Yup, I still have a bee, or several, in my bonnet about copyright infringement. However, I thought the bees needed a garden to fly around in and do what bees do best! Better they’re out pollinating and making honey than rattling around inside my bonnet that’s for sure.
So, I drew them a garden to live in and hung my bonnet in a dangle design I’ve incorporated into the design, along with a bit of hand lettering.
I drew the design on Winsor and Newton Bristol board using Tombow Fudenosuke pens, and a pencil from time to time.
When I was happy with the drawing, I scanned it into the ‘puter and started to add colour.
As you can see, this is very much a work in progress and I may very well change the colours in places as work continues. Yet again, the colours look very different in WordPress than they do on my ‘puter. What’s going on WordPress???
Friday is Dangle Day. In my book ‘A Dangle A Day’, I take you step by step through drawing charming, cute, whimsical dangle designs and monograms. The designs aren’t as complex as this one, though the dangles in this design are simple enough themselves. Dangles are fun to draw and a great way to add embellishment to all kinds of projects – greeting cards, note cards, bookmarks, BuJo (Bullet Journal) pages and spreads, journals, planners, diaries, and anything else you could possibly think of using them! They really are simple to draw, one step at a time, and it’s colour that brings them to life for sure!
A trio of cute bunnies along with their stash of chocolate eggs looking all happy and also a little bit smug with themselves. A really cute and whimsical dangle design for you to use as inspiration for your own designs. I kept the dangle to just one strand to let the bunnies be the stars of this design.
The ‘with love’ sentiment was hand lettered. Yes, on the paper that is the screen of my Surface Studio using my Surface pen with a brush in Autodesk Sketchbook Pro that I’ve set up to mimic a brush pen, such as the Tombow Fudenosuke pens I’ve been using lately to draw with.
I’ve chosen soft, pastel colours, which are quite fitting for spring time I think. The textured background paper dulls and darkens them a little. However, I think that gives a bit of a vintagey, aged feeling to the design.
I did sketch the design out on Rhodia Dot Grid paper before scanning in and inking and colouring the design digitally.
My book ‘A Dangle A Day’ takes you step by step through drawing dangle designs, with plenty of helpful advice and encouragement throughout.
One of my dragonfly designs, which incidentally has been sold to a private collector, has been used on products that someone is selling to make profit, without even bothering to search out who the artist was (me in this case) and approach them (me).
I mean, it’s not a difficult task these days. Drag and drop the image into the search bar of Google images!
I’ve emailed the company. They have a week to reply. I’m not going to hold my breath though.
How did I find out about this particular theft? The product appeared on my facebook news feed as an advert!
I left a comment on the facebook advert saying the artwork had been stolen and I was the artist who created it too. And shared the advert on facebook on my timeline and my facebook page and on my twitter account too.
Not that it’ll shame the shameless intellectual property thieves who perpetrate copyright infringement for their own financial gain.
Not that it’ll shame the company (companies) that allow this to happen.
It’s really annoying though.
It really makes me very sad, disheartened, and absolutely worthless too. The people who do this shameless theft don’t care about the effect it has on the owners of the artwork, or other intellectual property.
Yes, that’s right I feel worthless as a person, that my art is good enough for you to steal but not good enough for you to give me credit for it, to contact me about being able to use it, or to pay me for the use of it.
I’d never, ever do that to anyone. Never.
It also makes me wonder how much of my artwork that I’ve shared via deviantART, facebook, instagram, Pinterest, twitter and so on has been stolen and used without permission from myself. There’s no way I can actually tell.
Yes, it’s flattering that people like my art enough to do this. But it’s annoying that they don’t even have the decency to either state who created it and how to contact them ( that’s me in both cases here) and don’t even have the decency to contact myself about licensing the artwork, as that is the honorable, decent, law abiding thing to do, isn’t it?
I don’t have the time to go through the interwebs and find all my artwork and either delete it, complain about it being stolen, or add very distinctive watermarks and copyright notices to older work.
I will keep adding watermarks and copyright notices to all the artwork I share on the interwebs for the foreseeable future in the hope it will deter some people.
The last thing I’d want to do is to stop sharing my creations with people who just like it to look at, for a bit of ‘eye candy’, for something that makes them smile, and fascinates them, particularly with my more intricate works.
I bet even then there’ll be unscrupulous people out there who won’t give a damn anyway, but I will do my best to make it as difficult as possible for them to make a product from my art that is of good enough quality for them to make any money from. Watermarks. Background textures. Low resolution images.
Perhaps I shouldn’t let it get to me.
No, I should. If someone stole my car, my bank cards, my money, my home I’d be upset.
I make my living through my artwork.
You who steal my artwork are stealing from me as if you were reaching into my bank account with your grubby, sticky, unscrupulous, thieving fingers. How would you like it if I did that to YOU?????? Ah, that’s right. I wouldn’t happen to you as you don’t have the skills, talent to create artwork like mine do you, but the only skills you have are to steal.
This cutely whimsical dangle design is from my tutorial book ‘A Dangle A Day’, which has the step-by-step instructions for drawing this design. They really are simple to draw, and the hand lettering is based on your own writing style too.
For this design, I chose spring-time colours, more pastel than bright. Of course Easter eggs and a bunny balloon had to feature, along with all the lovely spring flowers and a sprinkling of hearts. I even snuck a star in, hearts and stars being some of my favourite motifs to include.
This design would make a really cute greetings card or notecard. The dangles can easily be drawn shorter. It would also make a lovely bookmark. As a BuJo page, planner page or an element on a scrapbook page it would be lovely.
Using Nuvo drops or Ranger’s Stickles or similar to make dots where the beads are as well as a sprinkling of them around the top of the design would add some lovely dimension and sparkle for sure.
I do hope you give drawing dangle designs a go. They are so much fun and a lot easier to do than you think they are. They can also be used in many, many ways, especially when it comes to sharing love with others at different times and events throughout the years of our lives.
About the drawing…
When it came to designing the dangle designs and monograms for A Dangle A Day, I started off by sketching the idea out on dot grid paper using either a pencil or a pen. I could then adjust the lines and draw guidelines in to help me with the design quite easily.
When I was happy with the sketch, I scanned it in and then re-drew it in a digital form. For drawing digitally I use a Microsoft surface pen directly on the screen of a Microsoft surface book or surface studio. This is like drawing with pen or pencil on paper, or even painting or colouring.
So, although my designs were created in a digital environment, they were still very much drawn by hand.
I used very little in the way of smoothing lines – only enough to remove the wobbliness that comes from the great sensitivity of the pen and screen position sensoring stuff, and never used the predictive line tools available in Autodesk Sketchbook Pro. I worked out how to set up pens that would leave a line texture similar to the pens I like to use to draw on paper with. I determined I wouldn’t make everything perfect, that there would be that perfectly imperfect human touch to everything that I created. I also made sure I included examples of dangles drawn and coloured on paper and turned into cards, bookmarks and BuJo pages too.
Working digitally to draw and then colour the designs allowed me to edit, erase, adjust and keep the image free of smudges and blots that would require re-drawing. It also made it a lot easier to make the edits my lovely editors suggested to improve the work.
It certainly saved a lot of time scanning image after image in – something I find extremely tedious.
Although I may have used digital tools to draw with, the techniques I used were the same as if I’d drawn on paper with pen and then coloured with various traditional media.
I also have to say that the year to year and a half ago when I was colouring these I was only just starting to explore the realms of digital colouring and I hadn’t quite worked out exactly how I’d like to do it. They worked out good enough, but now I think I’d approach it a bit differently.
I had such a lot of fun creating the dangle designs season by season, month by month, celebration by celebration and I hope you have the same amount of fun doing this too.
I matter. I matter equally. Not ‘If only’, not ‘as long as’. I matter. Full Stop.” – Chimamanda Adichie, Nigerian writer.
A balanced world is a better world. How can you help forge a more gender-balanced world? Celebrate women’s achievement. Raise awareness against bias. Take action for equality. www.internationalwomensday.com
Today is International Women’s Day, Furbaby Friday and Dangle Day so what else could I do but combine them all into one design?
I started by sketching them out on dot grid paper. My favourite sketching tool at the moment is any one of the darker tones in the Koh-I-Noor Magic multicoloured pencils range. The thickness of the lead encourages me to be bold in my hand lettering and drawing. It also encourages me to draw on a larger scale than I usually do.
Something else I’ve noticed is that drawing with such a thick (but fun and coloured) pencil,I can’t put all the small details in that appear in the final image in the sketch. It really is a sketch which I can then use as the skeleton, the framework, the architecture for the final design.
The thickness of the pencil also means that my hand lettering is bigger than usual. I can also deliberately wear the lead down into more of a chisel shape which helps with the thick downstrokes and thin upstrokes.
It’s also a pleasure to write with pencil and my writing always feels neater when I do write with a pencil. I have no idea why that is, but it just is.
Anyways, once the design was sketched out, I scanned the design into the Microsoft Surface Studio and used Autodesk Sketchbook Pro and a Microsoft Surface pen to first ink in the outlines and then add colour, details and texture.
For the colours I kept to a fairly simple colour scheme with pink and purple for the flowers and hearts and the Women’s Day symbol. I just had to use a rainbow to fill the hand lettering (apart from the word ‘women’s’). And the pusscat just had to be mainly white, but I thought peachy-pink stripes would be quite nice.
It’s another beautiful, sunny, unseasonably warm late winter day. Daffodils are out, February is almost over and it’s time for me to turn my attention to a design for a BuJo monthly cover.
This is what I came up with today. A simple mandala of sunny yellow daffodils, bright fresh-green leaves and the lovely clear blue skies we’ve had here in the Welsh Valleys over the past few days.
Of course, 1st March is St David’s Day. St David is the patron saint of Wales, and daffodils are the flowers associated with this day.
As a child we used to have a half-day at school for St David’s Day. In the morning there was an Eisteddfod – a kind of concert and competition involving singing and poetry and music and clog dancing and all kinds of creative things. Much of this was done in the Welsh language. And of course My Hen Wlad Fy Nhadau would be the final song that all joined in with – the Welsh National Anthem that is still proudly sung at international rugby matches and other such occasions.
On this day, children went to school dressed in traditional Welsh costume, wearing either a daffodil or leek pinned to their clothing. The boys would try to show how big and tough they were by eating the whole leek raw.
I could’ve tried to draw a red Welsh Dragon for the mandala, but the daffodils are so pretty…maybe I’ll do another with a dragon in, or maybe a dangle design with a dragon as part of it.
This design would make a lovely monthly cover page for a BuJo, or in a planner, diary, journal or on a greeting card or note card.
A jolly day out
Yesterday I had a lovely jolly day out with my friend Liz.
We visited the stone circle at Stanton Drew. I’ve been there before, but Liz hadn’t. It’s bigger in diameter than Stonehenge but smaller than Avebury. It did have several concentric rings of timber posts inside the stones when it was in use, but they have long rotted away.
After that we headed to Wells. Again, I’ve been there but Liz never had. We had a walk through the town and spent some time buying lovely shoes from Moshulu, mine being rather sparkly and lovely!
Cake in the Cathedral cafe, with plenty of tea in my case, coffee in Liz’s, and then it was off to visit the Cathedral. Always nice to see the scissors arch there and the wobbly wonky steps going up to the chapter house.
It was sunny and warm and I managed to get sunburn! Mind you, that happens easily as I’m quite fair-skinned. In the past I’ve even managed to burn and blister through sunblock. I seem to be a bit more resilient. But who would’ve thought I’d’ve got sun burned in February in the UK!
The sunny, mild weather is helping my mood an awful lot. Leaving EMDR on monday having completed processing a trauma that was really painful to me has also helped. I’m still feeling a bit light headed from it today, but that’s a good thing – a change from the low moods, emotional distress and upset I have felt.
Being out and about and spending time with a friend was also a good thing for me. Lots of laughter and silly conversation along side more serious topics too. That’s what happens when you get two quirky, retired science teachers together.
The world is still in the grip of winter; I woke up this morning to a coverlet of snow covering everything. Yet again, I’m am so grateful that I work at home and don’t have to go out until it clears, even if that takes a day or so.
I wanted the colours in the dangle to reflect winter, but I also made Valentine’s Day a focus for the design, and I used that as an opportunity to include some more bits of hand lettering.
I did sketch the design out on Rhodia dot grid paper then scanned it in. I then re-drew the design digitally using my usual trio of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Book.
Today, I have a template or two to create for a colouring day at the Welsh Office in Cardiff on Time to Talk Day next Thursday. Time to Talk Day is the day where we’re encouraged to talk to people about mental health and well being. I don’t have anything to do on this day for Time to Change Wales, yet, or at any point in the week. I do have other projects to work on as well.
My own anxiety seems to have slid back to it’s usual constant background level after a stressful time earlier this week. It takes time. Mindfulness meditation helps somewhat, but it does take time for those stress response chemicals/hormones to leach out from my body even when I calm myself down.
This little card and envelope took me around 3 hours to make. I had to remember how to do various things and find my supplies to do them with!
My first task was to make the sentiment banner. I had the idea for this one after someone asked me for recommendations of good books for learning hand lettering as they’re not at all happy with their handwriting.
Hand lettering and handwriting are not the same thing. Hand lettering is something you unconsciously do. Hand lettering is the conscious and deliberate drawing of letters, one by one. Practice, like everything else you want to learn and become good enough at, is important. I suggested that they try printing the sentiments out on their computer or using words cut out of books or magazines or stickers or stamps and ink pads used by card makers until they’re comfortable with their own lettering style.
That led me to thinking that rather than writing the sentiment directly onto the paper that I’m going to draw the dangle design on, what about if I hand lettered it on paper again and again until I’m happy with it and then cut that version out. I could then layer it onto coloured card to make a border, or onto the paper or or or…
So, that’s what I wanted to use here. A variation on what I’ve done in previous cards. I cut two trips of mixed media paper, one around 1cm wide, the other around 0.7cm wide.
On the narrow strip I wrote my sentiment. I did this confidently as I knew if I got it wrong I could always write it again – I’d not ruin my dangle design in any way. I then trimmed the strip close to the start and end of the sentiment.
Next, I coloured the wider strip of paper with victorian velvet Distress Ink. I trimmed one piece so it was just a little longer than the sentiment. Then, I cut two rectangles from the coloured strip. I cut triangular notches into one end of each of the rectangles. I used the sponge applicator to make sure the edges of the coloured pieces, including inside the notches, and the sentiment strip coloured. By doing this, there’s a darker edge to the pieces and this defines them against the background. The final step in making the banner was to glue the pieces together as shown in the photo.
I cut two pieces of mixed media paper for the front of the card. The smaller one I made a little narrower than the sentiment banner; I wanted the ribbon to hang over the edge a little. I used a pencil to mark where I wanted the banner to sit on the card. I then used a pencil to mark out the centre of the card so I could position my dangle centrally.
Above where the ribbon would sit I wanted to place an arrangement of pot plants – succulents and a cacti. Below I wanted a fairly simple dangle, but one that had elements that appeared in the arrangement of pot plants. I drew these with a 05 Uniball Unipin Pen.
I then wanted to colour the two pieces of mixed media paper before I coloured the designs in.
For the larger one I used Peacock Feathers, Bundled Sage, Weathered Wood and Tumbled Glass Distress Inks to colour the whole of the paper panel. I edged this panel with Faded Denim Distress Ink. Then, I lightly sprayed the panel with water so that I’d get some faded watermarks as a texture in the colour.
For the upper panel, I used a very light hand to add the same Distress Inks to the paper, but in a much paler shade. I also edged this panel with the Faded Denim Distress Ink. I realised it hadn’t erased the pencil guidelines before I added the Distress Ink so when I went to erase them they wouldn’t fully erase. I’d forgotten that I had to do that! Still, it adds a bit to the distressed feel of the cards, that and the damage marks that were on the larger panel too.
To colour the dangle design I used Mitsubishi Uni coloured pencils. I used a fairly limited palette across the design.
The last two steps before assembling the card were add dots of gold ink and some shiny adhesive crystal gems.
To assemble the card I used glue to adhere the lower panel directly to the card. I then used foam squares to adhere the dangle design panel to the lower panel and the sentiment ribbon to the dangle design panel. This card has quite a bit of dimension to it.
My final job was to decorate the envelope. I decided to draw some pot plants and some of the daisies along the bottom. I added some butterflies to the left as the area above the pot plant seemed empty, unbalance. I haven’t coloured the envelope in as I’m in two minds whether to or not. Also, it would be nice to edge the envelope with the Faded Jeans Distress ink too, maybe even colouring the envelope with the same Distress Inks as the card. There’s also the back flap of the envelope that would benefit from a little potted succulent drawing I think.
Distress Inks are water-reactive, so if I do this, once the envelope is addressed a light application of Micro Glaze would seal the colour in so it wouldn’t be damaged in the mail.
I’m actually quite pleased with this card. It’s got me thinking about how to do more of this kind of stuff – card making the ‘Angela’ way!
If you give making cards like this a go, I’d love to see what you create! Happy art-ing, lettering and crafting!