Autumnly Entangled 7 to 11

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Lots of drawing done over the past three or so days and I haven’t had a chance to upload these.

The set of four are approx. 4″ square and the paper has been coloured with distress inks.

The bigger one is drawn on ombre paper for ‘scrapbookers’.  The central image is 6″ square.  It was a bit of a ‘mare to draw; the paper isn’t absorbent and the ink takes ages to dry, which means smudging was a bit of a problem, but I’ve managed to mostly disguise it with patterns.   I need to dry different pens on this paper, as I do like the colours.  If I can’t find a way to draw on it, then I’ll be using it to mount other artwork on and in mixed media and card making endeavours.

Yes, it did seem a good idea at the time!  It could be back to colouring all my own paper again ….

New Distress Oxide Colours – I finally have them!

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I finally got my happy hands on the new Distress Oxide colours today!  I had enough time between appointments to have a quick play, so four sheets of mixed media paper, some circle and tag dies and my Sizzix Big Shot as well as 1″ and 3/4″ square paper punches this is what I’ve ended up with.

The colours are lovely, different, kind of, to the original Distress Inks, but lovely.

So, I now have a lot of bits to doodle and draw on!

Artwyrd at Etsy

Last night I bit the marker pen and uploaded two sets of small greetings cards to my Etsy shop, Artwyrd.

Each set has ten cards featuring a coloured flower/mandala design stored in a small, custom made box along with matching envelopes.

The flower/mandala designs I drew myself in Autodesk Sketchbook Pro on my Microsoft Surface book.  I printed out multiple copies of the designs and then used my Chameleon Markers and Copic Markers to colour them.  Distress Ink was used to add colour around the designs.

The next step was to create colour mats for the designs; I used my marker pens to colour some Centaura Pearl card.

Before mounting them on the 3″ x 3″ (7.5cm x 7.5cm) card blanks, I embellished the designs with dots of metallic and pearlescent acrylic paint, as well as adding coloured gems.

Of course the cards sparkle!

The boxes are made from cardstock with the lids decorated with designer series paper; the colour ways chosen are complementary to the colours of the cards. I also used Distress Inks to distress the edges and corners of the boxes.   I’ve yet to embellish the boxes.

These are my fifth and sixth attempts at making the boxes.  I had to purchasing a new paper cutter that’s more accurate than the one I had been using.  I had used a template for a box that would take ten 3″ x 3″ cards, but wasn’t big enough for the envelopes.  So, I also had to work out and adjust the measurements needed for the base and lid so that the envelopes would fit in the box!  Frustrating, especially as maths isn’t my strong point …but I got there in the end.

I do have a couple of jobs to do to the cards/boxes; the boxes need some embellishment, and I need to add makers labels to them too.

The boxes will be nice for other things once the cards are used up – the lids are a snug fit.

All of the designs I have stored and may, in the fullness of time, put them together as a pack of digi-stamps so people can use them to create their own cards!

Mixed media index cards – 5 June 2017; my own library of digital drawings

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Mixed media index cards

Two index cards worked on over the last day or two.  The focal points are shells I drew, first on paper, then the image was worked on on my Surface book with Autodesk Sketchbook Pro and my Surface Pen,

I had to use scissors to cut out the shells (not my favourite task as I’m not good with scissors) after I’d coloured them using the Chameleon Color Tones and Color Tops marker pens.  I’m really pleased with the colouring.

Lots of different techniques/media were used on the index cards – stamping, stenciling, inktense pencils, distress inks and distress oxide inks, pebeo dyna paints, perfect pearls sprays, gesso, clear holographic embossing powder from WOW!

I’m happy with them, though I’m not sure they’re quite finished, especially the little one.

Digital drawing library

I’m beginning to build up a library of my own digital drawings – fungi, flowers, shells at the moment, oh and one angler fish skeleton that I’ve not used yet (but that’s an idea for later or tomorrow maybe).

I have to decide if I put these images together as packs of ‘digi-stamps’ for sale…I’m really pleased with my shells here, but the fungi have worked out fine too.  With my limited scissor skills, I’m keeping it in mind I need to keep the outlines relatively simple, but the inside of the design can be rather detailed, which is fun.

Mixed media index cards – 3 June 2016

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Two more index card done!

I drew the fungi then coloured them with the Chameleon Color Tones and Color Tops pens.  Cogs have appeared in the background once again – gotta have a lil bit of steampunkishness!

I’ve used 3D Crystal Lacquer on the fungi caps and on the stars in the background.

I’m liking the slightly bigger format of the index cards compared to ATCs.

Mixed media index cards

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I started these 5″x 6″ cards yesterday and finished them (I think) this morning.

The focal images I drew myself on watercolour card.  I used Caran D’Ache Supracolour watercolour pencils and a damp brush to colour them.  I was quite happy with the colouring; I do find pencils a lot easier to use than traditional watercolours.

Nex, I cut three of them out around their edges and used a black marker to colour the white edges (and disguise my poor cutting out skills).  I had to use a craft knife in a couple of places.  The other two I cut out as small panels.

The drawings are a little bare of detail, mabye, but I can go back and add detail once I’ve decided what I’d like to do.

I’m not all that happy about the torn paper behind the focal images; you try things out and learn, maybe.  The torn paper is Gelli printed tracing paper made using PaperArtsy Fresco paints.  I then ran them through my Sizzix Big Shot in various embossing folders, and on some the embossed images have had some metallic waxes gently brushed over them. I also added some Inktense to the papers to darken the edges and add shadows.

What I am really happy with are the index cards themselves.

I started by covering them with gesso.  Then, I used some foliage stamps from IndigoBlu with grey Archival Ink by Ranger to add patterns.  I really liked this, as the patterns were softer and already ‘ghostly’ in the background, a much better choice than black Archival.

My next step was to add colour using ink blending sponges and Distress Oxide inks, followed by a spray of Gold perfect pearls mixed with water.

This is where there was an unexpected effect – the wet Distress Oxides were repelled from the Archival ink.  I loved the result, as well as the way the colours mixed as they pooled around the stamped patterns.

Here’s a close up where you can see how the Archival Ink has repelled the Distress Oxide inks:

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Then, I used Versamark Ink to stamp more foliage on some of the cards, and mini-mandala type patterns on others.  I then sprinked WOW Embossing powder (clear holographic) over the ink then melted it with a heat tool.  This added an extra layer of interest – a subtle layer as it can only be seen from certain angles.

I framed the cards using black Archival ink and a foam blending tool to give a distressed looking edge.

Then, it was just assembly of the focal points and so on, before sticking the index cards to some really thick card to get them nice and flat; the cards are so thin that they curl a lot when working on them, even with the layer of gesso to seal the card in.  Cosmic Shimmer’s Specialist Acrylic Glue worked beautifully for this.

I had intended to make more ACEO cards, but I drew the focal images a tad too big for that format, so thought I’d try out an index card instead.  I quite enjoyed working on the slightly larger scale.

Today’s Mandala

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I’ve spent much of the day working on this, and it’s been a pleasure to create as it has combined many of my favourite techniques.

First, I coloured the background with Distress Inks, starting at the centre with a pale pink, follwed by a pale blue, a sea green and finally a blue with a hint of green around the edge.

A light spray of water and a dry and the sheet was ready to have the black line design drawn on it, once I’d put a pencil grid down.

Next, the colours in the various sections were intensified using Zig Clean Colour Real Brush Markers from Kuretake, along with a brush and water to fade the colours out.

Finally, all the dots were addded using pearlescent/iridescent watercolour paints.

I’ve smudged some dots, others insisted in running into each other, but I’m fairly pleased with the outcome.  As I’ve already said, I really enjoyed doing this one.