Tiny botanical tile 23 September 2018

Angela Porter 23 September 2018

Yesterday, I had an enjoyable couple of hours drawing fairly cute designs that are 6cm x 6cm (approx. 2½” x 2½”).

I drew my little designs (twelve of them in total, and not all of them I’m all that fussed on at the moment) on Rhodia dot grid paper with a Uniball Unipin 05 pen. Then, I scanned them into the computer and did my usual magic to remove the dot grid and create a transparent background.

Finally, I used Autodesk Sketchbook Pro and a Microsoft Surface Pen, along with my Microsoft Surface Studio to colour the image.

I used various brushes and brush textures to achieve the colouring.

It’s really small, for me. A 6cm x 6cm size would look darling on a small greetings card or note card. I also think they’d make a lovely addition to a BuJo, Planner or Scrapbook page.

Autumn Equinox 2018

Angela Porter Autumn Equinox 23 September 2018 coloured

I’m a day early as tomorrow is the Autumn Equinox (Spring Equinox in the Southern Hemisphere), but here’s my mandala for this year’s equinox.

I’ve made the uncoloured template an exclusive ‘freebie’ for members of the Angela Porter’s Coloring Book Fans facebook group. Terms and conditions apply to it’s use, so please make sure you read them if you choose to wander over and join in.

Drawn and coloured in Autodesk Sketchbook Pro using a Microsoft Surface Pen and Microsoft Surface Studio.

Dangle Day Friday 21 September 2018

Angela Porter Dangle Day 21 September 2018

It’s Friday, so that means it’s #dangleday!

A simple, elegant design with a sweet sentiment for this week’s dangle design. I like the symmetrical nature of the dangles.

I did sketch the design out in pencil on dot grid paper which I scanned in to ink in digitally and make use of the symmetry tool in Autodesk Sketchbook Pro. I also coloured and added texture with various brushes in Sketchbook. Naturally, I made use of a Microsoft Surface Pen and Microsoft Surface Studio to do this.

I kept to a really simple colour scheme, using just one pink, golden, blue and green colour gradient for the design, with the exception of the rainbow beads in the central dangle.

It would be really easy to put a different sentiment or greeting in the box, but I like this one.

A different colour scheme, of course, would result in a very different ‘feel’ to the card, matching all kinds of seasons and occasions.

This would make a lovely greetings card or note card. I think I’d like to use it for the beginning of each month in a BuJo, planner or diary, changing the colour scheme as appropriate for that month. I do like playing with themes for my BuJo, but there’s something in me that likes a cohesiveness in design/style.

What would you do with this design? Let me know by leaving a comment.

Of course, I could print the uncoloured version out and colour with different media. It would be no great chore to re-draw the design on paper more suitable for, say, watercolours, where my printer doesn’t cope with decent quality watercolour paper.

Just a little reminder that my book ‘A Dangle A Day’ is available for pre-order, just click on this linkIn the book I give help, guidance and advice on creating your own dangle designs, as well as providing many examples of monogram dangles and dangle designs that you can use for your own projects.

Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.

Abstract Botanical 16 September 2016

Angela Porter 16 September2018

Another abstract botanical. Here are the steps I took in creating it.

  1. Draw the black and white line art design on dot-grid paper from Rhodia using Sakura Micron pens.
  2. Scanned the drawing in, removed the dot-grid, removed noise and created a transparent background in GiMP opensource photo editing software.
  3. Imported the image with a transparent image into Autodesk Sketchbook Pro and added colour and texture.

It took a couple of hours to draw the design and several hours to colour and so on.

My digital tools are a Microsoft Surface Pen and Microsoft Surface Studio.

I love the way many of the elements seem to glow against the dark green-blue background.

Many of my latest works like this seem to have an ocean, watery background going on. So, in the one I have on the go at the moment I’ve done a kind of sunset background. I’ll see how that turns out. Working digitally means I can alter my backgrounds really easily for sure.

I’ve been creating backgrounds digitally, but I want to create some on paper with Distress Inks and scan them in to use instead of the digital backgrounds.

I also made use of a more limited colour palette in this work – going for a more cohesive look/feel. These aren’t colours I’d normally choose to go together, but they seem to work fine.

I now have a fair few of these images and so now really need to try to work out what to do with them. I may try to import them into Repper and create repeating patterns from parts of them; that could be an interesting exercise for sure, but a fun one!

If you have any ideas of how my artwork could be used, leave a comment – I’d love to hear!

 

Abstract botanical 13 September 2018

Angela Porter 13 September

I managed to finish colouring my WIP from yesterday. I have changed the colours of some elements and darkened the background.

Now, I’m working on the drawing for the next one.

One day, I’ll work on completing one or more of these with just colour and not black outlines, maybe.

Line art drawn with Sakura Micron pens on paper.

Scanned art coloured using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

Work in Progress Wednesday

Angela Porter 9 September 2019 02 coloured small1

This was drawn on paper with Sakura Pigma Micron pens, scanned in and is in the process of being digitally coloured in Autodesk Sketchbook Pro. I’m using my Surface Studio and a Surface Pen, both from Microsoft.

The background may go a little darker on this one, but I’ll decide on that when I’ve completed colouring the design elements in.

It’s also work in progress Wednesday over on the Angela Porter’s Coloring Book Fans facebook group. We’d love to see your colouring works in progress of pages from my coloring books. Why  not pop along and join in? You’d be very welcome there.