Monday morning

©Angela Porter | Artwyrd.com

On Saturday, I recorded a video of me drawing this design on 6″ x 6″ Strathmore Vellum Bristol Paper coloured with Distress Inks.

This is an example of intuitive, entangled drawing; I started in the red area and worked my way out from that point. I had no idea what kind of design I wanted to create, I just wanted to draw and lose myself in that process.

The only guides I had at the start were some pencil lines to give me a border to work within, leaving a clear, plain border around the design. However, my mind seemed to do a bit of a flip when I came to drawing the bottom left of the design; I completely ignored the pencil lines for some reason totally unknown to myself. When I realised what I was doing, it was too late to change it as I was working in pen without any sketch to guide me.

It took me over 55 minutes to do, and I’m still trying to figure out in my head how to edit the video and post it, as well as making intro and outro pages.

I know that I’m busy for the rest of today, so I’m not likely to sort the video out today. I’m hoping I’ll have a bit more time tomorrow.

I was really surprised by the kind comments people left about my first, trial video, so I will do more. I do need to work out a realistic schedule for that for myself to work to amongst other projects I want to get going when I’ve finished Spectacular Sea-Life.

Talking of which, I’ve nearly completed the third out of four coloured templates, so I’ll soon have them all done. I will post some sneak previews of them as I go.

Never give up on hope

Artwork ©Angela Porter | Artwyrd.com

I woke earlier with the need for some self-caring, self-soothing art and a mandala is the only thing that does that at times.

I created a background using various shades of pink and red Distress Inks (Worn Lipstick, Abandoned Coral and Candied Apple). I scanned it in and then drew the mandala digitally.

I needed pink as a soothing colour, so I chose a monochrome (more or less) colour scheme for the mandala.

I knew I wanted a Star Wars quote, and I chose this one from The Clone Wars. I feel a Star Wars marathon coming on later today; something else that I find soothing.

First, though, I want to get some work done on colouring another illustration for the Spectacular Sea-life coloring book. This is yet more self-soothing.

Entangled designs

Entangled Designs ©Angela Porter | Artwyrd.com

I’ve had a nice couple of hours this morning playing around with drawing and paper coloured (and not coloured) with Distress Ink.

I started with drawing the border with the flower straight onto the coloured square of mixed media paper (top right).

For the middle design, I cut a rectangular panel of Distress Ink coloured mixed media paper and glued it to another piece of coloured paper. Then, I decorated the panel along with some simple patterns spilling onto the background.

The bottom right design uses a square piece of plain paper with a small rectangle cut from some Distress Inked paper. I used a die with a stitched detail to cut this panel out along with a Sizzix Big Shot die cutting machine.

I’m not at all fussed on the stitched detail in this case. However, I do like the contrast of the coloured panel against the white background.

I do have a fair few pieces of paper coloured with Distress Inks, so I think some fairly quick, simple and soothing designs will be done over the next day or several.

Not sure what I’ll do with them yet. If you have any helpful suggestions, leave a comment! Also, leave a comment to let me know which design is your favourite.

Entangled 3 Dec 2019

Entangled 3 Dec 19 ©Angela Porter | Artwyrd.com

Two photos of the same drawing today.

I started by colouring a 6″ x 6″ piece of Strathmore Bristol paper with various shades of green Distress Ink (Peeled Paint, Shabby Shutters, Crushed Olive, Bundled Sage and Iced Spruce) and edged it with some Aged Mahogany.

Then, I drew the design using a metallic bronze Uniball Signo gel pen. Finally,I added some shading and depth with an olive green Chameleon Fineliner pen.

My photography skills aren’t good, which is why there’s two photos. The top one is a bit truer to and you can see the design more clearly on it. The bottom one shows the shiny bronze ink I used.

I think you’ll get the idea of what I’ve created.

It’s been a busy day here in the Angela studio/office. I’ve been focused on social media stuff for something I’m involved with at the moment. I had to get things done this morning and afternoon, so it wasn’t until quite late in the day I could turn my attention to art.

By then, I just wanted to draw something that was comforting, familiar, soothing. Which is why I ended up with another entangled design.

It did it’s job in soothing and calming me somewhat. Now, I can settle down, after I finish off a couple of things. I think time away from technology is required this evening.

So Thankful

So thankful ©Angela Porter | Artwyrd.com

Today, I have a simple dangle design greeting card along with a coordinating envelope. If you’d like some more ideas, inspiration and step by step instructions for drawing dangle designs then my book, A Dangle A Day, is a good place to start.

Materials and dimensions

4″ x 4″ Strathmore Bristol paper with a vellum finish
5″ x 5″ acid-free white card blank
White envelope that card will fit in
Distress inks in Tea Dye and Rusty Hinge
Small piece of foam and a mini foam blending tool
A piece of card with a 1.5″ x 0.75″ window cut in it to use as a stencil.
Faber-Castell Pitt artist pens in F, S and XS
Ruler and pencil
Adhesive
Glass pen and coppper ink by J Herbin

Making the card.
  1. Use the card stencil and a small sponge dauber to apply a rectangle of Distress Ink in the top left of the 4″ x 4″ top layer. I used Tea Dye to colour the whole rectangle in, followed by a subtle gradient of Rusty Hinge from the bottom up.
  2. Use a mini foam blending tool to add Tea Dye Distress ink to the edge of the top layer.
  3. Use a pen to draw the rectangles around the colour block. I like to do this free-hand as it gives a more organic, human feel to the design.
  4. Draw the sprigs and add the lines to the border. Dots help to add some interest to the more empty parts of the design.
  5. Use a ruler and pencil to lightly draw a vertical line as a guide for the dangle. Also, draw pencil lines as guides for the position and size of the hand lettering. Sketch in the letters of the greeting.
  6. Draw round and diamond shaped beads to form the dangle. I like to finish my dangles with a ‘heavier’ or larger bead.
  7. Ink the letters in. I did some faux calligraphy where I made the down-strokes thicker. I added some lines and shading to the top line.
  8. Carefully erase the pencil lines.
  9. Attach the top layer to the card blank.
  10. I used a glass pen and copper ink to add copper dots to highlight the dangle design and the hand lettering. I also drew a box just inside the top layer and another just outside it on the card blank. Again, I free-handed the lines, embracing the wobbliness.
Making the envelope
  1. I used Tea Dye Distress Ink and a mini foam blending tool to edge both the front and back of the envelope.
  2. I then used a sponge dauber and the card stencil to add a rectangle of Tea Dye ink in the top left.
  3. I drew the design on the envelope as I had on the card, including adding a line border in copper ink.
  4. Finally, I drew similar sprigs on the envelope flap, using the glass pen and copper ink.
Before mailing…

Once I’ve addressed the envelope, I’d apply a thin layer of Distress MicroGlaze to the front and back of the envelope to protect the Distress Ink and drawing from the elements. I’ve done this to other cards and they have traversed the UK and US postal systems with no problems.

Ideas for using the design.

Although I’ve presented this dangle design as a greeting card, which is, I think, a lovely way to share a little bit of artistic loveliness with others, there are many other ways the design could be used, with or without any hand lettering.

In a BuJo, journal, planner or diary it would make a lovely little design to fill in a blank space.

This is a design that would work really well as a bookmark.

I’m sure it would look charming as part of a scrapbook spread.

I also think it would look lovely on a ‘with compliments’ slip or decorating the edge of a hand-written letter.

I’m sure there are many other ways and media that this design would be suited to.

Final thoughts…

I’m really enjoying drawing these kinds of dangle designs. They’re simple and elegant, to my mind anyway. They’re also quite easy to draw.

I do prefer to free-hand the lines and let the wobbliness be part of my signature style. It gives that human, hand-made, hand-crafted feel to the finished project, and a warmth to the finished project.

I work hard at finding a way of drawing digitally that lets me keep this uniquely ‘Angela’ way of expressing myself through line and pattern. I’m still working on it and sometimes get frustrated that, to my eye, my digital art seems too, well digitally perfect.

It’s all part of the process though – learning, developing, experimenting, trying out new ideas, techniques and methods. That’s what helps me grow as an artist.

One more piece of mail art.

One more piece of mail art ©Angela Porter
One more piece of mail art ©Angela Porter

This could be the last piece of mail art from me for a few days. I need to get focused on art that is ‘work’ rather than just ‘for fun’. I enjoy my art, no matter what it is, but I can be easily distracted by the metaphorical shiny, bright new toy.

Mind you, once I’ve spent time doing art ‘for fun’, the commissioned work then feels like fun. A change is as good as a rest for sure. Different styles and methods of working keep everything fresh for me.

Here’s a brief outline of how I created the card:

  1. Distress Ink background on watercolour paper. Use torn paper to use as a mask for the landscape. Use a circular mask for the sun.
  2. Spray with a mixture of Perfect Pearls and water.
  3. Use Faber-Castell Pitt Artist Pens to draw the design.
  4. Add metallic highlights using a fine brush and Cosmic Shimmer Iridescent Shimmering Watercolour paints.
  5. Add a distress ink ‘frame’ to the image.
  6. Mount the design on black card. Attach the black card to the 6″ x 6″ card blank.
  7. Use a gold glitter Uniball Signo gel pen to outline the top panel and black panel.

And here’s a brief outline of how I created the envelope:

  1. Use a white Sakura Glaze pen to draw the flower motifs.
  2. Use a fine paintbrush to add Cosmic Shimmer Iridescent Shimmering Watercolour paints.

For the envelope, I used a rainbow of colours for the flowers.

I like using Sakura Glaze pens to draw motifs when I’m adding watercolour; the ink dries to give a raised line that is waterproof. The thicker line width can also give stained glass feel to the artwork; this is particularly true for the black Glaze pens.

Seedpod Landscapes – Art and Card Making

I had a lovely time this morning making the card on the left. Before I started drawing, I added a moon or planet to the background. It really adds something to the card, I think. Something like this is needed on the card to the right I think. However, as I’ve assembled the card it’s not going to be easy to alter!

How I made the cards.

I used Distress Inks and a mini-foam blending tool to colour the backgrounds. I used a circle of paper as a mask for the moon/planet in the left-hand card. To create the land, I used a torn piece of paper to mask off part of the card.

Once I was pleased with the backgrounds, I sprayed the image with a mixture of Perfect Pearls and water and let it dry.

The next step was to draw the designs. I used black and grey Pitt Artist Pens by Faber Castell.

Metallic/iridescent highlights were added; I used Cosmic Shimmer watercolour paints and a fine brush.

The final steps were to adhere the top layer to a black mat, and then this to the card base. Finally, I edged the mat and the top layer with a gold glitter Uniball Signo gel pen.

I have made coordinating envelopes for each card.

My thoughts on the cards.

I think you can tell that the card on the left is the second made. I can see how I’ve learned from the first card. I do like them both.

I would, if I could, add a moon/planet to the right hand card. It would fill that space rather nicely and give a more magical, mystical, ethereal feel to the landscape.

As to the left hand card, I wish I hadn’t done the pods all in black; they appear a tad ‘flat’. In hindsight, I could have used just black outlines and then filled the pod with a colour gradient before adding the metallic highlights.

I also am glad I didn’t try to add a spine to each leaf as I did on the right hand card. However, a highlight at the top of each leaf, suggesting the moon/planet light is reflecting from them.

Oh the whole, however, I am pleased with these cards. They are a new style of working for me. leaving open space is never easy for me, but I’ve managed it with these cards.

Would you like some happy mail?

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

I had a lovely time this morning making the card on the left. Before I started drawing, I added a moon or planet to the background. It really adds something to the card, I think. Something like this is needed on the card to the right, I guess. However, as I’ve assembled the card, it’s not going to be easy to alter!

How I made the cards.

I used Distress Inks and a mini-foam blending tool to colour the backgrounds. I used a circle of paper as a mask for the moon/planet in the left-hand card. To create the land, I used a torn piece of paper to mask off part of the card.

Once I was pleased with the backgrounds, I sprayed the image with a mixture of Perfect Pearls and water and let it dry.

The next step was to draw the designs. I used black and grey Pitt Artist Pens by Faber Castell.

Metallic/iridescent highlights were added; I used Cosmic Shimmer watercolour paints and a fine brush.

The final steps were to adhere the top layer to a black mat and then this to the card base. Finally, I edged the mat and the top layer with a gold glitter Uniball Signo gel pen.

I have made coordinating envelopes for each card.

My thoughts on the cards.

I think you can tell that the card on the left is the second made. I can see how I’ve learned from the first card. I do like both cards, though.

I would, if I could, add a moon/planet to the right-hand card. It would fill that space rather nicely and give a more magical, mystical, ethereal feel to the landscape.

As to the left-hand card, I wish I hadn’t done the pods all in black; they appear a tad ‘flat’. In hindsight, I could have used just black outlines and then filled the pod with a colour gradient before adding the metallic highlights.

I also am glad I didn’t try to add a spine to each leaf as I did on the right-hand card. However, a highlight at the top of each leaf, suggesting the moon/planet light is reflecting from them.

Oh the whole, however, I am pleased with these cards. They are a new style of working for me. Leaving open space is never easy for me, but I’ve managed it with these cards.

Would you like some happy mail?

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.