. I used a pencil to mark where I wanted the banner to sit on the card. I then used a pencil to mark out the centre of the card so I could position my dangle centrally.

Above where the ribbon would sit I wanted to place an arrangement of pot plants – succulents and a cacti. Below I wanted a fairly simple dangle, but one that had elements that appeared in the arrangement of pot plants. I drew these with a 05 Uniball Unipin Pen.

I then wanted to colour the two pieces of mixed media paper before I coloured the designs in.

For the larger one I used Peacock Feathers, Bundled Sage, Weathered Wood and Tumbled Glass Distress Inks to colour the whole of the paper panel. I edged this panel with Faded Denim Distress Ink. Then, I lightly sprayed the panel with water so that I’d get some faded watermarks as a texture in the colour.

For the upper panel, I used a very light hand to add the same Distress Inks to the paper, but in a much paler shade. I also edged this panel with the Faded Denim Distress Ink. I realised it hadn’t erased the pencil guidelines before I added the Distress Ink so when I went to erase them they wouldn’t fully erase. I’d forgotten that I had to do that! Still, it adds a bit to the distressed feel of the cards, that and the damage marks that were on the larger panel too.

To colour the dangle design I used Mitsubishi Uni coloured pencils. I used a fairly limited palette across the design.

The last two steps before assembling the card were add dots of gold ink and some shiny adhesive crystal gems.

To assemble the card I used glue to adhere the lower panel directly to the card. I then used foam squares to adhere the dangle design panel to the lower panel and the sentiment ribbon to the dangle design panel. This card has quite a bit of dimension to it.

My final job was to decorate the envelope. I decided to draw some pot plants and some of the daisies along the bottom. I added some butterflies to the left as the area above the pot plant seemed empty, unbalance. I haven’t coloured the envelope in as I’m in two minds whether to or not. Also, it would be nice to edge the envelope with the Faded Jeans Distress ink too, maybe even colouring the envelope with the same Distress Inks as the card. There’s also the back flap of the envelope that would benefit from a little potted succulent drawing I think.

Distress Inks are water-reactive, so if I do this, once the envelope is addressed a light application of Micro Glaze would seal the colour in so it wouldn’t be damaged in the mail.

I’m actually quite pleased with this card. It’s got me thinking about how to do more of this kind of stuff – card making the ‘Angela’ way!

If you give making cards like this a go, I’d love to see what you create! Happy art-ing, lettering and crafting!

Lots of ideas for dangle designs are shown in my book
‘A Dangle A Day’.

‘A Dangle A Day’ Dangle Design Mandala

‘A Dangle A Day’ Dangle Design Mandala © Angela Porter 2019

Dangles can be turned into mandalas! And ‘dangle-dalas’ satisfy my love of symmetry in an unusual way.

In this one, I have two rings to which dangles are attached. In the centre ring, they point towards the centre of the mandala. On the outer ring, they point out into space.

Then, there’s two central rings. One, I coloured in a pastel rainbow and added ‘A Dangle A Day’ in my weird take on hand-lettered uncials. The lettering isn’t perfect, but then neither am I, and neither were celtic/anglo-saxon/medieval manuscripts.

Ok, the manuscripts are more perfect than my hand lettering, but it’ll do. It’s perfectly imperfect. That is an idea I’m becoming to embrace more and more easily as time goes on, and an idea that I encourage you to adopt in my book ‘A Dangle A Day’.

I used rather graphic black and white geometric designs to separate the three main rings of the design. This contrasts nicely with the brightly colourful design elements.

I felt the need to draw cacti, flowers and some weird seeds today, so that’s what I did. Of course it goes without saying that I’d have to include stars and hearts in my design! There’s some beads in there too, particularly those teardrop shaped ones that remind me so much of medieval jewellery.

Mind you, medieval in character this design is not. It is rather cute and whimsical, which is one of my signature styles – the other is intricacy.

For this design, I hand drew and coloured it digitally using a Microsoft Surface Pen on the screen of my Microsoft Surface Studio. As always, my chosen art software was Autodesk Sketchbook Pro.

Yes, I really do draw on my Surface Studio with the Surface Pen as if I’m drawing with, say, a fountain pen on paper. Colouring I often do as if I’m colouring with traditional media, though sometimes I do use gradient fills. It just depends on the feel I want in the final artwork.

Being able to work in layers means I can do things that would be very difficult or time-consuming working traditionally. It also means that I can play with colour combinations – I love colour, but I don’t always make good choices of colour palettes, see yesterday’s Q monograms for evidence of that!

Of course, there’s so much more to digital art than this, and I’ve not discovered everything yet. But over time my experience is that I discover, workout or learn how to do what I need to do at that time when I’m ready to do that.

C is for … dangle design

Angela Porter C is for 10 Nov 2018

I don’t know what’s occurring with WordPress, but the colours of this particular dangle design aren’t quite so grey and dull. I’ve noticed over the past couple of weeks that when I upload an image the colours change. Never used to do that…

Anyways, today’s dangle design was fun to draw and I chose to use a different color palette than is usually for me. It’s not more pastel, it’s more subdued perhaps. I actually quite like it, which has surprised me!

I do tend towards bright colour palettes, bright and vibrant. For me to choose a more subdued one is very unusual, but it’s something I think I may work with more now as I rather like this one.

Also, I’ve chosen just  7 colors that I’ve used tones/shades of – cool grey, cool violet, antique pink, a blue-green, a yellow-green, soft blue-grey and old gold tones.

Again, using just a few base colors rather than a whole host of different colours is not my usual way of working. What I’m beginning to realise about this is that it gives a much more cohesive look to the finished design. With the colours being more subtle, it also gives a much more grown-up even, dare I say it, more sophisticated look to what is a rather simple and whimsical kind of design. It particularly works well with the monogram ‘C’.

In fact, the cute kitty is really the only whimsical element of this design. The others are simple, yes, but not quite so cute and whimsical. However, I wouldn’t remove the kitty-cat as cats are the theme of this series of monogram dangle designs.

I’ve said it before that I really struggle with seeing my art as others see it. I often think my art, like this, is rather childish, simple, unsophisticated, naive with no real artistic value at all.

This is part of how I think of myself and it’s part of my CPTSD. I’m working on it. For me to recognise that I’ve done nice things, things I feel proud of is a step or two forwards. However, there’s that nasty inner critic that does its best to derail any positive thoughts I may have about myself or the things I do.

Anyways, onto the nitty gritty of how I created this dangle design.

The steps I took were:

  1. sketched out the design on dot grid paper
  2. scanned the sketch into Autodesk Sketchbook Pro
  3. used a technical pen ‘brush’ to ink in the design
  4. worked out the color palette I wanted to use
  5. coloured the design, in this case using gradient fills for speed
  6. added shadows to the design
  7. created a drop shadow
  8. created a coloured background
  9. added texture to both the design and background

I sketched the design out last night, and it took me between 2 and 3 hours to complete the steps above as this is a relatively small design.

If you’d like to learn how to create your own dangle designs, then my upcoming book ‘A Dangle A Day’ is a good place to start. You can pre-order it so it’s arrives on it’s release date in January 2019.

Inktober 2018 Day 28 ‘Gift’

Angela Porter Inktober 2018 Day 28 Gift small

Day 28 of the Inktober challenge and I’ve done another kitty dangle design, with a rather surprised looking kitty in a gift box with a party hat on.

How cute would this be as a greetings card for the human of a kitty?

I sketched the design in pencil on dot grid paper then scanned it into my Surface Studio. I then drew the design using a pen brush and the symmetry tool in Autodesk Sketchbook Pro. After drawing, I added colour and texture as well as a bit of a drop shadow.

This image makes me smile just a bit. It was a nice thing to do this morning. I’m tired today.

Yesterday, I was absolutely shattered after the Hallowe’en Coffee Morning and being in charge of the craft corner. The little monsters (read little darlings dressed up in their Hallowe’en finery) kept me nicely busy and they seemed to have a lot of fun making pumpkins on glow sticks and paper pumpkins and other things. I had a lot of fun too.

At the end of the morning, it was lovely to have some help to clear up; thankfully my plans on using glue dots and double sided sticky tape and paper fasteners and staples rather than glue sticks helped greatly with this. As did the washable marker pens and the like.

I came home and had some lunch and then slept. On waking I had time to have more tea, shower and get ready to pop out in the evening.

As lovely as my couple of hours out were, I was glad to get home. It was really chilly last night here in South Wales. The cold got into me even in my short journeys; I chilled right off in the morning too. So, today my hands and feet are a tad achy and stiff with arthritis.

Using the Microsoft Surface Pen on the Surface Studio certainly helps my finger joints – so little pressure is needed. The pen is a tad weighty, but it’s rather well balanced so I can cope. On days like today I could do with a slightly thicker barrel, so I need to find some grippy things that I could slide on my pen for days like this.

I do want to work on my sketch of the viking kitty that I did for yesterdays’ Inktober prompt. I need a quiet day of self-care today. Not only was yesterday a busy one for me in terms of interacting with people it was also the end of British Summer Time and the clocks went back by an hour some time during the night. This means we got an extra hour of sleep, in theory. In practice I slept the same amount of time! The change in the clocks will cause confusion for a while I think.

I am an introvert, though people seem to assume I’m an extrovert. I learned at a young age that I had to be loud and seemingly outward going like my very loud brothers to have even a chance of being noticed or listened to (that didn’t happen often). I have a fairly extrovert mask I wear when out and about and with people, until I get to know them and then the introvert can relax and come out. I like people, but I also recognise that I need alone time to recharge my batteries. Being with people both lifts me and drains me. So, today is a day for some quiet time, before I have to head out this evening for a couple of hours to be with people again.

 

Inktober 2018 Day 24 ‘Chop’ and Day 25 ‘Prickly’

Angela Porter Inktober 2018 Day 24 Chop and Day 25 Prickly watermarked

Catching up time today for Inktober 2018!

Yesterday I was shattered both from the trip to Worcester the day before and by giving and anti-stigma talk for Time To Change Wales. The talk left me very emotionally exhausted and I was good for nothing the rest of the day.

This morning when I thought of the prompt for yesterday – Chop – I just had this vision of a cute Viking kitten with a big axe (the chop!). It seemed quite natural I should turn that little image into a bit of a dangle design. I tried to draw a round shield beneath the Viking kittie, not sure that’s worked out at all. I like the way the ears poking out of the helmet have ended up looking like horns with some protection around the ears!

In keeping with the theme, I did a prickly looking-cat along with a bunch of cacti. Again another dangle design.

I drew these, with some rough pencil sketchlines, on Clairefaintaine Graf it dotgrid paper using Uniball Unipin pens.

I’ve not cleaned the images up or removed the dot grid. I’ve just left them black and white line art.

Of course, these are quite simple dangle designs in terms of the dangles used. If you’d like to learn more about dangle designs and get loads of ideas on how to draw your own and designs and dangles and charms you can use, you’ll find my book ‘A Dangle A Day’ most helpful. It’s available for preorder and is due out early in 2019.

I know that colour would bring them to life; maybe I’ll do that later on.

It’s not often I get ideas for funny cats to draw. Or funny critters and so on – ones that relate to a particular theme like these. They’re actually fun to draw, give me a smile. and perhaps it’s something I can work on developing as time goes on.

I think everyone knows I love cats and I still miss my companion of over 16 years – the white purrfurrball called Cuffs. I’m not ready to let another pusscat into my life for many reasons, but I do donate the money I would’ve spent on Cuffs’ food, kitty-litter, medication and regular vets bills to the Cats Protection League so that I help other kitties to be looked after until they find their forever homes. It’s the best I can do at this time.

Dear goodness, I’m crying about that now. I’m still emotionally tired out after yesterday and so today is likely to be a day of some self-care.

Bullet Journals

Earlier this week, I had Ryder Carroll’s book ‘The Bullet Journal Method’ –  delivered to my Kindle on it’s release day. I’ve spent some time reading it and have found it a really interesting read so far, not just about bullet journalling.

As I’d started a new bullet journal at the weekend, I thought I’d try out some things, particularly the daily log and the system of symbols used for notes, events and tasks. It all finally makes sense to me, well the daily logs do and seem to be something that will be useful.

I’ve also worked out that dividing pages for the daily logs up into pretty sections and so on isn’t going to work well for me if I use a bullet journal as it’s meant to be used by me. The sections limit the space available for daily notes etc – Some days I need to jot down a lot, other days not so much.

I’m certainly still going to pretty up the Monthly logs and the future log for sure, as well as any collections I create. But the daily logs are going to be far more basic, though I suspect colour will become involved at some point!

I finally get the idea of ‘threading’ after seeing examples in the book.

I certainly can recommend this book (it’s available in other formats) – not just for people wanting to learn about bullet journalling for the first time, but for more seasoned/experience bullet journallers.

I can also see my viking kittie being redrawn in my bullet journal as a cute page I can look at to make me smile. The same for any other cute kitties I have – and I do have a few drawn already! Mind you, they’d be quite nice printed out, coloured and used as markers/inserts in the BuJo too. But I’d like them as greetings cards and notes cards.

Ooooh… I need to make some notes about these ideas in my BuJo!

 

 

Inktober 2018 Day 15 Weak

Angela Porter Inktober 2018 Day 15 Weak

Another day in Inktober and another hand lettered and illustrated quote.

My hand lettering really does need work/practice!

I just had to include a rude little monster tucked away in the intricate pattern around the quote.

I drew this on dot grid paper using Faber Castell Broadline and Fineline pens. I then scanned it in, removed the dot grid and created a transparent background in GiMP. I then used Autodesk Sketchbook to add a colour background and my watermark.

The drawing took a couple of pleasurable hours to do; it is smaller than my previous ones,being a round 17cm x 17cm in size (the overspills make it awkward to measure!

The design reminds me of the work I used to do before I became so immersed in coloring book design. I know this creeps out from time to time, and when I get a chance to do it I really enjoy drawing this kind of detail.

One thing I’d do, perhaps, if I were to go back and do this again I would definitely pay more attention to the hand lettering and I’d add some shadows to the line art to add some more depth/dimension to the design.

 

 

Inktober 2018 Day 14 ‘Clock’ WIP and a letter to intellectual property thieves

Angela Porter Inktober 2018 Day 14 Clock WIPIt took me a couple or three hours to draw this design using Faber Castell pens on paper. Then I scanned it in to the ‘puter, gave it a transparent background so I could colour it digitally. After several hours work this is as far as I’ve got!

I may get back to it later on or in a day or three…we’ll see!

The yeuchy coloured background is only temporary; trying to protect my work, don’tcha know.

A rant about intellectual property theft…

Yesterday I discovered that someone has stolen work from a published coloring book of mine (Entangled Dragonflies) and republished it as their own! Not only that, they’d also done the same with other authors from the Creative Haven series of books from Dover Publications Inc. I’ve reported it along to my editors.

So, you can understand why I’d want to try my best to protect my work. There are some very unscrupulous people out there with very low to no moral standards. They obviously only think of themselves not of others, such selfish people that they are. They should be ashamed of themselves, however I doubt they ever feel shame for anything they steal.

I don’t want to let them get to me, so I’ll still show bits and bobs of my work at a low resolution with watermarks to try to protect it, as well as coloured backgrounds if nothing else.

I do know, however, that some will stop at nothing to steal if it’s something they want to steal.

I’ve said it before, and I’m sure I’m ‘talking’ to those who understand, that just because something is shared on the internet doesn’t mean it’s free for anyone to copy or use or re-sell in any form they wish. Just because I show you my work doesn’t mean I give up my rights to my work – I most definitely do not!

All my work is mine thanks to intellectual property rights and I will never relinquish those rights just because I show work here, on deviantART, on facebook, on Instagram, and on twitter.

I share my work because I get a lot of pleasure from creating it and I’d like to think people get some pleasure in seeing it.

Obviously, there’s a small number who only get pleasure from stealing other people’s work to profit from themselves. It’s no different to breaking into someone’s home and stealing their property – the thieves profit while the owners miss out.

If any such thieves do happen to read this, consider this. How would you feel if someone broke into your home and stole your treasured belongings for their own ends? Would you be upset? Would you see anything wrong in it?

I bet you would.

Whenever you are stealing from the internet for your own gain it is exactly the same as breaking into someone’s home and stealing from them.

I suspect you intellectual property thieves would only care about yourselves, however. I don’t think you thieves have any empathy for anyone else.

You’re not committing a victimless crime, you’re not stealing from big business, you’re stealing from the little people like myself and profiting from me, my talents, my skills, skills I’ve worked long and hard at to develop, and you just take advantage of that, of my good nature that I share things on the internet.

And worse, you steal from published books, that are covered by copyright law too, and republish them as if it’s your own work! This is illegal, it is breaking the law. You are stealing from myself and from other artists too.

You are horrible, horrible people – the intellectual property thieves that is, not you lovely people who support my work by buying my books and writing nice things and saying you like to see what I create.

I won’t let the small numbers of truly horrible people spoil it for other people that’s for sure. However, I want them to know a little of what I think of them – and I’m keeping it very, very polite. Trust me, I can swear worse than a pirate!

Back to Inktober…

So, to go back to Inktober Day 14 which has the prompt ‘clock’ And what I can say is that hopefully time is up for some of you unscrupulous, barefaced intellectual property thieves!

For the rest of the lovely world of people who support us artists/illustrators, how do you like to spend your time?