This image is in the vein of experiments in digital art. It reminds me very much of chalk/soft pastels, a traditional medium I did experiment with many, many years ago. However, I abandoned it as I didn’t like the feel of the soft pastels nor the messiness of them.
Using a kind of digital version of them means no mess!
I like this pot potpourri of motifs quite a lot. The softness of the lines and translucency of the colours appeals to me. I also like the way the colours glow against the black background. Surprisingly, the simplicity of the motifs appeals to me as well, giving a folk art kind of vibe to this work. Overall this design has an ethereal, ghostly, perhaps even magical feel to it.
My usual style of art is quite intricate and detailed, so this is definitely a departure from this. It’s certainly a style I want to experiment with more.
As it’s digital art, I used Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Microsoft Surface Studio.
I have, finally, finished this particular drawing. I managed to keep to my challenge of leaving some white space in the design. I did let the design spill over the pencil guidelines I’d drawn for the size of artwork. I then digitally trimmed it within those lines before applying the black and white borders. I do like to define the space within which my drawings and designs reside, that’s for sure. It’s like a window into my imagination, my mind, my intuitive creativity, how all the little things I have observed and imagine just blend and meld into a crazily layered, intricately pattern and yet flowing design that is always quite pretty.
You can’t have too much pretty patterns in this world I think.
I think it’s too detailed and fussy as a coloring template, though I may add some colour to it at some point in time. Before I think about doing that, though, I have an idea for another drawing with some hand lettering on it.
The drawing is a little less than A4 in size (US letter). It has been drawn with Tombow Fudenosuke and Uniball Unipin pens on Winsor and Newton Bristol Board.
My mental and emotional health
Monday I spent mostly in tears after the busy week and the emotional upsets of Sunday. In therapy we just talked about what happened and how I was feeling and thinking about myself and that I need to be a lot kinder to and caring of myself. It was also suggested I need to be a lot more accepting of where I am on my healing journey and not beat myself up for not being able to get out and about much by myself, even when I may want to.
I came home and slept until 2am, then went back to sleep a couple of hours later and slept through until mid morning yesterday, which was then followed by a very quiet day at home crocheting and drawing before yet another nap in the afternoon.
I slept for many hours last night too, and I’m still feeling exhausted. With exhaustion I am emotionally fragile and vulnerable too.
So, much of today will be spent quietly. I do have to head up to Hereford this evening, however. I’m debating whether to go a little early so I can spend a little time at Kilpeck church – my favourite church in the whole wide world. A tiny two celled Romanesque church, almost untouched by time. I’ll see how I feel as the day progresses and whether I manage to find a little oompf. After all, the church has been there for nearly one thousand years, I don’t think it’s going to go anywhere soon!
It’s been a funny kind of day today. I’ve been quietly busy with art, as well as tidying up my home and dyson-ing and so on. My sister and niece are visiting soon for a ‘chip night’, which essentially involves them picking up some chips from a local fish and chip shop, coming to mine to eat and chat and catch up on life for a couple of hours.
In between I’ve managed to draw this little design, and it is little being approx 15cm x15cm (approx 6″ x 6″). Drawn using Unipin and Tombow Fudenosuke pens on bristol board. I then added the shading digitally. I may go on to add some colour at a later time.
I spent some time drawing this design yesterday (around 4 hours) and didn’t finish it. This morning I woke up wondering if I could tuck a letter away in the design, making it part of the design rather than putting the design around the letter, kind of.
So, I looked at the small-ish space I had left to the right of the design and managed to, rather clumsily, tuck a capital A in amongst the design.
The A is a bit more obvious than I’d wanted, but I worked with what I’d already done to see how it could work, or how I’d mess it up and learn from it.
Yes, I know, another A. There are letters of the alphabet I’ve never either done as a monogram or used in a design of some kind.
I quite like the idea of adding letters as part of the design, either as one occurrence of the letter or by creating a motif of some kind that contains the letter which can then be repeated as part of the overall design.
My mind is ticking over on this one…I definitely need at least one more, if not several more, cuppas before I get my head around my own idea!
I’m positive that this idea is not likely to be unique in the realms of creativity, but it is a new idea for me. Now all I have to do is to follow through with it and see where it leads.
The original drawing is approx 6″ x 6″ (15.5cm x 15.5cm) in size. I used Tombow Fudenosuke, Sakura Pigma Sensei 04, Unball Unipin 0.1 and Pentel Sign pens to draw the design on Daler Rowney Simply… Sketch extra white paper. The paper isn’t as smooth as I usually like and it tends to ‘grab’ pencil lines, even in soft 2B, but it did the job.
Digitally all I did was to clean up the image and create a transparent background and then add a coloured, textured watercolour paper as a background to the drawing before adding my watermarks.
I do want to do some shading on this drawing, but I also have hankering to draw a mandala. Which will win out with me?
This morning, I thought I’d start my day by colouring in yesterday’s shaded, abstract floral design. And this is the result.
I didn’t remove the shading, but added simple gradient colours above it so that the shading would add to the depth and dimension.
Although this image, thanks to whatever WordPress does to the colour of images when uploaded, doesn’t show this, it actually works really well.
Yes, I know. It’s taken me a couple or three years to get around to working out I can underlay shadows and used colour over the top to add depth and dimension. However, I’ve said it before, I learn tricks at my own pace and when they are relevant to me or when I’m ready to try them out.
I may try this design again, but with more vintage-y colours. Maybe. It’s all learning for me that’s for sure!
The design was drawn with Tombow Fudenosuke and Sakura Pigma Sensei pens. Shading and colour was added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Studio.
I started drawing this one fairly late last night and completed it just now. The tools I used were a soft Fudenosuke pen by Tombow, a 0.4 Sakura Pigma Sensei pen on white mixed media paper from Claire Fontaine.
I then scanned the drawing into the Surface Studio and used Autodesk Pro and a Surface Pen to clean up the image and then add a few details and some shading to it.
The original drawing is approx. 5″ x 6″ in size.
I’m quite pleased with this one as it’s not my usual ‘lets see how much space we can fill with line and pattern’ kind of drawing. The design has a kind of leaf shape to it in outline, and I’ve let white space exist in the design, which is really unusual for me.
Working in monotone is also unusual for me, but the grey shading certainly adds depth and dimension to the design, brings it to life.
I also have some brushes in Autodesk Sketchbook Pro that I can use to mimic graphite pencil shading, which I did here.
I started with the flower motif in the middle and let the design flow out from that point. Of course my design motifs had to include foliage, seedpods and some abstract/geometrical patterns too. Oh and some fungi/mushrooms too. And orbs/spheres.
I really like my circular arches of a pattern inspired by Early Celtic/La Tene art. The shading really helped to define this pattern.
I’m going to make this one available for purchase from my RedBubble shop.
Still emotionally exhausted…
I slept so much yesterday and last night. I’m still emotionally exhausted after my trip out on Thursday. I’m still finding it hard to believe how much something so simple exhausted me so much in terms of emotion particularly. I didn’t think I was any more anxious than usual, or stressed than usual. Seems I was oblivious to my own body.
I do feel a bit better today, but I could just curl up and sleep again now and I’ve only been awake for 4 hours.
I won’t go to sleep this afternoon though. I’m going to keep myself awake somehow. Maybe with art. Maybe with some books I bought on Thursday. Maybe with crochet. Maybe with all of them, but not at the same time!
Even though I’m exhausted I do feel quite content within myself. However, even though it’s a lovely sunny day, if rather windy, here in Welsh Wales, I don’t think I’ll venture out into the realms of peopledom. It’s another Bank Holiday weekend here in the UK so the world tends to be more people-y than usual. I think that could overwhelm me again and I’m better off just remaining where I feel safe and calm.
The more aware I am of my emotions and my self, the more aware I am of how much CPTSD has affected me, of how it limits my life, and of how much work I still have to do. Mind you, that self awareness is showing me as well the progress I have made and how I make decisions based around self care too. Like today, knowing the world is too people-y and somethings can be left until the world is a little less people-y.
This morning, I’ve spent a pleasant four hours or so drawing this A5 design for the month of May.
It combines some hand lettering along with my signature style of entangled art. I’ve included plenty of floral motifs as here in the Northern Hemisphere the world is filled with flowers, especially on the trees.
Of course I’ve included more abstract motifs that are inspired by seedpods and patterns found in nature and architecture and so on.
I drew the design on white Bristol Board by Winsor and Newton. My pens of choice today were Tombow Fudenosuke, Sakura Pigma Sensei 04 and 0.1 Unball Unipin. Also, I’ve used some digital wizardry to add coloured paper as the background, along with my watermarks.
This would be lovely in a BuJo I think. I think it would be lovely in a planner, a journal or diary.
It’s perfect for colouring, as long as you’d be happy to colour across sections that have fine lines in them.
I think if I was more confident with metallic inks and either dip nib pens or fine brushes I’d’ve liked to do the lettering in metallic gold or copper. Of course, I could’ve done the lettering, scanned, laser printed it and then added the patterns around the lettering. I didn’t think of that until now though! Duh!
I’m fairly happy with adding ‘auras’ around the lettering to separate it from the entangled design around/below it.
I’m not sure I’m happy with the design spilling out over the edge as it has done; it doesn’t feel balanced to me, but other than that I’m quite happy with the design. Of course I could edit the image to even up the edges, but it is what it is for now.
EMDR was quite gentle yesterday but lots of body work occurring. During EMDR stored trauma is released through pains and other sensations in the body. Yesterday I had eyes that hurt, part of my head, my throat, my thumbs and wrists. I had a lot of pain where I broke my leg when I was six. Lots of prickling as well as electric shocks in various parts of my body.
I actually felt quite upbeat, if a little tired, when I left the session. But by late evening I was really tired and feeling a bit teary and lonely.
I’m tired today. I didn’t sleep too well last night. I had hoped to go out for the day today, but I really wanted to stay home and draw and I think I’ll be back in bed before too much longer. I really am tired.
One thing that I was asked about, without me mentioning it first, was what I was going to do about getting out and about a bit more! I’m sure my therapist must read my blog. Just joking, I know she doesn’t!
I need to make a list of places I’d like to visit. Familiar places to revisit to ease me back into getting out and about by myself. Then ones not so familiar that could involve some time away from home too.
I will be going out later this week. I have something to do this evening and tomorrow, however. Another reason I am having a quiet day today. I’m not just tired; I know that I’m also emotionally fragile still.
I am determined to heal as much as I can from the CPTSD and to do the things I’d like to do that the inner critic sabotages way too often.
All done and coloured now, but o,h, WordPress, why do you change the colours on my images?
The colours are a lot more vibrant in my non-uploaded file. But I’m sure you get the idea.
Anyways, I drew the image with Tombow Fudenosuke pens on Winsor and Newton Bristol Board. After scanning the drawing, I used my favourite digital tools – Autodesk Sketchbook Pro, Microsoft Surface Pen, Microsoft Surface Studio – to add colour and texture (and watermarks) to the image.
The original drawing was a little less that A4 (US letter-ish) in size.
I’m quite happy with this. I’m also really happy I’ve managed to incorporate some dangle designs into my art. Something I’m going to continue to do now. I think they work really well with hand lettered banners and probably really well with arches too. Hmm, perhaps dangling from the edges of large fungi too… I know I’ll work it out!
Fancy trying your hand at dangle designs? Well, I have a tutorial book that takes you through monogram and dangle designs. It’s called A Dangle A Day.