I’ve had a nice couple of hours this morning playing around with drawing and paper coloured (and not coloured) with Distress Ink.
I started with drawing the border with the flower straight onto the coloured square of mixed media paper (top right).
For the middle design, I cut a rectangular panel of Distress Ink coloured mixed media paper and glued it to another piece of coloured paper. Then, I decorated the panel along with some simple patterns spilling onto the background.
The bottom right design uses a square piece of plain paper with a small rectangle cut from some Distress Inked paper. I used a die with a stitched detail to cut this panel out along with a Sizzix Big Shot die cutting machine.
I’m not at all fussed on the stitched detail in this case. However, I do like the contrast of the coloured panel against the white background.
I do have a fair few pieces of paper coloured with Distress Inks, so I think some fairly quick, simple and soothing designs will be done over the next day or several.
Not sure what I’ll do with them yet. If you have any helpful suggestions, leave a comment! Also, leave a comment to let me know which design is your favourite.
I woke this morning, refreshed after a long, deep sleep, and wanted to draw something relatively simple, something I could work on in the future.
I used a Uniball Vision Elite pen on a sheet of dot grid paper from Claire Fontaine. If you zoom in, you can still see the dots of the dot grid.
I had no idea of what I was going to draw. All I knew was I wanted to draw, and I wanted to start with a flower. Which I did.
I then started to grow the design by adding the swirls. Those swirls had shapes in them perfect to add some round seeds.
Next, I thought a rectangular background panel, filled with a geometric design, would be a good counterpoint to the more organic flower and swirls. So, I did draw in a pencil grid to use as a guide for my inked lines.
After adding a narrow border to the panel, I decided to add some simple dangles to the lower swirls. I thought the design needed to be lengthened a little.
When I’d finished the dangles, I knew the design was complete. I felt no need to add anything more to it, despite having a lot of white space! So, I scanned it in and prepared it for posting to social media.
I’d like to work this one with some colour to the flower and swirls, maybe the dangles too. The geometric pattern I’d like to add shading to bring out a more dimensional appearance to it. I may add that shading as shades of grey, or maybe as lines.
If you’d like more ideas about drawing dangles, then my book “A Dangle A Day” is a good place to start.
That’s where I have to leave it for now as I have a busy day away from home today.
If you’d like to find out more about drawing dangle designs, then my book “A Dangle A Day” is a good place to start. I’ve created over 120 designs, with step by step instructions, for you to use and inspire you.
It’s Friday, so that means it’s dangle designs today!
I drew these on postcard sized (148mm x 105mm) acid free heavy cartridge paper using a mixture of Tombow fudenosuke and Faber-Castell Pitt Artist pens. I then used Chameleon Color Tones and Color Tops to add some colour to the designs.
Again, I’ve drawn some really simple, cute and whimsical dangle designs that leave plenty of space on the paper for hand lettering or a hand-written note or letter.
Dangle designs are, of course, very versatile. I put these on the edge of a postcard sized piece of paper. However, they could be used as the focal point of a greeting card or note card. Lengthen the dangle, and they’d make cute bookmarks. They’d make interesting designs to fill spaces in a BuJo or scrapbook page. They’d also make interesting focal points on art journal pages.
I’d love to see how you use dangle designs – just tag me in social media!
I thought it would be fun to do a really simple turtle skull drawing along with those Xerocomus fungi and turn them into a dangle design.
I kept to simple line drawings, focused on ocean-themed charms for the dangle, and added really simple colour in places just to give an idea of how it could look fully coloured in.
I worked digitally, with Autodesk Sketchbook Pro along with a Surface Pen and Surface Studio by Microsoft.
The splashes of colour show how the line drawing, as simple as it is, just comes to life with colour.
If you’d like to know more about drawing dangle designs, then my book “A Dangle A Day” is a good place to start. I show you how, one step at a time, you too can draw dangle designs and I have over 150 examples of dangle designs you can copy or use for inspiration.
Inktober – day 5
My prompts for day 5 are owl skull and Favolaschia calocera. The prompt lists I’m using are from two people on instagram – @book_polygamist and @nyan_sun.
I’m partway through my design – the owl skull is drawn and I’m rather pleased with it. I have yet to draw the Favolaschia and other design elements around it.
Again, I’m working digitally for day 5 and pushing stylised design just a little bit more with this one.
Reflecting on Inktober so far.
Five days in and I am really enjoying it. The hardest thing for me is to not let it dominate my arty work each day. For three out of the four days so far I have also managed to get my goal of at least two illustrations for the coloring book I’m working on done. The Inktober drawings are also giving me some ideas for the illustrations for the book as well.
I’m also finding I’m ‘rediscovering’ styles of art that I haven’t done for a long time; the owl skull is an example of this and I will write more about that when I post day 5’s ink.
It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!
There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.
I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.
I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.
After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.
These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.
My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!
So, Angela, how are you feeling today?
I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.
I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.
It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.
I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.
Today I have two card designs for you, both featuring dangle designs, but in different ways.
If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day”of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them.
Love Ya and With Love Card.
I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.
Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.
My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.
So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.
I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.
I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.
I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.
To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.
I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!
Black and white floral card.
Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.
To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.
Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.
I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.
It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.
Things I’ve learned and techniques I want to try.
The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering.
I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system.
Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.
I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.
I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!
So, there are lots of possibilities for going forward with this.
So, Angela, how are you feeling today?
I’m feeling the more content and optimistic than I have for the past two or three weeks.
I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.
I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time.
Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing.
As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.