Thank you card – a dangle design

Friday means it’s time for another dangle design, this time a ‘thank you’ card and coordinating envelope.

In previous weeks I’ve had some fun adding patterns to small blocks of colour. So, I thought I’d run with that idea and turn one into a simple dangle design. The steps I used were the same for the card and envelope.

Card size.

The card is an A6 card and I cut a piece of Winsor and Newton Bristol paper to 5″ x 3.5″ for the card topper. The envelope came with the card blank so is A6 in size too.

How to…

I started by drawing a square of colour using the BL3 (Sky Blue) Chameleon Color Tone pen – no gradient, just pure colour.

Then, I added a gradient of BL6 (Royal Blue) over the base colour. I added pure blender to the Royal blue bullet nib using the mixing chamber. I didn’t use the Color Tops to add Royal Blue to the tip of the Sky Blue pen as I wanted a more subtle colour gradient.

Next, I used a Tombow Fudenosuke pen to draw around the block twice. Then, I added a filler pattern of spirals to the colour block. On the card I used a gold Uniball Signo sparkle gel pen. On the envelope I used the fudenosuke pen.

Now the colour block was decorated I turned my attention to the dangle.I decided to draw one dangle as I thought the design would look too crowded if I ad more. Sometimes, less really is more!

After drawing a faint pencil guide-line, I used a combination of beads, daisy-like flowers and a heart for the dangle. I wanted to keep it nice and simple.

Then it was time to add colour to the outline and design elements. I used the Chameleon Colour tops to add very simple colours. I didn’t do any gradients as the designs were so small. Instead I coloured them in the lightest colour, added a touch of darker colour where I wanted shadow and blended that out with the lighter colour.

I decided to hand letter ‘Thank you’ on the card using a soft nib Fudenosuke pen. I also added some tiny daisies to some of the loops and swirls to tie the hand lettering in with the dangle design.

I then mounted the card ‘topper’ on the card blank and added some gold glitter gel dots around the designs. I also added a gold line around the card topper.

Before I post the card, I’ll use some Micro Glaze from Ranger on the envelope to protect the Tombow pen from water damage.

Reflecting on the project…

Overall, I’m quite pleased with this. In hindsight I wish I’d used the Tombow Fudenosuke pen to draw the spiral pattern on the card. I think it’s a cute, simple and versatile design.

It would make lovely stationery, such as note paper or note cards, along with coordinating envelopes. There are lots of ways the design could be used in BuJos, Planners, Journals, Scrapbooks, and Art Journals. The vertical nature of the design means it would make a lovely bookmark.

How would you use this design? I’d love to hear, so leave a comment!

If you have a go at drawing and using this design then please share your finished products with me – I’d love to see how people use dangle designs!

If you want to learn more about drawing dangle designs then my book ‘A Dangle A Day’ is a good place to start. There’s over 120 designs for you to use as they are or for inspiration for your own designs.

Nearly every Friday I publish a new dangle design on my blog for more inspiration.

Remembrance dangle design

Remembrance Dangle Design ©Angela Porter | Artwyrd.com

Today, I have a simple tutorial for a Remembrance dangle design.

To draw and write the design and instructions I used Faber Castell Pitt artist pens and Claire Fontaine Dot Grid Paper. I also used a Tombow Fudenosuke pen for the broader ‘Remembrance’ to the bottom right of the page.

I did colour the design digitally using a very simple colour scheme and colour gradients.

I do hope you have a go at drawing your own version of this design. I’d love to see what you create with it – maybe a greeting card, or in a scrapbook spread about a loved one lost during a war. Perhaps you’ll change the sentiment for a birthday or other occasion, and change the colour scheme with that.

I based this design on the one that is in my book “A Dangle A Day”. There are over 120 dangle designs in the book for you to learn to draw or as inspiration for your own designs.

A simple and elegant Autumn Dangle Design.

Autumn Dangle Design ©Angela Porter | Artwyrd.com

Hello to November, and farewell Inktober. My blog post today looks a bit bare compared to my Inktober creations. However, I have neglected my dangle designs during October, so now’s the time to get back on track with them

Today, I’ve created a simple and elegant dangle design with an autumn colour scheme that could be used in so many different ways. I’ve also put together a step by step set of instructions how you too can create this design (and hoping that it’s not so simple that I come across as patronising).

This is my first time posting a set of instructions – post a comment to let me know what you think of them and if you’d like to see more of them in the future.

I’ve put the dangle design on one side of a slip of paper that would make a perfect compliment slip or a note to slip in with a gift, or just as a short letter to a friend. It would also be perfect for a coordinating piece of envelope art!

This dangle design would be absolutely charming as an embellishment in a BuJo, planner, scrapbook or art journal. It would also make a darling bookmark.

It would be easy to turn this design into a greeting card as well.

So many possible uses for such a simple design.

I do hope that you will give drawing dangles a go – no matter whether you think you’re good at drawing or not! This design is made out of just simple shapes; it’s the colour that brings it to life and masks all kinds of imperfections.

If you’d like more ideas for dangle designs, then please take a look at my book ‘A Dangle A Day’ – it’s filled with examples of dangle designs with step by step instructions and helpful and encouraging words of advice.

One step at a time to a dangle design.

Step 1

Step 1
Draw a square in the top left corner of a piece of paper. I used a piece of paper measuring approx 8.25″ x 3.5″. I used a Tombow Fudenosuke brush pen to draw the box, and outline it. I deliberately made the squares less than perfect to give that human touch as well as a uniquely ‘me’ way of drawing boxes. The Fudenosuke pen allows me to draw lines of variable width quite easily, which adds to the charm of the box. The ink in the pen is also alcohol marker friendly.
Letting your drawings be less than perfect is what makes them uniquely yours.

Step 2

Step 2
I used Chameleon marker pens (BR3 “Cinnamon” and YO3 “Warm Sunset”) to colour the inner box. Autumn is definitely here in the UK, and the combination of these colours reminded me of the leaves. However, you could use any colour combination you like and any medium you prefer to use.
Chameleon pens make it so easy to create a colour gradient – I prefer them to other alcohol marker pens, even Copics.

Step 3

Step 3
I added a simple leaf pattern to the coloured box using a Sakura Pigma Sensei 04 pen.

Step 4

Step 4
Add the dangle! For this dangle I used the same kind of leaves as in the box for a consistent design. I added some round beads as ‘spacers’. Finally, I added my ‘symbol’ to the end of the dangle.
Also, I did draw a faint pencil line with a ruler to help me keep my dangle hanging straight, more or less!

Step 5

Step 5
I coloured the beads and leaves in using the same colours of Chameleon Markers. I then decided I needed to add some shimmer and shine; I used a Uniball Signo gold glitter gel pen to colour in the border of the box and to add some dot highlights here and there.
The Chameleons caused the Sakura Pigma Micron ink to smear a little – I always forget that happens! I should’ve used the Tombow pen again. Oh well, you live and learn, eventually!

Turtle skull and Xerocomus dangle design – Inktober 2019 day 4 v2

Dangle design for Inktober day 4

Inktober Day 4 – a dangle design

I thought it would be fun to do a really simple turtle skull drawing along with those Xerocomus fungi and turn them into a dangle design.

I kept to simple line drawings, focused on ocean-themed charms for the dangle, and added really simple colour in places just to give an idea of how it could look fully coloured in.

I worked digitally, with Autodesk Sketchbook Pro along with a Surface Pen and Surface Studio by Microsoft.

The splashes of colour show how the line drawing, as simple as it is, just comes to life with colour.

If you’d like to know more about drawing dangle designs, then my book “A Dangle A Day” is a good place to start. I show you how, one step at a time, you too can draw dangle designs and I have over 150 examples of dangle designs you can copy or use for inspiration.

Inktober – day 5

My prompts for day 5 are owl skull and Favolaschia calocera. The prompt lists I’m using are from two people on instagram – @book_polygamist and @nyan_sun.

I’m partway through my design – the owl skull is drawn and I’m rather pleased with it. I have yet to draw the Favolaschia and other design elements around it.

Again, I’m working digitally for day 5 and pushing stylised design just a little bit more with this one.

Reflecting on Inktober so far.

Five days in and I am really enjoying it. The hardest thing for me is to not let it dominate my arty work each day. For three out of the four days so far I have also managed to get my goal of at least two illustrations for the coloring book I’m working on done. The Inktober drawings are also giving me some ideas for the illustrations for the book as well.

I’m also finding I’m ‘rediscovering’ styles of art that I haven’t done for a long time; the owl skull is an example of this and I will write more about that when I post day 5’s ink.

Whimsical Autumn Dangle Designs and More.

Autumn dangle designs and more © Angela Porter

About the art.

It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!

There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.

I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.

I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.

After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.

These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.

My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!

So, Angela, how are you feeling today?

I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.

I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.

It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.

I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.

Now, that’s a nice metaphor!

Dangle Design Greeting Cards

Dangle Design Greeting Cards © Angela Porter | Artwyrd.com
Dangle Design Greeting Cards © Angela Porter | Artwyrd.com

Today I have two card designs for you, both featuring dangle designs, but in different ways.

If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day” of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them. 

Love Ya and With Love Card.

I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.

Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.

My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.

So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.

I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.

I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.

I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.

To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.

I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!

Black and white floral card.

Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.

To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.

Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.

I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.

It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.

Things I’ve learned and techniques I want to try.

The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering. 

I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system. 

Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.

I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.

I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!

So, there are lots of possibilities for going forward with this.

So, Angela, how are you feeling today?

I’m feeling the more content and optimistic than I have for the past two or three weeks.

I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.

I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time. 

Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing. 

As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.

Hello – A dangle design card with coordinating envelope.

Hell - A Dangle Design card with coordinating envelope © Angela Porter | Artwyrd.com
Hell – A Dangle Design card with coordinating envelope © Angela Porter | Artwyrd.com

Yesterday I decided to make a second card with a coordinating envelope. I wanted to try out using the Chameleon fine-liners to add colour in the form of lines and cross-hatching. Finally, I added some gold dots to the points of the petals on the flower design.

To draw the design and execute the hand-lettering, I used a Uniball Unipin pen. I then used various pairs of Chameleon fineliners to add the colour.

I prefer this way of adding colour with the Chameleon fine-liners, though I’m not entirely happy about it either. Looking at it now, in the clear light of dawn, I think I could have added a flat colour below the coloured lines. I may go and add that colour in a little while. After all, it’s just a card, an experiment, and if I mess it up, I can always make another one! A lesson learned, an experience gained is worth the few pennies worth of materials and the time it took just as long as I remember the lesson in the future.

I’m also not happy with my hand-lettering; I like the idea of the letter layout, but it’s not centred between the arcs.

I do like the ‘banner’ I’ve used to enclose the hand-lettering. However, there’s something about the rectangular ribbons and the patterns within that I don’t particularly like. I’ll work out what it is in time.

For now, I’ll try adding flat colour to the coloured sections to see how that works out and not worry about messing up the card. I’ll use it as a learning experience.

And that reminds me, I’ve still not set up my One Note journal for my private critiques and what kinds of methods and techniques I use in my art.

Materials

A piece of yellow card cut to 4″ x 11″, scored and folded in half to make a top-fold card measuring 4″ x 5½”.

A piece of white card approx. 4″ x 5″ for the top layer.

A We R Memory Keepers Envelope Punch board and an piece of paper measuring 7⅞” x 7⅞” or a blank envelope that will fit a 4″ x 5½” card.

A pencil and ruler for the guide-lines and a good eraser to remove them.

A black fineliner pen for drawing and hand-lettering; I used a Uniball Unipin pen.

Pens to colour the design; I used Chameleon fineliner pens.

A gold gel pen for the dot embellishments; I used a Uniball Signo gold gel pen.

If you’d like to learn more about dangle designs or are looking for some more inspiration for them and how they can be used in cards, BuJos, scrapbooks, bookmarks, journals, and more then my book ‘A Dangle A Day’ is a good place to start. It takes you through how to draw monograms and dangle designs for all kinds of occasions around the year in simple steps.