I added colour digitally, using Clip Studio Paint. Also, I added a grey background. I much prefer using a coloured background, it’s easier on my eyes. Also, the colours seem more vibrant against the grey background.
The template is a typically ‘Angela’ entangled, stylised, abstract one, with some inspiration from Zentangle patterns too.
I always enjoy the way that colour brings the drawing to life, and helps to enhance the layers in the drawing as well. It’s a bit of magic in my daily life for sure.
I’m not entirely sure about my colour choices. I wasn’t trying to keep within a colour palette, just having fun with colour and figuring more about Clip Studio Paint brushes. I really enjoy adding colour to my artwork with both digital art and a limited range of traditional media. I enjoy digital and traditional for different reasons. Digital work takes away the stress of making sure the right colours are chosen. If I mess up, it’s easy to change things without having to start over. It’s relaxing to do, just as art with traditional media, apart from colour choice.
Some of the colours in my finished artwork weren’t in the palette. I mixed colours from the palette to achieve the oranges and purples.
It was a fun project that I completed rather quickly for me. I used it as an opportunity to find out more about some of the blending options for the brushes in Clip Studio Paint. I’m not sure anyone could tell the difference with how this has finished, but I started to understand how some of these options work.
It’s nearly midday, and I think it’s time for breakfast before I turn my attention to this week’s template for the facebook group. Food first!
Today, I felt the need for some cuteness and whimsy in my arty pursuits. So, I’ve drawn a Doodleworlds style template, with some ice-creams and an ice lolly included. It’s still blisteringly hot here today.
Today, I’m aching after my fall yesterday. At least the headache has gone! I’ll be glad to retreat to the downstairs rooms in a little while. It’s 26ºC outside according to the ‘puter. That means it’s rather warm inside too. It’s forecast to be cooler tomorrow, with the high being 25ºC, which will be manageable. Just.
Time to finish my social media postings and then to get more tea!
Today was a day to create a mandala! I just felt the urge to do so as I was playing around with traditional media and abstract art.
It is lovely to change the pace and media being used from time to time. I needed this today, I think. It’s been a while since I last created a mandala. I’m also still trying to understand the symmetry tools in Clip Studio Paint.
The limited colour palette I used is this month’s for the color palette challenge for the Angela Porter’s Coloring Book fans facebook group.
I had some fun playing with contrast to create the illusion of volume, depth, dimension.
This week’s template is a template I created for the Whimsical Cats book that didn’t make the cut. So, what a better way to make use of it than to release it for the members of the group to colour.
I did the inking in of the sketch in Autodesk Sketchbook. The colour was added using Clip Studio Paint.
I do have a timelapse video of how I added colour to part of this sample. Unfortunately, I forgot to record sound so it’s just video with music.
I like working on a darker, or coloured, background. The colours seem to much more alive than on white. Also, it saves me some eye strain!
It’s always fun to see how the template comes to life with colour. I’m often really unsure about my templates. Are they too simple, too naive, too intricate, not intricate enough. Adding colour helps me to see that they’re good enough, and also that they are created in my own artistic style. Cute, whimsical, imaginary. Places to play with colour and not worry too much about realism, if you wish. A skeleton that can be fleshed with colour however you wish.
I like that. It ties in with my exploration of abstract art. That’s on hold until later today, maybe tomorrow. I first need to focus on getting the last couple of templates inked in, though I am awaiting the review of the final one submitted. I have three to do, plus that last one. So, it shouldn’t take me all day to do!
It’s always exciting coming to the end of a book. Though not quite the end. I will still have three templates to colour in. I let the editorial team choose them; I never can! Also, they have a more objective view about what images will best represent the book.
Each of those images will take me a couple of days to add colour to, each! Not a quick process at all.
So, It’s time for me to finish my social media posts for today, get some breakfast while my computer installs and update, and then settle to work.
It’s Thursyay! So that means a new coloring page / coloring template for the members of the <a href="http://<!– wp:paragraph –> <p>It's Thursyay! So that means a new coloring page / coloring template for the members of the Angela Porter's Coloring Book Fans facebook group.</p> <!– /wp:paragraph –> <!– wp:paragraph –> <p>As it's the first Thursyay in July, that also means a new color palette challenge. The colours in my digital palette are at the bottom of the artwork, and were suggested by two members in the group.</p> Angela Porter’s Coloring Book Fans facebook group.
As it’s the first Thursyay in July, that also means a new color palette challenge. The colours in my digital palette are at the bottom of the artwork, and were suggested by two members in the group.
It’s a month-long challenge, with templates completed using this palette being posted on the last Wednesday of the month.
As it’s the first day of a new month tomorrow, that means a new color palette challenge for the group members. I’ve not decided on a colour palette yet.
This week it has a botanical theme.
While today’s vlog was processing and uploading, I took the time to edit the image digitally and also to add some colour to it. That gave the opportunity to play with a different brush. I’m not sure about the effect I’ve achieved, however.
In the vlog, I share my thoughts on the artwork and what I’m thinking as I draw. This is mostly focused on the art, but I do have a bit of a grasshopper brain that will flit around from time to time.
This morning, I spent over an hour starting work on this entangled pen drawing. I did film the process, but it’s recycling day, and the bin lorries and bin men were really noisy this morning. So, I turned the video into a timelapse with music. It lasts about 14 minutes, and the link to it is above this paragraph.
I remember chatting about my influences for this drawing, and they started with me watching a video from the “Journey to the Microcosmos” YouTube channel.
I’ve always loved microscopic images, being able to see things that are invisible to our naked eyes. There’s always a sense of wonder about it, amazement at the different shapes of the various organisms that become visible. That wonder must be the same as Antonie van Leeuwenhoek, a Dutch scientist of the 17th and 18th Centuries must have seen.
I loved drawing what I could see with the aid of a microscope from the first science lessons when I was 11 years of age, right through my degree and PhD and on through my teaching career too. And of course it was bound to creep into my art!
My memories of drawing diagrams of flowers and rock sections, minerals and scientific apparatus and diagrams are very fond indeed. This has certainly influenced my style of art – observing the tiny, abstracting the interesting (important) patterns and forms. Scientifically, the focus is on the features, structures, the important parts that allow identification or communicate the important features of what was seen. After all, photographs and videos can be made of all the glorious detail and colour.
The diagram is a simplified version, a map, that can help others to navigate their way around. A kind of scientific version of the map of the London Underground system. The map helps in navigating the system, but it bears no relationship to the physical layout of the rail lines and the geography of the city above.
Now, however, I take those observations and turn them into my own arty, entangled worlds of wonder. It is still the small parts that catch my attention, fill me with wonder and awe, are the ones I record, rarely the whole thing. If I visit an old church or abbey, I rarely, draw the building as a whole. I spend time looking and drawing the elements of it that capture my arty attention.
My sketchbook page often ends up of a collage of my visit, the various observations fitting together in a pleasing way. Often, I may join the elements together with imaginary lines or patterns. I may end up not with a drawing of the whole building; instead, I record my experience of the building at the day, time, season and weather I visited it.
The same is true for visits in nature, or to museums. My sketchbooks record what catches my attention, and that may not be the ‘whole’ of something, but just a part.
I’m still a scientist in my approach to art – what are the important forms, patterns, shapes, etc. that are the distillation of my experience, that I’d like to record and, maybe, share with others?
Of course, these observations find their way into my more Entangled art, like this one. The round orbs separated into three lobes were inspired by something I saw when watching one of the Journey to the Microcosmos videos. The flat leaves, by seaweed. The triangular pods are imaginary, though there may be real-world analogues of them from which inspiration was unknowingly gained. Curled, baby fiddlehead ferns are the inspiration for another motif in the drawing.
Inspiration indeed – based on observation, but interpreted and altered in a way that is personal to me.
I’m forever wondering what my artistic voice is, and here it is. At least one of the harmonic notes or chords anyway.
I felt the need to create a mandala today. Indeed I’ve not drawn a mandala for two or three weeks or so. A nice change for me, not just with the mandala, but working digitally after a while of working with traditional media.
Adding colour digitally makes me wonder why on earth I’m spending so much time struggling with traditional media – watercolours, coloured pencils, Inktense, and so on.
I think it’s the challenge, to work out how to make these media work for me. And to prove to myself I can work with them.
Still, I really do find working digitally a dream, but with it’s own challenges too. I know I have a lot to learn still, but in my own time. And I need to apply that to working with traditional media, though you’d think after 20 odd years of really focusing on arty pursuits I would’ve worked it out, wouldn’t you? Obviously not yet!
It may be that I have to work out which type of medium I work in depends on the purpose of the art. I think traditional media are more just for fun for me, for a change of pace, for a bit of a challenge, to use in sketchbooks and explorations of drawing/art, preparation for digital artwork even.
And that there, traditional media for fun, relaxation and preparation for digital work may be the function of traditional media in my artistic journey.
I’ve worked out that I enjoy drawing with pen, or pencil, on paper, though I do enjoy inking in sketches digitally too. Adding colour digitally to these drawings seems to work well for me.
I may come to a realisation that I really need to discard traditional colouring mediums in favour of digital colouring at some point in the near future, maybe reserving a couple for sketching trips out, perhaps. Only time will tell.
Except, I keep saying that, yet I keep on going back to the warring pleasure and frustration that comes with traditional media.
I may eventually work this out, or it may be a tug-of-war that I experience for the rest of my life.