Dangles can be turned into mandalas! And ‘dangle-dalas’ satisfy my love of symmetry in an unusual way.
In this one, I have two rings to which dangles are attached. In the centre ring, they point towards the centre of the mandala. On the outer ring, they point out into space.
Then, there’s two central rings. One, I coloured in a pastel rainbow and added ‘A Dangle A Day’ in my weird take on hand-lettered uncials. The lettering isn’t perfect, but then neither am I, and neither were celtic/anglo-saxon/medieval manuscripts.
Ok, the manuscripts are more perfect than my hand lettering, but it’ll do. It’s perfectly imperfect. That is an idea I’m becoming to embrace more and more easily as time goes on, and an idea that I encourage you to adopt in my book ‘A Dangle A Day’.
I used rather graphic black and white geometric designs to separate the three main rings of the design. This contrasts nicely with the brightly colourful design elements.
I felt the need to draw cacti, flowers and some weird seeds today, so that’s what I did. Of course it goes without saying that I’d have to include stars and hearts in my design! There’s some beads in there too, particularly those teardrop shaped ones that remind me so much of medieval jewellery.
Mind you, medieval in character this design is not. It is rather cute and whimsical, which is one of my signature styles – the other is intricacy.
For this design, I hand drew and coloured it digitally using a Microsoft Surface Pen on the screen of my Microsoft Surface Studio. As always, my chosen art software was Autodesk Sketchbook Pro.
Yes, I really do draw on my Surface Studio with the Surface Pen as if I’m drawing with, say, a fountain pen on paper. Colouring I often do as if I’m colouring with traditional media, though sometimes I do use gradient fills. It just depends on the feel I want in the final artwork.
Being able to work in layers means I can do things that would be very difficult or time-consuming working traditionally. It also means that I can play with colour combinations – I love colour, but I don’t always make good choices of colour palettes, see yesterday’s Q monograms for evidence of that!
Of course, there’s so much more to digital art than this, and I’ve not discovered everything yet. But over time my experience is that I discover, workout or learn how to do what I need to do at that time when I’m ready to do that.