This image is in the vein of experiments in digital art. It reminds me very much of chalk/soft pastels, a traditional medium I did experiment with many, many years ago. However, I abandoned it as I didn’t like the feel of the soft pastels nor the messiness of them.
Using a kind of digital version of them means no mess!
I like this pot potpourri of motifs quite a lot. The softness of the lines and translucency of the colours appeals to me. I also like the way the colours glow against the black background. Surprisingly, the simplicity of the motifs appeals to me as well, giving a folk art kind of vibe to this work. Overall this design has an ethereal, ghostly, perhaps even magical feel to it.
My usual style of art is quite intricate and detailed, so this is definitely a departure from this. It’s certainly a style I want to experiment with more.
As it’s digital art, I used Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Microsoft Surface Studio.
I have, finally, finished this particular drawing. I managed to keep to my challenge of leaving some white space in the design. I did let the design spill over the pencil guidelines I’d drawn for the size of artwork. I then digitally trimmed it within those lines before applying the black and white borders. I do like to define the space within which my drawings and designs reside, that’s for sure. It’s like a window into my imagination, my mind, my intuitive creativity, how all the little things I have observed and imagine just blend and meld into a crazily layered, intricately pattern and yet flowing design that is always quite pretty.
You can’t have too much pretty patterns in this world I think.
I think it’s too detailed and fussy as a coloring template, though I may add some colour to it at some point in time. Before I think about doing that, though, I have an idea for another drawing with some hand lettering on it.
The drawing is a little less than A4 in size (US letter). It has been drawn with Tombow Fudenosuke and Uniball Unipin pens on Winsor and Newton Bristol Board.
My mental and emotional health
Monday I spent mostly in tears after the busy week and the emotional upsets of Sunday. In therapy we just talked about what happened and how I was feeling and thinking about myself and that I need to be a lot kinder to and caring of myself. It was also suggested I need to be a lot more accepting of where I am on my healing journey and not beat myself up for not being able to get out and about much by myself, even when I may want to.
I came home and slept until 2am, then went back to sleep a couple of hours later and slept through until mid morning yesterday, which was then followed by a very quiet day at home crocheting and drawing before yet another nap in the afternoon.
I slept for many hours last night too, and I’m still feeling exhausted. With exhaustion I am emotionally fragile and vulnerable too.
So, much of today will be spent quietly. I do have to head up to Hereford this evening, however. I’m debating whether to go a little early so I can spend a little time at Kilpeck church – my favourite church in the whole wide world. A tiny two celled Romanesque church, almost untouched by time. I’ll see how I feel as the day progresses and whether I manage to find a little oompf. After all, the church has been there for nearly one thousand years, I don’t think it’s going to go anywhere soon!
It’s been a funny kind of day today. I’ve been quietly busy with art, as well as tidying up my home and dyson-ing and so on. My sister and niece are visiting soon for a ‘chip night’, which essentially involves them picking up some chips from a local fish and chip shop, coming to mine to eat and chat and catch up on life for a couple of hours.
In between I’ve managed to draw this little design, and it is little being approx 15cm x15cm (approx 6″ x 6″). Drawn using Unipin and Tombow Fudenosuke pens on bristol board. I then added the shading digitally. I may go on to add some colour at a later time.
I spent some time drawing this design yesterday (around 4 hours) and didn’t finish it. This morning I woke up wondering if I could tuck a letter away in the design, making it part of the design rather than putting the design around the letter, kind of.
So, I looked at the small-ish space I had left to the right of the design and managed to, rather clumsily, tuck a capital A in amongst the design.
The A is a bit more obvious than I’d wanted, but I worked with what I’d already done to see how it could work, or how I’d mess it up and learn from it.
Yes, I know, another A. There are letters of the alphabet I’ve never either done as a monogram or used in a design of some kind.
I quite like the idea of adding letters as part of the design, either as one occurrence of the letter or by creating a motif of some kind that contains the letter which can then be repeated as part of the overall design.
My mind is ticking over on this one…I definitely need at least one more, if not several more, cuppas before I get my head around my own idea!
I’m positive that this idea is not likely to be unique in the realms of creativity, but it is a new idea for me. Now all I have to do is to follow through with it and see where it leads.
The original drawing is approx 6″ x 6″ (15.5cm x 15.5cm) in size. I used Tombow Fudenosuke, Sakura Pigma Sensei 04, Unball Unipin 0.1 and Pentel Sign pens to draw the design on Daler Rowney Simply… Sketch extra white paper. The paper isn’t as smooth as I usually like and it tends to ‘grab’ pencil lines, even in soft 2B, but it did the job.
Digitally all I did was to clean up the image and create a transparent background and then add a coloured, textured watercolour paper as a background to the drawing before adding my watermarks.
I do want to do some shading on this drawing, but I also have hankering to draw a mandala. Which will win out with me?
This morning, I thought I’d start my day by colouring in yesterday’s shaded, abstract floral design. And this is the result.
I didn’t remove the shading, but added simple gradient colours above it so that the shading would add to the depth and dimension.
Although this image, thanks to whatever WordPress does to the colour of images when uploaded, doesn’t show this, it actually works really well.
Yes, I know. It’s taken me a couple or three years to get around to working out I can underlay shadows and used colour over the top to add depth and dimension. However, I’ve said it before, I learn tricks at my own pace and when they are relevant to me or when I’m ready to try them out.
I may try this design again, but with more vintage-y colours. Maybe. It’s all learning for me that’s for sure!
The design was drawn with Tombow Fudenosuke and Sakura Pigma Sensei pens. Shading and colour was added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Studio.