Monogram B – another version

©Angela Porter 2018

This version is totally digital. I used the pen and ink drawn version to re-draw the design in Autodesk Sketchbook Pro, making use of a glitter texture.

I think I got my head around how to do this, and colour the images in and I’m kind of pleased with it, though I’d like a bit more of a highlight/shadow on the glitter bits. That will take some thought and experiments as to how to achieve that, but for now my head is overloaded with working in layers and with digital art techniques I’ve barely used before.

I’m pleased with how it looks rather medieval in style – medieval drawn using modern technology. This version doesn’t even exist in physical form, which is crazy!

I have no idea how this would print out as, say, a book mark or note card. As it’s a fairly high resolution file on my computer it would print as a photograph. Of course, there wouldn’t be any real glittery sparkle and shine.

Yes, I’m fairly pleased with this and for myself for figuring it out how to do it, though there’s lots of improvements that could be made.

I think I’d like finer ‘glitter’ on the texture background I used – that’s just a matter of creating another tiled image via GiMP. However, until I do something I never quite know how it’s going to work out, nor do I know if it’s going to be a good idea.

It certainly satisfies a part of me that likes glitter and sparkle and shiny things.

All I have to do now is try to remember how I did this so that I can repeat it in the future, if I’m so inclined.

I am waiting for some metallic inks to be delivered today, so no doubt I’ll be drawing with them on paper.

Mongram B

© Angela Porter 2018

One monogram dangle design, three different versions.

The first is just the black and white line art. This was drawn with Uniball Unipin pens on dot grid paper then scanned in so the dot grid and faint marks could be removed as well as making a transparent background. This dangle design is much more ornate in terms of pattern than is in my book ‘A Dangle A Day’ but is still easy to do if a bit time consuming.

The second is the line art coloured digitally with some texture added.

The third has the coloured line art floating on a golden sheet.

I’ve not quite managed to get my head around how to convert the black and white line art into golden line art where I can add colour. I suspect it’ll have to be re-drawn, which I’ll most probably do while I’m waiting for a delivery.

I kind of like the gold background, but it is a bit too much as well.

Which version do you like best? Let me know your thoughts!

Golden mandala

©Angela Porter 2018

It’s stupid o’clock here in the UK and just as I was getting ready for bed I had an idea that I just had to try out. So, this was a very quick mandala where I used a gold texture background and drew on top of it.

Digital art this time. Had to try it out. My idea kind of worked out. Now how to figure out how to use this with dangle designs! But I think I may have to sleep first!

Microsoft Surface Studio and Pen, Autodesk Sketchbook Pro and a texture I found lurking in my files.

#createdonsurface

Snowflake Mandala – WIP

This one is very much a work in progress. Drawn using a Microsoft Surface Pen on the screen of a Microsoft Surface Studio, I made good use of the symmetry tools in Autodesk Sketchbook Pro.

When ice crystals form they have a symmetry based on hexagonal shapes, so my mandala is separated into 12 sections, though I’m choosing to bring out the six-pointed patterns in different colour schemes.

I’m not sure if that makes sense – I know what I mean!

Of course, there’s only so much pointy-ness I can have in anything I draw, so curves have to make an appearance. And this is very much apparent in the fine detailed patterns within each section. Here I’ve used simple line patterns to more complex pattern fills using spirals and swirls. I’ve played around with adding a drop shadow and a highlight to these patterns to add a sense of dimension, not that it’s easy to see in a low-resolution image for the web.

I do like my colour choices of cool purples, blues and aquas so far. I think I’ll go with a more blue-purple to complement the purple in the design so far.

I do have an idea or two as to what I can do about the black lines as well, though they may not work out. As I’ve said often before, I do like black lines in my art; I like the way they define spaces and patterns and often give that feel of ‘stained glass’ to my work. However, sometimes I think they look a tad childish too, but that’s mostly on days where I doubt myself an awful lot, rather than the usual little to a lot.

The design isn’t quite as open as perhaps a snowflake is considered to be, but I rather like filling spaces in, though I may leave some of these spaces open so the background, when I add one, can shine through. That means I may end up erasing some of the colour I’ve added already to created a more open feel to the design.

It’s a lovely way to spend a Sunday morning, especially now I’ve finished downloading all the Amazon invoiced for the last financial year in preparation to getting my accounts to my lovely accountant, Leah.

Noel – Entangled Design

©Angela Porter, Artwyrd.com

I always have fun when drawing and creating, including this design. In it I’ve combined some of my entangled design elements along with winter/Christmas doodles. 

To start, I hand lettered ‘Noel’ using a guide for the shape of the lettering I wanted. Then, I printed it out so I could add the black and white line art using a 0.8 Uniball Unipin pen.

Once that was done, the finished lineart was scanned back into the Microsoft Surface Studio, a transparent background created and some smudges cleaned up. 

Finally, I could colour it. Today, I chose to use the color gradient tools, which does make the job of colouring a bit quicker, but it also results in a rather ‘shiny’ look too. Or perhaps that’s simply due to the colours I choose for the gradients.

I had fun adding the glowing stars and sparkles to this one, though I’m not sure I’ve got that right.A nice way to spend the morning and early afternoon as the weather has been wet and very windy at times here. 

Christmas Dangle Design

©Angela Porter
Design from ‘A Dangle A Day’, authored and illustrated by Angela Porter

It’s Friday so it’s #dangleday. Today, I wanted to share a Christmas Dangle with you from my book ‘A Dangle A Day’. In the book I show how this design was drawn, step by step.

When I created this design, I first drew it in pencil on dot grid paper. The next step for me was to scan it in to the computer and then re-draw it step-by-step, saving each step as I went. For the book, the final step was to colour the design and then write the instructions to go with the images. My tools for this were a Microsoft Surface Book, a Microsoft Surface Pen and Autodesk Sketchbook Pro.

I wanted to include as many Christmas-themed charms to create the dangles as I could and still keep the design balanced. I also kept the length of the dangles uneven. The waviness in the ends of the dangles echoes the waviness of the fairy lights above the hand lettered word ‘Christmas’.

What I did this morning was to print the black and white line art design on an A4 sheet of paper. Then I used Chameleon Duo Tones and Color Tops markers to colour it in.

These pens make it easy to create gradations of colour, such as on the hand lettering. These gradations add ‘dimension’ to the charms and dangles. I keep the darker shades to the left and bottom of the designs so that there’s a consistency across the whole image. I also used a pale grey marker to add drop shadows to the left and bottom of the design elements; again this helps to add dimension to the design.

Finally, I added some highlights with a white Sakura Gelly Roll pen. I also added some sparkles around the fairy lights and individual stars with a gold glitter Uniball Signo gel pen. After all, it wouldn’t be Christmas without some sparkle!

Used individually with a monogram or Christmassy image the dangles would make lovely book marks. Printed at A5 in size, the design would make a fabulous BuJo page for the big day itself. It would also make a lovely design for greetings cards or note cards.

Of course, it would be easy to change the word at the top to, perhaps, Winter or Yule and use fewer dangles to suit the length of the word. Personally, I like to use an odd number of dangles wherever possible – it gives a more balanced design.