C is for … dangle design

Angela Porter C is for 10 Nov 2018

I don’t know what’s occurring with WordPress, but the colours of this particular dangle design aren’t quite so grey and dull. I’ve noticed over the past couple of weeks that when I upload an image the colours change. Never used to do that…

Anyways, today’s dangle design was fun to draw and I chose to use a different color palette than is usually for me. It’s not more pastel, it’s more subdued perhaps. I actually quite like it, which has surprised me!

I do tend towards bright colour palettes, bright and vibrant. For me to choose a more subdued one is very unusual, but it’s something I think I may work with more now as I rather like this one.

Also, I’ve chosen just  7 colors that I’ve used tones/shades of – cool grey, cool violet, antique pink, a blue-green, a yellow-green, soft blue-grey and old gold tones.

Again, using just a few base colors rather than a whole host of different colours is not my usual way of working. What I’m beginning to realise about this is that it gives a much more cohesive look to the finished design. With the colours being more subtle, it also gives a much more grown-up even, dare I say it, more sophisticated look to what is a rather simple and whimsical kind of design. It particularly works well with the monogram ‘C’.

In fact, the cute kitty is really the only whimsical element of this design. The others are simple, yes, but not quite so cute and whimsical. However, I wouldn’t remove the kitty-cat as cats are the theme of this series of monogram dangle designs.

I’ve said it before that I really struggle with seeing my art as others see it. I often think my art, like this, is rather childish, simple, unsophisticated, naive with no real artistic value at all.

This is part of how I think of myself and it’s part of my CPTSD. I’m working on it. For me to recognise that I’ve done nice things, things I feel proud of is a step or two forwards. However, there’s that nasty inner critic that does its best to derail any positive thoughts I may have about myself or the things I do.

Anyways, onto the nitty gritty of how I created this dangle design.

The steps I took were:

  1. sketched out the design on dot grid paper
  2. scanned the sketch into Autodesk Sketchbook Pro
  3. used a technical pen ‘brush’ to ink in the design
  4. worked out the color palette I wanted to use
  5. coloured the design, in this case using gradient fills for speed
  6. added shadows to the design
  7. created a drop shadow
  8. created a coloured background
  9. added texture to both the design and background

I sketched the design out last night, and it took me between 2 and 3 hours to complete the steps above as this is a relatively small design.

If you’d like to learn how to create your own dangle designs, then my upcoming book ‘A Dangle A Day’ is a good place to start. You can pre-order it so it’s arrives on it’s release date in January 2019.

Abstract Botanical 16 September 2016

Angela Porter 16 September2018

Another abstract botanical. Here are the steps I took in creating it.

  1. Draw the black and white line art design on dot-grid paper from Rhodia using Sakura Micron pens.
  2. Scanned the drawing in, removed the dot-grid, removed noise and created a transparent background in GiMP opensource photo editing software.
  3. Imported the image with a transparent image into Autodesk Sketchbook Pro and added colour and texture.

It took a couple of hours to draw the design and several hours to colour and so on.

My digital tools are a Microsoft Surface Pen and Microsoft Surface Studio.

I love the way many of the elements seem to glow against the dark green-blue background.

Many of my latest works like this seem to have an ocean, watery background going on. So, in the one I have on the go at the moment I’ve done a kind of sunset background. I’ll see how that turns out. Working digitally means I can alter my backgrounds really easily for sure.

I’ve been creating backgrounds digitally, but I want to create some on paper with Distress Inks and scan them in to use instead of the digital backgrounds.

I also made use of a more limited colour palette in this work – going for a more cohesive look/feel. These aren’t colours I’d normally choose to go together, but they seem to work fine.

I now have a fair few of these images and so now really need to try to work out what to do with them. I may try to import them into Repper and create repeating patterns from parts of them; that could be an interesting exercise for sure, but a fun one!

If you have any ideas of how my artwork could be used, leave a comment – I’d love to hear!

 

Work in Progress Wednesday

Angela Porter 9 September 2019 02 coloured small1

This was drawn on paper with Sakura Pigma Micron pens, scanned in and is in the process of being digitally coloured in Autodesk Sketchbook Pro. I’m using my Surface Studio and a Surface Pen, both from Microsoft.

The background may go a little darker on this one, but I’ll decide on that when I’ve completed colouring the design elements in.

It’s also work in progress Wednesday over on the Angela Porter’s Coloring Book Fans facebook group. We’d love to see your colouring works in progress of pages from my coloring books. Why  not pop along and join in? You’d be very welcome there.

Peace

Angela Porter Peace 10 Sept 2018Drawn using a Microsoft Surface Pen on a Microsoft Surface Studio screen in Autodesk Sketchbook Pro.

It’s been a couple of weeks since I last hand-lettered and patterned a word, and this morning it seemed really appropriate to do so.

Yes, hand-lettered, in a digital environment. Working with the Surface Pen on the screen of a Surface Studio is just like working with pen on paper in terms of physically hand-lettering and drawing the patterns.

The ability to work in layers, add effects to layers and use gradients to colour the background is a bit different to working in traditional media.

I do like doing these words; they’re fun to do! Also, a nice way to spend a few hours of a Monday morning.

Joy – hand lettering

Angela Porter Joy 13 August 2018

I did hand-letter this one, though I did do it digitally using a Surface Pen on my new Surface Studio.

I love my Surface Book, which was a joy to use most of the time. However I was beginning to become a little frustrated with turning the screen around and losing the use of the keyboard and not being able to see the whole image I was working on at the actual size it would be printed.

So, as I officially take my teacher’s pension early today as I reach the illustrious age of 55, I decided to invest some of the lump sum in a shiny new Surface Studio for my business of art, illustration and writing.

The Surface Studio isn’t without it’s frustrations, not least of which were the hours and hours it took to download and install all the upgrades for Windows and the Surface system, and then installing the software I used (not done all of it quite yet).

I did get a Surface Dial with the Surface Studio, and it works interestingly with the free Autodesk Sketchbook, but it doesn’t work at all with the Autodesk Sketchbook Pro version, which is the one I prefer, perhaps because I’m familiar with it and find it easier to access the functions I make use of.

These are minor things, the Surface Studio is a joy to use (though I do need to remember to change the tip on the surface pen to one that glides more easily on the screen!)

So, it seemed appropriate that today, the day I turn 55 and become a semi-pensioner, that I hand letter the word Joy, in my own inimitable style.

I actually quite like the neon colours on the black background. I have a feeling I’ll be doing more like this now my mind has worked out that I can do stuff like this digitally.

Will I be turning my back on more traditional art? Not at all! If anything, I treat digital art as if it is traditional art – the pen means I draw like I would on paper.  All it means is I have access to tools that make some styles a little easier, the ability to use colours and textures that would be difficult for me in traditional media possible, and the ability to edit without frustrating use of white inks a dream!

Don’t forget, I do tend to work directly in ink on paper, often with no pencil lines at all.

Joy is also an appropriate word as I share my artwork because I share my joy in creating it with others, and I trust that viewing it (and hopefully my witterings like this one) joy for you.

What doesn’t bring me joy is when I find my artwork is shared or used without my permission, particularly when people use it to make money for themselves without any regard for the creator of the work. I try to protect my work by watermarking it, signing it, sharing at a low resolution, but still I find people steal my work.

That is not joy. Not joyful at all.

It is stealing too. I don’t know where people get the idea that artwork shared by artists on the interwebs means the artists give up their copyrights.

We DO NOT give up our copyrights in any way.

I sometimes create ‘freebies’, but even then there are limits to how they can be used – personal use, not for resale either coloured or uncoloured, not for inclusion in publications, and so on.

People who steal work like this, and let me be clear it is stealing, make me feel very un-joyful and on the point of removing all my accounts where I share art so people can view it and enjoy it, sometimes even buy it, or prints of it or products with it on, but not to steal it and use it without my permission.

I’m sure those of you who read this will agree with me on this and don’t need to read it, but if my words reach just one person who takes the work of others for their own personal gain in someway, without asking permission of the artist, without even crediting them or providing a link back to where they got it from, stop to think about the harm and upset they are causing to those of us who want to share our joy in our vocation with others, then my words will have done some good. Pricked a conscience or two maybe.

Perhaps then the days of me getting upset and writing emails that go unanswered to websites where I find my artwork offered to others will stop, and there will be more joy.

I can hope this will happen.

Returning to the theme of joy rather than not-joy, I do hope you find my little artwork of today brings you some joy too. Do let me know if you’d like to see more like this, or if you have suggestions of words that you’d like to see in this kind of style!

Finally, do have a joyful day yourselves. Do something that brings you peace and joy, be it art, coloring, baking, reading, dancing, playing music, a sunset walk in nature … whatever it may be, do something joyful every day.

mhaw18

Angela Porter mhaw18 17 May 2018

Today I’m feeling tickettyboo, a little tired, but definitely only a teeny tiny bit emotionally drained.  I think that some lovely icecream on a toasted waffle after my talk yesterday, in the company of a lovely friend, seriously helped, as did time with other friends in the evening and a serious dose of meditation.

Of course, my morning drawing helps me, and today it’s a mandala.

The perfect kind of relaxation to do before I head out later to do my fourth anti-stigma talk of the week, this time at Companies House.

This morning it’s time for some self-care, and for learning how to create amigurumi critters.  Crocheting is always a challenge for me, but I had an overwhelming desire to create a cuddly cuttlefish, all rainbow colours.  However, I think I bit off more than I could chew by starting on something so big without practicing and figuring out how amigurumi works and how to avoid increasing the number of stitches when they’re supposed to remain the same number, and how to know when the next ‘row’ starts when you’re essentially working in a spiral, and and and …

So, I finished the body and ears of a simple bear yesterday and started on a little mouse. I’ve still not figured out fully how it works, but I may be getting there, and smaller projects are definitely the way to go to learn and understand the techniques needed.